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A mahogany cupboard on stand, having two panelled doors with blind fret carved borders opening to reveal shelves and tray, raised on a stand fitted with two short drawers, width 52ins

An unusual rectangular oak centre table, with blind fret carving to the frieze, the shaped legs with trellis panels united by an H stretcher, with a carved drawer to each end, 24ins x 36ins

Charles Johnson Payne, 'Snaffles', original framed print, The Bonnie Blue Bonnets Frae Over The Border, the mount with two vignettes and blind-stamped with two bits mark, overall size 17.5ins x 14.25ins

A walnut and burr walnut wardrobe, having two mirror doors flanked by two blind cupboards over a shelf, with a central bank of two short drawers over three long drawers, stamped Gillow and Co London, width 85ins

A 19th century mahogany piano stool, with blind fret carved panels to each side, raised on four tapering legs

•WILLIAM RUSSELL FLINT (1880-1969) "A Question of Attribution", with a canvas and silk, printed signature within the image, Frost and Reed 1963, publishers blind stamp and artists pencil signature to the margin, colour lithograph, 22.25" x 18"

•WILLIAM RUSSELL FLINT (1880-1969) "The Shower", printed signature within the image, further signed in pencil to the margin with publisher's blind stamp, coloured lithograph, 17.5" x 22.5"

•WILLIAM RUSSELL FLINT (1880-1969) Dancing semi-clad women atop a mountain, printed signature within the image, further signed in pencil with publisher's blind stamp to the margin, coloured lithograph, 16" x 21.25"

•WILLIAM RUSSELL FLINT (1880-1969) "Eve and Yasmin and an unfinished picture", signed in pencil to the margin with publishers blind stamp and printed details for Frost & Reed, 1958, coloured lithograph, 17.75" x 25.75"

•LAURENCE STEPHEN LOWRY RA (1887-1976) Farm buildings in a bleak landscape with hay barn beyond, printed signature and date in the image, further signed in pencil to the margin with publisher's blind stamp and printed publisher's details for Venture Prints Ltd 1974, coloured lithograph, 17" x 20.5"

•LAURENCE STEPHEN LOWRY RA (1887-1976) "Meeting Point", printed signature and date of 1965 within the image, further signed in pencil to the margin with publishers blind stamp, coloured lithograph, 18" x 28"

A MATCHED PAIR OF CHINESE CHIPPENDALE STYLE MAHOGANY TEA AND CARD TABLES with folding tops above blind fret friezes on moulded legs, 19th century, 35.25" wide

Snaffles (Charles Johnson Payne, British, 1884-1967), a framed and glazed original Photolithograph, with traces of hand colouring, "Le 75", with Snaffles blind stamp, central image approx. 28cm x 20.5cm, whole image approx. 43cm x 34cm

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised famed and glazed Lithographic Print with traces of hand colouring "Wipers", signed and dated 14 middle left, blind stamp lower right, image size approx. 29cm x 20cm, the whole image approx. 42.25cm x 32cm

Snaffles (Charles Johnson Payne, British, 1884-1967), a framed and glazed (later) Limited Edition 310/500 colour Print, "The Mountain Gunner", Snaffles blind stamp lower left, central image approx. 36cm x 36cm, whole image approx. 46.5cm x 50cm

Snaffles (Charles Johnson Payne, British, 1884-1967), a ebonised framed and glazed colour Photolithograph with areas of hand colouring, "Gentlemen Unfraid", signed in pencil lower left and also with Snaffles blind stamp (some foxing etc., to mount and water damage top and bottom right mount), central image approx, 28.5cm x 51cm, whole image approx. 41.75cm x 64cm

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed Photolithograph "Peshawar Vale" signed lower left in pencil in the margin, with blind stamp, central image size 29cm x 49.5cm, whole image approx. 51cm x 73cm, (water damage prevalent to outer edge)

Snaffles (Charles Johnson Payne, British, 1884-1967), a framed and glazed Photolithograph " Getting Cantankerous", signed lower right in pencil in the margin by Snaffles, with blind stamp, central image size 24.5cm x 44cm, whole image approx. 45.5cm x 66.5cm

Snaffles (Charles Johnson Payne, British, 1884-1967), a gilt framed and glazed colour Photolithograph "Blimy! Wot A Life ", "West Of Gib and North Across The Bay", signed lower left in pencil in the margin, with blind stamp, central image size 32.5cm x 49cm, whole image approx. 49.5cm x 64cm

Snaffles (Charles Johnson Payne, British, 1884-1967), an oak framed and glazed colour Photolithograph "Enjoyin Yerselves, Aren't Yer?", signed lower right in pencil in the margin, with blind stamp, central image size 45.5cm x 61cm, whole image approx. 64.5cm x 78cm

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Photolithograph "The Varmint Little Lady" (on a wiry little "oss") signed lower left in pencil in the margin, with blind stamp, (prevalent water damage to a large portion of right hand side and bottom etc.,) central image size 32.5cm x 43.5cm, whole image approx. 48cm x 61cm

Snaffles (Charles Johnson Payne, British, 1884-1967), a gilt framed and glazed colour Photolithograph "Merry England" (and worth a guinea a minute), signed lower left in pencil in the margin, with blind stamp, central image size 27.5cm x 26.5cm, whole image approx. 45cm x 40cm

Snaffles (Charles Johnson Payne, British, 1884-1967), am ebonised framed and glazed colour Photolithograph "The Season (1939-40)" (acknowledgements to Punch), signed lower right in pencil in the margin, with blind stamp, central image size 28.5cm x 49cm, whole image approx. 51cm x 73cm

Snaffles (Charles Johnson Payne, British, 1884-1967), a parcel gilt framed and glazed colour Photolithograph "The Biggest Walls In The Counthry Was In It" (and heaven help them as had to be building them up after us), Edith Somerville and Martin Ross, signed lower left in pencil in the margin, with blind stamp, central image size 30cm x 46cm, whole image approx. 49.5cm x 66cm

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Photolithograph "Forrard on me Lads and Hit 'Em Bl___y Ard", signed lower right in pencil in the margin, with blind stamp, central image size 33cm x 43cm, whole image approx. 51.5cm x 59cm (the coloured Print has undertaken conservation, the details of which are on a label verso)

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Photolithograph "The Stone - Faceder", signed lower left in pencil in the margin, with blind stamp, central image size 30.5cm x 27cm, whole image approx. 49.5 x 43.5cm

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Photolithograph "If There Is Paradise On Earth It Is This! It Is This!! It Is This!!!", signed lower right in pencil in the margin, with blind stamp, central image size 27cm x 50cm, whole image approx. 45.5 x 67.5cm, (some foxing and brown staining etc.,)

Snaffles (Charles Johnson Payne, British, 1884-1967), an oak framed and glazed colour Photolithograph "The Gent In Ratcatcher (I Have My Man Cleaning My 'Osses Not My Breeches" , signed lower right in pencil in the margin, with blind stamp, central image size 25cm x 26cm, whole image approx. 42.5 x 37.5cm (brown staining to mount and some of Print etc.,)

Snaffles (Charles Johnson Payne, British, 1884-1967), a parcel gilt framed and glazed colour Photolithograph "The Huntsman (The 'Oss Loves The 'Ound But I Loves Both", signed lower right in pencil in the margin, with blind stamp, central image size 21.5cm x 27.5cm, whole image approx. 38 x 36.5cm

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Photolithograph "John Jorrocks Esq. M.F.H." (Tell Me A Mans A Foxhunter and I Loves 'Im At Once), signed lower right in pencil in the margin, with blind stamp, central image size 24.5cm x 26.5cm, whole image approx. 36.5 x 39.5cm, (some foxing)

*A 20th Century Limited Edition Print of a lady wearing a feather hat and red and black coat, indistinctly signed lower right, numbered lower left 60/300 with blind stamp, gilt framed and glazed, 85cm x 63.5cm

*Erte (Russian / French, 1892 - 1990) Sunrise and Moonlight Suite, comprising a Limited Edition silver embellished circular Design for Moonlight composition, signed in pencil to the margin Erte and numbered 131/300, blind stamp lower left Chroma Comp Inc, New York, blue framed and glazed, diameter 34cm. Together with a Limited Edition gilt embellished semi circular Design for Sunrise composition, signed in pencil to the margin Erte and numbered 131/300, blind stamp lower left Chroma Comp Inc, New York, blue framed and glazed, 22.5cm x 38.5cm (2).

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print "Tally-Ho Back" signed in pencil lower right, blind stamp lower left, image size 23.5cm x 38cm, frame size 42.5cm x 58cm

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print "That Far, Far - Away Echo" signed in pencil lower right, blind stamp lower left, image size 24cm x 35cm, frame size 42cm x 54cm (some white spotting lower right and single white spot above the top centre of the Print)

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print "MERRY ENGLAND, and Worth a Guinea a Minute" signed in pencil lower left, blind stamp lower left, image size 25cm x 25cm, frame size 42.5cm x 38.5cm

Snaffles (Charles Johnson Payne, British, 1884-1967), a Hogarth framed and glazed colour Print THE HUNTSMAN, "The 'Hoss Loves The 'Ound But I Loves Both" blind stamp, image size 21.5cm x 27.5cm, frame size 45.5cm x 40cm, (thunderflies behind glass)

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print "PASS FRIEND", (acknowledgements to Punch), signed in pencil lower right, blind stamp lower right, image size 24.5cm x 37cm, frame size 39.5cm x 52cm, (a few thunderflies behind glass)

Snaffles (Charles Johnson Payne, British, 1884-1967), a Hogarth framed and glazed colour Print 'ANDSOME IS _____ WOT 'ANDSOME DOES", signed in pencil lower left, blind stamp lower left, image size 25.5cm x 29.5cm, frame size 50cm x 47cm

Snaffles (Charles Johnson Payne, British, 1884-1967), a Hogarth framed and glazed colour Print 'THE SPARROW - CATCHIN SORT, A Head Like a Lady _____ A Farewell Like a Cook", signed in pencil lower left, blind stamp lower left, image size 22.5cm x 29cm, frame size 51cm x 46.75cm CONDITION REPORT: Colours very good, good general overall condition, minor thunderflies under glass.

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print 'THE GENT IN RATCATCHER, "I Have My Man Cleaning My 'Osses, No My Breechez", signed in pencil lower right, blind stamp, (the margin has significantly darkened), image size 24.5cm x 26cm, frame size 44cm x 39.5cm

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print 'THE WORST VIEW IN EUROPE, "Oh Murther! The Dhrink Died Out of Me and The Wrong Side of Bechers", signed in pencil lower left in the margin, blind stamp lower left, (the surrounding mount has darkened slightly), image size 23cm x 49cm, frame size 43.5cm x 67.75cm

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print "One Upon a Time", signed in pencil lower left in the margin, Blind stamp lower right, (some staining and foxing to top of margin), image size 34.5cm x 49cm, frame size 51.5cm x 65cm

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print THE SEASON, 1939-40, signed in pencil lower right in the margin, blind stamp lower right, (some thunderflies under glass, some foxing and 10p piece sized damage to lower left of mount, the two pieces of the lower left frame away), image size 28.5cm x 49cm, frame size 56cm x 75.5cm

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print "A SIGHT TO TAKE HOME AND DREAM ABOUT ----- BUT OLD JORROCKS WOULD HAVE HAD IT ------ THEY WERE NASTY JEALOUS STEEPLE-CHASIN LITTLE HUSSIES" signed in pencil lower left in the margin, blind stamp lower left, (significant browning to most of the mount, the Print has fallen slightly lower left), image size 28.5cm x 51.5cm, frame size 53cm x 67.5cm

Snaffles (Charles Johnson Payne, British, 1884-1967), a dark oak framed and glazed colour Print "THE FINEST VIEW IN EUROPE", signed in pencil lower right, blind stamp lower right, image size 24cm x 52cm, frame size 46.5cm x 71.5cm CONDITION REPORT: Some white marks and small foxing under glass also small water marks (see images)

Sir William Russell Flint RA, PRWS (British, 1880-1969) A pair of limited edition prints, 'Cecilia contemplating Europa', limited edition no 262/850, signed in pencil, with blind stamp, 42 x 32cm, 'Corisande', limited edition no 520/850, signed in pencil, with blind stamp, 31 x 49cm, both framed (2).

Sir William Russell Flint RA, PRWS (British, 1880-1969) - 'Variations IV' A signed limited edition print, several ladies in an interior scene, signed in pencil lower right corner, and blind stamp, published in 1966 by Frost & Read Ltd, 50 x 63cm, framed.

A late 18th/early 19th Century oak longcase clock, signed Robert Webster Salop With an 18cm brass dial with Roman and Arabic numerals, with cast urn and leafy spandrels, the single train 30 hour movement with outside count wheel striking on a saucer bell, the case with a caddy top above a fretwork leaf carved frieze, above brass capped fluted columns, the slender trunk with a mahogany crossbanded door flanked by fluted quarter columns, raised on plinth base and bracket feet, 205x46cm, with one weight and a pendulum. CONDITION REPORT: Rob Webster Salop the case, raised top and cornice and good condition, carved blind fret frieze good condition, brass capped columns firm, hinge sound, original glass, some surface scratching to the central roundel of the dial not polished, original hands, crosshanded door not warped, however traces of worm to the lower section running in a narrow line, plinth generally faded, original elm back board, replaced lower section of back board some traces of worm in the original section with original glueing blocks, old seat board possibly original ?, provenance private estate

An early 18th Century oak and crossbanded longcase clock signed J Baddely Albrighton With a 28cm brass dial with date aperture, Roman and Arabic numerals, cast urn and leafy spandrels, the single train 30 hour movement with outside count wheel, striking on a saucer bell, the case with a cavetto cornice above a blind fret carved frieze, brass capped fluted columns, the slender crossbanded trunk with well figured wood, raised on plinth base, with one weight, 196cm, width of plinth 43cm. (illustrated) CONDITION REPORT: Baddely clock- cornice original, side moulding missing, loose requires re-gluing, blind fret carved frieze good condition, original putty and glazed door, hinges sound, central dial polished, chaptering very bright, long door not warped, original hinges, crossbanded mahogany veneer left hand side large piece missing approx 5x8cms, and a piece of shaped moulding measures 18cms, plinth piece of moulding missing to the right hand angle triangular section approx. 3x1cms, original seat board, original full length back boards, shrinkage crack to right hand side above the plinth measures approx. 46cms but no space between, provenance unknown.

A George III mahogany bureau bookcase With a dentil and cavetto cornice above a blind fretwork carved frieze, a pair of astragal glazed cabinet doors enclosing three shelves, leaf moulded frieze the lower part with two candle slides the well figured hinged fall front enclosing a fitted interior with a cupboard door flanked by stop fluted column drawers flanked on either side by three pigeon holes and four short drawers, gilt tooled leather writing surface above two short and three long graduated cockbeaded drawers embraced by stop fluted columns raised upon a leaf carved plinth and bracket feet. 227x100x60cms.

A fine early Victorian burr walnut secrétaire à abattant The rectangular well figured top raised on a plinth above a frieze drawer with a moulded border, the hinged fall front with a curvilinear ribbon tied C-scroll and foliate panel enclosing a satinwood inlaid interior with a purple Morocco leather and gilt tooled writing surface with five pigeonholes, each with blind fret carved arcaded tops above an arrangement of seven satinwood drawers with ebony turned handles above a pair of panelled cupboard doors, similarly applied with leaves and flowers enclosing a shelf flanked by outset columns carved with lilies, flowers and scrolls, raised upon an inverted breakfront plinth, 182x81x41cm. (illustrated) CONDITION REPORT: Lot 2343: Appears very good condition the rectangular top typical surface scratching for age but minor, frieze drawer good condition, linings with quadrant mouldings good condition, pendant scrolls flowers and leaves good condition, shaped sea scroll and flowers applied to the front good condition. Usual scratching associated with the fall front resting on the support. Interior very bright, leather and gilt writing pad good condition and bright. Minor veneer missing to the left hand edge of the front of the fall edge approximately 2cm x 2cm and on the opposite edge a small slither of veneer 1cm x 1cm. Blind fret arcades good condition, all drawers good condition with original handles, hinges sound and fall front, brass levers good condition, panel cupboard doors panels good condition, no warping to veneer. Interior one shelf adjustable, leaf carved applied flowers and leaves to the left hand side and right good condition, some old polish staining around the bottom of the plinth, original back, good condition.

A George III mahogany chest on chest With a cavetto cornice above a dentil frieze, two short and three long graduated cock beaded drawers, flanked by blind fret carved angles, the lower part with a brushing slide and three long graduated drawers, raised on plinth base and bracket feet, 178x107x53cm. CONDITION REPORT: Lot 2365: The cornice, front good condition, minor piece of dentil moulding missing on the right hand side approx. 2.5cms, left hand side cornice slight chips measuring approx 9cms and 7cms but very thin slivers, cockbeading missing to right of left hand short drawer, 12.5cms, small insets beneath the dentil moulding ware the lock would have gone up, a piece of veneer missing below the 1st long drawer measures approx 2x5cms, minor discolouration right hand side of 2nd long drawer 4x1cms, original chestnut or oak drawer linings good condition and boards, 5th long drawer lock missing, handles old and signs of dent below possibly replaced, stress crack left hand side top minor 26cms, some surface scratching to the bottom two drawers, surface scratching to the bracket feet, the front is faded, richer colour left and right hand side, no worm, left hand moulding loose requires re-fixing, good condition.

Louis Icart (1888-1950) French. “Smoke (Fumee)”, Coloured Etching, with Paris Blind Stamp, Signed in Pencil, overall 15” x 20”.

A late 18th century oak and mahogany longcase clock, the hood with rose carved paterae, blind fret frieze, turned and reeded side columns and 3 brass ball and spire finials, the trunk with full length crossbanded door and quarter reeded side pillars, arched fully silvered and engraved dial with moon phase to the arch and subsidiary seconds dial and date indicator, 8 day striking movement by Thomas Barrow, Stockport, height 90"

Baume & Mercier stainless steel and diamond lady's bracelet watch, 5025549, square mirrored blind dial, flanked by two bands of diamonds, quartz movement MVO25200, on a stainless bracelet, width 20mm. *See clocks and watches proviso.

Herbert Thomas Dicksee (1862-1942), "Forgotten", with blind stamp, published by Frost & Reed, 1923, etching, plate size 29 x 40cm.; 11.5 x 15.75in.

A late Victorian mahogany pedestal desk, tooled leather inlay to top, long drawer flanked by short drawers to frieze, kneehole with three graduated drawers to pedestals, blind drawers to verso, later oval brass escutcheons and loop handles. Circa 1880

A mahogany china cabinet, blind fretwork to top

SANDERSON (GEORGE) MAP OF THE COUNTY OF NOTTINGHAM FROM A CAREFUL SURVEY MADE IN THE YEARS 1834 & 1835....BY THE PROPRIETOR GEO SANDERSON, SURVEYOR scale 0.5inch:1 mile, hand coloured engraving by J & C Walker, with vignette of Welbeck Abbey, backed on linen on two sheets with maroon cloth boards and NORTH and SOUTH labels, 141 x 216cm in gilt and blind tooled maroon morocco slip case, spine gilt, 1836

A Louis Phillipe figured walnut secretaire a abattant, with grey marble top, blind frieze drawer, fall front with fitted interior, above three further drawers on shaped block feet 152 x 100 x 44cm (59 x 39 x 17in)