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Lot 25
Collection of over 60 pieces of cut glassware to include Webb, Edinburgh Crystal, Royal Doulton, etc, featuring a set of 6 Edinburgh Crystal wine glasses, 13 Royal Doulton short-stemmed wine glasses, 4 Royal Doulton sherry glasses, a set of 5 brandy glasses, 6 Royal Doulton Champagne glasses and 6 Webb Sherry glasses (4 boxes)
Lot 161
A Collection of Assorted Silver and Silver Plate, the silver comprising: a pair of Victorian silver salt-cellars; a pair of Scottish provincial silver toddy-ladles, by Alexander Davidson, Dundee, circa 1830, Fiddle pattern, engraved with initials; four Scottish single-struck King's pattern teaspoons; various other items of flatware and a Victorian cream-jug, a/f, weight of silver 14oz 13dwt, 455gr, the silver plate including a pair of wine-coasters; a toast rack and other items (qty)
Lot 229
A Collection of Assorted Silver Plate, including, three entree dishes and covers, each engraved with the badge of the Leeds Rifles and an inscription to Captain C. H. Tetley, dated 1902, handles and handle fittings lacking; three entree-dishes, covers lacking; two wine-bottle handles; two pedestal bowls, each engraved with foliage and a goblet (qty)
Lot 287
A Victorian Brass String Dispenser, together with assorted items including a commemorative silver and enamel paper knife for the marriage of HRH Price of Wales to Lady Diana Spencer, Birmingham, 1981, other paper knives, a brass desk tidy, glass and brass inkwell, magnifying glass, 1970s Art Glass beakers, wine taster and a desk stand incorporating a letter rack etc (one tray)
Lot 311
A Wine Glass, circa 1750, the bell shaped bowl on a plain stem and domed foot17.5cm highA Similar Wine Glass, the rounded funnel bowl on a plain stem with basal ball knop and folded foot15.5cm high (2)Bell shaped bowl - top rim ground and polishedFunnel bowl - good conditionBoth with typical wear and surface scratches
Lot 313
A Dwarf Wine Glass, circa 1760, the ovoid bowl engraved with swags, on a plain stem and circular foot10cm highA Similar Wine Glass10.5cm highTwo Wine Glasses, the conical bowls on plain stems and folded feet11.5cm highA Similar Wine Glass, engraved with fruiting vine10cm high (5)Possibly some polishing to feet. Some typical surface wear and scratching.
Lot 107
A pair of Edwardian silver posy vaes, chasd floral decoration, hallmarked by J B Chatterley, London, 1901 and a Continental probably Dutch white metal sifting spoon with Queen's head terminal above pierced monogram, chased bowl, unmarked, circa 68.5 grams together with an extensive collection of silver plate, EPNS, EP and other white metal to include King's pattern flatware, various serving spoons, Georgian style engraved teapot, oval bread basket, chamberstick, pair of candlesticks, large shaped rectangular tray, Modernist candle holder, wine coasters etc (1 box)
Lot 280
Brewing.- Dougharty (John) The General Gauger: or, The Principles and Practice of Gauging Beer, Wine, and Malt, fifth edition, woodcut diagrams, printing flaw and short tear to B4, affecting a few words, a few leaves with doodles in ink and pencil, affecting but not obscuring text, the odd spot or patch of soiling, endpapers with contemporary and later ink ownership inscriptions, 1 with upper corner torn away, contemporary calf, worn at corners, repairs to lower cover and spine foot, 8vo, Printed for John and Paul Knapton, 1737.
Lot 353
A FRENCH BRONZE MODEL OF THE BORGHESE VASE AFTER THE ANTIQUE, LATE 19TH CENTURY cast with a frieze of classical figures between a pair of mask handles, between an ovolo rim and stem knop, on a fluted base and square foot 21.5cm high, 15.5cm diameter Catalogue Note The Borghese Vase was discovered in 1566 in the garden of Sallust, in Rome and was bought by the Borghese family in 1645. In 1808, the French Emperor, Napoleon I, decided to buy a large portion of the Borghese Collection, amongst them the Borghese Vase which was then transported to the Louvre and has stayed there since 1811. The vase would have been originally made for a wealthy Roman who used it to decorate the garden of his villa. It was made in Greece around the 1st century BC, and then shipped to Rome where the rich were looking to recreate the lavish opulence of Hellenistic Greece. The shape of the vase is based on a Greek crater: a vessel that was used at banquets to hold wine. The high relief decoration on the body also relates to its original function, showing Bacchus, the god of wine leaning against Ariadne, who is playing music to the ecstatic figures dancing around them.
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