We found 44918 price guide item(s) matching your search

•After Sir William Russell-Flint "Celia Contemplating". Limited edition framed print, 618/850, 42.5 x 30cm and another, Studio Accessories, limited edition unframed print, 110/850, 41 x 56cm, Sir William Russell-Flint Galleries blind stamp, (2).

Sir William Russell Flint (1880-1969) - 'Reclining nude II', print, pencil signed to lower right margin, blind stamp to lower left margin, pub 1966 by Frost & Reed, 34 x 61 cmGood original condition

Sir William Russell Flint (1880-1969) - 'Reclining nude I', print, pencil signed to lower right margin, blind stamp to lower left, pub 1963 Frost & Reed, 35 x 61 cm

Sir William Russell Flint (1880-1969) - 'The Shower', print, pencil signed to lower right margin with blind stamp to lower left, 45 x 57 cm

Sir William Russell Flint (1880-1969) - 'Lavoir la Bastide', print, pencil signed to lower right margin with blind stamp to lower left, 51 x 69 cm

Sir William Russell Flint (1880-1969) - 'Ariadne', print, pencil signed to lower right margin, 51 x 59 cm to/w 'Giselle and Julietta', ltd ed print 57/850, blind stamp to lower left, 47 x 62 cm (2)

Sir William Russell Flint (1880-1969) - 'The Interlude', print, pencil signed to lower margin with blind stamp to lower left, 34 x 57 cm, published 1967 by Frost & Reed to/w 'Act II Scene I', ltd ed print 509/850, 42 x 58 cm (2)

Laurence Stephen Lowry (1887-1976) - 'Mrs Swindell's Picture', offset lithographic print, pencil signed to lower right margin, Fine Art Trade Guild blind stamp to lower left, 43 x 31.5 cmProv - Purchased by the vendor's family in the 1970sARR applicableOriginal conditon - as with all prints a faint element of fading

Laurence Stephen Lowry (1887-1976) - 'Industrial Scene', offset lithographic print, pencil signed to lower right margin, Fine Art Trade Guild blind stamp to lower left, 37.5 x 26.5 cm, published 1974 Venture Prints, BristolProv: Purchased by the vendor's family in the 1970sARR applicableOriginal condition, as with all prints possibly some faint fading

Laurence Stephen Lowry (1887-1976) - 'Level Crossing, Burton-on-Trent', offset lithographic print, pencil signed to lower right margin, Fine Art Trade Guild blind stamp to lower left, 43.5 x 58 cmProv - Purchased by the vendor's family in the 1970sARR applicablePossible fading

Laurence Stephen Lowry (1887-1976) - 'Streetscene near a Factory', offset lithographic print, pencil signed to lower right margin, Fine Art Trade Guild blind stamp to lower left, 29 x 23 cmProv - Purchased by the vendor's family in the 1970sARR applicableGood condition, minimal fading

THREE FRAMED AND GLAZED SIGNED JOHN CYRILL HARRISON PRINTS WITH BLIND STAMPS DEPICTING DUCKS FLIGHT

Early Aviation: Large Format Volumes in their Dust Jackets. A varied selection, mostly published in the last 50 years, and including: Conquerors of the Air - The Evolution of Aircraft 1903-1945, by H. Emde, 1st U. K. ed, 1968; British Aviation - The Pioneer Years, by H. Penrose; The Speed Seekers, by T. G. Foxworth; The Hulton Getty Picture Collection, The Early Years, by P. Almond; The Sky Their Frontier, by R. Jackson; plus five other volumes. Together with a two-volume quarto set (no dust jackets), blind-stamped blue cloth with gilt lettering to the spines entitled: Wonders of World Aviation - The Conquest of the Air in Story and Picture, edited by C. Winchester, c. 1937, 1088 pages, profusely illustrated, partly in colour. (12)

A 'Will O The Wisp' Lady's Bicycle Frame. Offered by Frank Huddlebridge of Chelsea in the late 1890s. this sound frame has a cottered bottom bracket aperture, blind end forks and an intriguingly-manufactured frame. Also, a 22-inch 'New Western' gentleman's frame; also by a London manufacturer, Arthur West of Hammersmith. (2)

Snuff Box. A small papier-mache box with a blind hinge to the lid, itself with a colour depiction of a lady on her Vélocipède. In fine condition, the edges nicely rubbed

A c1905 Youth's Bicycle. Just removed from storage, it has an 18-inch frame, 22-inch wheels, the front fitted into blind forks, inch-pitch double-roller chain operated by an interesting chain wheel design, fixed single gear and 14-inch swept handlebars with grips.

After David Shepherd Jaguars cololur print, signed, 409/1500, Solomon & Whitehead blind stamp 37x58cm.

David Shepherd Lions colour print, signed, blind stamp 57x106cm.

A boxed set of blind bearing pullers

Edwin Landseer, two large gilt framed black and white prints of stags, pencil signed and dedicated to the margin and prints sellers blind stamp to mount

Rock / Pop / Prog Rock / Blues / Folk Rock - A mixed group of 120+ 45 7" vinyl singles of varying artists to include The Byrds Mr. Tambourine Man (WB 729), Genesis I Know What You Like In Your Wardrobe (CB.224), Frankie Goes To Hollywood Rage Hard P/S (ZTAS 22), The Animals It's My Life (DB 7741), The Troggs I Can't Control Myself (POF 001), Bad Manners Can Can P/S (MAG 190), Johnny Nash Cupid (D 505), Cockney Rebel Spaced Out (EMI 2128), Elvis Costello Accidents Will Happen P/S (SAM 90), Marillion Sugar Mice P/S (MARIL 7) and Lavender P/S (MARIL 4), Blondie THe Tide Is High P/S (CHS 2465), Pink Floyd Another Brick In The Wall Part II (HAR 5194), Alice Cooper Poison P/S (655061) and School's Out (K 16188), Atomic Rooster Devil's Answer (CB-157), Sensational Alex Harvey Band Gamblin' Bar Room Blues P/S (Alex 002) and Alex Harvey The New Band Shakin' All Over P/S (PB 5199), James Brown Hey America! (2093-006), Bon Jovi Wanted Dead Or Alive P/S (JOv 1), Joan Baez Barbara Allen P/S (TFE 18000) and OnCe I Had A Sweet Heart P/S (TFE.18006), David Bowie Fame (RCA 2579), Chicken Shack I'd Rather Go Blind (57-3153) and many more 

L.S. LOWRY (1887-1976) 'FAMILY DISCUSSION' a limited edition print of a family 779/850, published in 1974 by Henry Donn with blind stamp, mounted, framed and glazed, approximate size 37cm x 25cm including visible margins (Condition:- some age related yellowing to the paper, later frame) (A)

BEN MAILE (BRITISH 1922-2017), 'A Time of Glory', a limited edition print 324/359, signed to lower margin with fine art trade guild blind stamp, mounted framed and glazed, size approximately 63cm x 89cm

CECIL ALDIN (1870-1935) Old English Inns - The George Inn Dorchester, Oxon, a limited edition print of a coaching scene, signed to lower margin with Fine Art Trade Guild blind stamp, size approximately 35cm x 41cm including margins

SIR WILLIAM RUSSELL FLINT (1880-1969), 'Lavoir La Bastide', a signed limited edition print of female figures, signed to lower margin with blind stamp, mounted framed and glazed, size approximately 51cm x 68cm, (condition:- small scratch to top left corner of the image)

An Ironstone meat plate, with blind stamp to reverse, length 60cm

A Georgian mahogany two door wall hanging Corner Cabinet, bow front with blind fretwork frieze below moulded cornice, doors on brass H hinges enclose shelves, 120cm high by 81cm by 57cm deep

Oak Dressing Table Stool with blind fretwork carving and needlework upholstered seat, 55cms wide x 45cms high together with Square Dressing Stool with Giltwood Carved Legs

YORKE, James. The Union of Honour containing the Armes, Matches and Issues of the Kings…… Edward Griffin, London 1640 1st edition. Presented in full leather. Blind stamped lines to boards, raised bands to spine. Woodcut illustrations of coats of arms throughout. 331pp plus 76pps of ‘Battels’ and 52pps of Viscounts and Barons.Condition report: Binding splitting at hinges.Replacement endpapers.Frontis (dated 1641) frayedPps 272 to 284 looseP313 detached but present.Worm damage to bottom section of pps251 – 302, very little text affected.

Murphy, A.(transl) The Works of Cornelius Tacitus. John Stockdale et al. London 1811. 8 vols. Presented in full leather bindings. Raised bands to spines with gilt decoration and titling. Blind stamped borders to boards. [8]Condition report: Giltwork to spines a little faded.Occasional wear to heads and tails of some volumes.

An antique joined oak side table, having a two-plank top over rosette blind carved frieze drawer, all raised on bobbin turned square cut supports, w.87cm, d.54cm, h.68.5cm

BLADEN, Col. Martin. (transl.) Julius Caesar’s Commentaries of His Wars in Gaul…… Knapton & Midwinter, London. 1726. 4th edition. 3 folding maps, 9 folding engravings and full page engraving. Presented in full leather binding. Blind tooled panelling to both boards, raised bands, gilt titles and date to spine. [1]Condition report: Professionally rebacked.Spine replaced with new leather.New endpapers.

A pair of oak and burr walnut veneered freestanding open bookshelves, in the late 18th century style, each having twin fixed shelves and raised on blind bases, w.65cm, d.28cm, h.125cmCondition report: Both stand well.One with bad cigarette burn to top.One slightly darker than the other.One top much richer in colour.One side of one with sun-bleaching.Otherwise with very minor age wear only.

Nähtisch des EmpireRosenholz, Nussbaum, Birke u.a. Edelhölzer, furniert und intarsiert, Blind Nähtisch des EmpireRosenholz, Nussbaum, Birke u.a. Edelhölzer, furniert und intarsiert, Blind Nähtisch des EmpireRosenholz, Nussbaum, Birke u.a. Edelhölzer, furniert und intarsiert, Blind Nähtisch des EmpireRosenholz, Nussbaum, Birke u.a. Edelhölzer, furniert und intarsiert, Blind Nähtisch des Empire Rosenholz, Nussbaum, Birke u.a. Edelhölzer, furniert und intarsiert, Blindholz Kiefer, wohl Frankreich, 19. Jhdt., eckige/gekantete Deckplatte mit Muschel- und Nähutensilien-Intarsien, 1 Deckelschub, im Inneren Fächer-Gliederung, 4 hohe, leicht konische Beine mit Messingkappen, 1 trapezförmige Ablage mit korrespondierender Muschelintarsie, H 75cm, B 55cm, T 43cm, Deckplatte mit Spannungsriss und Furnierschäden

19th century oak longcase clock, sarcophagus top over gilt painted floral blind fretwork frieze, arched hood door enclosed by turned pilasters, white enamel dial with Roman chapter ring, subsidiary seconds ring and date aperture, eight day movement striking hammer on bell, H225cmEight day longcase clock - with key winder weights and pendulum - Condition Report

Georgian mahogany linen press with dentil cornice over blind fret work frieze, two panelled doors enclosing oak slides, two short and one long drawer to base, raised on bracket supports, W127cm, H180cm, D62cm - Condition Report

Rupprecht Geiger 1908 München - 2009 München 727/78 (Farbraum, Geist und Materie). 1978. Acryl auf Leinwand. Dornacher/Geiger 695. Verso der umgeschlagenen Leinwand signiert, betitelt 'FARBRAUM' und mit der Werknummer '727/78'. Auf einer Rückenabdeckung signiert, datiert und mit den Maßangaben versehen (hier: 210 x 173). Verso auf dem Keilrahmen mit einem Richtungspfeil und der Bezeichnung 'oben'. 191 x 193,5 cm (75,1 x 76,1 in). [EH]. • Eines der frühesten Gemälde der 'Farbräume', die er 1978 beginnt. • Nur zwei Gemälde aus der Gruppe der 'Farbräume' hat Rupprecht Geiger mit dem Titel 'Geist und Materie' versehen. • 'Rote Farbe sehen, fühlen, hören, erfrischt, macht stark - gibt dir Kraft.' (Geiger in: Rotbuch 1975/1978, o. S.). • 1978 erste Retrospektive seines wegweisenden Werkes in der Städtischen Galerie im Lenbachhaus, München. • Prägnante Kombination von zwei geometrischen, archetypischen Formen. PROVENIENZ: Galerie Wilbrand, Köln. Sammlung Deutsche Bank (beim Vorgenannten erworben). AUSSTELLUNG: Blind Date Istanbul. Sabanci University Sakip Sabanci Museum, Istanbul, 8.9.-1.11.2007. Rupprecht Geiger - Malerei, Serigrafien, Modelle und Collagen aus sieben Jahrzehnten. Zum 100. Geburtstag des Künstlers, Städtische Galerie im Lenbachhaus, München, 15.12.2007-30.3.2008. LITERATUR: Sarah Massumi, Werkbeschreibung 725/78 (Farbraum, Geist und Materie), 1978 (WV 693) [27.11.2014], in: Archiv Geiger Blog http://blog.archiv-geiger.de/rupprecht-geiger-werkubersicht-11-72578-farbraum-geist-und- materie-wv-693-1978/ (zuletzt aufgerufen am 18.9.2020). 'Ich glaube an den psychologischen Effekt von Farbe auf den Menschen.' Rupprecht Geiger, zit. nach: Pinc kommt! Rupprecht Geiger, Ausst.-Kat., The Schaufler Foundation, Dresden 2017, S. 19. Rupprecht Geiger entwickelt sein Werk mit großer Kontinuität. Schon in den späten 1940er Jahren setzt er sich als einer der ganz wenigen in Deutschland mit Bildformaten von unregelmäßiger Geometrie auseinander. Damals jedoch immer in einer Leinwand. Im Weiteren moduliert er scheinbar freischwebende Farbflächen mit fein abgestufter Modulation in eindringlicher Farbintensität. Das Motiv der gegensätzlichen Farbräume greift Rupprecht Geiger 1975 nochmals explizit in der Werkgruppe der 'Farbräume' auf. Nur zwei Werke der Gruppe benennt er mit dem Zusatz 'Geist und Materie' als Gegensatzpaar im Titel. Er selbst liefert in seiner 1975 in Düsseldorf erschienenen Schrift 'Farbe ist Element' eine Erläuterung: 'Denn erst die vollendete, technische Beherrschung der Materie, der Anordnung von Formen im Raum, kann das immaterielle Wesen der Farbe erfahrbar machen, deren ureigene Funktion in ihrem Wirken auf den menschlichen Geist besteht'. Die beiden gestalterischen Komponenten Form sowie Raum bedingen sich also gegenseitig. Rupprecht Geiger kehrt ein Vierteljahrhundert später in der Werkgruppe 'Geist und Materie' (2003/04) zu dem Instrument der Kombination von ungleichen Farbflächen zurück. So beschäftigt sich diese Arbeit zweifelsohne mit einem der Hauptthemen seines Kunstschaffens. [EH] Aufrufzeit: 11.12.2020 - ca. 18.32 h +/- 20 Min. Dieses Objekt wird regelbesteuert angeboten (R).ENGLISH VERSIONRupprecht Geiger 1908 München - 2009 München 727/78 (Farbraum, Geist und Materie). 1978. Acrylic on canvas. Dornacher/Geiger 727/78. Verso of the folded canvas signed, titled 'FARBRAUM' and with the work number '727/78'. Frame signed, dated and inscribed with dimensions ( 210 x 173). Verso of the stretcher with a direction arrow and the inscription 'oben'. 191 x 193.5 cm (75.1 x 76.1 in). [EH]. • One of the earliest paintings from the group 'Farbräume' (Color Spaces), which began in 1978. • Rupprecht Geiger titled only two paintings from the 'Farbräume' group 'Geist und Materie' (Mind and Matter). • 'Seeing, feeling and hearing red rejuvenates me, makes me strong.' (Geiger in: Rotbuch 1975/1978, no p.). • The artist had his first seminal retrospective at Städtische Galerie im Lenbachhaus, Munich in 1978. • Striking combination of two geometrically archetypical forms. PROVENANCE: Galerie Wilbrand, Cologne. Collection Deutsche Bank AG, Frankfurt a. M. (acquired from aforementioned). EXHIBITION: Blind Date Istanbul. Sabanci University Sakip Sabanci Museum, Istanbul, September 8 - November 1, 2007. Rupprecht Geiger - Malerei, Serigrafien, Modelle und Collagen aus sieben Jahrzehnten. Zum 100. Geburtstag des Künstlers, Städtische Galerie im Lenbachhaus, Munich, December 15, 2007 - March 30, 2008. LITERATURE: Sarah Massumi, Werkbeschreibung 725/78 (Farbraum, Geist und Materie), 1978 (WV 693) [27.11.2014], in: Archiv Geiger Blog http://blog.archiv-geiger.de/rupprecht-geiger-werkubersicht-11-72578-farbraum-geist-und- materie-wv-693-1978/ (on September 18, 2020). Called up: December 11, 2020 - ca. 18.32 h +/- 20 min. This lot can only be purchased subject to regular taxation (R).

After Laurence Stephen Lowry RBA RA (British 1887-1976): coloured print 'The Organ Grinder' with print sellers blind stamp, labelled verso 'Limited Edition of 850' 55cm x 39cm - Condition Report

A George III mahogany chest on chest, the upper section of two short and three long drawers with dentil moulded cornice and blind fret carved canted corners. Supported on a base with slide and three long drawers all with oval stamped back plates and brass ring handles and supported on ogee bracket feet. 104cms w x 185cms h.

A Georgian mahogany 8-day Longcase Clock, signed Alex Moffat, Musselburgh, the arched painted dial with black Roman and Arabic numerals, subsidiary seconds and date, an oval in the arch depicting a woman leaning on an anchor looking out to sea, the swan-neck hood with blind fretwork detailing, giltwood finials and columns, 90in (228.5cm) high, complete with weights, key and pendulum.

George Cunningham (Sheffield Artist), 'The Beer On', limited edition colour print of 250, pencil signed and blind backstamp to mount, 21.5 x 28.5cm.

George Cunningham (Sheffield Artist), 'Church Street', limited edition colour print of 350, pencil signed and blind backstamp to mount, 30 x 43.5cm.

Rex Preston, 'Autumn in the Dales', colour print, pencil signed and blind backstamp to border, 32 x 65cm.

A fine Victorian album of printed and embossed letterheads, bookplates and visiting cards of royalty, nobility and establishment personalities, the album by Acton Griffith of Baker St, bound in Gothic blind-embossed calf with gilt clasps, 17 cm x 14 cm

AFTER HARRY BATES (1850-99), A FRAMED COPPER RELIEF PANEL OF BLIND HOMER PLAYING HIS LYRE TO A COUPLE IN A CLASSICAL SETTING AT SUNRISE. 36.5 x 92cms.

Michael Rondot, (20th century), In The Air Tonight, limited edition print no.129/500, signed by the artist with various other signatures and gallery blind stamp, 44 x 62cm, together with five other aircraft prints to include Coulson. (6)

* Philip Rickman (British 1891-1982), Goldfinches on thistles, coloured print, signed in pencil lower right and with gallery blind stamp, 36 x 26cm.Condition report: Max dimensions 53 x 41cm.From ‘A Broad Collection from a lifetime by The Broads’ - a large single-owner collection of rural bygones and museum-quality taxidermy from some of the most renowned ‘animal and bird preservers’ from the Victorian era and later. Read more about the collection here.

Rare Gerald Coulson Birth of a Legend Limited Edition signed by Jeffrey Quill Spitfire Test Pilot. This is the Limited Edition number 429 / 500 published in 1985 and embossed with Publishers Blind Stamp. Signed by the artist Gerald Coulson and Jeffrey Kindersley Quill, OBE, AFC, FRAeS a British test pilot who served with the Royal Air Force and Royal Naval Volunteer Reserve during World War and was the second man to fly the prototype Supermarine Spitfire in the 1930s. The print measures approximately 32.5 x 27 inches and has been stored flat, out of the light and is in very good condition. Print historical detail : The Spitfire was designed by R J Mitchell and the prototype Spitfire had its maiden flight on 5th March 1936 which is the subject of this print. The Spitfire entered service with the RAF in August 1938 with 19 Squadron based at Duxford. At the outbreak of WW2 there were 187 Spitfires in RAF service, when production ceased in 1948 a total of 20,351 Spitfires had been built and was retired from front line service in 1954. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99. This print can be sent tubed or flat packed any additional shipping is charged at cost.

Bigsby, Robert. Historical and Topographical Description of Repton in the County of Derby, London: Woodfall & Kinder, 1854. Pictorial title page, portrait of the author, all plates as called for plus further woodcut illustrations within the text. Contents generally good and bright with foxing to opening leaves/titles; rebound incorporating publisher's original embossed buckram lettered in gilt; later endpapers bearing blind-stamp for Library of Richard Baker; mounted armorial bookplate for Sir Robert Peel, Drayton Manor

A William IV Scottish mahogany chiffonier sideboard, circa 1835, carved scrolling serpentine quarter gallery on rectangular form slight oversailing sideboard, above three blind frieze drawers, over twin pedestal cupboards enclosing sliding drawers above a cellarette drawer, raised on a plinth base. 117cm H x 152cm W x 50cm DCondition Report:Good overall condition with general scuffs.

A pair of late 19th Century cast bronzed desk tidies in the Gothic Revival style, of architectural form incorporating blind and open tracery slots for cards and an area for implements, height 30cm, and a smaller similar card rack (3)Condition: generally good overall

Gregynog Press. Milton, John. Four Poems by John Milton: L'Allegro, Il Penseroso, Arcades, Lycidas, with Wood-Engravings by Blair Hughes-Stanton, Newtown: The Gregynog Press, 1933. Limited edition numbered 87 of 250. Tall octavo, red Heritage calf, lettered on spine and blind-embossed on upper cover. Internally good, clean, bright; calf lightly worn all over; pencil inscription on front free endpaper with light wear from a couple of erased inscriptions

COL SIR HENRY JAMES: EXTENSION OF THE TRIANGULATION OF THE ORDNANCE SURVEY INTO FRANCE AND BELGIUM WITH THE MEASUREMENT OF AN ARC OF PARALLEL IN LATITUDE 52 DEG N FROM VALENTIA IN IRELAND TO MOUNT KEMMEL IN BELGIUM, London for HMSO, 1863, 1st edition, 4to, original blind stamped cloth

HENRY STEVENSON: THE BIRDS OF NORFOLK, London, John van Voorst, Norwich, Matchett & Stevenson, 1866, 1st edition, vol 1 only, 2 plates as called for, errata slip, some foxing, original blind stamped cloth, spine gilt lettered, vgc

CHARLES JOHN PALMER (ED): A BOOKE OF THE FOUNDATION AND ANTIQUITYE OF THE TOWNE OF GREATE YERMOUTHE FROM THE ORIGINAL MANUSCRIPT WRITTEN IN THE TIME OF QUEEN ELIZABETH WITH NOTES AND AN APPENDIX, Great Yarmouth, Charles Sloman, 1847, printed for the editor, frontis, plan and 2 plates as called for, 4to, original blind stamped cloth gilt, rebacked

RICHARD WRIGHT PROCTER: MEMORIALS OF BYGONE MANCHESTER WITH GLIMPSES OF THE ENVIRONS, Manchester, Palmer & Howe, 1880, plates collated complete, folding map at page 16 split at folds, 4to, original blind stamped cloth gilt soiled, rebacked, new end papers

LEITCH RITCHIE: WANDERINGS BY THE LOIRE...WITH TWENTY-ONE ENGRAVINGS FROM DRAWINGS BY J M W TURNER, London, Longman, Rees, Orme, Brown, Green & Longman, 1833, "Turner's Annual Tour", engraved vignette title and 20 plates as list, contemporary decorative dark blue morocco gilt worn, all edges gilt + CHARLES JOSEPH LATROBE: THE ALPENSTOCK OR SKETCHES OF SWISS SCENERY AND MANNERS, London, R B Seeley & W Burnside [1839], 2nd edition, 10 engraved plates, original blind stamped cloth gilt, all edges gilt (2)

RICHARD JEFFERIES: WOOD MAGIC, A FABLE, London, Cassell Petter Galpin & Co, 1881, 1st edition, 2nd issue, 2 vols, 8pp adverts at end of each vol for July, original blind stamped cloth gilt (2)

DAWSON TURNER: SEPULCHRAL REMINISCENCES OF A MARKET TOWN AS AFFORDED BY A LIST OF THE INTERMENTS WITHIN THE WALLS OF THE PARISH CHURCH OF ST NICHOLAS GREAT YARMOUTH..., Yarmouth, Charles Barber, 1848, 1st edition, 4 folding pedigrees, original blind stamped black cloth, rebacked

A COPY OF THE POLL FOR THE KNIGHTS OF THE SHIRE FOR THE COUNTY OF NORFOLK TAKEN AT NORWICH MAY 22 1734, NP, 1734, 4to, blind stamped reversed calf, morocco gilt title on top board