We found 44918 price guide item(s) matching your search

Beryl Cook, 'Shall we Dance', Print published by Alexander Gallery Publications Ltd. Bristol, 57x40cm, F&G. Blind stamped and pencil signed.

Beryl Cook, Print of a dancing couple, Published by Alexander Gallery Publications Ltd. Bristol, 53x31cm, F&G, Blind stamped and pencil signed.

A REPRODUCTION MAHOGANY RECTANGULAR CHEST ON STAND, in the Chippendale taste, with moulded rim and cross-banded top above three long cockbeaded drawers with brass drop handles, raised above a blind fret band and carved apron, on carved shell knee cabriole legs and hairy paw feet. 83cm wide, 53cm deep, 87cm high

A GEORGE III MAHOGANY SIDE TABLE, the plain top above a chinoiserie blind-fretwork frieze, the champhered legs with similar blind fret decoration and panels, on blocked feet

A CHIPPENDALE DESIGN MAHOGANY HANGING CORNER DISPLAY CABINET, 19th century, with dentil and thumb moulded frieze, above blind fretwork banding, single astragal glazed panel door, the interior fitted with timber painted shelves, on moulded base. 93cm high, 42cm deep, 70cm wide

A black and white photograph of HMS Vernon at Portsmouth, Gieres Ltd blind stamp to corner, 23.5cm x 36cm

A George III design mahogany bachelors chest, with brush slide above four graduated long drawers with canted blind fret corner angles, on bracket feet, 79cm x 73cm x 46cm

An Irish carved mahogany serpentine serving table c1900, with moulded 3/4 gallery above a frieze drawer with blind fret detailing, on scroll decorated cabriole legs and claw and ball feet, 85cm x 150cm x 75cm

An Edwardian carved mahogany wardrobe, with blind fret detailing, moulded cornice above two doors, three drawers and mirrored door, on base with with two drawers on ogee bracket feet, 209cm x 158cm x 58cm

DEREK HIRST (1930-2006) screen print Paradox No.V 1975 signed and numbered 16/35 editions Alecto blind stamp, image size 53.5cm x 53.5cm

A Regency rosewood and satinwood strung pedestal sofa table, having twin blind frieze drawers and raised on four outswept square cut supports with brass lion paw caps and castors (split to top), w.89cm (leaves down), d.66cm, h.71cm

A late Victorian rosewood and marquetry inlaid centre table, the crossbanded top with centre floral marquetry spray above a blind frieze drawer and raised on turned and tapering fluted supports, w.116cm, d.66cm, h.76cm

A William IV rosewood pedestal sofa table, having twin blind frieze drawers, raised on quatraform base, w.92cm (leaves down), d.66cm, h.72cm

A late 17th century joined oak three panel coffer, the hinged lid on loop hinges, having low relief blind carved frieze in stile end supports, h.69cm, w.120cm, d.55cm Condition Report / Extra Information Two repairs to top. Top closes well and true, no warping. Original loop hinges. Top with later cleats to underside. Lacks candle-box. Stands well. Some water marks to top.

A pair of mahogany framed double cane bergere easy chairs with blind fret and floral carving on ogee bracket feet (2)

A Mahogany linen press with dental moulding to cornice above a blind frieze and panelled doors over two short and one long drawer on shaped bracket feet

George III mahogany tallboy, the pediment with Greek key detailing over three short and three long drawers to three drawer base with chamfered corners and blind fretwork, on shaped bracket feet

O Ltn Johann W H Arntzen signed RAFM HA35b Major W G Barker cover. No 5 of 23. Variant by Hans Rossbach. Born 11-9-1894. Started Balloon flights in 1910 (Essen-Holland) and 1912. Built his own aircraft 1912 and crash landed it. Flew with Flg Abt 34 and Flg Abt 2. (Later A260) From 1916 fighter pilot on Albatross DIII in JASTA 15 (Gontermann) after destroying 3 balloons and 11 enemy aircraft. He was wounded by a bullet in the brain, which left him blind in the left eye and only 25% vision in the right eye. 2 photos included. Good condition Est. £10-15

AFTER GERALD KELLY "The basket weavers", colour print, signed in pencil bottom right, bears studio blind stamp bottom left

A circa 1900 mahogany wardrobe, the moulded cornice with blind fretwork frieze over two cupboard doors enclosing a hanging space, over two long drawers to ogee bracket feet

The Evolution of Photography, first edition, 4 plates, 1f The Evolution of Photography, first edition, 4 plates, 1f. slightly creased, slightly browned, original blind-stamped cloth, rubbed, gilt spine, dulled, 8vo, 1890.

Houses of Parliament. - Report of the Royal Commission on the Blind, the Deaf and Dumb, &c., 4 vol. in 2 (vol.3 bound separately), folding tables, plates of embossed alphabets for the blind, modern cloth, 1889 § Fay (E.A., editor ) Histories of American Schools for the Deaf 1817-1893, 3 vol.., plates and illustrations, some folding, original cloth, Washington, D.C., 1893 § Bébian (A.) Éloge de Charles-Michel de L'Épée, Fondateur de l'Institution des Sourds-Muets, half-title, lithographed portrait, marginal water-staining, original wrappers, uncut, upper cover with ink inscription (partly torn away), Paris, 1819 § Arnold (Thomas) Education for Deaf-Mutes, 2 vol. in 1, calligraphic ink inscription on front free endpaper, plates, contemporary calf, lower cover detached, 1888 § Huxley (Aldous) The Art of Seeing, first edition , original cloth, dust-jacket (soiled and defective), 1943, all but the first rubbed or worn ; and 3 others concerning the blind and deaf, folio & 8vo (11)

MacLlure, MacDonald & Co. (publishers) - Yacht Racing on the Clyde and Belfast Lough. Season 1898, photographic plates, original blind stamped blue cloth gilt, oblong folio, [c.1898].

Orthographical Exercises: In a Series of Moral Letters, The Fourth Edition Orthographical Exercises: In a Series of Moral Letters, The Fourth Edition, slightly foxed and browned, contemporary ink signature on front free endpaper, contemporary blind-stamped sheep, rubbed, [ESTC lists 2 copies only], 18mo, Printed for C.D. Piguenit, [ watermarked 1796]; and 18 others, v.s., v.d. (19).

*China, Order of the Double Dragon, type 2, Third Class Third Grade neck badge, in silver and enamels, with blue central stone and smooth upper coral, with gilt ribbon suspension, width 75.5mm, in black lacquer case of issue, with gilt seal marks on lid and with original blue and yellow neck ribbon, a few minor marks to case, otherwise virtually as issued, rare thus. Provenance: By descent from R. T. TURLEY, who was a missionary, member of the Royal Geographical Society and contributor of several articles and maps related to Manchuria; he also became a local correspondent for The Daily Telegraph and other newspapers. This award is reported to have been made in recognition of Turley’s foundation of a school for blind children in Mukden, Manchuria.

A Thornton Pickard brass and mahogany plate camera, with a Thornton Pickard roller blind shutter, Dallmeyer f7.6 inch lens, wooden tripod and two plates, cased, c. 1900

A REGENCY MAHOGANY AND ROSEWOOD BANDED DROP LEAF PEDESTAL TABLE, C1820 fitted with two drawers and opposing blind drawers, brass castors, 73cm h; 56 x 80cm ++Leaves very slightly warped but in otherwise excellent original condition

A VICTORIAN MAHOGANY 'CHINESE CHIPPENDALE' SILVER TABLE, LATE 19TH C of fretwork and blind fretwork, 77cm h; 56 x 108cm, depository label of R MADDOX & CO LTD SHREWSBURY ++Complete and original with some structural repairs to breaks

A REGENCY MAHOGANY TEA TABLE, C1820 with blind drawer to the frieze, 74cm h; 47 x 99cm ++In good condition, repolished

Coloured lithograph, Birkenhead Iron Works by Maclure, MacDonald and MacGregor after Maclure together with a maple framed black and white engraving, ' The Blind Fidler ' after Wilkie

George III mahogany longcase clock, the broken arch hood with blind fretwork and gilt mounted swan neck pediment and flanking pilasters, above an arched panel door with flanking quarter pilasters and conforming plinth base, the silvered dial with Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed John Forest, Haddington, the two train movement with anchor escapement striking on a bell with weights and pendulum

Early 20th Century mahogany duet piano stool with an upholstered seat above a blind fretwork freize raised on square tapering supports

After Sir William Russell Flint (Scottish 1880-1969): 'Girl in a Floral Dress', limited edition chromolithograph with blind stamp numbered in pencil 29/850, 46cm x 63cm DDS - Artist's resale rights may apply to this lot

After Sir William Russell Flint (Scottish 1880-1969): 'Studio Accessories', limited edition chromolithograph with blind stamp numbered in pencil 537/850, 40cm x 56cm DDS - Artist's resale rights may apply to this lot

After Sir William Russell Flint (Scottish 1880-1969): 'Looking Glass', limited edition chromolithograph with blind stamp numbered in pencil 166/850, 32cm x 40cm DDS - Artist's resale rights may apply to this lot

After Sir William Russell Flint (Scottish 1880-1969): 'Balance', limited edition chromolithograph with blind stamp signed in pencil, 43cm x 58cm DDS - Artist's resale rights may apply to this lot

After Sir William Russell Flint (Scottish 1880-1969): "The Beach Game", limited edition chromolithograph with blind stamp numbered in pencil 481/650 pub. Nov.2001, 45cm x 60cm DDS - Artist's resale rights may apply to this lot

After Sir William Russell Flint (Scottish 1880-1969): 'Girls in a Courtyard', limited edition chromolithograph with blind stamp numbered in pencil 27/850, 52cm x 70cm DDS - Artist's resale rights may apply to this lot

A VICTORIAN EBONISED CREDENZA of inverted breakfront outline the shaped moulded top above blind panel door between bowed glazed doors on platform base 100cm (h) x 154cm (w) x 47cm (d)

A George IV mahogany small Pembroke table of conventional design the figured top above one short and one blind drawer, turned legs, turned handles, 79 cm wide, Circa 1830

Henri de Toulouse - Lautrec (French 1864 - 1901) "Elles" - eleven colour lithographs, with introduction by Michel Melot, The Toulouse - Lautrec Circle, in association with The Sunday Times, London, 1969, numbered 324/1250, each print numbered in pencil and with blind stamp, extra illustrated with 'Clownesse au Moulin Rouge', folio in slipcase.

After Edward King (19th/20th Century). Rotten Row, a coloured etching, signed in pencil by the artist and Herbert Sedcole, RIJ print, sellers blind stamp bottom right, with another coloured etching of a street view signed Edward King and Dr Donald, PAP blind stamp botton left, both 37 x 28cm (2).

A Louis Phillipe style round cornered sideboard of large proportions, having twin blind cushion frieze drawers over six further drawers

Registration : JO 9231 Chassis Number : 33694 Engine Number : 6803 Odometer reading : 17,624 miles Estimate : £7,500 - £9,500 Bicycle manufacturer William Morris introduced his first car, the 'Bullnose' Oxford, in 1913 starting a tradition of Morris Oxfords that was to continue right up until 1971. With an enviable reputation for reliability and quality, by the end of the 1920s Morris had become Britain's largest car manufacturer holding a 51% share of its home market. Although smaller models- such as the 'Minor' and the 'Ten'- were the mainstays of the range, Morris also maintained an interest in larger cars. A completely new car was announced for 1934 with a longer and stronger chassis and flexible mountings for the 2002cc engine whilst the gearbox gained synchromesh. Initially it kept the 'Six' name (reflecting the number of cylinders in the engine) but this changed to 'Sixteen' which came from the car's tax horsepower category. 'Old Jo' as this Oxford Six is affectionately known is in absolutely lovely condition and has been a regular sight at historic car shows in Surrey and Sussex for the last 20 years. The vendor is reluctantly selling to make space for a recent purchase and is looking for a new home that will hopefully cherish 'Old Jo' in the same way he has. The exterior is finished in blue over black paintwork and the interior has blue carpets and blue leather bench seats, front and rear, which are also in very good condition. The car was manufactured with several interesting features such as a fold-out table for rear seat passengers, a rear window privacy blind (driver operated), a sliding roof to let the sun in and a hydraulic brake system which was still uncommon even on more expensive makes at the time. The car was restored between 1972 and 1976, when some features such as the freewheel option were disabled to make the car safer for modern roads. The car has a wealth of history including the 1934 Operation Manual, a fold-out Lube Chart, a DVLA-supplied keeper history and a stamped road tax license book showing history from 1956 to 1963. Also included within the file is a current MoT test certificate to May 2016 as well as previous ones dating back to 2001. The file also contains invoices from the last 20 years which confirm the high standard of care and maintenance that the car has been subject to. All in all, 'Old Jo' would seem like an ideal vintage investment! 

Two Royal Worcester Evesham china flan dishes, mug, six ramekin dishes, lidded vegetable dish and Royal Worcester 'Blind Earl' flan dish

[TOPOGRAPHY]. DEVON Westcote, Thomas. A View of Devonshire in MDCXXX [1630], with a Pedigree of Most of its Gentry, edited by Rev. George Oliver and Pitman Jones, Roberts, Exeter, 1845, blind-stamped brown cloth gilt (rebacked), quarto; Dallas, James, and Porter, Henry, transcribers and editors. The Note-Book of Tristram Risdon 1608-1628, Eliot Stock, London, 1897, fawn buckram, octavo; Moore, Rev. Thomas. The History of Devonshire, three volumes, Jennings, London, circa 1829, half leather, engraved architectural titles, engraved plate illustrations, octavo (scuffed, with small losses at spine head); and The Devonshire Domesday and Geld Inquest: Extensions, Translations, and Indices, two volumes, Brendon, Plymouth, 1884-1892, brown buckram.

Early 20th Century Chippendale style mahogany library bookcase, the upper section having dentil cornice with blind fret frieze below, fitted four astragal glazed doors enclosing eight shelves, the lower section fitted four blind panel doors and standing on a plinth base, 230cm wide Condition: 230cm high x 46cm deep - Please see extra images and TELEPHONE department for further details

George III chinoiserie style black lacquered chest on stand, having allover landscape and foliate decoration, the upper section fitted twelve drawers enclosed by a pair of blind panel doors having engraved brass key plates and strap hinges, the base standing on cabriole supports with hair claw terminals, 108cm wide Condition: There are splits to the surface of both doors and loss of lacquer along these splits, there are chunks of timber missing to both the left and right side lower edge, the surface of the lacquer on all internal drawers is rather split and rough, there are sections of wood missing on the base particularly on the feet. We would strongly advise viewing this lot in person

Queen Victoria Royal memorabilia and three telegrams. Sixteen 'Royal Entertainment by Command' theatre bills, for productions by Her Majesty's Servants at Windsor Castle between 1850 and 1857, each with pierced lace-effect border and blind stamped Royal coat of arms, (in two frames); another single for Sandringham 1880; and three framed telegrams dated 1898, addressed to the Queen, Duke of Teck and Princess Alice (6)

A Victorian leather lined writing table with blind fret carving to the front and legs.107cm x 58cm.

An Edwardian mahogany breakfront overmantle mirror with classical brass capped columns and blind fret detail. 163cm wide x 100cm high. Best Bid

A George III mahogany longcase clock by Gillet of Manchester, with three-train movement chiming on eight bells with four tunes every three hours, with moon phase, centre date hand and subsidiary seconds dial, with further subsidiary dial for strike and silent and the four tunes, the case being inlaid and boxwood strung and with reeded quarter column corners. Height 96 ins (see illustration). CONDITION REPORT: This clock is in generally first class condition. The left hand brass finial has a break across one of the knops which requires a minor repair. The hood is in very good order with no significant issues. The trunk door is flat and not warped and has the odd minor stress fracture but no significant issues. There is a small repair to the top centre arch. The quarter columns and blind fretwork are in good order as is the base and feet which are original. The sides of the clock have old minor stress fractures but no significant issues. The dial and movement are in extremely good condition. The clock is currently ticking and appears to be operating as it should. The clock was purchased from a respected clock dealer approximately 10 years ago. The case and movement are not married. The clock could be enjoyed or resold in its current state without the need for any significant repair or restoration other than the minor problem with the left hand finial.

A George III style mahogany chest of drawers, with moulded edge above four long graduated drawers with brass drop handles, flanked by canted blind fretwork angles and raised on bracket feet. Width 29.5 ins.

A George III mahogany tallboy, with Greek key cornice above a blind fretwork carved frieze, the top half with two short and three long graduated drawers flanked by canted blind fretwork carved columns, the base with slide above three drawers and raised on ogee bracket feet. Width across centre 42.5 ins (see illustration). CONDITION REPORT: Height 77 ins, width across cornice 45 ins, depth of cornice 23 ins. This is basically a good piece of furniture which requires restoration. The cornice is principally intact but with some of the Greek key moulding missing on the returns. The blind fretwork is mostly present to the front but there are sections missing to both side returns and also to the canted angles. Most of the drawer fronts are in good order with the exception of the first long drawer top right hand corner and the bottom two drawers. There is also some veneer loss to the top right hand corner of the bottom section. The left hand side of the top is in good condition. The right hand side has a seam split. The right hand side of the bottom is in generally good order as is the left with only minor old stress fractures. The bracket feet have had old repairs to the bottom half of the ogee which should be clearly visible from the image. The handles are original.

An Edwardian mahogany Chippendale style desk, with metal gallery to the rectangular top and fitted with a series of blind fretwork carved drawers and raised on cabriole legs terminating in lions paw feet. Width 48.5 ins. CONDITION REPORT: This desk is in need of some restoration. The brass gallery is intact and all present but a little dirty. The red tooled leather writing surface requires replacement as much of this is missing. Otherwise the top of the desk is flat and in good order. All of the drawer fronts are a little tatty particularly around the lock escutcheons. There are no major losses to the blind fretwork but some small areas are chipped and have lost their top stain. There is some loss to the applied foliate scrollwork around the centre panel of the long drawer. The legs are all original and in good structural condition simply a little dirty. The side panels and back panel are in good order and the interiors of all the drawers are in good condition

A VICTORIAN GILT METAL TRIPLE SWIVEL SEAL two sides stone set, one side blind

Polydor Label: six albums John Mayall, Jimi Hendrix, The Who, Cream, Blind Faith and King Crimson, various years and conditions

Rock: four albums Blind Faith - Self titled, Free - Tons Of Sobs (stereo pink textured eyeball logo label), Black Sabbath, Paranoid and Vol 4 (both small swirl labels), various years and conditions

Mahogany two train mantel clock striking on a gong, the 5.25" convex enamel dial above a blind fret panel within a stepped rounded arched case, (pendulum); together with a walnut and ebonised two train mantel clock striking on a bell, 9.5" high (2)

Good ormolu carriage clock timepiece, the back plate signed Westwood, Princes St, Leicester Square, London enclosed by a blind door with sliding circular winding aperture cover and sliding locking button, the 2" silvered chapter ring enclosing a matted silver centre, within a pillared panelled case surmounted by four turned finials and a wavy handle, 5.25" high (winding key)