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Sir William Russell Flint (1880-1969) On the beach, Fine Art Guild blind stamp, signed artist's proof and another print. (2)

A pair of George II vase shaped casters: one a blind mustard and one a pepper with high domed covers (the mustard lacking a finial) both initialled "R" underneath and engraved with a scratchweight "3:3:17" & "3:3:16", by Samuel Meriton (I), London 1747, 5.25in (13. 2cm) high, 6oz. (2)

ATKINSON (Thomas William) Oriental And Western Siberia, London 1858. Blind stamped cloth gilt, folding map, chromo and other illus., 8vo.

PORTER (Miss Jane) Thaddens of Warsaw, 4 vols, London 1819, half calf, 8vo plus REED (Rebecca T) Supplement to Six Months in a Convent, London n/d, blind stamped cloth, 8vo plus others. (12)

Welsh ash coffor bach, early 18th Century, the two plank hinged top over a blind two drawer front with moulded outlines, later brass swan neck handles over a single long real drawer to the base with two moulded panel front and similar handles, all raised on turned bun feet, width 76cm, depth 46cm, height 60cm

Victorian walnut davenport, circa 1860-1870, with fretwork gallery, leather inset serpentine front slope opening to sycamore lined interior with drawers and pigeon holes, with foliate carved cabriole front supports, four drawers to one side with turned wooden knobs opposing four blind drawers, all raised on bun feet, width 54cm

Late Victorian ebonised mahogany display cabinet with a dentil and blind fretwork cornice over two astragal glazed doors opening to three fabric covered shelves with glass panel sides raised on tapered square section legs, width 116cm, height 175cm

A VICTORIAN WELSH OAK DOUBLE CORNER CUPBOARD, the upper part with moulded cornice above a single glazed door with two tiers of arched glazing bars enclosing shaped shelves, the lower part with a pair of blind doors the whole with canted angles and raised on a plinth. Width 42". Height 85".

A MID 18TH CENTURY BLACK & GOLD LACQUERED LONGCASE CLOCK, with two train movement, the broken arch brass dial with a central gilt metal statuette of Perseus in a concave niche within the arch, flanked by quadrant panels and inscribed "George Neale Gloucester", the other with Strike/Silent with mask and foliate scroll spandrels, the chapter ring with roman hour and arabic minute numerals, the centre with second dial and calendar aperture, the rectangular domed hood with blind fret decoration and angle pillars, the sides with glass panels, the trunk with long arched door decorated with chinoiserie scene, the base similarly decorated, on ogee bracket feet, the sides painted to simulate lacquering. Dial Width 12". Width 13.5". Height 96".

An Oriental hardwood temple vase stand decorated with bands of aquatic beasts, figureheads and blind fret geometric designs, 60cm wide, 29cm high

A George III style mahogany serpentine chest, with canted blind fret corners and four graduated drawers on bracket feet, 92cm wide

WILLIAM J. ALLINGHAM (Fl.c.1900-1930), AFTER JEAN BAPTISTE PATER (1695-1736) BLIND MAN'S BUFF; THE SWING; THE CONCERT; THE DANCE Four, stipple engravings printed in colour, published by The Museum Galleries, 1922-1926, each signed by the engraver, verre eglomise mounts and gilt frames Each 36 x 29cm. approx.; with a signed aquatint after Meissonier, published 1921 (5) ++ Fair/good overall.

A George III style mahogany display cabinet, the dentil moulded broken arch pediment over a glazed door and bow front base, upon square tapering supports joined by undertier, decorated throughout with applied ribbons, swags and blind fret work throughout with applied ribbons, swags and blind fret work (180x60cm).

A George III mahogany tallboy, the upper part with moulded and key pattern cornice, with blind fret frieze, fitted two short and three long graduated drawers with fluted cant corners, the base fitted three long graduated drawers, on bracket feet, 42ins wide x 75ins high (with later handles and small repairs)

ROBERT LENKIEWICZ John Chegwin, mentally handicapped and blind, sitting with Christmas party hat. Oil on canvas. Signed, inscribed to the reverse. 10 x 24ins.

A George III mahogany chest with moulded overhanging top and blind fret carved frieze above two short and three long satinwood crossbanded and boxwood strung graduated cockbeaded drawers with scroll cast handles and on shaped bracket feet, 120cm x 107cm

A Regency rosewood sewing table, the rectangular crossbanded top with two fall leaves inlaid with brass strapwork, the two real and two blind cockbeaded drawers with brass drum handles above a shaped bag, the whole outlined with brass stringing and on lobed tapering supports with brass sockets and casters 53 X 79cm (max)

A George III mahogany longcase clock, square dial with moulded swan neck pediment and three spire finials above a blind fret frieze, on brass capped fluted column supports, the square brass dial with silvered chapter ring, black Roman numerals and Arabic five minute divisions, the centre inscribed James & Jacob Butler, Bolton, with painted moon phase (defective) and subsidiary calendar dials enclosed by cast brass spandrels, the moulded shaped matched curl veneer door enclosed by fluted quarter columns, on similar ovolo moulded panel base with shaped bracket feet, 8 day movement striking on a bell, dial 33.5cm (13.25" square), 234cm high overall

An early 19th century mahogany sofa table, the rosewood crossbanded top with matched curl veneers and moulded edge, the two end fall leaves with rounded corners, fitted with two real and two blind frieze drawers, the ring turned twin baluster supports joined by a similar stretcher and on four out splayed moulded legs, the whole outlined with satinwood and ebonised stringing, brass sockets and casters, 70cm x 129cm (maximum)

A Worcester 'Blind Earl' dish with scalloped rim, moulded in relief with a rose spray, the stalk forming the handle, decorated in coloured enamels, circa 1765, 5.375in diameter, 6.5in overall.

An Important Chippendale Period Mahogany Library Bookcase, the carved break front dentilled cornice with pierced scroll pediment decorated with rosettes of carved flowers, above a panel of blind fretwork, a pair of astragal glazed doors below enclosing adjustable mahogany fronted shelves, flanked by a pair of matching doors, the moulded waist with a further panel of blind fretwork above a break front lower section enclosing a serpentine chest with fitted top drawer and slide, with original lacquered brass handles, flanked by a pair of field panelled doors, raised on moulded plinth, minor old repairs, circa 1760, 105in high, 86in wide, 21.875in deep.

Edwardian mahogany bijouterie table with blind fret scrolling foliage decoration, hinged glazed top and glazed sides, on square tapering legs with under shelf and with pierced corner brackets, 19" wide

School of E. NICOL, oil 'Portrait of Daniel Diamond, 1848, blind native of Belfast', 14" x 10"

Early Georgian pine corner cupboard, circa 1700s, blind fretwork, cornice, dome doors above

A Victorian mahogany Chippendale style chiffonnier, with carved blind fretwork bands, rococo styling and mirrored back to top section above glazed cupboard on long cabriole legs terminating in stylised claw and ball feet.

A George IV rosewood sofa table, crossbanded in yew-wood and line inlaid, having rounded leaves and a pair of frieze drawers and opposing blind drawers with brass lion mask handles, on downswept legs with brass castors, 71cm h; 142 x 63cm

J.Sullivan, CUMBERLAND & WESTMORLAND, ANCIENT AND MODERN, The People, Dialect, Superstitions and Customs, 1857, publ. Hudson, Dawson & Robinson (Kendal) & Whittaker & Co (London), in publisher's blind-stamped black morocco, small 4to

Richard Caton Woodville II, (1856-1927) THE CHARGE OF THE LIGHT BRIGADE led by Lord Cardigan in his 11th Hussars Uniform, engraved print published in 1895 by Henry Graves & Co, signed in pencil lower right, oval blind-stamp of the Publisher's Association, image size 52cm x 85.5cm, (20.5in x 33.5in), backed onto panel, unframed (foxing)

A WILLIAM IV/EARLY VICTORIAN MAHOGANY PEDESTAL PEMBROKE TABLE having rounded oblong flaps and a single frieze drawer with blind front on a ring-turned broadening stem and four downswept legs with pointed "knees", terminating on brass hairy paw caps and brass castors, 91cm x 53.5cm closed/112.5cm open x 72.5cm high, (35.8in x 21in/44.3in x 28.5in)

A GEORGE III MAHOGANY HANGING CORNER CUPBOARD, having a moulded cornice with greek fret decoration above a Chippendale-style blind fretwork frieze, the arched-panelled door, enclosing three serpentine-fronted shelves to the painted interior, between stop-fluted canted corners, 71.5cm x 46cm x 97.5cm high, (28in x 18in x 38.3in)

A mahogany side table, 19th century, in Chinese Chippendale style, the rectangular gadrooned top above a blind fretwork frieze and columnar legs surrounded by pierced fretwork and on block feet, losses, 41" wide, 20.5" deep, 31" high

Late 19th century mahogany serpentine front display cabinet, top with brass gallery above single door covering two fixed blue velvet blind shelves with mirror back all standing on four short cabriole legs

MAUND B. The Botanic Garden 1834/5, vols 4, 5, 6 & 7 brown calf, blind tooled raised bands, many cold engs. and one other bound vol, 5 vols

OXBERRY W. Flowers of Literature 1824, 4 vols, black calf, blind tooled, and three other vols of poems, 7 vols

Oak longcased clock, mid 18th century, with restorations, the two train movement striking the hour, square brass face, 12in, with subsidiary seconds, date aperture and engraved field in a flat topped hood with blind fret frieze and fluted columns, on plain trunk and set out plinth.

Barker, George, Calamiterror, London, Faber and Faber, 1937, 8vo (220 x 135mm.), half title, original light green cloth, spine lettered in gilt, yellow dust-jacket, First Edition. Barker, George, Two Plays, London, Faber and Faber, 1958, 8vo (220 x 135mm.), half title, dedication inscription from the author to Hugo Manning on title, original black cloth, spine lettered in gilt, First EditionBarker, George, At Thurgarton Church, London, Trigram Press, 1959, 8vo (230 x 140mm.), half title, illustrated verso of the half title, & title, plates by the author, original blue morocco backed spine, spine lettered in gilt, First Edition. With two other works by George Barker, 'Eros in Dogma' (London, 1956), and 'The View from A Blind I' (London, 1962).

Adams, Richard, Watership Down, London, Rex Collins, 1972, 12mo (215 x 135mm.), half title, folding map at end, original tan cloth, blind-stamped on front cover in gilt, spine lettered in gilt, original dust-jacket, price clipped, First Edition

A late Georgian oak and mahogany crossbanded longcase clock the circular brass dial with subsidiary seconds dial and date aperture inscribed "Torkington, Newcastle", the hood with flared cornice above a blind fret carved glazed panel door flanked by brass mounted fluted pilasters, the trunk with a single panel door and ornate brass lock escutcheon flanked by turned pilasters, raised on a later cut-away plinth base, 18.5in. x 83.5in. high.

A fine George III mahogany serpentine card table, the hinged top with carved foliate edge above the plain frieze, raised on blind fret carved chamfered legs, the concertina action back legs locked in place by a sliding shelf, 32in. x 29in. high.

A three-piece Edwardian mahogany bedroom suite, each piece decorated with scrolling pediment and blind fret carved trellis pattern decoration comprising: a wardrobe with a central bevelled mirror panelled door flanked by a fluted panelled door and a smaller fielded panelled door enclosing birdseye maple lined hanging space, an open recess to one side with three short graduated drawers and one long drawer to the base, raised on dwarf cabriole legs with pad feet, 83in. x 96in. high; a dressing chest with bevelled swing mirror flanked by a pair of short drawers, two short and two long graduated drawers below fitted moulded handles, raised on dwarf cabriole legs terminating in castors, 48in. x 70in. high; together with a matching mirror-back wash stand, 48in. x 56in. high.

The Blind Fiddler, an etching After DAVID WILKIE, 41cm x 55cm.

A Victorian mahogany Pembroke table, the chamfered drop flaps with one opening and one blind frieze drawer on turned legs, 45in. (114cm) wide.

A George III North Country mahogany chest of drawers with moulded top, fitted a frieze drawer with blind fret front and with three drawers under flanked by reeded columns and bracket feet, 38inches

A MAHOGANY LONG CASE CLOCK by A N Cressner, London, with a square brass and silver dial, with seconds dial and date aperture, the case with scroll cornice, blind fret decoration and fluted canted sides, dial 11", case 86" high

A CHIPPENDALE STYLE MAHOGANY SERPENTINE CHEST of four graduated drawers, with brass drop handles and canted blind fret corners, 36" across

An armchair, upholstered in floral tapestry, on blind fret decorated front legs

A 19th century mahogany chest, of four long graduated drawers, with blind fret frieze, on splayed bracket feet, 92cm

Zao Wou-Ki- Untitled abstract composition; lithograph in colours, signed and numbered 74/100 in pencil, 'L'Oeuvre Gravee' blind stamp, 49x65cm

A George III style mahogany open armchair, the carved undulating top rail above a pierced vase shape splat to scroll arms with stop fluted supports, drop in seat on square chamfered blind fret legs, reduced with leather castors.

A pair of carved mahogany open armchairs, the undulating top rail above a pierced splat to out scrolling arms and drop in seats, on blind fret square chamfered legs, with H stretcher (repairs). (2)

Blind Venus, 1939, Kriminal-Sukces'en (Swedish), on linen, condition A-. 34" x 24.5" - 86.4 x 62.2 cm. Est. $300/400

A GEORGE III MAHOGANY BUREAU BOOKCASE, the dentil and blind fret cornice above a pair of astragal glazed doors enclosing three shelves and an arrangement of four small drawers, the lower section with fall front enclosing a fitted interior above four graduated drawers on shaped bracket feet, (the fall possibly replaced), 89in high (226cm), 23in deep (59cm), 43in wide (110cm).

Sir William Russell Flint R.A., RWS "STUDY IN WHITE" Limited edition reproduction, printed in colour, numbered 152/850, with Michael Stewart Fine Art blind stamp, 27 x 38cm

Scott, Dunning, Early 19th Century oak longcase clock having a moulded swan-neck cornice with brass rosettes and finial, boxwood blind fret decorated spandrels, the arched brass face with engraved ornament name boss, subsidiary second and date dial, eight-day movement, glazed door flanked by fluted column, the trunk with quarter columns with crossbanding and boxwood strung decoration, central paterae inlay and base on turned feet, 2.10m.

A Worcester Blind Earl dish, with a stalk handle and two moulded rose buds, painted in puce camaieu with a chinoiserie scene, no mark, c.1758-60, 16cm. A small repaired rim chip.

Liberty & Co. walnut salon cabinet, attributed to designs by Leonard Wyburd, circa 1890, the back with a central canopied and galleried shelf, over a rectangular mirrored plate set behind fretwork brackets and flanked on either side with Mushrabiyeh panelled cupboard doors, one with Liberty & Co, paper label, with further small mirrors beneath and turned column supports over a breakfront base centred with an arcaded and pillared shelf over two blind fretwork panelled doors, flanked on either side with open cupboards and cupboard doors with glazing bars, all raised on square section legs, with Liberty & Co. ceramic plate, width 192cm, height 205cm

After Helen Bradley- Walmsley's Pierrots; reproduction printed in colours signed and numbered 540/850 in pencil, bears F.A.T.G. blind stamp, 38x54.5cm: together with one other colour reproduction print after the same hand, and two after Lowry, both numbered 224 and 369/850 in pencil, various sizes, (4)

After Sir William Russell Flint- 'New Model inspecting Drawings of her Predecessor', publ. 1963 by Frost & Reed Ltd.; colour photolithograph, signed in pencil and bears F.A.T.G. blind stamp, 37x57.5cm

After Sir William Russell Flint- Two maidens in a stable, publ. 1962 by Frost & Reed Ltd.; colour photolithograph, signed in pencil and bears F.A.T.G. blind stamp, 48x63cm

After Sir William Russell Flint- Artist painting by a canal in a French town; colour photolithograph, signed in pencil and bears F.A.T. G. blind stamp, 55.5x77cm