We found 44736 price guide item(s) matching your search

A framed and glazed signed print "Huddersfield" by Helen Bradley. With a gallery blind stamp.

An oak gentleman's wardrobe by L Marcus Limited, blind fret worked doors, with conforming dressing table

A Royal Worcester bone china "Blind Earl" pattern dish, limited edition 2/500, 11" long

A Victorian walnut centre table, with moulded serpentine top, on a four S scroll supported basket base, with blind and matted carving, profiling of leaves and diaper work, similar centre boss and quatrefoil platform with four scroll legs with brass and ceramic castors, 70cm H, 153cm W, 107cm D.

An early 19thC mahogany longcase clock, with dentil moulded and blind fret applied reeded pillared hood, with ball and spike finials, dentil moulded frieze over a trunk with a shaped and moulded door, with silver presentation inscription, marked "present to G M Blackstone Esq., Stamford Amateur Operatic Society 1912", plain base with bracket feet, the painted 32cm square arched dial having mother with child and dog in front of a cottage painted to the arch, floral spandrels, Roman hour numerals, seconds ring and date crescent, eight day movement striking a bell, 223cm H.

19th century mahogany blind panelled, hanging corner cupboard.(B.P. 24% incl. VAT)

Archibald Thorburn, engraving, game birds, signed in pencil with blind stamp, image size 13" x 22", framed

An Edwardian Art Deco Oak Linen Fold Sideboard with Two Drawers Having Blind Carved Dragon Decoration, Galleried Back, 136cm Wide

Four crystoleum prints with blind stamps, one cracked

A framed print entitled 'Love Is Blind'; together with one other print

An Edwardian mahogany mirror front wardrobe (195cm x 106cm x 51cm) and dressing table (165cm x 92cm x 53cm) quarter veneered and with blind fret carving.

Sir William Russell Flint (1880-1969) - a colourd print entitled 'Northern Waters' issued in a limited edition, signed in pencil to the margin, published by W J Stacey with blind stamp lower left, image size 40 cm x 53.5 cm, mounted and framed under glass - Est £200 - £300

Sir William Russell Flint (1880-1969) - a coloured print entitled 'In My Studio' issued in a limited edition, signed in pencil to the margin, published by W J Stacey with blind stamp lower left, image size 32 cm x 48 cm, mounted and framed under glass - Est £150 - £200

Shapland and Petter, an Edwardian Chippendale style bow fronted cabinet, Demilune form with glazed panel door and a tiered shelf below on ogee moulded square section legs, blind fretted frieze above, lock stamped S&P B, 95cm wide, 190cm high, 43cm deep

A COLLECTION OF 6 VARIOUS RELIGIOUS ENGRAVINGS, several bearing Blind Stamps

JOHN COTHER WEBB SIGNED MEZZOTINT DEPICTING THE DEATH OF NELSON with blind stamp together with two maritime engravings 'The Fishery' by William Woollett after Richard Wright c.1768 A/F and 'A Sea Port' by P. C. Canot after Claude de Lorrain c.1775 (3)

A pair of woven linen type oatmeal ground curtains, interlined, with fixed triple pinch pleat headings, approx 230 cm drop x 126 cm wide at top, together with a box of Spencer Churchill fabric curtains and a further blind CONDITION REPORTS Woven linen type curtains - Good - linings have some markings.For further details please view in person.

Two pairs of chenille green and beige foliate curtains, lined, with pencil pleat headings, one pair approx 206 cm drop x 300 cm wide at bottom, the other pair approx 204 cm drop x 360 cm wide at bottom, together with four other various pairs of curtains and an Austrian blind CONDITION REPORTS Fair - some sun bleaching and linings marked.For further details please view in person.

A pair of cotton green and gold foliate decorated curtains, interlined, with fixed triple pinch pleat headings, approx 238 cm drop x 100 cm wide at top, together with a pair of cotton mix fawn ground curtains with multi-coloured foliate Classical decoration, interlined, with fixed tripled pinch pleat headings, approx 224 cm drop x 139 cm wide at top, together with a small box of china and a striped blind CONDITION REPORTS Green and gold curtains - Fair - some fading to the edges.For further details please view in person.Fawn and multi-coloured curtains - Fair - some fading to the eges. For further details please view in person.

A 19th century square mahogany occasional table, decorated with blind fretwork, the shelf stretcher with pierced fretwork gallery

NO RESERVE Spencer (Eleanor P., examined by) The Sobieski Hours: a Manuscript in the Royal Library at Windsor Castle, tipped-in colour frontispiece, plates, 8 colour, original morocco-backed cloth, a little rubbed, 1977 § Inglis (Eric) The Hours of Mary of Burgundy, 2 vol., colour plates, original calf-backed boards (text vol.), original blind-stamped calf (facsimile vol.), housed in a calf-backed slipcase, a little rubbed, 1995; 4to & 8vo (3)

Ricardo (David) The Works, edited by J.R.McCulloch, first edition, one or two marginal defects where poorly opened, original cloth, worn and faded, covers detached, 1846 § Mill (John Stuart) The Subjection of Women, second edition, half-title with ink inscription at head, original blind-stamped ochre cloth, small gilt monogram to foot of spine, slightly rubbed, 1869 § Smiles (Samuel) Élet és Munka [Life and Labour], translated by Dáni Ede, first Hungarian edition, presentation copy from the translator with accompanying A.L.s. loosely inserted, original decorated cloth, spine a little rubbed and browned, Budapest, [c.1895] § James (William) Some Problems of Philosophy, first edition, title spotted, original cloth, mottled, 1911; and 3 others, economics and philosophy, including a first Finnish edition of The Subjection of Women, 8vo (7)

The Indian Rebellion, 1857.- Ball (Charles) The History of the Indian Mutiny..., 7 vol., 2 steel-engraved vignette titles and 80 plates, 2 double-page engraved maps, both with hand-colouring, double-page printed table, 3 printed titles, ex libris to front pastedowns, publisher's advertisement f. pasted in, foxing and soiling, a few repaired closed tears, contents separating, hinges pulling or strengthened, original red cloth, stamped in blind and gilt, corners bumped, worn with loss at spine ends, a few short splits to joints, some repair, spines faded, 4to, [1858].

Birds.- Gould (John) The Birds of Australia, 8 vol. (with Supplement), 681 colour plates, 3 double-page, bookplates of Madelaine Jay, each vol. with small ink library accession numbers to front pastedown or free endpaper, original cloth, stamped in blind and gilt, a little marked, vol.1, 2, 4, 5, 6, and 7 spines and board margins faded, some dark flecking to extreme edges of a few vol., a little shelf lean, a few boards slightly bowed, ?lacking slip-cases, folio, Melbourne, 1989-96.

NO RESERVE Brook (Richard) A New Family Herbal..., sixth edition, 24 hand-coloured engraved plates and 4 uncoloured engraved plates, browned, some spotting, bound in contemporary blind-stamped cloth, dulled, corners bumped, joints splitting, spine worn, by Webb,, Millington & Co., of Otley, sm. 8vo, London and Huddersfield, [?1847]; and 2 others, 8vo (3).

NO RESERVE Valerius Maximus (Gaius) Dictorum factorumque memorabilium libri ix, woodcut ornaments, contemporary ink inscription at head of title, light marginal water-staining, contemporary calf with central blind-stamped medallion, rubbed, spine worn at head, Antwerp, J.Helvidius, 1592 § Commines (Philippe de) Les Memoires, engraved pictorial title, engraved bookplate of John Lord De la Warr, contemporary calf, spine worn, upper cover detached, Leiden, Elzevier, 1648; and 3 others, continental, 8vo et infra (5)

Beryl Cook, OBE (British, 1926-2008), Ladies in the loos, signed lower right "Beryl Cook" and with FATG blind stamp lithograph, published by Alexander Gallery Publications Ltd., Bristol, 48.5x40cm

A Regency mahogany corner stand, the undershelf with single single drawer flanked by two blind drawers

A MAHOGANY LOWBOY decorated to all four sides with blind fret carving, five frieze drawers opposed by dummy drawers to the other side, 89cm wide 51cm deep 74cm high

[CLASSIC LITERATURE] Tennyson, Alfred. Maud, and Other Poems, first edition, Moxon, London, 1855, original blind-stamped green cloth, eight-page publisher's list of books, small octavo; Sullivan, T.D. Poems, Sullivan / Haverty, Dublin / New York, no date, original green cloth gilt, octavo; Slow, Edward. A Series of Poems in the Wiltshire Dialect, Simpkin, Marshall & Co. / Blake, London / Salisbury, 1881, quarter art vellum, octavo; and two other works, (5).

[TOPOGRAPHY]. TAUNTON (SOMERSET) Savage, James. The History of Taunton, new edition, for Poole & Savage, Taunton, 1822, quarter cloth, engraved frontispiece and three folding engraved plate illustrations (one detached), octavo; and Some Account of the Church of St. Mary Magdalene, Taunton, by Vizetelly Brothers & Co., London, 1845, original blind-stamped crimson cloth gilt (rebacked), all edges gilt, frontispiece and a further ten plate illustrations, quarto, (2).

[TOPOGRAPHY]. LIVERPOOL (LANCASHIRE; MERSEYSIDE) Brooke, Richard. Liverpool as it was, During the Last Quarter of the Eighteenth Century 1775 to 1800, Mawdesley & Son, Liverpool, 1853, original blind-stamped dark green cloth, frontispiece and a further five engraved plate illustrations (as called for), quarto; Boardman, James. Liverpool Table Talk a Hundred Years Ago, or A History of Gore's Directory, with Stonehouse, James. A History of the Streets of Liverpool, bound as one, Howell, Liverpool, 1882, original crimson cloth, folding map frontispiece, octavo; and a work of Cheshire interest, (3).

[TRAVEL] Simpson, William. A Private Journal kept during the Niger Expedition, from the commencement in May, 1841, until the recall of the expedition in June, 1842, first edition, Shaw / Hamilton, Adams & Co., Johnstone / Roberton, London / Edinburgh / Dublin, 1843, original blind-stamped brown cloth, octavo.

[MISCELLANEOUS] [Claudian]. Cl. Claudiani, Quae Exstant: ex emendatione Nicolai Heinsy Dan F., typis Ludovici Elzevirii, Amsterdam, 1650, 19th century full blind-ruled calf by Austin of Hertford, red edges, engraved title page, Latin text, engraved armorial bookplate for William Franks [of Carrig Park, Mallow], trigesimo-secundo.

•Laurence Stephen Lowry (1887-1976). The Harbour, artist's signed print, JLC Fine Art Guild blind stamp, signed in pencil to the margin, Frost & Reed labels verso for Registration A33765, 40cm x 55cm. Provenance: Acquired from Frost & Reed (Worthing) Ltd, 5th March 1976 for

Fletcher (Thomas, ed.) READ'S HISTORY OF THE ISLE OF AXHOLME: ITS MANORS AND PARISHES…, one of 200, modern crushed morocco, tooled in blind, 8vo, 1980.

Two brass 8-day clock movements, one with 11cm Dia. Arabic dial and fancy blind fret centre revealing a pendulum swung movement no. 16221, stamped Le Svrolez Limited Paris, the other with 10cm Roman numeric chapter ring, pendulum swung movement no. 988 and marked F Mara Larrique. (2)

16 Rock / Blues LP vinyl records including the Jimi Hendrix Experience Axis: Bold as Love gatefold on Track 612 003, Electric Ladyland gatefold 2 LP Track 613009, Backtrack 3, Strange Things with Curtis Knight, plus Jethro Tull - This Was gatefold Island ILPS 9085, Stand Up with pop up gatefold ILPS 9103, plus John Mayall Blues Breakers with Eric Clapton reading the Beano, Decca LK 4804, A Hard Road SKL 4853, Looking Back, Blues from Laurel Canyon gatefold SKL 4972, Cream Disraeli Gears, Relics by Pink Floyd, Chicken Shack, Blind Faith and Fleetwood Macs first LP on Blue Horizon. (16) Please note the condition of these vinyl records is good to fair and they show scratches and signs of heavy use on the vinyl.

A George III gentleman's brass-mounted mahogany Campaign writing box, the hinged cover centred by a canted rectangular plaque inscribed: Jas. Burgefs (sic, James Burgess), gilt and tooled crimson morocco panelled compartment restrained by a gilt-metal scrolling lock, the base with a fold-out blind tooled blue velvet writing surface below a pen tray and compartments for writing instruments, each plateaux lifting to reveal marbled paper lined compartment fitted with three short drawers above a long pigeon hole, flush brass military handles to sides, the angles with brass incurved corners and supports, 18.5cm high, 49.5cm wide, c. 1810 Condition Report: Overall good condition. Velvet surface needs restoration. Some ink staining Minor crack to veneer and signs of use

A 19th century French lady's brown morocco commode-shaped sewing etui, the hinged cover enclosing a purple velvet lined fitted interior with haberdasher's prerequisites, the outer case gilt and blind tooled, push-button mechanism, 9.5cm high, c.1850

A George III mahogany bureau, fall front enclosing a cupboard, pigeon holes, small drawers, secret compartments, above four long graduated cockbeaded drawers, carved in the Gothic Chippendale manner with blind fretwork, bracket feet, 107cm high, 98.5cm wide, c.1780

A George III Welsh oak and mahogany longcase clock, 32cm arched painted dial inscribed John Fernal, Wrexham, Roman and subsidiary Arabic numerals, twin winding holes, subsidiary seconds dial, date aperture, painted with song birds and flowers, 8 day movement striking on a bell, the case with swan neck pediment and blind fretwork frieze, flanked by reeded columns and quarter-columns, ogee bracket feet, 224cm high, c.1785John Fernal is recorded as working in Wrexham in the 1780's. Condition Report: No obvious signs of woodworm, it has weights and pendulum, see attached images thankyou

A 17th century Flemish duodarn, oversailing top with a frieze of lunettes above a pair of leaf-capped baluster pillars and a pair of panelled doors flanking a blind central panel, each carved with foliate bosses within a dogtooth border, the similar base with two larger fielded and panelled doors enclosing a shelf, stile feet, 155cm high, 160cm wide, c1680

A pair of George III mahogany dining room pedestal cabinets, each with moulded top above door with blind drawer front, enclosing drawers and a plate cabinet respectively, outlined throughout with boxwood stringing, plinth bases, 107cm high, 55cm wide, early 19th century (2)

An 18th century Portuguese rosewood rectangular occasional table, of diminutive proportions, oversailing top above a frieze drawer, blind to verso, spirally turned legs and stretchers, bun feet, 58cm high, 65cm wide

A Regency satinwood crossbanded mahogany sofa table, the rounded rectangular top with fall leaves above an alternating arrangement of blind drawers, each ebony strung, turned stretcher, reeded sabre legs, brass lion paw feet and casters, 71cm high, 160cm wide, c.1810

An early Worcester Blind Earl type plate, with raised moulding, dentil rim, 19cm diam, c.1760 Jacob Isaac Ashley Collection Condition Report: Please see attached images for examples of condition, difficult to photograph are the surface scratches found throughout this plate.

A pair of beige and patterned Crewel work curtains and a matching Roman blind, curtains are 92" drop

A George III mahogany longcase clock, with moulded swan neck and fluted pillared hood with ball and spike finial, with blind fret decoration, over an arched full length trunk door, inset with fluted quarter columns, moulded and shaped base, with bracket feet, the 32cm square arched dial having floral painted spandrels, an oval scene of a seated maiden with cornucopia castle turret and lion, having Arabic hour and minute numerals, seconds ring and date rings, marked Jas. Scott LEITH, eight day movement striking a bell, 228cm H.

A late Victorian Chinese Chippendale revival display cabinet on stand, with dentil moulded and fretwork broken arch pediment, over a blind fret frieze which replicates to the applied astragal doors to the upper part, and the frieze and drawers to the base with brass knob handles, on channelled square legs, with block feet, 175cm H, 74cm W, 36cm D.

After P.M. Schlesinger, "Liberation", Surrealist print depicting man with egg on head... glazed with aluminium frame 70.5cm x 50.5cm.Condition: overall good, minor foxing but only to inside of glass, signed bottom right and blind stamp top left both as pictured.

H S Brioche; a signed limited edition giclée print, no.21/95 'G-Mex', signed to the mount lower-left with gallery blind stamp, with certificate, 28 x 43cm,

MONEY (Edward) Twelve Months with the Bashi-Bazouks, 3 hand coloured plates, 4pp. publishers (Chapman & Hall) catalogue at end, original blind-decorated and gilt lettered cloth, 1857.

ƟMichael Angelo Titmarsh, Notes of a Journey from Cornhill to Grand Cairo, first edition [London, Chapman and Hall, 1846] complete, hand-coloured engraved frontispiece, some illustrations in the text, 16pp. publisher's advertisements at the end, some scattered spotting, bookplate of Mr Hagger to upper pastedown, original blind-stamped gilt pictorial publisher's cloth, hinges cracked, spine split with some gatherings becoming loose, extremities a little rubbed, 8vo Ɵ Indicates that the lot is subject to buyer’s premium of 25% exclusive of VAT (0% VAT).  

ƟThéophile Gautier, Constantinople of To-Day, first English edition [London, David Bogue, 1854] complete, sepia frontispiece and additional engraved title, plates, 24pp. publisher's catalogue at the back, “Sylvia Moore” ownership inscription to pastedown with “Arthur Probsthain” booksellers label, original blind stamped gilt pictorial publisher's cloth, upper hinge split, extremities a little faded, black pen mark to upper cover; together with Albert Smith, A Month At Constantinople (third edition, London, 1851) and M. Charles, Malo Les Capitales de L'Europe, Constantinople (Paris, n.d.) Ɵ Indicates that the lot is subject to buyer’s premium of 25% exclusive of VAT (0% VAT).  

ƟJohn Oldmixon, Gleanings from Piccadilly to Pera, first edition [London, Longman, Brown, Green & Longmans, 1854] complete, frontispiece and 3 chromolithograph plates, some very faint spotting, school prize presentation label pasted to upper pastedown, original blind-stamped gilt pictorial publisher's cloth, extremities lightly bumped and rubbed, overall very presentable copy, 8vo Ɵ Indicates that the lot is subject to buyer’s premium of 25% exclusive of VAT (0% VAT).  

ƟSmall collection of works relating to Jerusalem & the Hebrew Language, in English [London, 1844-1883] 4 volumes, comprising: (i) W.H. Bartlett, Walks about the City and Environs of Jerusalem., c.1855, sepia-tint frontispiece and plates, original gilt pictorial green cloth, excellent condition; (ii) W.H. Bartlett, Jerusalem Revisited, large folding plan, plates throughout, original blind-stamped pictorial cloth, covers and spine faded; (iii) A New Elementary Grammar of the 'Hebrew' language ..., 1883, some scattered spotting, original cloth, a little damp-stained and faded, spine worn; (iv) Forty Days in the Desert on the Track of the Isralites, fifth edition, c. 1850, engraved frontispiece and additional engraved title, plates throughout, original decorated cloth, spine cracked and faded; all 8vo Ɵ Indicates that the lot is subject to buyer’s premium of 25% exclusive of VAT (0% VAT).  

ƟCharles Marvin, The Russians at Merv and Herat, first edition [London, W. H. Allen & co, 1883] complete, frontispiece, plates throughout, many gatherings unopened, ex-library blind-stamped to front free endpaper, hinge and spine split, original gilt pictorial cloth, extremities rubbed and corners a little worn, 8vo Ɵ Indicates that the lot is subject to buyer’s premium of 25% exclusive of VAT (0% VAT).   

ƟThe Gospel of Luke, in Arabic, lithographed on paper [Mequinez, Morocco, Gospel Missionary Union, 1902] complete, lithography in Arabic maghribi, pages numbered in western numerals, imprint and title in English on verso of final folio, contemporary red morocco with flap, ruled in blind, a few scuffs and lightly faded, small 8vo (195 by 135 mm.) An interesting translation of Luke's Gospel into the 'colloquial Arabic' of Morocco and lithographed in the traditional maghribi script of the region. Printed and probably commissioned by the Gospel Missionary Union, based in Kansas City, USA, to spread Christianity in North Africa. Ɵ Indicates that the lot is subject to buyer’s premium of 25% exclusive of VAT (0% VAT).  

ƟAbu Bakr ibn al-Arabi, work of Maliki Fiqh, possibly his commentary on Tirmidh's Hadith Collection 'Aridhat al-Ahwazi', in Arabic, decorated manuscript on parchment [Seville, Andalusia, dated 1 Ramadan al-Karim, 523 AH (1129 AD)] one section from a larger work, 5 leaves (10 pp. of text), plus 2 later flyleaves, single column, 17 leaves fine sepia maghribi, with some accents and diacritics in red, later stylised inscription to front free endpaper bearing the title, a few small chips to parchment with slight loss (particularly to outer edges), else an exceptionally clean and crisp condition, 260 by 190 mm.; late nineteenth-century tan morocco, elaborately blind-stamped with Islamic geometric motifs, very good condition This is an exceptionally important relic from a Muslim community in medieval Seville, securely naming the medieval town of its copying in the colophon The text is by Abu Bakr ibn al-Arabi (1076-1148), a native of Seville, who was known for his scholarly contributions to the Maliki school and for the spread of Ash'ari theology throughout Islamic Spain. He travelled around many Islamic countries during his lifetime and studied under important and influential figures in Muslim communities of Andalusia and North Africa including Al-Ghazali and Ibn Hazm. The text here is a single section from a larger body of work, on Maliki Fiqh, probably a commentary on one of the chapters from the Aridhat al-Ahwazi (a collection of Hadith compiled over a two-decade period and completed in the year 270 AH, 884 AD). The colophon clearly indicates al-Arabi as the author of the work and identifies the scribe as Al-Hafiz al-Ajil Yousif bun Abdullah al-Farid. It then continues to give a precise date of copying, firmly within the author's lifetime, and places the creation of the manuscript in “Ishbillieh ... al-Andalus” Seville in Andalusia. Very few comparable manuscripts from medieval Muslim Seville exist. The Bavarian State Library in Munich has a copy of a maghribi Qur'an copied in Seville and dated 624 AH (1226 AD) (BSB shelfmark: Cod.arab. 1), and an illuminated Qur'an section from Andalucia appeared at Sotheby's that was probably compiled in Valencia in the twelfth century (24 October 2018, Lot 5), and an “Early Work on Hadith”, was attributed to Andalusia or North Africa from the 13th or 14th century (Christie's 27 April 2017, lot 85). Indeed the location of such manuscripts to a named town in Medieval Spain is itself of great rarity. A bifolia from another work of Hadith appeared at auction last year that was apparently copied in Granada and dated 483 AH (dated 1090 AD, Chiswick auctions, 26 October 2018, lot 23). Beyond these two no other comparables have been found that identify a precise location in the colophon. Ɵ Indicates that the lot is subject to buyer’s premium of 25% exclusive of VAT (0% VAT).