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Lot 365
* Jullian (Philippe, 1919-1977). Les Courtisanes, mid-20th century, pencil, ink and wash on laid paper, en grisaille, courtiers attending to royalty, signed bottom right in ink, mount aperture 35 x 19 cm (7 1/2 x 13 3/4 ins), framed and glazed (63 x 45 cm), with Rice (Peter, 1935-1992). Scaramuchio, 1960, ink and wash on card, a costume design for the character Scaramuchio, signed, dated and titled, laid on thick paper, even mount staining, sheet size 41 x 28 cm (16 x 11 ins), together with Farmer (Peter, 1936-2017). Page, 1961, gouache and watercolour on black paper, titled in yellow chalk ‘Page, The Dream’, signed ‘Farm 61’, mount aperture 29 x 14.5 cm (11 1/2 x 5 3/4 ins), plus a further costume design (possibly by Peter Farmer) of three masked characters, gouache on black paper, framed and glazed (36 x 44 cm)QTY: (4)NOTE:Philippe Julian was a French illustrator, novelist, art historian, aesthete and dandy. One of his first noted artist works was the first ‘artist's’ label for the famous wine from Chateau Mouton Rothschild in 1945, in memory of the World War II victory over Germany.A similar costume design for ‘Scaramuchio’ is held by the Victoria and Albert Museum (accession number S.75-1982), which was designed for the 1961 production of Richard Strauss’s opera Ariadne auf Naxos at Sadler's Wells.Provenance: From the estate of Martyn Thomas (partner of dancer and choreographer Frederick Ashton), thence by descent to the present owner.
Lot 208
A cordial glass with drawn trumpet combined bowl and stem, unground pontil,8.5cm. A liqueur glass with ogee bowl, blade knop stem and white horizontal bands, unground pontil, 8cm. A wine glass with fluted funnel bowl 10cm, a pair of wine glasses with faceted stems, unground pontils, 11cm, and a glass bowl with vertical coloured ribbons, unground pontil, 7.5cm diameter, 6.5cm high- by N. Mynheer. The Glasshouse, Covent Garden, London 1979. (6)
Lot 622
GAME OF THRONES (T.V. SERIES, 2011-2019) - Cersei Lannister (Lena Headey) Wine Glass - A Cersei Lannister (Lena Headey) wine glass from HBO's award-winning fantasy television series Game of Thrones. Cersei's wine glass was more sinister than any sword, as she would calmly sip from it while forming cunningly manipulative plans to defeat her enemies and preserve her family. Cersei drank from various wine glasses, including this style which was seen throughout different seasons of the show as she met with family members and devised plans within the walls of King's Landing.Hand-blown in a furnace, the glass has an elegant shape with bubbles on the exterior and a transparent green coloration that enabled the richness of the red wine she was consuming to be seen vividly. Dimensions: 4.25" x 4.25" x 7.5" (11 cm x 11 cm x 19 cm)Estimate: $1,500 - 3,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.
Lot 1284
THE GRAND BUDAPEST HOTEL (2014) - Wine Bottle - A wine bottle from Wes Anderson's The Grand Budapest Hotel. As Mr. Zero Moustafa (F. Murray Abraham) dined with the young Author (Jude Law), a server poured them glasses of Schloss Lutz wine. This wine bottle is made of green glass with a foiled neck and production-made Schloss Lutz dry white sparkling wine labels. This bottle exhibits a sticky residue around the mouth of the bottle, as well as flaking foil from handling. Dimensions: 3" x 3" x 8.75" (7.75 cm x 7.75 cm x 22.5 cm)This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.
Lot 1110
VOLTAIRE: (1694-1778) Francois-Marie Arouet. French Enlightenment writer, historian and philosopher. An excellent L.S, `Voltaire´, two pages , 4to, at the Chateau de Ferney, 27th August 1768, to Monsieur Le Bault, in French. Voltaire reports on wine, comparing two offered to him, and refers to an affair he has lost a lot and which he takes with philosophical conclusions, stating `Je me flatte que vous aurez d´excellent vin cette année, et que vous voudrez bien que j´en boive cent bouteilles. Mr. le Président de Brosses me fait boire la lie du vin de la terre de Tourney; Si vous vendiez votre vin aussi cher qu´il vend le sien, vous feriez une fortune immense. S´il veut nous prendre pour arbitre, vous êtes un gourmet en fait de procédés, j´en passerai parce que vous ordonnerez. Au reste, si Mr. de Brosses ne veut pas me rendre justice, j´aime mieux souffrir que plaider; et quoique j´ai beaucoup perdu avec lui dans cette affaire, j´aime mieux mon rôle que le sien...´ (Translation: "I flatter myself that you will have excellent wine this year, and that you will want me to drink a hundred bottles of it. Mr. President of Brosses makes me drink the dregs of the wine from the land of Tourney; If you sold your wine for as much as he sells his, you would make an immense fortune. If he wants to take us as arbiter, you are a gourmet in terms of procedures, I will pass because you order. Besides, if Mr. de Brosses does not want to do me justice, I would rather suffer than plead; and although I lost a lot with him in this affair, I like my role better than his...") A cleanly written letter. With blank integral leaf. VG
Lot 1065
PICASSO & HIS CIRCLE: PICASSO PABLO: (1881-1973) Spanish painter, a co-founder of the Cubist movement. An extraordinary collective illustrated A.L.S. by Picasso and his circle of friends, four pages, 8vo, Cafe de Flore, Paris, 15th January 1936, to Paul and Nusch Eluard, in a mixture of French, Spanish and Catalan. The scene for this meeting of great artistic talent is set at the head of the first page in the hand of Yvonne Zervos, 'l'heure de la soupe a l'oignon, Mercredi, 15 Janvier 1936, Cafe Flore' (Translation: 'Time for onion soup.....') beneath which Picasso writes 'Recuerdos a la blanquita, Picasso' (Translation: 'Regards to the white girl, Picasso'), and over the four pages follows a wonderful series of autograph sentiments and messages to Paul and Nush Eluard, beginning on the first page with Luis Fernandez 'Viva tu madre chiquita!! Ole, Ole, caramba!!......Baxant de la font del gat una noia, una noie, baxant de la font del gat una noia y Eluard si pregunta com se diu Marieta, Marieta, si pregunta com se diu marieta del ull vin! Com vos deia Fontanellas lo rei esta molt fotut! Lo qui gui a ens ha sigut es un manso sense equellas.....Fernandez' (written in multiple passages to the first and fourth sides of the bifolium in Catalan, roughly translated as 'Long live your little mother!! Ole, Ole, dammit!!......A girl coming down from the cat's fountain, a girl, a girl coming down from the cat's fountain and Eluard if you ask what Marieta's name is, Marieta, if you ask what Marieta's name is from the eye wine! As Fontanellas told you, the king is very fucked up! The one who guides us has been a meek man without them', and signed twice), Roberta Gonzalez 'Yo tambien, Roberta Gonzalez' (Translation: 'Me too'), Esther Fernandez her signature followed by the sentence 'Ne pas oublier la tarjeta postal con una vaca espanola' (Translation, from a mixture of French and Spanish, 'Don't forget the postcard with a Spanish cow'), Julio Gonzalez 'Ballen la Gardana, J. Gonzalez' (Translation from Catalan 'They dance the Gardana'), and also signed a second time with his name alone to the first page, Yvonne Zervos 'Los abrazo a los dos, Yvonne, Cafe Creme' (Translation: 'Hugs to you both....'), Jaime Sabartes 'mas recuerdos, J Sabartes' (Translation: 'More memories....'), Christian Zervos 'Un gros baiser a (?) malgre le rouge. Christian' (Translation: 'A big kiss to the (?) despite the red.....') and also with two further messages across other pages, 'On aimerait quand meme que vous soyiez avec.....de Flore chez Graff avec un arriere petit de gratinee Zervos, Man Ray attendez-moi!....... J'espere que vous reverrez la seine et la reste' (Translation: 'We'd still like you to be with .....de Flore at Graff with a little gratinee Zervos, Man Ray wait for me!...... I hope you'll see the Seine and the rest of it again') and '......Prononcez bien Vendredi les oveilles amies vous enconteront et moi je penserai aux bons moments passes a Vicozere, Chris. Zervos' (Translation: '.......Get the pronunciation right Friday, the friendly ears will greet you and I'll be thinking about the good times at Vicozere'), to the second page Yvonne Zerbos writes a further message, ‘Nous pensons toujours a vous vous etes, toujours avec nous. Man est tres triste!!!!! nous aussi Yvonne. Vendredi criez tres fort........Cafe Crème. Monte la dessus et tu verras Montmartre et le cafe Flore’ (Translation: ‘We are always thinking of you, you are always with us. Man is very sad!!!!! us too Yvonne. Friday shout out loud........Cafe Crème. Go up there and you'll see Montmartre and the cafe Flore’), as does Luis Fernandez once more in Catalan ‘Vina Ros! Puja aqui dalt!.....Bona nit tinguem!! estiguem bonets!!.....’ (Translation: ‘Come Ros! Get up here!.....Have a good night!! let's be nice!!.....’), alongside which Dora Maar has drawn an exquisite pen and ink image of an eye with two teardrops falling from the corner, adding the words ‘Devinez de qui?’ (Translation: ‘Guess who?), which is followed by a second greeting signed by Jaime Sabartes ‘Saluda a los del centro excursionista de Catalunya a la lliga regionalista......y todos los que encuentre por la Ramblas’ (Translation from Catalan: ‘Say hello to those at the hiking centre from Catalonia to the regionalist league…..and everyone you find on the Ramblas’), the third page features entries by Leonor Fini ‘Vous aimez toujours et les gros porcs tendres……..? Vous en avez vu des noirs en Espagne? Leonor’ (Translation: ‘Do you still like big, tender pigs……..? Have you seen any black ones in Spain?’) and also signed by Fini with her first name only to the right margin of the first page, Man Ray ‘C'etait triste de rentrer tout seul lundi soir de V- Beziers! Je vous embrasse tous les deux, et j'espere vous trouverez des bons amis et amies! Affectueusement, Man’ (Translation: ‘It was sad to come back alone on Monday evening from V- Beziers! Love to you both, and I hope you find some good friends! Affectionately….’), and at the foot of the page Pablo Picasso has drawn and signed a pen and ink image of a winged love heart, also incorporating the horns of a bull, and with a Cupid’s arrow piercing through the centre from right to left, signing his name (‘Picasso’) in bold black ink beneath. A series of ink hatched lines also appear beneath the drawing, partially obscuring the signature of Dora Maar. The page concludes with a series of ten question marks in the hand of Roberta Gonzalez, and with her signature beneath. The letter ends with a final message signed by Yvonne Zervos at the foot of the fourth page, ‘Cora et Elfe vous embrasse chaque jour je forme au voeux pour que vous soyiez tous les deux tres heureux la-pas!!! Yvonne. Pikina aux vins de France fabrique par Picon et cie’ (Translation: ‘Cora and Elfe kiss you every day and I hope you're both very happy! Yvonne. Pikina with French wines made by Picon and company’). Accompanied by the original envelope hand addressed by Christian Zervos to the Eluards in care of the home of Josep Maria Sert in Barcelona, and further annotated and signed by Man Ray with his initials to the verso, ‘avec la salive de C.Z. (M.R.)’ (Translation: ‘With the saliva of C.Z…..’). A truly exceptional and magnificent autograph letter, beautifully enhanced by the drawings (which could indeed be interpreted as ‘self-portraits’) in the hands of Pablo Picasso and his lover, Dora Maar. Some very light, extremely minor age toning, VG OWING TO LIMITATIONS IMPOSED BY THE SALEROOM THE COMPLETE DESCRIPTION FOR THIS LOT CAN NOT BE DISPLAYED.Please contact IAA Europe directly for further information.
![[GEORGE I]: (1845-1913) King of Greece 1863-1913. Assassinated. A group of nine pieces of late 19th century glassware, origin](https://cdn.globalauctionplatform.com/4da1536e-f8ee-466a-a857-b11b00a2e0f9/e5e0c498-474a-4c32-8b14-b11e00ff52d2/468x382.jpg)
Lot 1418
[GEORGE I]: (1845-1913) King of Greece 1863-1913. Assassinated. A group of nine pieces of late 19th century glassware, originally part of a larger set of tableware commissioned and used by King George I of Greece, comprising three port wine glasses on short stems (each 12 cm high and with a diameter of 8cm), three liqueur glasses on stems (each 9cm tall and with a diameter of 4 cm) and three water glasses (each 8cm high and with a diameter of 6 cm). All of the nine glasses have gold thread to the rims and are engraved with identical floral arabesque designs, also featuring the Royal monogram of the King comprising interwined initials and with a crown above. Some light age wear, although with no major visible faults (chips, cracks etc.). VG, 9
Lot 353
Two pairs of early 19th century silver mounted wine coasters, one pair by John Roberts & Co, Sheffield, 1810, the other Thomas & John Settle, Sheffield, 1821, all with gadrooned borders, diameters 15.8cm, all with turned wooden bases.***CONDITION REPORT***All have small dents in places and one has two very large dents and a split to the wooden interior, so in need of attention. Hallmarks clear but with some mild rubbing.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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166820 item(s)/page