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Lot 405
§ Elisabeth Vellacott (British, 1905-2002) Drinking Wine with Friends, 1985 oil on wood panel 53 x 70cm (21 x 27in) Provenance: New Art Centre, 41 Sloane Street, London, 1986, where purchased by the late owner Exhibited: The Fine Art Society, 148 New Bond Street, London, W1 - The Fine Art Society and Kettle's Yard, July-October 1995, Elisabeth Vellacott Exhibition, No. 24. Literature: This image was used to illustrate the 1986 Academy of Ancient Music's Christmas cards. Elisabeth Vellacott studied at the Royal College of Art under Sir Thomas Monnington, alongside Cecil Collins. She started her artistic career in Cambridge as a textile designer and printer, often working with Gwen Raverat. Her work focused on painting and drawing post-war, with works being purchased by Jim Ede for the collection of Kettle's Yard. She had a studio built in Hemingford Grey in the 1960s, from where she continued to work. A solo show of her work was held in 1968 at the Minories in Colchester, with subsequent successful shows at London's New Art Centre. When Vellacott was in her 90's, Tate Britain sought her work for their collection. Condition is fine. Provenance: From the collection of the late Christopher Hogwood, CBE
Lot 1368
VINHO VELHO DE 1815 Portuguese wine by Antonio Taveira, V.N. de Gaya, Porto. Full bottle size, no capacity or strength stated. VINHO VELHO DE 1815 Portuguese wine by Antonio Taveira, V.N. de Gaya, Porto. Full bottle size, no capacity or strength stated. 2 bottles CONDITION REPORT: Seal intact, some weathering to label.
Lot 1152
THE MACALLAN 1861 REPLICA Highland malt whisky, bottled by John McWilliam, Wine Merchant, Craigellachie. 'A replica of the bottle, labels, nose and flavour of an original bottling by John McWilliam, Wine Merchant, Craigellachie.' 70cl, 42.7% volume. In presentation box. CONDITION REPORT: Box has a rip on the front that has been stuck back on with tape.
Lot 9
A 19th century Whitefriars square glass decanter, spear stopper, 24.5cm high; another, similar, dimpled sides and flared neck, 17.5cm high; a pair of Whitefriars wine glasses, flared bowl, twisted stem, spreading circular feet, 13cm high; another, smaller; a set of five Whitefriars diminutive glass tumblers, dimpled sides, 5cm high (10)
Lot 271
A George III silver wine label, by Peter, Ann and William Bateman, London 1800, crescent form, incised 'BRANDY', length 4.3cm, another similar, by William Bateman, London 1816, incised 'PORT' and an 18th century wine label, maker's mark of John Le Sage with a pellet above, incised 'RUM', length 4.8cm, approx. total weight 1oz. (3)
Lot 272
A small collection of four antique silver wine labels, comprising: a Victorian label, by Henry Holland, London 1857, oblong form, reeded border, incised 'P. BRANDY', plus George III label, by John Rich, London 1795, incised 'WHITE WINE', with a crest above, and a label 'BUCELLA' and one of rectangular form, incised and blackened 'M', approx. total weight 1.1oz. (4)
Lot 273
A pair of George III silver wine labels, by Margaret Binley, London circa 1770, shaped rectangular form, feather-edge border, incised 'WHITE WINE and 'BRANDY', length 5cm, plus a single George III wine label, by the same maker, rectangular form, feather-edge border, incised 'LISBON', length 4.9cm, approx. weight 1oz. (3)
Lot 282
A collection of four Victorian silver wine labels, a pair of cut-out labels, by William Summer, London 1866 and 1868, modelled as the letters 'W' and 'G', engraved decoration, plus a vine leaf label, by Joseph Willmore, Birmingham 1843, pierced 'BUCELLAS', and a label by George Unite, 'WHISKY', approx. total weight 1.5oz. (4)
Lot 287
A George III Irish silver wine label, maker's mark script J.T, Dublin circa 1790, rectangular form, canted corners, pierced and bright-cut border, incised 'PORT', length 5.4cm, plus an early 19th century Irish wine label, by John Tearle, Dublin circa 1820, shaped oval form, fluted scroll an shell border, incised 'MADEIRA', length 5.5cm, approx. total weight 0.5oz. (2)
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166771 item(s)/page