We found 44913 price guide item(s) matching your search

Fleischhauer (Ingebord & Benjamin Pinkus) . The Soviet Germans past and present, 1st edition, C. Hurst & Company, 1986, original cloth in dust jacket, 8vo, together with; Olson (James M.) , Fair Play, the Moral Dilemmas of Spying, 1st edition, Potomac Books Inc., Washington D.C., 2006, blind stamp to the front endpaper, original cloth in dust jacket, 8vo, and Diaz (Tom & Barbara Newman) , Lightning out of Lebanon, Hezbollah Terrorists on American Soil, 1st edition, Ballantine Books, New York, 2005, inscribed & signed by the author to the previous owner to the half-title, black & white illustrations, original cloth in dust jacket, covers very lightly rubbed to head, 8vo, plus, Moss (Armand) , Disinformation, Misinformation, and the "Conspiracy" to Kill JFK Exposed, 1st edition, Archon Books, Connecticut, 1987, original cloth in dust jacket, covers lightly rubbed to head & foot, spine very lightly faded, 8vo, and other modern espionage & war reference, including publications by Naval Institute Press, Continuum, Greenhill Books, Public Affairs, mostly original cloth in dust jackets, some paperbacks, many volumes with blind stamps 'LIBRARY OF RUPERT W. S. ALLASON' to the front endpapers, G/VG, 8voQty: (6 shelves & a carton)NOTESProvenance: From the library of Rupert William Simon Allason, former Conservative Party politician, who also wrote on the subject of espionage under the pen name Nigel West.

Willis (Browne) . A Survey of the Cathedral Church of St. David's and the Edifices belonging to it, as they stood in the Year 1715..., London: R. Gosling, 1717, engraved folding plate and floor plan, 2 engraved plates of armorials, later endpapers with bookplate of C.W.H. Sotheby to upper pastedown, near contemporary calf, rebacked with gilt decorated spine, upper board detached (with initial two leaves), slim 8vo, together with: Chalmers (Alexander) , A History of the Colleges, Halls, and Public Buildings, attached to the University of Oxford, 2 volumes, Oxford: J. Cooke & J. Parker, 1810, engraved frontispiece & additional engraved title to volume 1, 30 engraved plates, some spotting and offsetting, contemporary marbled calf, gilt decorated spines with black morocco labels (some torn with loss), upper board of volume 1 detached, joints cracked and some wear, 8vo, Roscoe (Thomas) , Summer Tour in the Isle of Wight; including Portsmouth, Southampton, Winchester, the South Western Railway, &c., London: J. & F. Harwood, 1843, half-title, engraved frontispiece and title, 33 engraved plates only (of 50), folding engraved map at rear, engraved vignette illustrations, few leaves & plates creased at fore-edge with occasional tears, all edges gilt, publisher's gilt & blind blocked morocco, 8vo, Hargrove (Ely) , The History of the Castle, Town, and Forest of Knaresborough, with Harrogate, and its Medicinal Waters. Including an account of the most remarkable places in the neighbourhood..., 4th edition, York: Printed by W. Blanchard, 1789, engraved frontispiece and 6 plates (one with later hand-colouring), hand-coloured folding engraved map, few short closed tears, edges untrimmed, contemporary quarter calf, upper joint cracked, worn, small 8vo, Allen (Thomas) , A New and Complete History of the County of York ... illustrated by a Series of Views ... by Nathaniel Whittock, 4 volumes, London: I.T. Hinton, 1828, additional engraved titles, numerous plates, some leaves loose and frayed, dust-soiling, spotting and occasional dampstaining, few tears with old repairs, contemporary half calf, rubbed and some wear, 8vo, and other miscellaneous British topography, mostly 19th centuryQty: (31)

Wise (Francis). A Letter to Dr. Mead concerning some Antiquities in Berkshire, Particularly shewing that the White Horse, which gives name to the Vale, is a Monument of the West-Saxons, made in memory of a great Victory obtained over the Danes A.D. 871, Oxford: Thomas Wood, 1738, 2 folding engraved plates, bound with Wise (Francis) , Further Observations upon the White Horse and other Antiquities in Berkshire. With an Account of Whiteleaf-Cross in Buckinghamshire. As also of the Red Horse in Warwickshire, and some other Monuments of the same kind, Oxford: Thomas Wood, 1742, 2 engraved plates (one folding), bound with [Asplin, William] , The impertinence and imposture of modern antiquaries display’d. Or, a refutation of the Rev. Mr. Wise’s Letter to Dr. Mead, concerning the White Horse, and other antiquities in Berkshire. In a familiar letter to a friend. By Philalethes Rusticus. With a preface by the gentleman to whom this letter was addressed, London: J. Osborn, [1740], bound with [North, George] , An answer to a scandalous libel, entitled, The impertinence and imposture of modern antiquaries display’d: or, a refutation of the Reverend Mr. Wise’s letter to Dr. Mead, concerning the White Horse, and other Antiquities in Berkshire, London: J. Whiston, C. Corbett, J. Jolliffe, & E. Nutt, 1741, hole to final leaf with some text loss, some toning, occasional spotting & dust-soiling, gilt decoriation to spine, contemporary diced calf, gilt and blind border decoration to boards, repairs to head & foot of spine and to joints, 4toQty: (1)

A Chippendale Revival mahogany corner china closet, dentil cornice above a deep frieze carved in the Chinese taste with blind fretwork, above two pairs of astragal glazed doors enclosing shaped shelves, bracket feet, 206cm high, 99cm wide, c.1910

A George II design parcel-gilt mahogany wall hanging corner vitrine, pierced swan neck pediment in the Gothic Chippendale taste, above a blind fretwork frieze, arched rectangular glazed door enclosing three shaped shelves, canted stop-fluted angles, 136cm high, 76.5cm wide, 19th century

A George III mahogany Pembroke table, rounded rectangular crossbanded top with reeded edge, drawer to frieze, blind to verso, outlined throughout with boxwood and ebony stringing, tapered square legs, brass casters, 74cm high, 75cm long, c.1810

A George III style mahogany serpentine chest, of small proportions, crossbanded gadrooned top above four long graduated cockbeaded drawers, brass Rococo swan neck handles flanked by canted angles carved with blind fretwork, skirted base, bracket feet, 80cm high, 96cm wide, early 20th century

An aesthetic period ebonised bookcase/side cabinet, moulded top above a deep frieze of blind fretwork, and a pair of rectangular bevelled glazed doors, flanked by display niches, plinth base, 113cm high, 146cm wide, c.1890

A mid-18th century oak longcase clock, 24cm square brass dial inscribed John Pettit, Chipping Ongar, silvered chapter ring with Roman and subsidiary Arabic numerals, twin-winding holes, eight-day movement striking on a bell, the case with pagoda cresting above a frieze of blind fretwork, arched rectangular door to waist, shaped apron, bracket feet, 212cm highJohn Pettit was the younger brother and successor to his brother Richard Pettit, to whom he was apprenticed 1774-1781, after which he was active into the early 19th century. His brother, in his turn, had been apprenticed to Thomas Knight of Thaxted 1767-1774.

A Regency mahogany rounded rectangular work table, the sliding reeded top parting to reveal an arrangement of sewing compartments, above a fitted frieze drawer, blind to verso, basket undertier, turned end supports and stretcher, sabre legs, brass casters, 76.5cm high, 63cm wide, c.1820

An early 20th century oak library/rent table, in the Jacobean Revival taste, circular top with inset writing surface, above four frieze drawers, divided by four blind, conforming, beaded borders, spirally turned legs, bun feet, 76cm high, 138cm diameter, c.1930

An early Victorian mahogany serpentine fronted Davenport, hinged cover with three-quarter gallery enclosing a maple lined interior fitted with compartments, the hinged sloping top with inset tooled leather writing surface enclosing small drawers, drawers to side, blind to verso, cabriole supports carved with acanthus and lotus scrolls, bun feet, brass casters, 89cm high, 61cm wide, c.1840

A George III mahogany gentleman's kneehole desk, hinged top enclosing an arrangement of dressing compartments, above a deep frieze carved with blind fretwork, the niche and pedestals each with three graduated cockbeaded drawers, brass bat shaped handles, bracket feet, 77cm high, 105cm wideProvenance: The Lord Constantine Collection, Lyon & Turnbull, October 2007, lot 416

A Victorian burr walnut piano top Davenport desk, rectangular top with pop-up mechanism operated by a concealed button and enclosing stationery divisions, hinged cover enclosing four drawers and a retractable plateau fitted with an adjustable writing surface, inkwell and compartments, four graduated drawers to side, blind to verso, incurved base flanked by turned supports, bun feet, brass casters, 93cm high, 58cm wide, c.1860

Antiquarian Books - Gustave Doré (1832-1883) - Coleridge (Samuel), The Rime of the Ancient Mariner, Illustrated by Gustave Doré, London: Doré Gallery [&] Hamilton, Adams & Co., 1876, pp: [2], 12 (including frontispiece), 38 full-page engraved plates, contemporary relaid red cloth boards, gilt-lettered upper-cover, both covers with blind elaborate scroll borders, later spine, royal folio (50.5cm x 41cm, [1]

* Meyrick (William). The New Family Herbal, or, Domestic Physician... , Birmingham: printed by Thomas Pearson, 1790, engraved frontispiece, 6 pp. adverts and 14 engraved plates at rear, some spotting, contemporary ownership signatures of Wm Hunt and Mary Frogatt to title, modern boards with printed paper label to spine, together with: Buchan (William) , Domestic Medicine: or, a Treatise on the Prevention and Cure of Diseases... , 3rd edition, with considerable additions, W. Strahan et al, 1774, 3 pp. publishers' adverts at rear, a little spotting, recent antique-style blind-panelled calf with raised bands and leather spine label, White (Gilbert) , The Natural History of Selborne... , a new edition, with Notes by Edward Blyth, Orr & Smith, 1836, engraved map frontispiece and vignette to title, wood-engraved illustrations to text, 4 pp. publishers' adverts at rear, occasional spotting and some browning to title, modern half morocco gilt over marbled boards, plus 2 other antiquarian natural history volumes, 15 x New Naturalist series (nos. 6, 7, 17, 18, 32, 42, 53, 55, 57, 58 (2), 60 (2), 62 & 65), plus 5 x New Naturalist Monographs (nos. 1 (2), 2, 5 & 22), some reprints, all original cloth in dust jackets, some earlier volumes rubbed, browned and chipped, 8vo, plus 16 x Fontana New Naturalist series paperbacksQty: (approx. 40)

A mahogany bookcase of large proportion, the rectangular body set with a blind fret, above four astragal glazed doors, on squat shell capped claw and ball feet, 128cm high, 179cm wide, 32cm deep.

John Creighton, Ballymena, early 19th Century, mahogany eight day longcase clock, the hood with dentil cornice and blind fretwork over reeded columns flanking a 13 1/4'' brass dial, signed to the chapter ring and numbered '227', with subsidiary seconds dial and date aperture, the movement striking on a bell, the trunk with reeded quarter pilasters flanking a well figured door over a raised panel box base, height 225cmPlease note our special conditions of sale regarding clocks and watches (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).

Good George III oak and mahogany dresser and plate rack, Cheshire circa 1780-1800, having a dentil cornice with a carved blind frieze over three shelves with later boarded back, within fluted pilasters, over a base centred with a short drawer crossbanded with mahogany, and two cupboard doors, each with blind fretwork spandrels and crossbanding and centred with an inlaid star motif, flanked on either side with three further short drawers all with brass swan neck handles and within quarter reeded pilasters, width 209cm, height 216cm, depth 51cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).

Selector oak cabinet gramophone, rectangular form opening to reveal a turntable with nickel plated tone arm, compartments for records, the front with blind fretwork details, opening to assist the sound, all raised on barleytwist supports and stretchers, with winding handle, width 89cm, height 87cm, depth 49cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).

George III satinwood and amboyna Pembroke table, circa 1780, the top with two fall demi-lune leaves, crossbanded with rosewood and with boxwood and ebony line inlays, fitted with a single frieze drawer opposing a similar blind drawers, each with pressed gilt brass knobs, raised on tapered square section legs with brass toes and castors, width 82cm, depth 50cm, height 71cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).

Regency mahogany sofa writing table, circa 1820, the top having two drop leaves with rosewood crossbanding, over two frieze drawers, one with a fitted interior with pull up writing slope, pen tray and inkwell compartments, opposing similar blind drawers, all raised on splat ends united by a low stretcher and short sabre support with brass toes and castors, width 106cm, depth 62cm, height 73cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).

Fine William and Mary walnut and marquetry longcase clock by Joseph Windmills, London, circa 1695, the hood with a blind fretwork frieze and ebonised three quarter barleytwist pilasters with foliate trailing inlay, flanking an 11'' brass dial with winged mask spandrels, signed silvered chapter ring, matted centre, with subsidiary seconds and date aperture, eight day, six pillar movement with latches throughout, striking on a bell with inside count wheel, the trunk door inlaid with panels of birds and flowers in a variety of woods, set against ebony and walnut and having a brass ringed oval lenticle, marquetry panel box base further inlaid with flowers and foliage, all raised on ebonised squat bun feet, height 200cm, width 45cmPlease note our special conditions of sale regarding clocks and watchesNote: Joseph Windmills' work is comprehensively documented, see J.A.Neale 'Joseph and Thomas Windmills: Clock and Watch Makers 1671-1737', published 1999. Joseph joined the Clockmaker's Company as a free brother on 29th September 1671, the same year that Joseph Knibb, Daniel Quare and Thomas Tompion also gained their freedom of the Company. In 1699 he became the Company's youngest warden and in 1702 was made Master, preceding Tompion. In the company of the aforementioned makers, Joseph was considered one of the finest clockmakers in late seventeenth century London, and produced a prolific number of lantern clocks of all sizes and qualities. His earliest known watch was created before 1680 and is displayed in the British Museum. He and his son Thomas worked in partnership and Thomas also served as Master of the Clockmaker's Company in 1718. Joseph last attended the company in 1723 and died a year later, having practised his trade for 52 years. (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).

An oak sideboard,dated 1934, designed by Stanley Webb Davies, craftsman Bob Willett, with two carved, blind tracery panelled, cupboard doors, with wrought iron strap hinges,137cm wide50cm deep79cm highCondition report: Some staining to the top and sides and front - water spotting. Altogether good overall construction. Split to the top.

Édouard Chimot (1880-1959)Study of a GirlEtching and aquatint, numbered 113/250, with blind stampimage 23.5 x 21.5cm, andJoan HarveyA Windy DaySigned, water on pencil35.5 x 27.5cm (2)

A pair of 'Gothic' chairs, with arched splats, blue seats, raised on blind fretwork detail,48cm wide 52cm deep89cm high, andan oak armchair,with Liberty velvet printed seat,56.5cm wide47cm deep100.5cm high (3)Condition report: All worn - fabric and black seats worn - some tears and holes. One of the single chairs has split webbing. Base of the armchair has been braced. All frames are slightly loose. Knocks and scuffing to all the frames. Photos uploaded.

A Painted Oak Box, the hinged lid with the remains of various wax seal impressions (including that of the Moulton coat of arms). The Interior with makers label of G. Daniell, Edward St, Portman Square, Early 19th Century, 56 x 28 cms This box was used by Elizabeth Barrett Browning to send letters to Hugh Stuart Boyd, a blind Greek Scholar who lived at Ruby Cottage, Malvern Wells, a village near Hope End. Subsequently, her sister Arabella used it to store papers remaining at Wimpole Street after Elizabeth had left to marry Robert Browning. For further details about the correspondence see McCarthy B.P. Elizabeth Barrett to Mr. Boyd 1955*Overall wear and chips consistent with age and use, sides with cutouts from carrying fixings. Wax seal impressions mostly fragmentary 

Crisóstomo, Juan. D. Ioannis Chrysostomi Archiepiscopi Constantinopolitani Enarrationes in Diui Pauli Epistolas: ad Timotheum II, Titum, Philemonem, & Hebraeos, wood-engraved title vignette, nineteenth century blind-stamped calf, bookplate of Merthyr Guest, 8vo, Antwerp: Joannis Steelsii, 1556

Dickens, Charles. Hard Times. For These Times, first edition in book form, half-title, a few leaves spotted, original blind-stamped green cloth, spine darkened and split, partly detached, slightly chipped with loss to ends, 8vo, London: Bradbury and Evans, 1854

Dickens, Charles. American Notes for General Circulation, 2 volumes, first edition, first state with volume 1, p.x mis-numbered, half-titles, 6 pages of advertisements at the end of volume 2, light spotting, original blind-stamped cloth, cocked, volume one with spine slightly chipped, lower hinge cracked, 8vo, London: Chapman and Hall, 1852

Fisher, John. De Veritate Corporis et Sanguinis Christi in Eucharistia..., wood-engraved title vignette, title and A3 with repairs to margins, a few leaves with light waterstaining to margins, title and A2 with ink stamp of the College Library Carlow, contemporary blind-stamped calf, rebacked, without clasps, 4to, Cologne: Petrum Quentell, 1527

A slender oak secretaire, flap front with blind tracery, panelled slide under, width 42cm, height 110cm.

A George III mahogany chest on chest, dentil moulded cornice, blind fretwork frieze, upper section with two short and three long drawers, reeded canted corners, lower section with a slide over three further drawers, bracket feet, width 108cm, height 185cm.

A mahogany card table, rectangular foldover top, with a gadrooned edge, tooled leather interior, blind fretwork frieze, square supports, width 76cm, depth 40cm.

One volume, ' A Tour with Cook Through Spain ' being a series of descriptive letters by J.B. Stone, published London, 1873, presentation copy. This is an account of an early tour by Thomas Cook Travel Agency and Son, his first foreign tour was in 1855, together with one volume ' Notes on Spain, With a Special Account of Malaga and It's Climate ' by Edwin Lee, published London, 1854, in green blind stamped cloth

Late 19th or early 20th Century giltwood bijouterie cabinet, the hinged lid enclosing a four glass velvet lined interior raised on octagonal tapering supports with undertier, the lid decorated with blind fretwork, the undertier with a fretwork gallery and stretchers, 22ins wideGilding is worn at edges and a bit dirty, could do with a clean and wax.All glass is in good order.No key present but is unlocked

A Late Victorian/Edwardian Mahogany Wardrobe with Centre Section Having Four Blind Carved Drawers, Centre Mirrored Open Section and Carved Panelled Doors to Top Cupboard. Flanked by Mirrored Doors to Hanging Sections Either Side, 200cm wide

Georgian crossbanded mahogany chest of four long graduated drawers with blind fret canted corners and on bracket feet, 86cm by 96cm.

P. WEBLEY & SON, LONDON & BIRMINGHAM A .455 (ELEY) SIX-SHOT SEMI-AUTOMATIC REVOLVER, MODEL '1902 FOSBERY', serial no. 3147, circa 1906, with 6in. sighted barrel, the top-rib signed 'P. WEBLEY & SON LONDON & BIRMINGHAM', the side of top-strap marked 'WEBLEY FOSBERY', left-hand of frame side marked with the 'Webley winged bullet logo and '.455 CORDITE', distinctive cylinder with 'zig-zag' indexing channels and front short blind shallow flutes, chequered sides to the hammer, black chequered hard rubber grips with lanyard ring to base, the whole with traces of original finish and complete with a period full-flap service holster (distressed). S5 - Sold as a Section 5 Firearm under the 1968 Firearms Act, Sections 7.3 and 7.1 Eligible.Unless prior arrangement has been made, two weeks after the Sealed bid sale, all Section 5 (and Section 7.1 / 7.3) items will be moved to a Section 5 carriers where storage charges will be incurred.Goods will not be released until all outstanding charges have been met. Collection will be by arrangement.

WILKINSON, LONDON A BRITISH PATTERN '08 CAVALRY SWORD, no visible serial number, dated for December 1915 with narrow single edged and blind fullered 35in. blade, sheet iron bowl-style handguard with rolled edge painted olive green, composite material chequered 'pistol-grip' hilt and domed iron pommel, complete a period iron scabbard signed 'MOLE' and dated September 1914, fitted with twin fixed suspension rings. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

R. MOLE & SONS, BIRMINGHAM A GOOD BRITISH 1854 PATTERN FOOT-GUARDS DRESS SWORD TO THE GRENADIER GUARDS, no visible serial number, circa 1895 and of piquet weight with slender single-edged 32 1/2in. blade, broad blind fuller, the first 17in. of the blade etched with scrolls within an arabesque panel, Imperial crown, the Grenadiers flaming grenade and ribbons with battle honours to 1885, the reverse with further scrolls and battle honours etched in ladder form starting with 'Blenheim' and ending with 'Waterloo', the forte signed 'ROB'T MOLE & SONS BIRMINGHAM, MAKER'S TO THE WAR & INDIA OFFICES', the reverse with inlet proof mark, gothic three bar hilt in nickel-plate pierced and carved with the Grenadier Guards device, wire bound fishskin grip, chequered backstrap and domed pommel, complete with its plated dress scabbard, tiny losses to plating on hilt and slight staining to scabbard otherwise apparently little used. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019) * Please note this item is subject to 5% VAT on the hammer price.

CATER & CO, LONDON A GOOD BRITISH 1854 PATTERN FOOT-GUARDS DRESS SWORD TO THE SCOTS GUARDS, serial no. 105544, circa 1905 and of standard weight with single-edged 32in. blade, broad blind fuller, the first 13 1/2in. of the blade etched with scrolls within an arabesque panel, a king's crown, the Scots Guards device and ribbons with battle honours to together with a circular bordered family crest surrounded by 'ARTHUR PURVIS, EARLSHALL', the reverse with further scrolls, a king's crown over 'ERVII' and battle honours etched in ladder form starting with 'Dettingen' and ending with 'Waterloo', the forte signed 'CATER & CO, 56 PALL MALL, LONDON', the reverse with inlet proof mark, gothic three bar hilt in nickel-plate pierced and carved with the Scots Guards device, wire bound fishskin grip, chequered backstrap and domed pommel, complete with its plated dress scabbard, tiny losses to plating at scabbard drag otherwise excellent. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019) * Please note this item is subject to 5% VAT on the hammer price.

LECHNER, NUREMBERG AN 8.15x46R SINGLE-SHOT TARGET-RIFLE, MODEL 'ORIGINAL SYSTEM AYDT', serial no. 12182, circa 1920, with octagonal blind fluted 31 1/2in. barrel, the top-sides signed in silver gilt 'HANS LECHNER' and 'NURNBERG' respectively, dove-tailed ramp with replacement tunnel fore-sight, dove-tail along the top-flat for an adjustable position rear-sight (absent), plain slab-sided receiver fitted with large banana-shaped tensioning springs to the pins, square form dropping breech marked 'ORIGINAL SYSTEM AYDT', top-tang with base for an aperture sight (absent), chequered walnut tyrolean butt-stock further relief carved with panels of oakleaves, iron Swiss-style heel-plate, complex underlever forming the trigger-guard bow, double-set triggers, smooth walnut fore-end with the tip also relief carved with oakleaves and fitted with iron sling swivels, small loss to wood at heel, action missing striker. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

A .320 (SHORT REV) HAMMERLESS FIVE-SHOT POCKET REVOLVER, UNSIGNED, serial no. 610, of velo-dog style circa 1885, with blued octagonal 2 3/8in. barrel, blade fore-sight, solid elongated blued frame with internal hammer, blued side safe, blind-fluted cylinder, side loading gat, folding trigger and swing out ejector, fitted with chequered hard rubber grips with shells moulded to the tops, appearing little used and retaining virtually all its original finish. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament * Please note this item is subject to 5% VAT on the hammer price.

Bernard McMullen limited edition print with double blind stamp & signed in pencil The big Wheel 205/850

Bernard McMullen limited edition print with double blind stamp & signed in pencil Under the Lamp 46/500

Bernard McMullen limited edition print with double blind stamp & signed in pencil Blackpool 228/850

Bernard McMullen limited edition print with double blind stamp & signed in pencil The Blues new home 64/203

Bernard McMullen limited edition print with double blind stamp & signed in pencil Reebok Stadium 65/500

Bernard McMullen limited edition print with double blind stamp & signed in pencil Penny for the Guy 30/50

Bernard McMullen limited edition print with double blind stamp & signed in pencil Belle Vue memories 106/1000

LS Lowry signed print, landscape with farm buildings, signed in pencil with gallery blind stamps, 50 x 40 cm. Not available for in-house P&P. Condition Report: No damage, folding, foxing, tears or creases.

A wonderful Canvas bus destination blind, around 1950s/60s for Morecambe, Lancaster and surrounding areas, incredibly long with many, many destinations! Perfect for the transport enthusiast or for those who collect items of local interest. Approx 50 feet by 1 meter wide Approx 50 destination, whole blind in good condition

A Victorian mahogany chest of drawers, with blind frieze drawer over four long drawers and barley twist half columns, on turned feet 125cm x 108cm x 52cm splits and depletions, loose back boards with one missing.

A Lancashire mahogany longcase clock, late 18th century, the arched painted dial signed William Lawson, Newton, the chapter ring with Roman numerals and the dial with subsidiary seconds dial, the spandrels painted with four courting couples emblematic of the seasons, under a sun and moon arch, within a conforming hood with swan-neck pediment and gilt-brass mounted columns, the broad trunk with a band of blind fretwork over a shaped fielded panel door flanked by fluted quarter columns, on a fielded panel base, eight day movement. Height 225cm

Henri de Toulouse Lautrec, 1864-1901, nude, limited edition lithograph, numbered in pencil to the margin 332/1250, with Toulouse Lautrec Circle blind stamp, together with another similarly numbered (2) These lithographs are two from an edition of twelve printed in London by Westerham Press, in 1969

An early Victorian rosewood double door side cupboard, the blind frieze drawer over twin panelled lower cupboard doors, all within floral scroll carved detail, w.127cm

Blind Earl pattern; nine Wedgwood pottery green glazed Blind Earl plates, together with a pair of rectangular serving dishes and a footed dish similar, and a part-set of thirteen Blind Earl wares, highlighted in green, including eleven plates and two serving dishes (25)

Bus and Coach Interest; North Devon; A Bus Destination part Roller Blind, with destinations including Ilfracombe, Slade, Instow, Landkey etc., Provenance: From the John Shapland Collection; Bus Inspector and life-long bus and coach collector and enthusiast. Member of The WestCountry Historic Omnibus & Transport Trust (WHOTT)

Bus and Coaching Interest; A London Transport Bus Destination Roller Blind, for route Brockley Cross to Peckham (Special Railway Service) complete with metal rollers marked 'J.R.Collyear, Wembley', circa 1950's / 1960's, 37in (4cm) wide.