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Lot 1

A Japanese “Satsuma” cylindrical wine pot with dragon pattern handle and spout moulded in relief, the whole decorated in gilt, orange and black, with eleven figures of Immortals within gilt pattern borders, the slightly domed lid with dragon pattern finial, 6.5ins high (rectangular seal mark in black and gilt to base - Meiji period - finial restored)

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An early 18th Century wine glass with ogee pattern bowl, double knopped stem and plain footrim, 6ins high

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An 18th Century wine glass with plain bell shaped bowl and white opaque double twist stem with plain footrim, 6.75ins high (circa 1770) (see lot 130 for illustration)

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An 18th Century wine glass with bucket shaped bowl and white opaque double twist stem and plain footrim, 6.75ins high, the bowl engraved with a view of a frigate and worded “Success to the Eagle Frigate. Privateer” (engraving possibly of a later date) (see lot 130 for illustration)

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TWO PAIRS OF GEORGIAN SLICE CUT GLASSES, together with a pair of Georgian wine glasses having vase shaped bowl and fold over foot. 6.5" high and 6"

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A 19th Century small Wine Glass, with airtwist stem and one other; Together with a further tall Commemorative Continental Drinking Glass, decorated with an armorial, (A/F), (3)

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A Tray: Suite of various Drinking Glasses including Whisky Tumblers, Wine Glasses and Champagne Glasses

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Claude Lasson still Life with Flowers, Fruit and Wine Glass, oil on canvas, signed, 40 cm x 51 cm

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Early twentieth century brass adjustable floor lamp, the column set with an onyx circular wine table and on a tripartite formed base

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A George III wine bottle, mallet-shape with elongated neck, circa 1770, 11in.

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A Queen Anne onion-shape wine bottle, green glass with string-rim and high basal kick, 7.5in.

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A Queen Anne onion-shape wine bottle, green glass with string-rim and high basal kick, 6.5in - cracked

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A set of 3 mallet shaped cut glass decanters and stoppers, etched with fruiting vines, 6 wine glasses with blue glass overlaid bowls and 6 hollow stem champagne glasses (15)

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A set of six cut glass brandy balloons, six liqueur glasses and six tall-stemmed wine glasses

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A George III mahogany and brass coopered oval wine cooler, with lead lined interior and twin lion mask loop handles, 1ft 4ins

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A mixed collection of plated wares including: an embossed pedestal punch bowl a campana shape wine cooler a two-branch candelabrum and other items

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A bottle of 1928 Chateau Margaux wine, Premier Grand Cru Classe, on shoulders, label dirty.

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A 19th Century Continental silver Wine Taster, of circular form with wrythen fluted body and cast applied ‘C’ scroll handle, the centre set with a coin of Carlos IV and dated 1808, width 3 ¾”

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A pair of late 19th/early 20th Century decorative Wine Glasses, with conical bowls and plain stems terminating in spreading circular bases, the bowls each etched with motifs of ‘Sunderland Bridge’; ‘Victory’, both 8” high

Lot 1

An early Victorian Scottish wine label, incised ‘Brandy’ by J Makay, Edinburgh, circa 1840 and a George III kidney shaped ‘Rum’ label, by Cox and Bettridge, Birmingham, 1810, (2).

Lot 1

A pair of George III crescent wine labels, with shield surmounts, crested, and reed borders, ‘Port’ and ‘Sherry’, probably by Richard Binley, London, 1793, (2).

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A pair of early Victorian ‘Madeira’ and ‘Sherry’ wine labels, with bead borders, by C Rawlings and W Summers, London, 1838, (2).

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A George III Scottish provincial wine label, with a reeded border, incised ‘Sherry’, by George Booth, Aberdeen (GB, AB, GB, AB), circa 1810.

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A George IV escutcheon wine label,with ornate borders, pierced ‘Sauterne,’ by John Reily, London 1823.

Lot 1

Concord wine labels, a cased pair ‘Port’ and ‘Brandy’, and four ‘Whisky’, ‘Gin’, ‘Vodka’ and ‘Bourbon’, (5).

Lot 1

Three ‘Rum’ labels: A George III wine label with a leopard mask and fruiting vine border, by Lawrence & Co., Birmingham, 1819; a pierced escutcheon by Nathaniel Mills, Birmingham, 1852 and a George III canted oblong label with script title by William Bateman, 1817, (3).

Lot 1

A pair of George III canted oblong wine labels, ‘Brandy’ and ‘Port’, by Joseph Wilmor, Birmingham,1808.

Lot 1

Eight modern wine labels: five cast labels including Sweet Vermouth and Madeira on a fishing theme; Port and Vermouth on a fox hunting theme and Sherry on a shooting theme, all by C J Vander, mixed dates, together with a set of three vine leaf labels, pierced Brandy, Whisky and Gin, by Deakin & Francis, Birmingham, 1973/74, 6oz, (8).

Lot 1

Two Sherry wine labels, a George III narrow oblong, by John Reily, London, 1803 and a William IV canted label, also inscribed ‘Moro’, by C Reily and G Storer, London, 1830.

Lot 1

An interesting, 19th century Chinese export wine coaster, with embossed swags around the sides, rope-work rim and a turned hardwood base, with pseudo marks for Eley, Fearn and Chawner, London, 1810, first half 19th century, 5.5in (14cm).

Lot 1

A rare early George III wine funnel, with a reeded rim and a pierced detachable strainer plug, secured by a chain, probably by Thomas Hyde, London 1770, 4in (10.2cm), 2oz.

Lot 1

A Victorian novelty mustard pot, in the form of Mr Punch, seated with a goblet of wine whilst smoking a clay pipe, gilt interior, by Robert Hennell, London, 1875, (the spoon an unmarked replacement), 4in (10.2cm) high, 7.25oz.

Lot 1

Three wine labels, a George III small ‘Rum’ crescent, by T Phipps and E Robinson, London, 1803; a Victorian oblong ‘Curacoa’, by William Summers, London, 1881 and a Victorian engraved letter ‘R’, by C. Rawlings and W. Summers, London, 1849, (3).

Lot 1

Two ‘Port’ wine labels: a modern bright-cut crescent, by R P, Chester, 1912, and a late Victorian sample with a pierced surmount, by George Unite, Birmingham, 1894.

Lot 1

Two similar George III bacchanalian wine labels, stamped with carousing putti, grapes and a satyr’s mask, both titled ‘PORT’, by Matthew Linwood, Birmingham 1809 (2).

Lot 1

Three similar George III Irish wine labels, with bright cut borders, ‘Claret’, ‘Hock’ and ‘Sherry’, by Benjamin Tait, Dublin, circa 1790 (no date letter).

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A George III provincial wine label, of canted oblong form, with a reeded border, incised ‘RUM’, by Robert Cattle and James Barber, York, circa 1810 (no date letter).

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A George IV wine label, pierced with fruiting vines ‘Sherry’, by Joseph Wilmor, Birmingham, 1805.

Lot 1

A George III crescent wine label, incised ‘CLARET’, probably Scottish, maker’s mark only, ‘PR’, probably by Patrick Robertson of Edinburgh c.1780.

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An early Victorian gadrooned oblong wine label, pierced ‘Marsala’, by Messers Barnard, London, 1837.

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A George IV cut out letter ‘W’ wine label, with foliate adornment, by an unascribed maker G M H, Birmingham,1828.

Lot 1

Two very similar pairs of George III wine coasters, with reeded rims, turned mahogany bases and a bright engraved frieze of foliate motifs on a hatched ground, vacant wreath catouches, two by Henry Nutting, an unascribed maker ‘?G’, both pairs London 1796, 5’ (12.7cm) diameter. (4)

Lot 1

A plated inkstand, of shaped rectangular form with two mounted cut glass bottles and a fixed taperstick, together with a pair of plated wine coasters. (3)

Lot 1

A plated wine funnel, with a detachable spout and a ring handle, 5.4in (14cm) high.

Lot 1

A George III wine funnel, with a shaped tang and reeded rim, maker’s mark overstruck, WP? London 1794, 4.75in (12.25cm) high, 2oz.

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A George III wine funnel, with a deep bowl, a part fluted spout and a detachable strainer section with a gadrooned rim and a plain tang, by William Allen III, London, 1805, 6.7in (17cm), 6oz.

Lot 1

A George III domed circular wine funnel stand, with a reeded rim and the initial ‘B’ engraved in the centre, by John Emes, London, 1799, 4.15in (10.5cm), 2oz.

Lot 1

A rare commonwealth wine taster, of shallow circular form, with twin wire s-scroll handles, decorated all over with a punch-beaded pattern of stylised flowers and a central flowerhead motif boss, by Daniel Rutley, London 1657, 4in (10cm) diameter, 1.75oz.

Lot 1

A pair of Old Sheffield plated wine coolers, of campana form with twin foliate scroll handles, pedestal bases and everting borders of fruiting vines (lacking liners and collars), crested c.1840, 10in (25.5cm) high. (2)

Lot 1

A rare George III wine label, of canted oblong form with a reeded border, incised ‘AURQUEBUSADE’ * by John Douglas, London 1809 (traces of gilding). * Arquebusade: according to some sources a distilled water from a variety of aromatic plants like rosemary, millefoil, etc - sometimes a vulnerary for gunshot wounds.

Lot 1

A Victorian escutcheon shaped wine label, with foliate scroll borders and an unusual panelled chain, pierced Madeira, by Robert Garrard, London, 1841.

Lot 1

A George IV wine label, with a pierced and engraved border of fruiting vines, incised and filled ‘Claret’, by Thomas Freeman, Birmingham, 1828.

Lot 1

A George III vase shaped wine label, with pendant foliate festoons, incised Hollands, by Hester Bateman, London, circa 1790 (no date later).

Lot 1

A Victorian heraldic wine label, in the form of an engraved cut out crest*, on an oblong title area, pierced Madeira, unmarked, and with a chain that unhooks at one end, unascribed, probably dating from the first third of Queen Victoria’s reign, *The trotting horse crest is shared by a number of families.

Lot 1

A George III cast shell wine label, with a plain curved title area, incised Madeira, by Robert Samuel Hennell, London, 1806.

Lot 1

Penzer: The book of wine labels, 1947.

Lot 1

Whitworth, E.W: Wine Labels, a Pocket Book, 1966.

Lot 1

A set of three Victorian neck ring wine label, ‘Whisky’, ‘Brandy’ and ‘Gin’, by Samuel Roberts & Co. Sheffield, 1848.

Lot 1

A George III wine label, with a wriggle border and pierced surmount, incised ‘Port’, makers mark of Hester Bateman, over struck by another, London, circa 1785-90.

Lot 1

Five wine labels: ‘Port’ with floral border by Thos. Watson, Sheffield, 1825; ‘Port’, by W and P Cunningham, circa 1798; a ‘Port’ with a shield surmount, by Joseph Taylor, Birmingham, 1821; a ‘Madeira’ leaf, and ‘Madeira’ with gadrooning, by Mary and Charles Reily.

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