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A George III mahogany fold-over tea table having blind carved frieze, width 91cm

Signed print by J L Chapman - 'Victorian Twilight' - Blind stamped

Two limited edition prints entitled Silk Road, issued in a limited edition 151 / 600, signed by the artist in pencil to the margin lower right, blind stamp on both marked Washington Green, mounted and framed under glass, image size 25cm x 25cm (2) - This lot MUST be paid for and collected, or delivery arranged, no later than close of business on Tuesday following the auction.

After Dante Gabriel Rossetti; 'Dante's Dream', black and white print, Burlington blind stamp

AFTER SIR WILLIAM RUSSELL FLINT "Cecilia in April", a limited edition colour Print no. 111/500, see certificate verso, 26cm diameter tondo mounted in a gilt glazed frame, together with ONE OTHER FLINT PRINT, no. 695/753, bears blind stamps, framed ( 2)

A George III flame mahogany card table with inlaid stringing decoration the hinged top with carved edge and blind fret frieze on chamfered square legs

AFTER SIR WILLIAM RUSSELL FLINT RA (SCOTTISH 1880 - 1969),MODEL AND CRITICcoloured print, numbered 647/850 in pencil and with Michael Stewart Fine Art blind stampMounted, framed and under glass

AFTER SIR WILLIAM RUSSELL FLINT RA (SCOTTISH 1880 - 1969),MADEMOISELLE SOPHIEcoloured print, numbered 393/850 in pencil and with Michael Stewart Fine Art blind stampMounted, framed and under glass

After Cecil Aldin "Bramshill House, Berkshire", signed in pencil lower left corner, Fine art trade Guild blind stamp, 39 x 33cm, ebonised frame

BETTY STIRLING'Argyle Street' and 'Glasgow Cross' city tram scenes, limited edition signed prints with Fine Art blind embossed stamps, 29cm x 39cm (2)

A collection of curtains to include a pair of glazed cotton red, blue and cream striped curtains with matching tie backs, green striped blind, large floral decorated curtain with red tassel trim, etc

AFTER JOY KIRTON "Masquerade I", limited edition colour print No'd. 194/600, bears artist's blind studio stamp lower left, signed lower right

AFTER JOY KIRTON "Fire dance I", limited edition colour print No'd. 195/600, bears artist's blind studio stamp lower left, signed in pencil lower right

AFTER JOY KIRTON "Fire dance II", limited edition colour print No'd. 381/600, bears artist's blind studio stamp lower left, signed in pencil lower right

AFTER JOY KIRTON "Fire dance IV", limited edition colour print No'd. 349/600, bears artist's blind studio stamp lower left, signed in pencil lower right

AFTER LIONEL EDWARDS "Hunt going through rolling trees", colour print, together with AFTER MADELEINE SELFE "Pinza", colour print, signed in pencil lower right, artist blind studio stamp lower left, together with two further CONDITION REPORTS Picture marked "A Spring morning" - paper is yellowed, some rips to the paper, mainly to the border of the picture. The Madeleine Selfe picture has some discolouration and fading, perhaps slightly yellowed. Mount with some bowing. The Sheep in Paddock picture slipped in mount, some discolouration, fading. Lionel Edwards print is very yellowed and discoloured, some browning and yellowing. All pictures show various general signs of wear and tear throughout

AFTER SIR WILLIAM RUSSELL FLINT 'Casual Assembly' colour print, signed in pencil lower right and artists blind studio stamp lower left

A box containing a mink tippet, black leather handbag, linen tablecloth with broderie anglaise decoration, various other table linen, together with two oilcloths and a blind

A circa 1700 oak coffer, the plain four panel top on iron ring hinges over a blind fretwork carved frieze and stiles with lozenge carved panels raised on plain stile supports

Oak thirty hour longcase clock, the 10" square brass dial signed Richard Weller, Eastbourne on the silvered chapter ring enclosing a matted centre, the case with long door and the hood surmounted by a moulded stepped pediment over a blind foliate fret carved frieze, 79" high (pendulum and weight)

Oak thirty hour longcase clock, the 11" square brass dial signed William Upjohn, Exon on the shaped plate to the matted centre with calendar aperture, the case with long door and the hood surmounted by a flat stepped moulded pediment over a blind fret carved frieze, 77.5" high (pendulum and weight)

Oak eight day longcase clock, the 10" silvered square dial signed Thomas Knight, Wickham, with subsidiary seconds dial, the case with long door and the hood surmounted by a moulded stepped pediment over a blind foliate fret carved frieze, 75" high (pendulum and two weights)

Alphonse Mucha, original lithograph with gilding, advertising design for Job cigarette papers, image size 10.5" x 8", studio blind stamp, framed together with Reference book, (2).

A WORCESTER BLIND EARL PATTERN LEAF SHAPED DISH with handle. 6ins.

After William Powell Frith, The Derby Day a large gathering of people outside the Royal Reform Club pavilion on race day, engraving by Auguste Blanchard, published March 27th 1865 by E. Gambart & Co., Pall Mall, title and blind proof stamp to margin, 50 cm x 110 cms,velvet mount glazed frame together with another coloured print after Orlando Norie,'The British Army' engraved by J. Harris, published Feb 1st 1863 by Rudolph Ackerman Regent Str., approx 73 x 45 cms. (2)

A CHINESE EXPORT MOTHER OF PEARL AND SILVER MOUNTED CADDY, with rococo silver mounts, the gently domed lid and sides ornately decorated with blind fret pierced foliate panels opening to reveal a compartmented velvet lined interior, 18th century, 26cms wide.

A CHINESE EXPORT MOTHER OF PEARL TEA CADDY, the hinged lid and sides decorated with blind fret pierced figural and foliate panels, opening to reveal a compartmented lined interior, 19th century, 21cms wide

20th Century SchoolAbstract in purpleScreenprintIndistinctly signed, dated 1966, and no.ed 24/40 With Adenbrooke's Hospital Art Collection blind stamp57 x 76cm

A George III style mahogany wardrobe with blind panel doors and base drawer, w: 121cm, h: 205cm

A Continental hardwood armoire , 19th century, the panel doors enclosing three shelves, and a blind drawer to base, 227cm high, 155cm wide, 55cm deep

A group of monochrome engravings to include 'Village Politicians' and 'Blind Fiddler' after D Wilkie, both 41 x 56cm, numerous after Saddler etc, all unframed.

Four decorative prints to include a signed Clifford R James print with Prints Sellers Association blind stamp to lower left, 39.5 x 51.5cm, and an oval print depicting a figural scene outside a tavern, 49 x 36cm, all framed and glazed (4).

R C BROWNE; watercolour, 'A Lincolnshire Farm', signed to lower left with descriptive label verso, 14.5 x 32.5cm, a 19th century zoological plate depicting various duck beaks, also a signed limited edition coloured print by Jean Harper, 'Sleeping Child' with Fine Art Trade Guild blind stamp and letters to number indicating 145, 31 x 23cm, all framed and glazed, and a framed unsigned oil on board (4).

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition print, 'The Reference Library', signed in pencil lower right, with FATG blind stamp and letters to number indicating 574/850, 24 x 35cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. No foxing or staining, no damage, Overall a good impression.

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); signed limited edition colour print, 'The Family', signed in pen to lower right with Fine Art Trade Guild blind stamp and letters to number indicating 318/850, 26.5 x 21cm, framed and glazed. (D) CONDITION REPORT: Signature is over signed, certainly to the first L. Very slightly rippled. A few tiny spots of foxing around the signature. Colours fairly strong. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); signed limited edition coloured print, 'Group of Children', signed in pencil to lower right with Fine Art Trade Guild blind stamp and letters to number indicating 114/850, 19 x 19cm, framed and glazed. (D) CONDITION REPORT: Oversigned signature, slight staining/brown , many colours slightly faded. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition colour print, 'Mrs Swindell's Picture', signed in pencil to lower right with Fine Art Trade Guild blind stamp and letters to number indicating 411/850, 40 x 30cm, framed and glazed. (D) CONDITION REPORT: Slightly rippled, some fading to the colour. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition colour print, 'The Contraption', signed in pencil to lower right with Fine Art Trade Guild blind stamp and letters to number indicating 075/850, 31 x 30cm, framed and glazed. (D) CONDITION REPORT: Rippling throughout. Some fading to the colours, very slight fading to mount. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition colour print, 'Three Men and A Cat', signed in pen to lower right with Fine Art Trade Guild blind stamp and letters to number indicating 408/850, 25 x 17cm, framed and glazed. (D) CONDITION REPORT: Signature is over signed, some rippling to right hand side, fading to the colours. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition coloured print, 'Level Crossing Burton on Trent', signed in pencil to lower right, with Fine Art Trade Guild blind stamp and letters to number indicating 383/850, 43.5 x 58cm, framed and glazed. (D) CONDITION REPORT: Heavily faded. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.

ARTHUR DELANEY (1927-1987); a signed limited edition colour print, Manchester street scene with tram, signed in pencil to lower right, limited edition 303/435 with blind stamp to lower left, 32 x 28cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

WILLIAM RUSSELL FLINT RA (1880-1969); a signed limited edition print, a sepia study of four female nudes, signed in sanguine to lower right, bearing Fine Art Trade Guild blind stamp and letters to number indicating 276, 28.5 x 41cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

HIDEO ITO DREW; watercolour, floral sprays, signed and blind stamped, biographical details verso, 47 x 33cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.

NO RESERVE Doni Anton Francesco. L'Academia peregrina e i Mondi sopra le medaglie del Doni... (Al colophon:) In Vinegia: Per Francesco Marcolini, 1552. [INSIEME CON:] Inferni... Libro secondo dei Mondi. In Vinegia: Per Francesco Marcolini, 1553.In-4° (mm 190x140). Carte 120, [4]. Con 54 illustrazioni xilografiche nel testo, molte a piena pagina, e una vignetta xilografica ad ognuno dei quattro frontespizi presenti nell'opera. Lievi arrossature, qualche traccia di sporco e brunitura. Legatura settecentesca in mezza pelle, piatti rivestiti in carta marmorizzata. Dorso staccato alla cerniera anteriore. SI AGGIUNGE: Id. Inferni... Libro secondo dei Mondi. In Vinegia: Per Francesco Marcolini, 1553. In-4° (mm 200x155). Pagine 224, [8]. Marche xilografiche ai quattro frontespizi e numerose illustrazioni xilografiche nel testo. Tracce di sporco al frontespizio, gora al margine inferiore dei primi fascicoli e qualche arrossatura. Esemplare senza legatura. Timbri a secco e in inchiostro al frontespizio e al verso dello stesso della Harvard University Library, con timbro di deaccessione.Prima edizione di entrambi i volumi che formano le due parti di cui si compongono i Mondi del Doni. L'opera, considerata una delle prime utopie rinascimentali italiane è sicuramente debitrice dell'Utopia di Thomas More, che proprio il Doni aveva pubblicato nella traduzione di Ortensio nel 1548. Nel dialogo tra Savio e Pazzo l'autore "costruisce un'utopia senza illusioni per un mondo 'mescolato', in cui 'tutte le partite si fanno equali', in assenza di un'intelligenza regolatrice e di un'utilizzazione razionale e naturale dei beni prodotti dal lavoro dell'uomo. La società disegnata dal D. si colloca in un'immagine urbanistica radiale che è essa stessa un'utopia, esemplata sullo stile delle città ideali, delle fortezze, degli apparati delle feste e del teatro del tempo" (DBI, s.v.). La maggior parte delle incisioni del primo libro sono le stesse del capolavoro Le Sorti del Marcolini, stampato nel 1540 mentre al recto di carta S3 è stampata la xilografia di Tiziano raffigurante l'Aretino e la Sirena preparata per le Stanze del 1537. Al verso di carta A4 (e ripetuta altre tre volte) è stampato il celeberrimo legno raffigurante Dante, Petrarca e Boccaccio tratto dalle Prose antiche di Dante, Petrarcha et Boccaccio, compilato ed edito dallo stesso Doni a Firenze nel 1547. Per gli Inferni sono riutilizzate invece molte delle xilografie preparate per la splendida edizione del Marcolini della Comedia del 1544. Adams D-825; Mortimer Italian, 166.4° (190x140 mm). [4], 120 leaves. With 54 woodcut illustrations in the text, some full-page, and one woodcut vignette on each title pages of the work. Light foxing, soiled and browning. Eighteenth-century half-leather, marbled paper on the covers. Detached spine on the upper hing. ADDING: Id. Inferni... Libro secondo dei Mondi. In Vinegia: Per Francesco Marcolini, 1553. 4° (200x155 mm). 224, [8] pages. Woodcut printer's device on title pages and numerous woodcut illustrations in the text. Soiled the title page, waterstain on the lower margin of the first quires and some foxing. Without binding. Blind-tooled and ink stamps on title page and on the verso of the title page Harvard University Library stamp. First edition of both volumes componing the two parts by which are composed the Mondi del Doni. The work, considered one of the first italian renaissance utopias is certainly debtor of the Utopia by Thomaso More, which Doni himself published in the Ortensio translation of 1548.

NO RESERVE Guilelmus Tyrensis. Historia della guerra sacra di Gierusalemme, della terra di promissione, e quasi di tutta la Soria [!] ricuperata da' Christiani: raccolta in XXIII libr... Tradotta in lingua italiana da m. Gioseppe Horologgi... In Venetia: appresso Vincenzo Valgrisi, 1562.In-4° (mm 205x150). Pagine [26], 702, [2]. Marca xilografica al frontespizio ripetuta in fine. Ottimo esemplare. Legatura settecentesca in pelle, titolo in oro su tassello in marocchino e fregi in oro al dorso, cornice a secco ai piatti, tagli rossi e testimone in seta verde, danni alle cuffie.Bella e non comune edizione valgrisiana della traduzione di Giuseppe Orologi della Historia rerum transmarinarum di Guglielmo di Tiro. 4° (205x150 mm). [26], 702, [2] pages. Woodcut printer's device on title page repeated at the end. A very fine copy. Eighteenth-century leather, gilt title on morocco littering piece on the spine, blind-tooled frame on the covers, red edges and green silk bookmark, damages on the head-cups. Beautiful and uncommon 'valgrisiana' edition in the translation of Giuseppe Orologi of the Historia rerum transmarinarum by Guglielmo di Tiro.

TOULOUSE-LAUTREC (Henri de) Elles, London: The Toulouse-Lautrec circle 1969, numbered limited edition no.1186 of 1250, large folio, eleven lithographs (numbered in pencil and blind-stamped), original cloth backed pictorial boards by Zaehnsdorf, slipcase (some wear)

Sir William Russell FlintSemi naked figures reclining by a poolA limited edition print No 365/850 with blind stamp51 x 69cm

Sir William Russell FlintA semi naked maiden on a beachA limited edition print No 490/850 with blind stamp50 x 67.5cm

A 19th century mahogany side table, the rectangular top above a blind fretwork decorated frieze on blind fretwork decorated square legs, 146cm wide x 87.5cm high x 43cm deep

Various Records including Led Zeppelin II, Jimi Hendrix Axis:Bold As Love, Blind Faith (cover painted over), Faces Long Player and seven albums by The Who including two versions of Live at Leeds (11)

NORMAN HIRST, RINGMER MILL SUSSEX, MEZZOTINT, SIGNED BY THE ARTIST IN PENCIL, BLIND STAMPED, 26.5 X 22CM AND A SIMILAR PRINT BY C. D. BASKETT, SIGNED

A SET OF SIX ARTIST SIGNED COLOUR PRINTS OF SHEFFIELD, BY GEORGE CUNNINGHAM, NUMBERED FROM EDITION OF 250 OR 500, BLIND STAMPED, 34 X 45CM AND CIRCA

ROLLER BLIND

18th Century oak blind panelled hanging corner cupboard.(B.P. 24% incl. VAT)

Reproduction walnut two door, blind panelled cocktail cabinet standing on cabriole legs.(B.P. 24% incl. VAT)

C.W. DAHLGREN -ESKILSTUNA, SWEDEN EARLY 20TH CENTURY HUNTING KNIFE the plated curved single edge blade stamped with makers name 5 1/8" long, simple quillon and shaped ebony handle blind fret carved with dragons to each side on mottled ground, 10 3/4" long overall the plated metal sheath with damascened Norse decoration of serpents and scrolls and makers name free ring suspension with simple leather frog

A bus blind with Essex and Kent destinations, in box frame.

A boxed Tri-ang Spot-On 145 London Transport Routemaster Bus diecast model in 1:42 scale. A Type 2 version of this model, G/G+ but with some chips and an 'orange peel' effect to the paint work, predominantly to the roof. The front retaining screw remains obscured by the intact front destination blind. the outer box is G/G+, with both card inner lining pieces, however missing collector card and with some staining to base of box.

A George V silver mounted tortoiseshell cased carriage timepiece, hallmarked London 1915, maker's mark of William Comyns The white enamelled dial with Roman numerals and French four pillar movement, in fitted case. The timepiece 9.5 cm high overall. CONDITION REPORTS: Damage and old repairs to case, door hinge loose, loss to inner rim of door, blind hole to underside.

An 18th century bell striking longcase movement by Thomas Budgen, ReigateThe signed 10 1/4 inch brass dial with Roman numerals and date aperture, in later oak case. 184 cm high. CONDITION REPORTS: Generally good, expected wear, dial with two filled blind holes, slight losses to case.