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A Chippendale-style pearwood coffee table, rectangular-shape with segment-veneered top, blind-fret frieze in lattice design, on cluster-column legs, 2ft. 4in.

A solid, dark oak trolley, unusual with blind and fitted cutlery drawer, barley-twist supports

After Pablo Picasso (Spanish, 1881-1973), ""Nature Morte a la Fenetre,"" 1979, color lithograph, printed by Laurent Marcel Salinas, apporved by the estate of Picasso, edition 277/500, blind stamp lower left and lower right, pencil signed indistinctly lower right, overall (with frame): 32.5""h x 39.5""w

Robert Graham (Mexican/American, 1938-2008), Untitled, Nude 1993, lithograph, signed and dated in pencil lower center, blind stamp lower left, sheets: 15``h x 10.75``w, overall (with mat): 20``h x 16``w. Provenance: Fred Spratt Gallery (San Jose, CA). Note: Original gallery receipt on file

Beatrice Wood (American, 1893-1998), ""Blind Date,"" earthenware sculpture atop a wooden base, signed, sculpture: 15""h x 38""w x 5""d, overall (with base): 17``h x 44.25``w x 10.5``d

Robert Capa (1913-1954) Israël. Tel-Aviv, 14 novembre 1950. Chaim Weizmann, le premier président d’Israël, vote lors des élections municipales. Épreuve argentique (1964). Tampon « Please Credit : Robert Capa « Images of War » Copyright © 1964 », tampon « Photograph by Robert Capa © 1965 Magnum Photos 72 W. 45th Street, N. Y. C. 36 », tampon de l’exposition « Israel The Reality © 1969 » et légendes tapuscrites sur étiquette contrecollée au verso. 28 x 35,3 cm avec marges Ce tirage fut réalisé à l’occasion de la sortie de l’édition originale du livre Robert Capa - Images of War, Grossman Publishers, New York, 1964, et réutilisé lors de l’exposition Israel The Reality, 1969. La légende sur étiquette dit : « Israel : Historic moment in the history of a new nation : Chaim Weitzmann, nearly blind, casts the first ballot for the members of the new Parliament of Israel. Capa Wrote, of Israel’s first President, « The trials and errors of Zionism lie behind him, and the trials and errors of the new state must be carried by the younger generation. »

A late 18th century oak longcase clock, the square brass dial (w.11") signed G Burton of Tebay to the engraved centre, having rolling date dial, the chapter ring with Roman and Arabic numerals within cast brass mask corner spandrels, with twin dummy winding holes and thirty hour brass four pillar movement striking on a bell, the case with all-over blind carving and bearing date 1786, h.200cm

An 18th century French provincial oak cupboard, having twin blind carved panelled doors, raised on squat cabriole forelegs with further carved paw feet, w.86cm, d.42cm, h.94cm

A Victorian walnut breakfront open bookshelf, having adjustable shelves and raised on blind base, w.183cm, d.35cm, h.111cm

A late 17th century joined oak coffer, having a three panel cover on original loop hinges above a blind carved three panel front, w.117cm, d.55cm, h.66cm

A circa 1700 joined oak coffer, having a three panel hinged cover on replacement ironstrap hinges, opening to reveal candlebox fitted interior above a blind carved two panel front, w.106cm, d.47cm, h.59cm

An early Victorian mahogany console table, having an Italian veined white marble top above a blind frieze drawer, w.114cm, d.40cm, h.85cm

A William IV oak, pollard oak and ebony inlaid library armchair, later re-upholstered in a green draylon, having blind carved forearms and raised on tulip carved ring turned tapering supports with brass cup castors, h.92cm, w.69cm, seat depth 55cm

An 18th Century inlaid oak and mahogany crossbanded longcase clock by William Parkes Wolverhampton, engraved arch silvered dial with moonphase and date aperture enclosed by a blind fret panel carved hood and broken swan neck pediment over a long cockbeaded trunk door flanked by brass reeded capitals on a later converted plinth base, 221cm high

A George III mahogany linen press with blind fret frieze Height 229cm, width 127cm, depth 62cm. Interior of top with only one tray remaining, later hanging rail. One door extensively warped. Splits to sides, losses to mouldings, beadings, fretwork and dentil moulding, also one handle missing.

Butler (Charles). A Connected Series of Notes on the Chief Revolutions of the Principal States which Composed the Empire of Charlemagne from His Coronation in 814 to its Dissolution in 1806… , published J. White, 1807, numerous folding tables and genealogical pedigrees, a.e.g. with fore-edge painting depicting a scene from the River Thames looking towards the Tower of London, contemp. red straight-grain morocco, gilt and blind dec., 8vo, together with Napier (Sir W.F.P.), History of the War in the Peninsula and in the South of France from the Year 1807 to the Year 1814, 6 vols., pub. Frederick Warne & Co., c. 1900, later red half calf gilt, black morocco title labels to spines, 8vo, with Meneval (Claude-Francois), Memoirs pour servir a l'Historie de Napoleon I depuis 1802 jusqu'a 1815… , Edition Entierement Refondue, Paris, 1894, t.e.g., remainder untrimmed, near-contemp. red half morocco gilt, 8vo, together with other similar history, mostly late 19th-c. publications in contemp. half calf gilt, all 8vo, plus 19 modern reprints in orig. publisher's gilt-dec. mock leather, all 8vo Condition: Generally in VG condition.

After Sir Wiliam Russell Flint, `The Mill Barbaste`, 1970, colour reproduction with blind stamp, image 53 x 67cm

An Art Deco leather toilet case with silver and ivory mounted glass jars by... An Art Deco leather toilet case with silver and ivory mounted glass jars by George Carsberg & Son, London 1935, with three glass jars and a bottle, the silver and ivory covers initialled `S.L`, the case blind stamped `S.L`, 40cm wide View on dnfa.com

An Art Deco leather toilet case with silver and ivory mounted glass jars by... An Art Deco leather toilet case with silver and ivory mounted glass jars by George Carsberg & Son, London 1935, with three glass jars and a bottle, the silver and ivory covers initialled `S.L`, the case blind stamped `S.L`, 40cm wide View on dnfa.com

ONE AND A PAIR OF WORCESTER BLIND EARL MOULDED PLATES painted in bright enamels, the pair also with butterflies and ladybirds, 20cm diam, unmarked, c1860 ++All in good condition with small spots of wear but decorative

A FRENCH ORMOLU CARTEL CLOCK IN LOUIS XVI STYLE with enamel dial and gilt filigree hands, flambeau finial and ribbon cresting, the case inset with blind fret and applied with swags, the lower part cast with vitruvian scrolls and acanthus leaves, the movement with medallic backplate and striking on a nickel plated bell, 40cm h, c1900 ++In good original condition, the sheet brass back and round door coated with lacquer. The enamel dial undamaged, the hands original

A GEORGE III OAK LONGCASE CLOCK the brass dial signed and numbered on a reserve W Barnard Newark 679 and having matted centre, date sector, pierced hand, bird spandrels and 30 hour movement with arched plates and outside countwheel, the moulded case with ogee pediment and blind fret frieze, brass mounted pilasters and low breakarched door, on bracket feet, 201cm h ++A typical Newark longcase clock, the dial and movement original to the case but with a number of restorations; movement very dusty, one of the posts by which the movement is connected to the dial a replacement, the movement apparently complete, a hand replaced, the case stripped, structural repairs inside the hood, the seatboard an oldish replacement but the cheeks not packed or altered, some localised worm in the case and in particular the backboard and wedges, the brass hinges and lockplate to the door replacements. The base slightly reduced and the feet replaced. Sold with weight and a pendulum

A GEORGE IV GILTWOOD MIRROR the convex plate in reeded, ebonised slip, the frame clasped in four places with strapwork and blind trellis, 69cm diam ++The glass replaced, the frame originally crested by an eagle or similar, some shrinkage cracks in the ebonised surround, the gilding rubbed and chipped but largely original/old

A VICTORIAN MAHOGANY DROP LEAF TABLE fitted with a drawer and opposing blind drawer, on ring turned pillar and quadruple legs with brass paw castors, 71cm h; 108 x 114cm ++Repolished with old blackened scratches and minor knocks only

A VICTORIAN MAHOGANY DESK fitted nine drawers with opposing blind drawers and doors, recessed castors, 76cm h; 57 x 122cm ++Of good quality and originally made as a dressing table with three quarter gallery long removed. Retaining all the brass locks, the handles original, slight damage to one or two of the keyplates

A VICTORIAN OAK PARTNERS DESK with tooled maroon skiver inset writing surface and fitted with ten drawers, those to the pedestals secured by a locking standard, the other side with blind drawers and panelled doors, 76cm h; 100 x 151cm ++A Very good quality and well preserved desk retaining the original turned knobs and brass locks

AN EDWARD VII MAHOGANY CHINA CABINET with blind fret frieze and door with lancet arched glazing bars, the table with conforming drawer, on fluted square legs, 191cm h; 41 x 76cm, drawer stamped 02269 ++A good quality cabinet, in good condition, the incurved undertier added at later date to lend stability

AN EDWARD VII MAHOGANY CABINET BY EDWARDS & ROBERTS in Chippendale Revival style, decorated with fretwork and blind fretwork, the table fitted with a drawer, on chamfered legs with pierced brackets and undertier, 137cm h; 35 x 71cm, drawer stamped EDWARDS & ROBERTS ++Slight damage to two of the spandrels, minor knocks and scratches

19th century School: `Ballaugh` children in 18th century dress playing blind man`s bluff, watercolour

A late 18th Century ""North Country"" mahogany longcase clock by Robert Greaves of Macclesfield, the 14ins arched brass dial with wide silvered chapter ring and dial centre with Roman and Arabic numerals and showing phases of the moon and calendar to arch to the eight day two train movement striking on a bell, contained in figured mahogany case with scrolled cresting, blind fret frieze inlaid with oval paterae, turned and fluted columns to hood and with shaped trunk door flanked by fluted quarter columns, on bracket feet, 91ins high Note: Robert Greaves recorded working Macclesfield 1786

Painted hall mirror, blind fretwork decoration and with engaged columns, 57cms, a painted wall cabinet with a triangular pediment and a gilt metal open lantern, floral tendrils and fitted glass droplets, 42cm drop.

After Sir William Russell Flint (Scottish 1880-1969): Model Reclining, chromolithograph with WRF blind stamp No.595/750 30cm x 54cm

After Sir William Russell Flint (Scottish 1880-1969): 'Model for Elegance', chromolithograph c1984 with blind stamp for Michael Stewart Fine Art Ltd. No. 424/850, 34cm x 49cm

A George III mahogany chest on chest. The upper section with projecting moulded dentil cornice and blind fret-cut frieze, over two short drawers and three long, with moulded edges and brass swan neck handles, the lower section with brushing slide, three further drawers raised on bracket feet, with canted reeded slides. 42 x 19 1/2 x 70"

[NATURAL HISTORY]. GARDENING Lowe, E.J. A Natural History of British Grasses, Bell and Daldy, London, 1871, blind-stamped green cloth gilt, paper-protected colour plate illustrations, quarto; Loudon, J.C. An Encyclopaedia of Gardening, third edition, for Longman et al., London, 1825, marbled boards, illustrations, quarto (ex library; binding defective); and assorted other works and part works. Note: This lot sold with all faults, not subject to return.

Helen Bradley, signed print with blind stamp, including various prints

Pratt ware oval pedestal stand `The Blind Fiddler`, pearlware plate `Dr. Franklin`s Maxim`s` and six decorative plates

An early 18th Century walnut cased longcase clock, the arched hood with blind fretwork frieze above an arched glazed panelled door flanked by turned tapering brass capped pilasters, the main body with arched panelled door and feather banding on similarly decorated base with plain plinth, the arched brass dial with silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture on a matted ground within mask head and applied floral scrolling spandrels, to the arched strike/silent dial with applied dolphin and floral scroll decoration to an eight day striking movement on a bell, inscribed "John Ellicot, London", 244 cm high. CONDITION REPORTS Hands with some mis-shaping and scratching. Not known whether movement is in working order. Case with new mouldings to base and door, various areas of patched in veneer, movement appears to be OK but strike silent has been altered, brass cased weights, case with general wear and scuffs, numerous areas of age splits and cracks to the veneers (probably due to movement in carcass and to ageing/drying) including a lot of splits around the base, to door, sides, etc. Several areas of moulding missing and several areas of moulding warped and/or lifting, some areas of veneer missing. Some losses to the carcass to rear. Various cracks, splits and losses to the carved frieze to the hood and some sections of moulding missing. Some wear and scuffs to dial with scratches and tarnish. This lot is from a private vendor and was inherited from grandparents as a family piece by the current vendor. Ellicot is spelt with one t on the inscription to the dial.

Alexander (Sir James Edward) AN EXPEDITION OF DISCOVERY INTO THE INTERIOR OF AFRICA. 8vo (210 x 125 mm) Through the hitherto undescribed Countries of the Great Namaquas, Boschmans, and Hill Damaras, performed Under the Auspices of Her Majesty`s Government, and the Royal Geographical Society. 2 volumes,  xxiii, 302 + viii, 306 pages followed by 6 pages of the publisher’s catalogue, engraved frontispieces in each volume, folding map, 6 engraved plates and 7 engravings in the text, original blind stamped blue straight grained cloth, titled and decorated gilt on the spines, edges uncut, original endpapers intact, bookplate on each front paste-down endpaper and a corresponding small stamp below the dates on the title pages, light offsetting of the frontispieces onto the title pages, contents bright, a very good copy with the plates free of usual oxidisation. Mendelssohn (S.) South African Bibliography, 1:20-21: `He proceeded to Namaqualand and Damaraland, which countries were very little known at the time. Leaving Cape Town in 1836, he traversed these regions in an ox wagon, and went through a large part of South West Africa arriving at Walvisch Bay almost exhausted with the difficulties of travel and want of water. He succeeded in obtaining a good collection of zoological and other specimens, many of which were at that time unknown to the scientific world. The volumes contain an account of the social condition of the Namaquas, Bushmen and Damaras.` Very good London Henry Colburn 1838

Barrow (John) AN ACCOUNT OF TRAVELS INTO THE INTERIOR OF SOUTHERN AFRICA. 4to (270 x 215 mm) In the years 1797 and 1798: including cursory observations on the geology and geography of the southern part of that continent; the natural history of such objects as occurred in the animal, vegetable, and mineral kingdoms; And sketches of the physical and moral characters of the various tribes of inhabitants surrounding the settlement of the Cape of Good Hope. To which is annexed a description of the present state, populations, and produce of that extensive colony; with a map constructed entirely from actual observations made in the course of the travels. 2 volumes: I. viii, 419, (i errata). II. xi, (i errata), 452 pages, folding aquatint plate with sepia tint of `Entrance to Cape Town from Green Point` as frontispiece in volume 2, large folding map in volume 1, 8 smaller maps - two partly coloured and folding - one the Military Plan of the Cape Peninsula, contemporary full diced calf neatly rebacked with new spines which are titled and decorated in gilt and blind in panels and with the arms of Sir Richard Borough (1756-1837) of Basildon Park, Berkshire stamped in gilt on the upper covers, marbled endpapers, all edges gilt, bookplate on each front paste-down endpaper and a corresponding small stamp below the dates on the title pages. The folding map is foxed and strengthened with tape at all the folds, the first gathering in volume I is detached, apart from some light offsetting from the maps the contents are in very good condition. Mendelssohn (S.) South African Bibliography, 1:87-88. ‘Barrow was attached to the staff of the Earl of Macartney, one of the governors of the Cape Colony during the first occupation by the British. Barrow accompanied an expedition from Cape Town to Graaff-Reinet, and another to Namaqualand, and he gives an excellent description of the country traversed, particularly with regard to the botany and zoology of these regions. He provides significant evidence of the alleged brutality of the Boers to their slaves and Hottentot servants, and there is a description of the characteristics, habits, and customs of the various native races.’ Good London T. Cadell Jun. and W. Davies 1801-1804

Lucas (Captain Thomas J.) PEN & PENCIL REMINISCENCES OF A CAMPAIGN IN SOUTH AFRICA. 4to (290 x 210 mm) Illustrated with Twenty-one Beautiful Colour-tinted Lithographs. By Captain Thomas J. Lucas, Cape Mounted Rifles. 35 pages of letterpress, hand coloured lithographic frontispiece, additional hand coloured title page and 19 hand coloured plates each with tissue guards, original brownstraight-grained cloth, covers blind stamped and titled and decorated in gilt on the upper cover and spine, all edges gilt, bookplate on the front paste-down endpaper and a corresponding small stamp below the date on the title page. The cloth is split and lifting for forty millimetres along the spine, top corner of the front free endpaper missing, the hinges are splitting and the binding has been strengthened (the original binding was  made with gutta-percha – a latex solution derived from the Palaquium tree –  which over time dries and cracks. Almost all books bound in this way in the 19th century now need the attention of a bookbinder), the frontispiece and title page are lightly foxed, some foxing on the other plates but this is mainly restricted to the backs of the plates, the hand colouring remains bright, the text pages are generally unaffected. Overall a good well coloured copy. Good London Day & Son No date (1861)

Schoeman, Karel Bloemfontein. Die onstaan van `n stad. 1846-1946 (presentation copy) 250 x 190 x 40 This impressive book in this versatile author`s Free State series (see also lots 124 and 132) must rank as among the best South African city histories. Schoeman, the winner of two Hertzog prizes and many other awards, has had a lifelong interest his native province (he was born in Trompsburg, south of Bloemfontein). The laminated jacket illustration, described in detail on the book`s back flap, is a photograph of a 1851 painting by Thomas Baines preserved in the Pretoria Archives. The dustjacket is edge-chipped and the top of the front cover has a tape repair. The blue paper-boards are shelf-worn and the other extremities are rubbed. The binding is tight. Pasted on to the fly sheet (see image) is a page with Bloemfontein`s coat of arms blind embossed and the details of this copy (number 100) presented by the city`s mayor to an Orange Free State provincial councillor. viii + 305 pp of double-column text (in Afrikaans; though, unusually, all the chapter titles are quotations in English) + an art paper section with 174 captioned b/w photographs. The final letterpress section includes a 30 pp bibliography and a 10 pp index. Very Good Cape Town Human & Rousseau 1980

Moffat (Robert) MISSIONARY LABOURS AND SCENES IN SOUTHERN AFRICA 230mm x 150mm x 47mm 624 pages. Original (re-backed) blind stamped cloth with gilt titling on the spine, new end-papers. Colour frontispiece (one of very few illustrations printed by the Baxter process in books of African interest. This plate was also sold separately as a print to raise funds for the work of the mission), folding map, 8 engraved plates (of which 3 are facsimile replacements), engraved illustrations in the text. Deckled edges. The hand-coloured frontis and title pages have been professionally backed/reinforced with fibre-tissue, forming an attractive frame around the colour frontis. Heavy toning to both these pages with a few stains to title page. Previous owner`s name has been penned in fountain ink to top of title page. Clear adhesive backing/repair work done to pages 133 and 136. The book has been re-backed with original spine and blind embossed cloth boards retained. New corners have been applied. The contents are generally clean apart from some light foxing to certain pages and a few more stains to some of the engraved plates. The bindings are tight. Mendelssohn (Sydney) South African Bibliography, volume 2, page 29. `The preliminary chapters deal with opinions of the author on the origin of the Hottentots, and gives a synopsis of the early work of the London Missionary Society in South Africa, reference being made to the labours of Drs. Vanderkemp and Philip, and other pioneer missionaries who predated Mr. Moffat. The volume gives a valuable account of mission work among the Bechuanas, with notes on the customs of the natives, and a description of the earlier travels of the author... There are some particulars concerning Dr Andrew Smith`s expedition into the interior in 1835, and there is an ample account of the labours of the various missionary societies engaged amongst the Bechuanas, Matabeles, Basutos and other races at this period`. Colour Frontis by George Baxter (1804–1867), who was an English artist and printer based in London. He is credited with the invention of commercially viable colour printing. Though colour printing had been developed in China centuries before, it was not commercially viable. However, in early years of the 19th century the process of colour printing had been revived by George Savage, a Yorkshireman in London. It was to be Savage`s methods upon which Baxter, already an accomplished artist and engraver, was to improve. In 1828, Baxter began experimenting with colour printing by means of woodblocks. At 20 Baxter was illustrating books printed by his father; at 23 Baxter moved to London to be apprenticed to Samuel Williams, a wood engraver. In 1827 Baxter set up business on his own and married Mary Harrild, daughter of Robert Harrild, a printing engineer and a friend of Baxter’s father. Baxter now began to experiment with his own methods of colour printing – his first known colour print, Butterflies, was published in 1829. Baxter`s experiments first bore commercial fruit in 1834, with two small vignettes published in Mudie`s `British Birds`. In 1835 Baxter was granted Patent No. 6916 – Improvements in Producing Coloured Steel Plate, Copper Plate and other Impressions, which outlined the combined intaglio and relief process he would continue to use for the next thirty years. Baxter’s original patent ran for 14 years; after the renewal of his patent in 1849 for another five years he began to sell licenses for the use of his printing process to other printing firms. Despite his technical excellence and the general popularity of his prints, Baxter’s business was never profitable – his process was laborious and it seems likely that his perfectionism prevented him from completing many of his commissioned works on time. In 1860 he held a sale of all his stock and equipment, most of which was not sold. Eventually he sold his plates and blocks to the printer Vincent Brooks, who later republished some of Baxter’s images. Baxter was declared bankrupt in 1865 and died in 1867, after an accident involving a horse omnibus. Fair to Good London John Snow, Paternoster-Row 1842

Whitfield (G.M.B.) SOUTH AFRICAN NATIVE LAW 249mm x 162mm x 43mm During the 17 or more years since the first edition a large body of new decisions enunciating the principals of Native Law has been built up by the Native Appeal Courts, while numerous legislative changes have been effected in terms of the extensive provision for legislation by proclamation and regulation contained in the Native Administration Act. These developments have rendered the first edition less useful, and for some years the need has been felt for a more up-to-date treatise on Native Law. ix plus 662pp. Cloth hardcover, gilt title to spine, blind embossed frame to front and back covers and publisher`s blind stamp to rear board. Light edge-wear and scuffing to boards. Previous owners name penned to front fixed EP. Otherwise very good indeed. Good Cape Town and Johannesburg Juta & Co. 1948

Beryl Cook (1926-2008)-Signed limited edition print-Joggers On The Hoe, un-numbered but with blind stamp, published by The Alexander Gallery, signed in pencil, 43.5cm x 36cm A.R. Condition Report: ** General condition consistent with age

Helen Bradley (1900-1979)-Signed coloured print-Sunday Afternoon In Alexandra Park, published 1977 by Helen Bradley Prints Ltd, signed in pencil and with blind stamp, 40.5cm x 50.5cm A.R. Condition Report: Possibly slightly yellowed - ** General condition consistent with age

Sir William Russell Flint (1880-1969)-Signed coloured print-Waves, published 1969 by Frost & Reed, signed in pencil and with blind stamp, 44.5cm x 60.5cm A.R. Condition Report: ** General condition consistent with age

Sir William Russell Flint (1880-1969)-Signed coloured print-Casual Assembly, published 1963 by Frost & Reed, signed in pencil and with blind stamp, 44cm x 61cm A.R. Condition Report: ** General condition consistent with age

Sir William Russell Flint (1880-1969)-Signed coloured print-Variations IV, published 1966 by Frost & Reed, signed in pencil and blind stamp, 45cm x 61m A.R. Condition Report: ** General condition consistent with age

AN EARLY 20TH CENTURY CHINESE CAMPHORWOOD CHEST, of rectangular form, heavily blind-carved all over, the lid with dragons amongst bats chasing a flaming pearl, the frieze conforming, the sides with bats and suspended tasselled emblems, on short claw and ball feet, brass hasp and lockplate, 100.5cm x 50.5cm x 58cm. See illustration

A LATE 19TH CENTURY CHINESE HARDWOOD STAND, of rectangular outline, the top inset with a marble panel, the frame blind carved and with pierced apron, rails and brackets, above an open undershelf and on tapering supports with zoomorphic terminals, 42cm x 31.5cm x 81cm. See illustration

A LATE 19TH CENTURY CHINESE HARDWOOD STAND, of shaped hexagonal outline, the top inset with a marble panel, the frame heavily blind carved and pierced and with an open undershelf to the base, 35cm wide x 80.5cm high

ARR BY AND AFTER LAURENCE STEPHEN LOWRY (1887-1976) The Pond, colour reproduction, limited edition no.809/850 Fine Art Trade Guild blind stamp, signed in pencil to the margin, 43cm x 57cm. See illustration

ARR BY AND AFTER LAURENCE STEPHEN LOWRY (1887-1976) People Standing About, colour reproduction, limited edition no. 309/500 Fine Art Trade Guild blind stamp, signed in pencil to the margin, 31cm x 50cm. See illustration

ARR BY AND AFTER LAURENCE STEPHEN LOWRY (1887-1976) Mrs Swindells' Picture, colour reproduction, limited edition no. 786/850, Fine Art Trade Guild blind stamp, signed in pencil to the margin, 40cm x 30cm. See illustration

ARR BY AND AFTER LAURENCE STEPHEN LOWRY (1887-1976) View of a Town, colour reproduction, limited edition 82/850, Fine Art Trade Guild blind stamp, signed in pencil to the margin, 43cm x 54cm. See illustration

ARR BY AND AFTER LAURENCE STEPHEN LOWRY (1887-1976) The Harbour, colour reproduction, limited edition 742/850 Fine Art Trade Guild blind stamp, signed in pencil to the margin, 40cm x 55cm. See illustration

ARR BY AND AFTER LAURENCE STEPHEN LOWRY (1887-1976) Britain at Play, colour reproduction, limited edition 190/850, Fine Art Trade Guild blind stamp, signed in pencil to the margin, 44.5cm x 59.5cm. See illustration

ARR BY AND AFTER SIR WILLIAM RUSSELL FLINT (1880-1969) Casual Assembly, colour reproduction, pub. 1963 by Frost & Reed, Fine Art Trade Guild blind stamp, limited edition no. 532/850, signed in pencil to the margin, 44cm x 60.5cm

ARR BY AND AFTER SIR WILLIAM RUSSELL FLINT (1880-1969) Reclining Nude I, colour reproduction, published 1963 by Frost & Reed, Fine Art Trade Guild blind stamp, limited edition no. 299/850, signed in pencil to the margin, 31.5cm x 58cm