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A GEORGE III WINE GLASS the rounded funnel bowl on solid stem and conical foot, 15.5cm h, two pairs of 19th c English ale glasses engraved with hops and barley, a pair of similar glasses, the trumpet bowl engraved with the initials HH, a beaker and various rummers, some in part sets, all 19th c (22) ++The foot of one of the largest goblets chipped
A CHINESE FAMILLE VERTE WINE POT AND COVER in the form of a shou character with dog of Fo knop and aubergine glazed handle and spout, painted to the centre of each side with a figure in barbed reserve, 20.5cm h, Kangxi mark, 19th/early 20th c ++The handle broken and cleanly restuck with glue residue, the cover ill fitting but thought to be original
A GEORGE IV WINE FUNNEL with reeded rims and shell thumbpiece, the bowl with ribbed spout, 13.5cm h, by Rebecca Emes and Edward Barnard, London 1820, 3ozs 10dwts ++Complete and in good condition with light wear only, no damage or repairs, the tip of the spout complete and not worn down. The marks slightly rubbed.
George & Dragon, Coggeshall Road, Kelvedon - Lunch or Dinner for two with a bottle of house wine. `Situated between picturesque Coggeshall and Kelvedon, the George & Dragon sets a new standard in value for money dining` Further images and condition reports are available at www.reemandansie.com
Silver plated vesta in the form of a boar`s tusk with scroll decoration and suspension ring hinged cover with finial modelled as a pig, together with a WMF cauldron-shaped wine taster with embossed grape and vine decoration and loop handle - base stamped WMFG symbol and ANT Further images and condition reports are available at www.reemandansie.com
Selection of miscellaneous silver, including cream jug, pair concave fluted vases, Victorian baluster pepper, cigarette box, wine label and sundry other items - various dates and makers, approximately 18ozs weighable silver (qty) Further images and condition reports are available at www.reemandansie.com
Early George III mahogany tilt-top wine table with piecrust edging and bird cage mechanism with turned pedestal, fluted knop on three hipped splayed legs with carved knees terminating on ball and claw feet, 63.5cm diameter Further images and condition reports are available at www.reemandansie.com
Flegel, Georg1563 Olmütz - 1638 Frankfurt/Main Breakfast of Grapes, Nuts, Chestnuts and Bread. Oil on oak. 38,7 x 48,6cm. Framed. Verso: panel maker`s stamp. Provenance: Private estate, Stuttgart. Assessment from Dr. Hana Seifertová on November 12th, 2004. Assessment from Dr. Anne-Dore Ketelsen-Volkhardt on January 24th, 2011. "This image of a laid table of snacks belongs to the much admired themes of Georg Flegel, who belongs to the first specialists in still lifes of the 17th Century. He varied the so-called breakfasts or snacks (Dutch Ontbijtje) throughout his oeuvre in different ways and often in many of his editions. It is in this realm that our image of Breakfast with Grapes, Nuts, Chestnuts and Bread belongs to. It represents a small snack, one which only the well-to-do society could enjoy: beside bread and butter on a white and blue decorated plate are the secretly depicted grapes in a silver bowl; white wine in a pitcher, a glass cup produced in Germany, and finally the hazelnuts displayed in an expensive Chinese bowl. Chestnuts and medlars, as well as half of a lemon (an expensive fruit at the time) are displayed in two simple tin cans. Beside the lemon is a knife with an ornamental handle. This entire image can be seen as a representation of the dining at the time." (Dr. Seifertová)."After first glance regarding the painting, the motifs and the composition, as well as the format, the image has large similarities with two other Breakfast still lifes from Georg Flegel 1566 - 1638: Breakfast with Grapes, Crayfish and Bread, oil on wood, 39 x 47cm, Monogrammed on the blade of the knife, Brotmuseum, Ulm; Large Breakfast with Fruit, oil on canvas, 40 x 48cm, private collection. Due to these similarities, it is in my opinion that "Breakfast with Grapes, Nutes and Bread" can be attributed to Georg Flegel." (Dr. Ketelsen-Volkhardt).
A Chinese Porcelain Café-au-Lait Glazed "Batavian" Wine Ewer and Cover, circa 1740, of baluster shape with conical finial and attachment loop, similarly to the C handle, decorated on each side with the figure of a heavenly maiden carrying fruits amongst gilded cloud wisps, 15.5cm high; and A Cream Glazed Pottery Tea Bowl, with crazed cream glaze,12cm diameter (2)
A Japanese Ivory, Mother-of-Pearl, Soapstone, Lacquer and Bronze Inlaid Hardwood Panel in Shibayama Style, late Meiji period (1868-1912), the rectangular wood panel depicting a parrot on a perch with vase and feeder attached and with elephantine finials, supporting fish and tassel pendant, the bird looking downwards towards a still life of a bronze wine pot containing flowering blossoms, applied stylised seal mark and four character mark, 76cm high, 45cm wide, applied on the reverse with old label Worcester Royal Porcelain Works Museum No.200 (also ink written number 280)
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166771 item(s)/page