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Click here to subscribeAn 18thC green glass onion shaped wine bottle, signs of excavation, 19cm high. Reports are no longer given on antique bottles. Please call the saleroom on 01522 524984 to book an appointment to view yourself on Tuesday 15th June. If there is any difficulty with this please call Colin Young on 07976 977169.
An unusual Buen Retiro figure of a Turkish or Levantine lady late 18th century, raising a blue veil away from her face, wearing a tasselled bag around her waist, blue fleur de lys mark, a Doccia white-glazed figure of a man holding a scroll and pointing to his left, and an Italian figure of a lady carrying a bottle of wine, damages and repairs, 25.3cm max. (3)
A wine glass c.1765-70, the round funnel bowl gilded in the atelier of James Giles with fruiting grapevine, raised on a facet stem. 14.4cm. Provenance: the collection of the late Terence C Woodfield. The proceeds from this lot will be donated to charity. Illustrated: Ward Lloyd, Investing in Georgian Glass, p.34.
A privateer wine glass c.1757, the bucket bowl engraved with a ship and the words 'Success to the Dreadnought Privateer', raised on an opaque twist stem and conical foot, the stem repaired with a metal sheath, 15.5cm. Provenance: the collection of the late Terence C Woodfield. Previously from the collection of Peter Lazarus, No.O142. The proceeds from this lot will be donated to charity. Illustrated: Cleo Witt, Introducing Bristol Glass, p.29. Also Witt, Weeden and Schwind, Bristol Glass, p.42. Exhibited: The Bristol and West Building, Broad Quay, June-July 1984. The Dreadnought was a Bristol ship granted a letter of marque on 22nd March 1757 to its four owners - John Harbord, Jonah Thomas, Samuel Thomas and William Wasbrough. A diary written by the ship's unnamed surgeon on a four month cruise under the captaincy of James Leisman is in the Bristol Archives after it was donated by an American family in 2013. The diary discusses life with a crew of 120 men and details the capture of a French ship called Lyon, which was travelling from Domingo to Bordeaux. When the ship and its goods were auctioned in Bristol on 16th July a value was given of £20,000.
A wine glass c.1750, the round funnel bowl engraved with fruiting vine and polished grapes, raised on a plain hollow stem above a folded foot, 15.8cm. Provenance: the collection of the late Terence C Woodfield. Previously in the Peter Lazarus Collection. The proceeds from this lot will be donated to charity. Illustrated: Discovering Antiques, Issue 24, 1971, p.572, fig.4. Also, Glass, Geoffrey Wills, p.27, fig. 31.
A wine glass c.1770, the ogee bowl engraved with 'Honi Soi Qui Mal Y Pense', the motto of the Order of the Garter, raised on a facet cut stem, 13.7cm. Provenance: the collection of the late Terence C Woodfield. Previously in the collection of G V A Seccombe-Hett Esq, Sotheby's 21st April 1961, lot 31; Walter F Smith, no. 1413, Sotheby's 4th December 1967, lot 247; Christie's, 18th April 1978, lot 129; Peter Lazarus collection, no. F23. The proceeds from this lot will be donated to charity. Exhibited: City of Bristol Museum and Art Gallery, The Lazarus Collection of Drinking Glasses, 31st January - 30th September 1981 and on loan until 14th November 1986.
A wine glass c.1770, the round funnel bowl engraved 'Brid't Alderson to Ann Brooks', raised on a double series opaque twist stem, 15.2cm. Provenance: the collection of the late Terence C Woodfield. Previously Percy Bate collection, No.338, Christie's 7th June 1988, lot 121. The proceeds from this lot will be donated to charity. Illustrated: History in Glass, A Coronation Exhibition of Royal, Historical, Political and Social Glass, presented by Arthur Churchill Ltd., 26th April - 28th May 1937, pl.18, no.79.
Two wine glasses c.1760-70, one with a pan-top bowl on an opaque twist stem, the other with an ogee bowl with everted rim, raised on a double series opaque twist stem with a central knop, 15.1cm. (2) Provenance: the collection of the late Terence C Woodfield. The proceeds from this lot will be donated to charity.
A small wine glass and a dram glass c.1760-70, the wine with a round funnel bowl on an opaque twist stem with central knop, the dram with a fluted ovoid bowl on a double series opaque twist stem above a terraced foot, 11.1cm max. (2) Provenance: the collection of the late Terence C Woodfield. The dram glass previously in the Peter Lazarus Collection, no. O22. The proceeds from this lot will be donated to charity.
A large wine glass c.1750, the double ogee bowl raised on a single series opaque twist stem with a central knop, above a folded foot, 16.8cm. Provenance: the collection of the late Terence C Woodfield. Previously in the Peter Lazarus collection, no. O152. The proceeds from this lot will be donated to charity. Exhibited: City of Bristol Museum and Art Gallery, The Lazarus Collection of Drinking Glasses, 31st January - 30th September 1981. Illustrated: E M Elville, The Collector's Dictionary of Glass, fig.119.
A coin wine glass c.1770, the bell bowl raised over a hollow knop containing a 3d coin of James II, 1687, raised on a single series opaque twist stem above a conical foot, 16.8cm. Provenance: the collection of the late Terence C Woodfield. The proceeds from this lot will be donated to charity.
A wine glass c.1770, probably Low Countries, with a bell bowl raised on a quadruple knopped multi-spiral airtwist stem above a conical foot, 15.9cm. Provenance: the collection of the late Terence C Woodfield. Green collector's number 1448 probably for the Walter F Smith collection. The proceeds from this lot will be donated to charity.
A large glass wine funnel c.1770, with ogee bowl tapering to a narrow funnel, a stirrup glass formed as a riding boot, a heavy baluster coin jug, c.1830, and a cut glass seal, c.1900, engraved with an armorial crest, 19cm max. (4) Provenance: the collection of the late Terence C Woodfield. The proceeds from this lot will be donated to charity.
Three glasses c.1770-80, two ale glasses on faceted stems, the last a wine glass with ovoid bowl engraved with an urn, flowers and a moth, raised on a facet cut stem, 15.9cm max. (3) Provenance: the collection of the late Terence C Woodfield. The proceeds from this lot will be donated to charity.
A Dutch-engraved Trade light baluster goblet c.1750, the generous rounded funnel bowl engraved with two couples drinking around a table laden with fruit bowls, a passing angel pouring wine into a glass extended in one hand, inscribed 'Op Het Goed Succes van D Vyffen Twentig Iaarige D Turkse Handelaer', (Good Success to the Twenty Year Old Faith Turkish Trader), raised on a multi-knopped baluster stem enclosing tears above a wide conical foot, 22.5cm.
A wine glass and an ale glass c.1760, the wine with an ogee bowl moulded with flutes above an airtwist stem and folded foot, the ale with a round funnel bowl raised on a double series airtwist stem, 20.9cm max. (2) Provenance: the collection of the late Terence C Woodfield. The proceeds from this lot will be donated to charity.
Four drinking glasses c.1770-1800, two small wines with polished circle borders, raised on plain stems, a similar Continental wine with fluted bowl on an opaque twist stem, a rummer with trellis panel border, and a small blown glass vase raised on a square lemon squeezer base, 14.5cm max. (5)
Seven wine glasses c.1760-85, one with a generous ogee bowl engraved with a bird and rose spray on a double series opaque twist stem, one engraved for 'Colonel Roberts Sept 12th 1780', two engraved with Jacobite type roses on faceted stems, another with a simple border on a facet stem, two others with flowers on plain stems, some faults, 17.2cm max. (7) Provenance: from the collection of Edward Croft-Murray (1907-1980).
Five drinking glasses c.1750-70, including a light baluster glass with bell-shaped bowl on a baluster stem and folded foot, a drawn trumpet wine raised on an airtwist stem, a round funnel bowl on a double series opaque twist stem, a short wine on a thick plain stem and a firing glass with short drawn trumpet bowl, 16.5cm max. (5) Provenance: from the collection of Edward Croft-Murray (1907-1980).
Five wine glasses c.1760, three with drawn trumpet bowls raised on thick plain stems enclosing a single tear, another with a bell bowl on a plain stem, the last Continental with a round funnel bowl on a plain stem with collar above a folded foot, 17.3cm max. (5) Provenance: from the collection of Edward Croft-Murray (1907-1980).
A rare enamelled wine glass c.1765, possibly by Anthony Taylor, the round funnel bowl enamelled in white and yellow with Masonic symbols, raised on a double series opaque twist stem above a conical foot, 15.2cm. Provenance: the collection of the late Terence C Woodfield. The proceeds from this lot will be donated to charity. Cf. Simon Cottle, 'The Other Beilbys: British Enamelled Glass of the Eighteenth Century', Apollo, October 1986, pp.315-327 for a discussion of this style of decoration and the work of Anthony Taylor in Newcastle-upon-Tyne.
2001 Fender Jazz Bass with replacement Fender licensed All Parts fretless neck; Finish: metallic wine red, large blemish to treble edge/ top, scuffs to finish on the sides; Fingerboard: ebony; Electrics: working; Hardware: good; Case: Kinsman hard case; Weight: 4.13kg; Overall condition: good
1980 Ibanez Performer Series PF150 electric guitar, made in Japan, ser. no. E8xxxx6; Finish: wine red, light surface scratches and various minor dings; Fretboard: rosewood; Frets: light wear; Electrics: working; Hardware: good; Case: original hard case and Ibanez guitar care tag; Weight: 3.85kg; Overall condition: good
1988 Gibson Les Paul Custom electric guitar, made in USA, ser. no. 8xxx8xx1; Finish: wine red, light buckle marks to back, further light marks around, but generally very good for age; Fretboard: ebony; Frets: generally good, minor indent wear to first position; Electrics: working; Hardware: good, although typical loss to gold plating; Case: original protector hard case; Weight: 5.00kg; Overall condition: good
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