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A NEAR PAIR OF REGENCY MAHOGANY BOTTLE STANDS OR WINE SHIELDS CIRCA 1820 Of concave form, same height but different base sizes 30cm high, 14.5cm diameterWITH A PAIR OF 19TH CENTURY HOBNAIL CUT, TRIPLE RING DECANTERSPlease note, the cataloguing for this lot has been revised and differs from that shown in the printed catalogue. Please see our website for the revised information.Condition Report: Please note amendment- NEAR PAIR, although the height and overall form is the same- they have slight differences to wood use, base underside and notable variance to sizes of bases Wear, marks, knocks and scratches as per age, handling, use, and cleaning.The shields with some attrition wear from bottle contact. One with vertical shrinkage crack Bottles with wear and nibbles to hobnail panels and some ends chips to stoppers Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
§ Lionel Edwards, RI (1878-1966) 'The Essex' - with the huntsman and hounds, followed at a distance by the fieldsigned, dated and inscribed 'Lionel Edwards / The Essex 1928' (lower right)gouache on paper51 x 75cmProvenance:Commissioned directly from the artist by his friend, John 'Jack' Newman Gilbey (1888-1984) of Glan Avon, Harlow, Essex,Thence by descent to his great-nephewLiterature: Country Life, 22nd December 1950, vol. CVIII, no. 2814, ‘A Sporting Artist at Work – article and photos by Jack Gilbey’, pages untraced; J N P Watson, Lionel Edwards: Master of the Sporting Scene, 1986, pp. 107-111 The present picture and the subsequent lot were both painted for John ‘Jack’ Newman Gilbey (1888-1984) a friend and patron of Lionel Edwards. He was the son of Newman Gilbey (1862-1942) a nephew of Sir Walter Gilbey, 1st Bt. (1831-1914) the well-known wine merchant, agriculturalist and breeder of shire horses, and Maria Victorina de Ysasi (1865-1937). The Gilbey family of Mark Hall, Latton, near Harlow, had long hunted with the Essex, particularly Jack’s father, Newman, and his younger siblings, Carmen (b. 1894-) and Frank (1896-1973) (see C D Bruce, The Essex Foxhounds, 1895-1926, p. 63). Newman Gilbey was a Justice of the Peace for Essex and had been a generous supporter of the Essex Hounds for thirty years.The landscape view of White Roding in the background of the present picture was specifically chosen by Jack Gilbey, as he describes in an account originally published in Country Life in 1950: “With his usual thoroughness Lionel went out for a day with the hunt in order to take stock of the huntsman, his horse and the pack. In the meantime he had asked me to suggest a typical Essex setting, and I thought I could not do better than choose the distant view of the village of White Roding, with undulating ploughland in foreground and middle distance, which had been familiar to me from boyhood” (see Literature, Watson, p. 107). The present painting was completed in April 1928 in Edwards’ studio at Buckholt, West Tytherley, near Salisbury and upon presenting it to his patron, Edwards smilingly remarked: “I have given you an extremely well-behaved field. Every member of the hunt is depicted on the left of the road and only the huntsman is with his hounds” (ibid, p. 109). Upon seeing the finished picture in Edwards’ studio, Jack Gilbey was pleased with the result as he thought “much more of the landscape was thus made visible!...White Roding, with its cold grey sky, its wide expanse of gently undulating fields of brown plough…gives a faithful reproduction of a typical part of Essex hunting country…” (ibid, pp. 110-111).It is fascinating that Lionel Edwards should have done a preliminary study for this picture with snow on the ground (see subsequent lot) which he clearly chose not to depict in this finished work. We are grateful to Simon Marriage, the Chairman of the Essex Hunt, for his assistance with this catalogue entry.Framed 60 x 84.5cm
A Chinese Wucai porcelain wine jar, Transitional Period, 17th century, painted with panels of shrubs amongst rocks, six arched shoulder handles 32cm high;and a 19th century example decorated with horses, base drilled29.5cm highProvenance:Clopton Hall, Rattlesden, SuffolkBoth wine jar heavily restored and extensively re-painted. Both vases are approximately 24cm wide
A collection of four wine bottles, late 18th or early 19th century, one with an embossed seal bearing a 'W'31cm and smallertogether with a later Champagne bottle with barnacles attacheda minor chip to the shoulder of the largest bottle (third picture). Generally good condition on the smallest bottle with some minor irregularities visible particularly around the neck and the lip. See images for further condition
A pair of Regency green glass triple neck decanters, inscribed in gilt Brandy and Rum, within bottle ticket style cartouches27cm high; four green glass wine glasses gilt with foliage14cm high (8)Rubbing to the gilt throughout. Some chipping to the body of both decanters. Chipping to the base of the stoppers commensurate with age and use.
Group of coloured glasswareEnglish, to include a Bristol blue lacemaker's lamp, 18cm, an opaque painted glass vase, 17.5cm, wine glasses, blue glass salt liners, and othersProvenance: The property of a Gentleman, from a period Winchcombe Town House.At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
Group of glasswareEnglish, 18th/19th Century to include a wine glass with a coloured spiral twist stem, spiral flutes, rummers and others (18)Provenance: The property of a Gentleman, from a period Winchcombe Town House.The tallest example with numerous chips and large losses. Coloured spiral twist example with cracks to the bowl. Small plain glass on wrythen stem with chips to the foot. Large bohemian cut glass tumbler or glass with chips. Taller hobnail cut glass with small chips. One of the larger bell shaped glasses with trailed band with chips. Tall wryten bowl example cracked (possibly stress cracks from when it was made).
Burt Kwouk signed 10x8 black and white photo. Dedicated. 18 July 1930 - 24 May 2016) was a British actor, known for his role as Cato in the Pink Panther films. He made appearances in many television programmes, including a portrayal of Imperial Japanese Army Major Yamauchi in the British drama series Tenko and as Entwistle in Last of the Summer Wine. All autographed items come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99.
A George IV silver wine funnelRebecca Emes & Edward Barnard I, London 1822 Of typical form, the body engraved with the Eden and Fairfax crests, height 13cm, together with a George III drum mustard with later blue glass liner, (London 1796, possibly John Touliet); another similar mustard (Harrison & Sons, Birmingham 1921); three similar 18th century cream jugs, with later floral decoration, (marks rubbed); and a Continental cream jug with a turned wood side handle, total gross weight 18.6oz. (7)For further information on this lot please visit Bonhams.com
A Regency mahogany cellaret attributed to GillowsCirca 1810The hinged radial fluted top centred by a central paterae finial and enclosing a lead lined interior, the sides with reeded baluster columns and lion-mask handles on tapering reeded legs with brass caps and castors, the underside with a metal drain spigot, probably brass, 72cm wide x 53cm deep x 61cm high, (28in wide x 20 1/2in deep x 24in high)Footnotes:Provenance: Millington Adams. Literature: A wine cooler with a fluted cover and carved finial similar to the above example is illustrated in Ralph Edwards and Percy Macquoid, The Dictionary of English Furniture, London, rev'd ed., 1954, vol. 1, p.223.Gillows' famous design was frequently supplied both with and without a hinged cover. The earliest sketch for an oval lead-lined cistern features in their 1787 Estimate Sketch Book (see: L. Boynton, Gillow Furniture Designs 1760-1800, Royston, 1995, fig. 178).For an almost identical comparable see Christie's, London, The Collector: English Furniture, Clocks & Works of Art, 23 May 2018, lot 91.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
selection of Wedgwood embossed Queens ware 10 pieces of Jasper ware 3 damaged, Trebbiano World cup empty wine bottle, Beswick owl with damage to tail, Royal Winton Cheese dish and Jardiniere, 2 Tureens, Art glass vase other glass ware small decanter and glasses, Foley part tea set plus other pieces. (6 boxes)
A harlequin suite of Baccarat 'Harcourt' pattern glassware, comprising four champagne flutes, four large numbers and two pairs of wine glasses, together with a further pair of Baccarat cocktail glasses, acid etched Baccarat stamp to all.Qty: 14Chips to the rim of one tumblers, two small nicks to the rim of one cocktail glass.
A George III period handwritten cook’s notebook containing Culinary Recipes and Medicinal Recipes, early 19th century, the culinary recipes to include “To Make Shrewsbury Cakes” and “Carrot Pudding”, with some (presumably unappetising) recipes crossed out, the medicinal recipes to include “An Excellent Recipe For A Sore Mouth” and “An Infallible Cure For The Bite Of A Mad Dog”, the first entry dated November 26th 1812, with a further handwritten recipe book with recipes to include "Ginger Bread" and "Elderberry Wine" (at fault)
A heavy baluster wine glass or goblet, 18th century, the large funnel bowl with tear drop base on tripple knopped stem terminating in spreading folded foot, unpolished pontil, 21cm high Condition report: the piece shows minor blowing faults. The base of the bowl above the top knop is unpolished and rough to the touch. No obvious chips, cracks, damage or signs of restoration, rings well.
A pair of heavy glass ale flutes, each with annular knop, unpolished pontils, each 14.5cm high, with a pair of wine or cordial glasses, each with trumpet bowl annular basal knop and annular stem knop, unpolished pontils, each 10.2cm high, three further wine or cordial glasses, each conical bowl with basal fluting (of varying sizes), annular basal knop and annular stem knop, unpolished pontils, each 8.5cm high, a similar larger example, 10.5cm high, a conical flute with faceted base and stem on domed folded foot, 15cm high, three further drinking glasses with unpolished pontils, a goblet with wrythen stem and folded foot, 10.5cm high, and a rummer on stepped square base, 13.5cm high (14)
Full title: A Chinese bronze 'he' wine ewer, Western Zhou, ca. 11th-8th C. b.C.Description:L.: 19 cm - H.: 12 cm Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired in January 2011 from L'esprit de l'art, Antwerp, Belgium, accompanied by the original invoice, the gallery's certificate and a certificate confirming the age by the Brussels Art Laboratory.
Full title: A Chinese bronze 'you' ritual wine ewer, Zhou, ca. 11th-9th C. b.C.Description:H.: 17 cm Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired in March 2011 from Het Magazijn, Gent, Belgium, with their certificate of authenticity.- According to the certificate, previously in the collection of Prof. F. Minkely, Great-Britain.
Full title: A Chinese archaic bronze ritual 'you' wine vessel and cover in Western Zhou-style, MingDescription:H.: 20,5 cm Ref.: Christie's, London, Dec. 9, 2014, lot 72, for a similar example. (link) Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired in October 2010 from Het Magazijn, Gent, Belgium, with their certificate of authenticity, described as Western Zhou.- Previously in the Bernd and Rita Schlimper collection, Dusseldorf. (according to the certificate)- Previously with Gallery R. Withofs, Brussels, ca. 1970.
Full title: A pair of Chinese famille rose 'Pompadour' wine coolers, QianlongDescription:L.: 25 cm - H.: 19 cm Ref.: Bonhams, London, Nov. 9, 2017, lot 307, for a similar pair. (sold GBP 15.000) (https://www.bonhams.com/auction/24101/lot/307/a-pair-of-famille-rose-madame-de-pompadour-service-wine-coolers-circa-1745-2/" target="_blank">link)Provenance: Acquired from Helen Glatz, London, one with a label of hers on the base.
Full title: An interesting collection of rare reference works and dealer catalogues on Chinese bronzesDescription:Various dimensions. Including important and hard-to-find titles on the ancient and ritual bronzes in the Sackler collection, as well as a number of catalogues of leading expert Gisele Croes. Les bronzes Chinois ou l'art de feu, Li XueqinThe Great Bronze Age of China, Alfred A. KnopfAncient Sichuan - Treasures from a Lost Civilisation, Robert BagleyRitual objects and early buddhist art, Gisele CroesTreasures of ancient China - XXI Biennale des antiquaires (Paris), Gisele Croes XXIII biennale des antiquaires au grand palais Paris, Gisele CroesXXIII biennale des antiquaires - Oriental bronzes, Christian DeydierTreasures of ancient China and Splendour of Yongle painting - Portraits of Nine Luohan, Gisele CroesInspired Metalwork - Precious metal objects in early Chinese art, Gisele CroesLight for the after-life - selected objects, Gisele CroesFrom ancient kingdoms to imperial China, Gisele CroesTreasures from the Shang and a selection of ritual objects, Gisele CroesTreasures of ancient Chinese culture, Gisele CroesArts d'extreme orient, Gisele CroesTreasures from Ancient China - II, Galerie Christian Deydier (Paris-New York, 2010)De bronze, d'or et d'argent - Arts somptuaires de la Chine - Catherine DelacourWestern Zhou ritual bronzes from the Arthur M. Sackler Collections, Jessica RawsonShang ritual bronzes in the Arthur M. Sackler Collections, Robert W. BagleyArt from ritual: Ancient Chinese Bronze Vessels from the Arthur M. Sackler Collections, Lois Katz et al.Eastern Zhou ritual bronzes from the Arthur M. Sackler Collections, Jenny SoBronze mirrors from Ancient China, Donald H. Graham Jr. Collection, Susan Dewar et al.Archeologie chinoise - Tresors de la Region de Guangxi, Somogy edition d'artA walk through the ages - Chinese Archaic Art from the Sondra Laundry Gross Collection, Richard A. PeggBronzes archaiques chinois au musee Cernuschi Volume I, Vadim ElisseeffMusee Cernuschi - Promenade dans les collections chinoises, Marie-Therese BobotMasks of Mystery - Ancient Chinese bronzes from Sanxingoui, Liu Yang et al.The 'Min' Fanglei: a magnificent and highly important massive bronze ritual wine vessel, Christie's New York (20 March 2014)Ancient Chinese Bronzes in the Shanghai museum, Chen PeifenChine des origines, Reunion des musees nationauxChine, l'enigme de l'homme de bronze - Archeologie du Sichuan (XII-III siecle av. J.-C.), Paris Musees Editions FindaklyTreasures from the Bronze Age of China - an exhibition from the People's Republic of China, The Metropolitan museum of art New YorkMasterworks of Chinese bronze in the National Palace Museum, National Palace museum Taipei, Taiwan, Republic of ChinaTresors de la Chine ancienne - bronzes de la collection meiyintang, Musee des art asiatiques GuimetGilded Dragons - buried treasures from china's golden ages, Carol MichaelsonBronzes Archaiques de Chine, Maud Girard-GeslanLes Bronzes Chinois, Christian DeydierLes Bronzes Archaiques Chinois, Christian DeydierConnaissance des Arts nr. 207 - Chine, les bronzes de Sichuan, Paris Musees
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166820 item(s)/page