We found 44918 price guide item(s) matching your search

Colefax and Fowler Corona, Lymington Chintz/Blue/Yellow Roses - Curtains, and some tie backs ; first pair: 270 cm drop x 137 width, per curtain. Another smaller pair of Curtains, 204cm Drop x 176cm Wide per curtain. a Blind 112cm drop x95cmW ; Twin valances for single beds 88cmW x 85cmL; & a Blue Blind 4' x 5'2 long, all as found; a fine Charles Hammond, design Glen Almond, polka dot yellow single curtain, 230cm Drop x 215cm. please note all measurements are only approximate. see photos. all in fair condition, not stains or fading

Blues LPs, twenty-three albums of mainly Blues on the 'Roots' Label - all UK Releases and with artists comprising Blind Willie McTell, Rev F W McGee, Tommy Johnson / Ishman Bracey, Blind Lemon Jefferson, Memphis Jug Band, Frank Stoakes and Cannon's Jug Stompers plus compilations - all mainly in Ex+ condition

Blind Faith Tour Programme, Original 1969 USA 'Visual Thing' Tour Programme - Hardback Book Style with 36 pages - Excellent condition

LP Records, approximately seventy albums of various genres with artists including The Beatles, Rolling Stones, Beach Boys, Jethro Tull, Miles Davis, Osibisa, Fleetwood Mac, Michael Jackson, ELP, The Nice, The Zombies, Blind Faith, Georgie Fame, Cream, Moody Blues, Jean Jacques Perrey, Art Pepper, Diana Ross and the Supremes, Bee Gees, Joni Mitchell, Jimmy Forest, Ramsey Lewis, Oscar Peterson, The Stylistics and more - various years and conditions

BERYL COOK British 1926 - 2008 colour print - 'Dog in the Dolphin', published by Alexander Gallery, signed in pencil lower right with Fine Art Guild blind stamp, 55 x 27cms

CHIPPENDALE STYLE HARDWOOD WATERFALL OPEN WALL SHELVES - fretwork sides with three shelves over two small drawers with blind fret carved fronts and brass drop handles, 85cms H, 53cms W

Sabretooth Games Combat Hex The Lord of the Rings tradeable miniatures game includes starter set x 2, Cave Troll, Sauron, Treebeard, Mint, within Good Plus to Excellent sealed packaging. Large quantity of The Lord of the Rings Combat Hex sealed blind bags. (qty)

▴ Mary Fedden RA (1915-2012)'Red Sunset'offset lithograph in colours, 2000, signed 'Fedden' in pencil l.l. and numbered '344/550' l.r., published by Bow Art with blind stamp l.l.35 x 49.5cm, unframedCondition ReportPreviously rolled in tube, tiny crease upper left edge, otherwise in good order.

A George III mahogany chest on chest,the moulded cornice with blind fret work on the frieze, over two short and three long drawers, flanked with fluted corners, the lower section with three drawers, on ogee bracket feet,122cm wide 58cm deep184.5cm highCondition ReportWorn and some loss of colour. Chips and missing pieces to the moulded cornice and frieze. Moulding to the sides of the base slightly loose.Handles and feet appear to be original. There are no obvious signs of other holes to the rear side of the drawer fronts.

George III mahogany campaign cabinet, the hinged top opening to reveal a fitted bureau interior, the kneehole base with a blind fretwork drawer and recessed cupboard door flanked by two further doors enclosing drawers, raised on bracket feet, 107cms wide

IAN FLEMING, THUNDERBALL. LONDON: JONATHAN CAPE, 1961, 8vo, FIRST EDITION, FIRST IMPRESSION, original dark brown cloth, lettered in gilt, design to upper cover in blind, DUST-JACKET

Original vintage advertising poster for Neil Young with Booker T & The MG’s, Pearl Jam, Blind Melon and more Saturday, September 4 BC Place Stadium, the poster features an image of teepee and stylised lettering set over yellow background. Excellent condition. Country of issue: USA, designer: Unknown, size (cm): 43x28, year of printing: 1993.

Original vintage propaganda handbill poster issued by the British Union Of Fascists. Up Britain Stop War! Remember 1914 The Call to arms - Millions murdered in cold blood - Thousands maimed and blind - Millions left fatherless - The war wrecks today walk the gutters of Britain - Many without Pensions. Millions made the supreme sacrifice to save “ poor little Belgium “. The millions of warrior dead are forgotten in 1939. You are pledged to die for Poland, Rumania and other little European states where Jewish financiers have invested their money. Who massed profits in the last war - who will gain by another? Stop the mad drive to war mind Britain’s business. Unite with Mosley for Britain, peace and people. Join British Union at 16, Great Smith St, S.W.1. Published by J.L. Shepherd. Printed by A. Baker & Co. - Sir Oswald Ernald Mosley (1896-1980) was a British politician, member of parliament, who turned to fascism and founded and led the British Union of Fascists (BUF, founded in 1932, banned in 1940). Very good condition, minor staining. Country of issue: UK, designer: Unknown, size (cm): 21x14, year of printing: 1939.

Original antique advertising poster for Moulin Rouge ball every evening with an image of La Goulue, a French can-can dancer seen dancing on the stage with silhouettes of ladies and gentlemen around her. Plate 122 from les Maitres de l'Affiche, printed by Chaix. Good condition, tears, minor staining, browning, minor creasing, blind embossed stamp on the bottom right corner. Country of issue: France, designer: Henri Toulouse-Lautrec, size (cm): 40x29, year of printing: 1898.

A most attractive dark Mahogany Chiffonier/Credenza having a bow fronted glass door to the base and blind fretwork details, the top with three shaped and bevelled mirrors and incorporating very delicate turned supports and with an arch having highly intricate fretwork and carving, the whole raised on front brief cabriole legs, 48'' wide x 18 1/4'' deep x 84 1/2'' high

18th Century colour engravings titled 'Snap apple night or all hallow eve' and 'Blind man's bluff' [57x73cm]

A signed David Shepherd colour print "The Masai", blind stamp, No 259/850

Captain Lacy, "The Modern Shooter: containing Practical Instructions and Directions for Every Description of Inland and Coast Shooting", London, Whittaker & Co, 1842 first edition, small 4to, 548 pp, illus, gilt and blind-embossed cloth

B Thomas, "The Shooter's Guide; or, Complete Sportsman's Companion: containing Instructions for the Attainment of the Art of Shooting Flying; with Directions for the Choice of a Fowling Piece, and an ample Description of the various kinds of sporting dogs for the gun, and the best mode of breading, rearing and breaking them; with an account of their diseases, and the best methods of cure. To which are added, directions for shooting grouse, partridge, pheasant, woodcock, snipe, hare, rabbit, and wild duck. With their respective habits, haunts, & c. Also a comprehensive view of the Game Laws", London, John Booth et al, 1826, illus, 12mo, gilt tooled and blind embossed calf

A George III Style Glazed Display Cabinet, decorated with blind fretwork and with candle slides, on cabriole legs, 110cm by 33cm by 174cmFrom the Estate of Stephen Hamilton Rawlings, Scarborough.

Quakers.- Fox (George) The Great Mystery of the Great Whore Unfolded, first edition, I2 and 3 misbound, foxed and browned, ink underling and a few annotations, later blind-stamped calf, rebacked, rubbed, [Wing F1832], Printed for Tho. Simmons, 1659 § P[helpes] (C[harles]) A Caveat against Drunkenness, trimmed close, occasionally affecting headline and catchword or signature, foxing, old library blind-stamp to final leaf, later panelled calf, rebacked, rubbed, upper cover corner broken, [Wing P1975], by Tho. Parkhurst, 1676, folio and 8vo (2)

Bilson (Thomas) The True Difference Betweene Christian Subjection and Unchristian Rebellion, first edition, partly black letter, title with small woodcut typographical ornament, woodcut decorative initials, a4 blank, lacking contents ff. 3H3&4 at end, title with 20th century book sale report mounted verso, causing some staining recto, water-stained, some ink staining, spotting, lightly browned throughout, contemporary blind-ruled and -stamped calf, spine and upper outer edge worn, with considerable loss of leather to spine, but holding firm, rubbed and scuffed, [Madan I, p.14; STC 3071], small 4to, Oxford, Printed by Ioseph Barnes printer to the Vniuersitie, 1585.⁂ A response to William Allen's A true sincere and modest defence of English Catholiques, 1584. Thomas Bilson (1547-1616) Archbishop of Worcester and Bishop of Winchester, overseer of the final edit and printing of the King James Bible.Provenance: John Morris (contemporary ink signature to title); John Last (19th century ink signature to head of title).

Ancient naval history.- Ryves (Sir Thomas) Historia naualis antiqua, libris quatuor, second edition, folding woodcut plate, woodcut head-pieces and decorative initials, errata to penultimate verso, final f. blank, library blind-stamp to title and first and last few ff., C8 repaired vertical tear the whole length of f., with loss of a few letters, but with no loss of sense, closely trimmed at head, very occasionally just touching a headline, occasional spotting or light staining, lightly browned, antique style calf, spine in compartments and with green morocco label, [STC 21475], 8vo, Robert Barker, 1633.⁂ Rare at auction. The second edition, extending its coverage to the creation of the Roman Empire. Ryves, who was from a prominent Dorset family, became a lawyer who specialised in Admiralty and Ecclesiastical law. In 1636 he became the Admiralty judge for Dover, and later judge for the Cinque Ports.

Chess.- Johannes Gallensis Summa collationum, sive communiloquium, ?first edition, collation: [a-z8 A-I8 K6], 262 ff., 27 lines plus headline, gothic type, two- to four-line initials in red, red paraphs, initial strokes and underlining, very good margins with early manuscript sidenotes and copious small lection marks for reading aloud, plus subject headings including 'de ludo schacio exposius', contemporary blind-stamped calf over wooden boards from the bindery of the Kartause Marienburg (Weddern, near Duelmen, Westphalia), 2 clasps and remains of leather straps, rebacked and with new endpapers, corners rubbed, 4to (210 x 138mm.), Cologne, Ulrich Zel, [c.1472].⁂ Generally regarded as the first edition, closely followed by another Cologne edition dated 1472, printed by Arnold Ther Hoernen. This manual for priests and preachers is most notable for being the first printed book to describe, albeit in moral/allegorical terms, the game of Chess. Pars 1, Distich 10, Caput 7 includes the exposition beginning "Mundus iste totus quoddam scaccarium est, cuius unus punctus est albus et alius niger" (the world resembles a chessboard which is chequered white and black) and ending with the caution that if a man falls into sin "in isto scaccio dyabolus dicit eschack" (in this game of chess the devil says Check). The moves of the various pieces are described in symbolic terms: the King can move in all directions because his will is law; the Knight's move consists of a straight move and a sidelong one, to illustrate his legitimate powers and his illegal extortions; the Bishop moves obliquely 'because nearly every bishop misuses his office through cupidity'; and the Queen's move of just one square diagonally (under the medieval rules, before her power and scope were greatly enlarged in the Renaissance) 'is aslant only, because women are so greedy that they will take nothing except by rapine and injustice' (H.J.R. Murray, A History of Chess, 1913, p.530). It is rare at auction, with only two copies (including this in 2017) recorded since 1906. ISTC lists 6 copies in North America, but none of which at Harvard, Yale, Morgan, Huntington, LC, Folger or Newberry.Provenance: Ampleforth Abbey (bookplate and facing ink stamp).Literature: BMC I, 191; Goff J-328; H 7440*; GW M13986; BSB-Ink I-574; ISTC ij00328000.

Birch (Thomas) The Heads of Illustrious Persons of Great Britain, engraved title-vignette and 108 plates by Houbraken and Vertue, each with 2pp. of descriptive letterpress, offsetting, occasional spotting and staining, handsome red straight-grain morocco, elaborately stamped in gilt and blind, slight stain to covers and slight partial fading to spine, but overall a magnificent copy, folio, 1813.

Collins (Wilkie) No Name, 3 vol., first edition, half-titles in vol. 1 & 2 (as called for), very occasional foxing and some light finger-soiling, repaired tear to vol.2 title, ink ownership inscription "Fanny Barker. The Edge" to front free endpapers, bookplate of Agnes E. Barker to front pastedowns, original blind-stamped orange cloth, spines a little darkened, slight fraying to spine ends, vol. 3 upper hinge repaired, light surface soiling, but an excellent set generally, preserved in custom drop-back box with bookplate of Brian Fenwick-Smith, [Sadleir 601], 8vo, Sampson Low, 1862.⁂ A classic work of sensation fiction, No Name explores the theme of illegitimacy through the disinherited Norah and Magdalen Vanstone.

Fleming (Ian) Diamonds are Forever, first edition, original boards, upper cover decorated in blind with silver diamond to centre, spine lettered in silver, near-fine, dust-jacket, very light toning to spine, head of spine and corners a little chipped, light cockling and soiling to rear panel, light rubbing to extremities, but an excellent copy generally, preserved in custom morocco-backed drop-back box, 8vo, 1956.

Fleming (Ian) Goldfinger, first edition, original boards, covers with skull design blocked in gilt and blind, spine lettered in gilt, slight shelf-lean, slight bumping to spine tips and corners, dust-jacket, neatly price-clipped, ink signature to front flap, very light toning to spine, spine ends and corners a little chipped, light creasing to head, light surface soiling and line of darker staining to lower pane, 8vo, 1959.

Fleming (Ian) For Your Eyes Only, original boards, eye design in white to upper cover, spine lettered in gilt, dust-jacket, spine with lettering a little sunned, spine ends and corners a little chipped, light creasing to head, light staining to upper panel, 1960; The Spy Who Loved Me, Foyles book label to front pastedown, light erasure mark to front free endpaper, original boards, dagger design in blind and silver to upper cover, spine lettered in silver, light sunning to upper cover, dust-jacket, light toning to spine, minor chipping and light creasing to spine tips and corners, some light surface soiling, but an excellent copy overall, 1962, first editions, excellent copies generally, 8vo (2)

Fleming (Ian) Goldfinger, first edition, signed presentation inscription from the author "To Lionel, Something more to read! From Ian" on endpaper, light spotting to endpaper and fore-edge, original blind-stamp and gilt pictorial boards, very slight bumping to spine tips, else fine, dust-jacket, very slight toning to spine, minor chipping to spine tips and corners with neat tape repairs to verso, light creasing to head, light marking to lower panel, an excellent example overall, preserved in custom morocco-backed drop-back box, 8vo, 1959.⁂ An excellent example with a charming inscription and a good association of this key James Bond title. Seemingly one of the scarcest titles to fine inscribed. The recipient was Lionel Berry, 2nd Viscount Kemsley (1909-99), a politician and newspaper editor. His father, the 1st Viscount Kemsley, had given Fleming his first job as a journalist when he employed him as the Foreign Manager for the Kemsley newspaper group. It was this role, with its contracted three month break every winter to allow Fleming to holiday in Jamaica, that gave Fleming the opportunity to writer the planned spy novel that would become Casino Royale.

Deuchar (David) A Collection of Etchings after the Most Eminent Masters of the Dutch and Flemish Schools, 3 vol., engraved title to each vol., 374 engraved plates after Rembrandt, Ostade, Bega, van Vliet & others, some 2 to a sheet, majority with tissue-guards, some light foxing, bookplate of Arthur G. Soanes, handsome contemporary crimson straight-grain morocco, elaborately stamped in gilt and blind, lightly rubbed, g.e., folio, Edinburgh, 22nd December 1803 (3)

Lucian, of Samosata. Parasitus, ubi artem esse parasiticam astruit, collation: α-β8 γ4, printed in Greek, woodcut device on title, modern black blind-stamped calf, 8vo (163 x 92mm.), Paris, Christian Wechel, 1536.⁂ Charmingly printed edition of this celebrated satire, demonstrating that sponging off others is not only an art, but the highest of all art forms. Influential on Erasmus, Rabelais, Sir Thomas More, Ben Jonson and even Shakespeare in Timon of Athens.Literature: USTC 185732, locating only 2 copies of this edition, both in libraries at Rome.

Mathews (Richard) The Unlearned Alchymist his Antidote. Or, a more full and ample Explanation of the use, Vertue and benefit of my Pill, entituled An effectual Diaphoretick, Diuretick purgeth by Sweating Urin, first edition, lacking initial blank and final two leaves, K4 & 5 defective at foot with loss of a few lines, frayed at corners, contemporary ink signature of M.Lloyd with quotation to verso of title, rather soiled, no endpapers, contemporary calf ruled in blind, old red roan label, worn, spine defective at head and lacking small portion from upper cover, upper joint split, [Wing M1290], for Joseph Leigh, 1660.⁂ A rare book, in a somewhat poor state. ESTC records copies in only 4 UK locations (Edinburgh University, 2 at Glasgow University, Bodleian Library Oxford, and Royal College of Physicians in Edinburgh), and 3 further copies in America. The British Library contains copies of the 1662 and 1663 editions but not this first edition. We have been unable to trace any copy sold at auction.

Hosius (Stanislaus) Dialogus de eo, num calicem laicis, et uxores Sacerdotibus permitti, ac divina officia vulgari lingua peragi fas sit, first edition, collation: a-r8, title working loose and a little soiled, ink inscriptions to title and facing p., later vellum, ink lettering to upper cover, [BMC German p.420; VD16 H 5148], Dilingen, Sebaldus Mayer, 1559 § Schopper (Hartman, translator) Speculum vitae aulicae: de admirabili fallacia et astutia vulpeculae Reinikes, libri quatuor, printer's device on title and 57 woodcut illustrations, title a little stained, torn and repaired with restoration to blank fore-margin, A11 torn without loss, light browning, contemporary blind-stamped pig skin, rubbed, [VD 16 R 1015], Frankfurt, Basse, 1584; and 4 others, German printing, v.s. (6)

Stow (John) The Survay of London, third edition, partially printed in black letter, *1-2 bound in between C2 and C3, some soiling, some ink annotations, a few repairs and defects with occasional loss of text, later blind-stamped calf, rebacked, corners worn, [STC 23344; Pforzheimer 994], 4to, Printed by George Purslowe, 1618.⁂ The inserted leaves *1-2 describe the pageantry of the opening of the New River Company's reservoir in Islington. Provenance: Richard Gerbersford (ink inscription on verso of final leaf, dated 1675); William Perkins (ink inscription on title).

Mary Fedden (British, 1915-2012), 'Red Sunset', lithograph in colours, ed. 424/500, signed in pencil to margin, published by Bow Art and bearing publisher's blind stamp, plate size 35.5 x 49cm.

Vic Reeves (British, b. 1959), 'Crested Tit', lithograph in colours, unsigned, bearing Sky Editions blind stamp, 42 x 30cm.

Richard Smith (British, 1931-2016), 'Burning Bridges', 1996, lithograph in colours, unsigned, bearing Sky Editions blind stamp, 72 x 99cm.

Laurence Stephen Lowry, after, published by Henry Donn, Whitefield, ‘The Park’, limited edition number 290/850 in pencil to margin, blind stamped, 44.5cm x 62cm.

Peter LANYON (1918-1964) Levant Mine Ruins  PhotogravureNumbered 2/150Peter Lanyon Estate blind stampAccompanying card attached versoPlate size 35 x 25cmPaper size 54 x 41cmPublished for the Tate Gallery, St Ives 2010

Bryan PEARCE (1929-2006) Westcotts Quay, St. Ives Etching in colours, facsimile signature, ed. 225/300, 'Estate of Bryan Pearce' blind stamp to lower left corner, image size 22.5 x 25cm.

Bryan PEARCE (1929-2006) Westcott's Quay, St Ives Etching in colours, facsimile signature, ed. 238/300, 'Estate of Bryan Pearce' blind stamp to lower left corner, image size 22.5 x 25cm.

Terry FROST (1915-2003) Anchor, 1984 (Kemp 79) Etching and aquatintSigned and dated '84Numbered 8/25YPDL blind stamp, lower rightInnocent Fine Art, Clifton gallery label to versoPlate size 29 x 21cm, paper size 49 x 37cmThis rare etching has not been examined out of the frame but it appears to be in good clean condition apart from an adhesive stain along the upper margin.

Sandra BLOW (1925-2006) Untitled  Mixed media, Sandra Blow Estate St Ives blind stamp, paper size 26.5 x 19cm. We believe this work to be in the same condition as when it left the studio. The edges are uneven and there is a pinhole to the central right edge (see image) and a little spattered artist material (see images). The work is not framed or mounted, we would not advise rolling this work for postage.

Sir William Russell Flint signed print with blind stamp, 49 cm x 67 cm, framed and mounted

A Chippendale-style mahogany triple chair back settee, early 20th century, with shaped cresting rails, carved and pierced ribbon splats, over serpentine stuff over seat flanked by 'Shepherds Crook' arms supported by square section legs with blind fret decoration. 155 cm wide x 50 cm deep x 92 cm overall height, 48 cm to the seats, together with a pair of 'Chippendale Ladderback' open-arm elbow chairs with stuff over seats.Sofa: Damage to right-hand arm support, evidence of old woodworm in seat rails that have been filled with tinted plaster.With a crack to the central splat, and a chip to the arm junction with the back upright, the frame has a fair bit of movement across the back and seat frame and will need work to firm upThis item will require restoration to make good.The accompanying pair of chairs are stuff over upholstered Not drop in.The frames are good but flex a little at their joints, especially at the armrests,both items in this lot will require cleaning.See the extra images for details of damage to sofa.

L S Lowry (1887 - 1976), Level Crossing, signed in pencil and blind stamp, offset lithograph (faded), 41.5 x 57 cmColour has faded, print is sealed in the glazed frame, possibly some slight acid burn from the mount.

After Pablo Picasso, Femme au Beret, limited edition lithograph, signed Collection Marina Picasso and numbered 148/500 in pencil, two blind stamps, ink stamp verso, unframed, 55.5 x 37 cm, with Certificate of Authenticity and folio folderPaper generally discoloured, some indentations to the paper from top border running into the image, no tears.

After Pablo Picasso, Norte Dame, limited edition lithograph, signed Collection Marina Picasso and numbered 256/500 in pencil, two blind stamps, ink stamp verso, unframed, 60 x 50 cm, with Certificate of AuthenticitySlight crease top left corner. Discolouration evident to the printed area on the reverse. Otherwise, in good condition. Please note - this lot is loose and does not have a folder.

John Hoyland (1934 - 2011), Homage to Constable, signed and dated ’76, numbered 51/100, lithograph with hand colouring on blind-stamped wove paper, framed and glazed, 55 x 85 cmAcademy Framing frame with Museum standard UV filtered glass (would benefit from cleaning), some minor creases to the paper evident previous to framing.

Beatrice Wood "Beato" (American, 1893-1998). Rounded conical ceramic pottery vase. Luster glazed stoneware. Decorated with sigils along the interior and exterior. Signed along the underside.Beatrice Wood was heavily involved in the Avant Garde movement in the United States. She founded and edited The Blind Man and Rongwrong magazines in New York City with Marcel Duchamp and Henri-Pierre Roche in 1917. These magazines were originally created to defend Duchamp's famous submission of a urinal under the pseudonym of R. Mutt to the First Exhibition of the Society of Independent Artists in April of that same year. She was often characterized as the "Mama of Dada," as she was among the earliest pioneers of the Dada art movement in the U.S. Wood was also the inspiration for the fictional character Rose DeWitt Bukater in James Cameron's hit movie "Titanic" (1997).Height: 5 1/2 in x width: 10 3/4 in.

Beatrice Wood "Beato" (American, 1893-1998). Rounded conical ceramic pottery vase or bowl. Luster glazed stoneware. With four nude female figures affixed along the exterior at even intervals. Signed along the underside.Beatrice Wood was heavily involved in the Avant Garde movement in the United States. She founded and edited The Blind Man and Rongwrong magazines in New York City with Marcel Duchamp and Henri-Pierre Roche in 1917. These magazines were originally created to defend Duchamp's famous submission of a urinal under the pseudonym of R. Mutt to the First Exhibition of the Society of Independent Artists in April of that same year. She was often characterized as the "Mama of Dada," as she was among the earliest pioneers of the Dada art movement in the U.S. Wood was also the inspiration for the fictional character Rose DeWitt Bukater in James Cameron's hit movie "Titanic" (1997).Height: 4 in x diameter: 9 3/4 in.

After Jules Cheret, 'Quinquina Dubonnet', colour lithograph, published by Les Maitres de L'Affiche, with blind stamp, 15.25" x 11", (38.5x28cm).

After Louis Wain, 'Blind Man's Buff', a scene of cats playing, colour print heightened in watercolour, 12.25" x 30.25" (31 x 77cm), along with 28 Louis Wain related prints (29).

Bishops - ManuscriptA Treatise concerninge ArchBishopps, Bishopps, Deanes, Chapters, Parsons, Viccars, Curats & other Ecclesiasticall persons, with theire Confirmation, Consecration, Investure, presentation, Induction & Institution with all things incident thereunto ..... Written Anno Nono Caroli Regis Annoq Domini, 1633. Bound manuscript, small folio, 265 pages, neat early hand within line borders, library blindstamp to preliminary leaves and final blanks, accession stamp to title verso, in contemporary calf boards with gilt device and borders to each board and blind initials N P, (recently re-backed).[No publication under this title traced]

Trials - AristocracyRushworth (John), The Tryal of Thomas Earl of Strafford, Lord Lieutenant of Ireland, upon an Impeachment of High-Treason by the Commons ......Ri. Chiswell and G. Conyers, 1700, second edition, folio in fours, portrait frontis, 10, 74, 100, [1], 101-252, 401-786 [2] pages, several other pages misnumbered, text continuous despite pagination, final advert leaf, stain to corner of frontis, sporadic light foxing to pages, contemporary panelled calf (re-backed, stabilised wear to edges), Royal armorial within blind-stamped design to front panel. ESTC R211948; House of Peers, The Tryal of Thomas Earl of Macclesfield in the House of Peers for High Crimes and Misdemeanors ..., Printed by Sam. Buckley, 1725, folio, [4], 284 pages, hole in front free endpaper, from the library at Felix Hall with armorial bookplate of Thos. Western, contemporary panelled calf (spine worn). ESTC T139466 (2)

WitchcraftSpenger (Jakob) & Institoris (Henricus), Malleus Maleficarum ex variis auctoribus concinnatus & in tres Tomos distinctus: Quorum Postremus, Qui Fustis Daemonum Inscribitur ..., 1615, [bound with]Various authors, Mallei Maleficarum ... (Tomus Secundus) 1615;Mengo (Hieronymo), Fustis Daemonum Adivrationes Formidabiles ..., 1615;idem, Flagellum Daemonum Exorcismos Terribiles ... 1614;Stampa (Petro Antonio), Fuga Satanae Exorcismus ..., 1615.Five volumes bound as one, all published by Petri Landry in Lyon, each title printed in red and black, some underlining in text, ink marking to first title, contemporary blind-stamped pigskin over boards with worn paper spine labels and a little wear to corners.[Provenance: Sotheby's Robert Lenkiewicz sale, Nov 2003]

[Burton (Robert)]The Anatomy of Melancholy. What it is, With all the kinds causes, symptomes, prognostickes, & severall cures of it. In three Partitions ...., by Democritus Junior. Printed for H. Cripps ... to be sold at his shop in Popes-head Allie and by E: Wallis at the Horsshoo in the Old Baley, 1660, seventh edition, folio in sixes, engraved title page, pagination collates as ESTC. Repairs to gutter-edge and lower edge of half title and gutter edge, fore-edge and lower corners of title page (with a little loss), discrete library blind-stamp to half title and title page, occasional spotting and annotation, small hole in 2G6, lower corner of 2X4 torn (not affecting text), fore-edge of 3L3 torn with loss to edge of margin note, modern panelled calf with older label. ESTC R27243

Church of EnglandConstitutions and Canons Ecclesiasticall, Treated upon by the Bishop of London, President of the Convocation for the Province of Canterbury, and the rest of the Bishops and Clergie of the said Province ....Robert Barker, 1604, small quarto, A-Y4, first and last leaves are blank, the last blank supplied, top edge of headlines cropped in places, notes in early hand to both sides of first blank A1, some minor early underlining of text, armorial bookplate, all edges gilt, full calf with blind-stamped borders. ESTC S101546Church of England, Articles Agreed Upon by the Arch-Bishops and Bishops of both Provinces, and the Whole Clergie, In the Convocation holden in London in the yeer 1562 ......Robert Barker, 1638, small quarto, [2], 6, [22] pages, lacking the first blank leaf, head margin clopped to headline in places, a few stains to title and final page, title reinforced at head, signed manuscript declaration to title verso by John Rogers, parson of Croghlin (Cumberland) who confirms that on Sunday 24th March, 1660 [?1661] at afternoon prayer, he read all of the Articles in 'this booke' and declared his assent to the Articles. The memorandum is also signed by three witnesses 25th March 1661, quarter vellum. ESTC S125374;L'Estrange (Hamon), The Alliance of Divine Offices Exhibiting all the Liturgies of the Church of England since the Reformation ..., Charles Brome, 1690, second edition, folio in fours, [16], 264, 275-313, [1], 325-348, 337-339, [1] pages, text continuous despite pagination, general age tanning, occasional spot stains, small hole in 2H2, several marginal tears, worn sprinkled calf. With one other (4)

Guillermus (Parisiensis) edit.Postilla super epistolas et evangelia.Ulm: Conrad Dinckmut, 1486, folio in sixes and eights, 212 leaves, first leaf a1 blank with manuscript recto, coloured initial with gilt to a3, red and blue initials throughout (with staining around each, possibly a protective varnish), some other staining (mainly marginal), gutter gaping in early part of book, first gather partially detached, gutter margin of b1 and b4 taped, worm holes and tracks within text area and margins, marginal tears including repaired tear to lower margin of R5, a few marginal annotations in early hand, B1 & B2 reversed, ink splashes to J4v and J5r, no endpapers, worn contemporary calf with blind-stamps believed to be from Dinckmut's bindery [see Amelung], restoration including repair to spine (retaining early label), worm holes to slightly splayed boards, remains of metal clasps with initials (possibly those of Konrad Manz).[Provenance; bookplate of George Dunn of Woolley Hall, whose collection was sold by Sotheby's in 1913]Page size 271mm x 198mm. Binding approx 285mm x 215mm.