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A George III Revival mahogany four poster bed,stepped cornice above a deep frieze carved with blind fretwork, the slender fluted columns carved with stiff leaves, turned feet, c.1900

A George III mahogany small chest on stand with secret drawer over two short and four long further drawers with allover blind fret and pierced fret decoration, 62cm wide. Illustrated

Painted pine blind panelled bed cupboard

Reproduction mahogany blind panelled drinks cabinet

Modern pine blind panelled double wardrobe

Walton (Izaak) & Charles Cotton. The Compleat Angler, second Major edition, engraved portrait frontispiece and 13 plates, extra-illustrated by the insertion of 24 related engraved plates, offsetting, some foxing or spotting, offsetting, original blind-stamped and gilt pictorial Gosden cloth, covers with central gilt image of Izaak Walton memorial stone and angler, gilt angling motifs to spine and corners, upper cover reattached, spine faded, corners a little worn, rubbed, [Coigney 25], 8vo, John Major, 1824.

Blacker (William) Blacker`s Art of Fly Making., engraved frontispiece of fly-fishing (uncoloured), engraved title and 20 plates including 17 finely hand-coloured plates of flies, very occasional spotting, original blind-stamped green cloth, spine gilt, very slightly rubbed at edges, a little cockling to upper cover, [Thacher pp.61-62; W&S p.33], 12mo, 1855.

Alken (Henry) [The National Sports of Great Britain], first edition, second issue, aquatint title (dated 1821) and 50 aquatint plates by J.Clark after Henry Alken, all splendidly hand-coloured and in excellent condition, printed in English & French, this copy without the dual-language letterpress title-page in but with plates watermarked `1820`, 19th century bookplate of Thomas Greer on front pastedown, handsomely bound in full contemporary straight-grain morocco with blind-tooled inner border and decorative ornament contained within elaborate gilt border, spine titled in gilt with further gilt compartments within gilt-tooled raised bands, g.e., surface wear to corner some edges, small section of surface loss to upper cover near spine, [ Mellon/Podeschi 111; Schwerdt I, p.19 & IV, p. 4; Siltzer p. 70; Tooley 41], folio, Thomas McLean, 1821. "Alken`s most important work.It must always form the cornerstone of any Alken collection." Tooley, English Books with Colour Plates, p.64. Alken`s hugely popular presentation of the aristocratic pursuits of the time, resplendent with large hand-coloured aquatint depictions of popular pastimes including hunting on horseback, hawking, gun shooting, angling, horse-racing, pugilism and dressage, as well as activities that even at the time were becoming increasingly controversial such as bull-baiting and bear-baiting. This copy would seem to have been without the letterpress title for some time, perhaps even bound without, as the offsetting onto the verso of the additional title is that from the Preface.

DAVID SHEPHERD. Savati Sands, reproduction in colours, with blind stamp, numbered 400/1000, reproduced in colour, Pl. 16 x 24 in.

D' ERLANGER (Baron Emile B.) Mon Humble Plaisir. Poems Suivis d'une Essai sur les Poetes Anglais de la Grande Guerre. Limited Edition. errata & colophon leaves, contemp. calf with elaborate gilt decoration on upper board & spine (floral & geometric designs, with centred letter 'E', lower board decorated in blind, inner gilt dentelles & silk e/ps., gilt top & other edges uncut (by Genova of Venice, some surface wear on upper cover), 4to. Paris: Societe des Editions Fast, (1928). * limitation of 500 numbered copies, one of the 300 copies for sale,this one (no 284) was probably appropriated for family use- coming (in this binding) and from the Erlanger Estate Illustrated

Two early 16th century oak linen fold panels, each approx 54cm x 13cm, together with a 16th century oak carved blind tracery panel, (a.f.), 43cm x 21cm.

A 17th century oak panel with blind tracery decoration, 48cm x 23cm.

A 16th century stile carved with diamonds and roses, 65 x 23cm, together with a 16th century carved oak blind tracery panel, 49 x 30cm

Three 16th century carved oak blind tracery panels. Illustrated

A Gothic blind tracery carved oak panel with lancet and circular motif, 47 x 26cm. Illustrated

A 16th century oak door with blind lattice work decoration 39 x 30cm.

A 16th century carved oak door with blind tracery incorporating a shield with two forks, 39 x 30cm. Illustrated

A 16th century walnut cupboard door, with blind tracery and later applied iron strapwork, 39 x 36cm. Illustrated

A 16th century oak blind tracery panel framed, 47 x 34cm.

An Edwardian mahogany occasional table having rectangular swivel top on tapered frame with blind fret decoration.

A late 19th century mahogany bookcase/display cabinet having blind fret and dentil cornie with astral glaze top and drawers and cupboards and blind fret frame on bracket feet.

Good quality Edwardian Chippendale revival mahogany two tier tea trolley with pierced gallery and blind fretwork decoration and cluster column supports

Mahogany bookcase, blind fretwork frieze, two glazed doors with astragal bars enclosing adjustable shelves, gadrooned apron piece, ball and claw feet, width 105cms, height 117cm.

A French gilt brass mounted oak mantel clock retailed by Bushell, York, circa 1900, the eight-day gong striking movement with gilt rosette-centred convex Roman numeral dial inscribed BUSHELL, YORK within bevel glazed bezel, the rectangular case with cherub surmount and gilt fishscale cast mounts to the shallow caddy upstand within scroll pierced mounts to the cornice above lyre pierced cast oval blind frets to sides and foliate quadrant mounts around dial, the angles applied with conforming projecting mounts, on cavetto moulded base applied with scroll cartouche to front, on brass bracket feet, 36cm (14ins) high.

A Victorian oak open bookcase, circa 1880, moulded rectangular top, an arrangement of two banks of adjustable open shelves, blind fretwork carved terminals centred by acanthus patera terminals, plinth base, 115cm high, 198cm wide, 31cm deep

Eighteenth Century Eight Day longcase clock by Henry Perry, Earl Street. London, with square 12 inch brass dial, cast brass spandrels, brass chapter ring, subsidiary seconds and date aperture, in oak case with blind fret and dentil frieze and turned columns, 192cm high

Georgian oak and mahogany crossbanded bureau with blind fret canted corner and fall opening to reveal well and fitted interior decorated with chequer inlay and pierced fretwork and central mahogany foliate decorated secret compartments with revolving locking `safe`, 108 (w) x 114 x 54cm.

A Georgian Mahogany `Chippendale` Armchair. The pierced carved with interlaced straps. The upholstered seat re-covered in moss green plush fabric and standing on square legs decorated with blind fret carving.

A Chippendale Period Mahogany Card Table. The fold over top having a moulded edge above a blind fret-carved frieze and square chamfered legs with further `Chinese` blind fret-carving and pierced scroll brackets to the corners, 29 ins (74 cms) high, 36 ins (91 cms) wide, 18 ins (46 cms) deep.

A Fine George III Mahogany Bureau Bookcase Circa 1760. The bookcase section surmounted by a fretted swan-neck pediment flanking a bust of Brutus above astrigal glazed doors enclosing adjustable book shelves sliding into side grooves. The lower section having a lip-moulded fall front on loper supports opening to reveal a fitted interior with mirror cabinet, pigeon holes, drawers and compartments. The two short and three long cock-beaded drawers below flanked by canted corners embellished with blind-fretwork and terminating on squat ogee bracket feet, 96 ins (244 cms) high, 43 ins (110 cms) wide, 21 ins (53 cms) deep.

Lionel Edwards, signed print, hounds, horses and hunters leaping fence, with Fine Art Trade Guild blind back stamp. 33 cm x 49 cm, mounted and in oak frame with label verso "Hunting Countries by Lionel Edwards, The Duke of Rutland`s Hounds, The Belvoir in the Vale of Near Jericho Gorse, printed and published by Eyre and Spottiswoode Ltd, His Majesties Printers, London ".

Winston Morgan, signed artists proof "Lowland Evening", four Canadian geese flying over marsh, signed and with Warwick Gallery Artist Proof blind stamp. 25 cm x 35 cm, framed and mounted.

Continental School (20th century), Blind Man`s Buff, oil on canvas; together with three oleographs and prints (4)

Large quantity of National Geographic magazines, Riding magazine 1938-1952, The Works of Charles Dickens, published by Hazell, Watson & Viney Ltd., all with blue cloth, blind stamped and gilt decorations, and various pictorial cloth novels, all in an old wood bound canvas trunk

A George III mahogany chest on chest with two short and six long graduated drawers, the top with blind fret canted corners on bracket feet, 108cm wide by 180cm high

A 19th century oak cased thirty hour long case clock, the moulded cornice above blind fret carved panel and square painted dial centred with a pheasant, with painted thistle spandrels and set with Roman and Arabic numerals and signed "Jn. Callcott, Cotton", height 212cm.

A REGENCY MAHOGANY PEDESTAL LIBRARY TABLE having a rounded rectangular top, inset tooled green leather skiver and frieze of blind and lockable drawers, raised on a substantial fluted column and quatrefoil platform base, the turned and reeded legs with brass castors. 67cm(h) x 170cm(w) x 125.5cm(d) Marks, stains and scratches to skiver, veneer depletions to top edge and platform base, some fading, some movement to top.

A VICTORIAN MAHOGANY PEDESTAL SIDEBOARD having a short, raised, scroll carved back, a rounded rectangular top with two blind frieze drawers and open section below, the two supporting pedestals each with two drawers and cupboard doors inlaid with star burst paterea, one enclosing a cellarette drawer, raised on turned and reeded feet. 125cm(h) x 201cm(w) x 52cm(d) Marks, stains and scratches, some splitting in parts, some edge knocks and minor veneer depletions, several holes drilled to re-fix the central section, viewing advised.

A late 19th Century mahogany cabinet-on-stand, fitted with a three-quarter gallery top above a blind fretwork frieze and a pair of astragal glazed doors, the stand fitted with a single drawer, on square tapering legs and spade feet, height approx 132cm, width approx 53cm.

A 19th Century figured mahogany wardrobe with a blind fretwork pediment and applied beaded decoration, the two panelled doors above dummy drawers and a single long drawer, on ogee bracket feet, height approx 190cm, width approx 144cm (alterations).

A 19th century George III style serpentine front mahogany bachelor`s chest of 4 graduating drawers with brass swan neck handles, brushing slide, canted corners with blind fretwork, width 32", with pgp

A mahogany bookcase, the top with a blind fret frieze above two astragal glazed doors, the base with two short and three long drawers on bracket feet, 75cm wide

AR. HELEN BRADLEY (1900-1979) ARTIST SIGNED COLOUR PRINT Evening walk along Blackpool Promenade Signed in pencil and with blind stamp 17 1/2" x 23 1/2" (44.5cm x 59.7cm)

LAURENCE STEPHEN LOWRY (1887-1976) GROVE FINE ART LIMITED EDITION COLOUR PRINT 43/1500 " Burford Church" Blind stamp 21" x 15" (38cm x 52cm) With certificate of authenticity

LAURENCE STEPHEN LOWRY (1887-1976) GROVE FINE ART LIMITED EDITION COLOUR PRINT 136/1500 " St Luke’s" Blind stamp 21" x 15" (38cm x 52cm) With certificate of authenticity

LAURENCE STEPHEN LOWRY (1887-1976) GROVE FINE ART LIMITED EDITION MONOCHROME PRINT 50/1500 " The Football Match" Blind stamp 11" x 15 1/2" (28cm x 39.5cm) With certificate of authenticity

The Speaking Picture Book, c.1890, eight chromolithographed plates, with nine string-pull tabs that operate a bellows system to produce voice of each animal, original blind tooled cloth with title mounted on upper cover, pierced gilt sides to book, 12 1/2" x 9 1/2"

Late Victorian Dark Mahogany Sideboard Display Unit on scrolling French style cabriole supports, carved frieze, end glazed cabinets with C scroll glazing bars, single frieze drawers with blind fret carved decoration, centre bow fronted cabinet with large cartouche shaped mouldings, centre bow fronted drawer with upstand to rear, internal wooden shelves to the centre & glazed shelves to the ends

LAURENCE STEPHEN LOWRY - Coloured print, farm buildings, blind stamp, signed in pencil, framed, 42cm x 52cm.

Pierre Lelong, French 1908-1984- Woman in her bedchamber; lithograph printed in colours, signed in pencil, bears publisher`s blind stamp, 63x49cm: Mary Audsley, British 1919-2008- Seated woman; lithograph printed in colours, signed and numbered 32/75 in pencil, 73x54cm: Alain Prillard, French b.1948- "Faisant un Reve mais le Reve ne Paie pas"; mixed technique lithograph in colours with embossing, signed and numbered 11/20 in pencil, 39x29cm: Michel, French, mid 19th century- Sleeping female nude; red chalk on buff, signed and dated 49, 46.5x63.5cm: French Provincial School, early 20th century- "Chateau de Chaumont"; watercolour, inscribed, 22x28.5cm: together with two reproduction prints, one after Bonnard and the other after a 19th century view of Dieppe, (7) (may be subject to Droit de Suite)

After Helen Bradley (1900-1979) ``Collecting Holly`` signed in pencil, with the blind stamp for the Fine Art Trade Guild, from an edition of 850, a colour reproduction, together with a further signed, limited edition print after David Cartwright ``The Formidable 24th `` (2) 29cm by 27cm & 26cm by 40cm respectively

AFTER SIR WILLIAM RUSSELL FLINT (1880-1969) "October morning on the Baise", coloured print, bearing blind stamp and signed in pencil in the margin, 52 cm x 68 cm (ARR)

AFTER MACKENZIE THORPE (b. 1956) "Walking in the rain", limited edition coloured print No'd. 390/850, bearing "Fine Art Washington Green" blind stamp, signed in pencil and bearing certificate of authenticity verso, 23 cm x 38.5 cm (ARR)

A Mahogany nest of two drawers with blind fret carving

Parrot (Dr. Friedrich). Journey to Ararat, trans. W.D. Cooley, 1st English ed., 1845, folding eng. map laid down on linen, a few wood-engs. to text, orig. blind-stamped cloth gilt, rubbed and some wear, inner joints weak, 8vo. Neate P13. The first ascent of Ararat. One of Monte Rosa’s summits bears his name. Mount Ararat in Judeo-Christian tradition is associated with the “Mountains of Ararat” where, according to the book of Genesis, Noah’s ark came to rest. (1)

Parrot (Dr. Friedrich). Journey to Ararat, trans. W.D. Cooley, 1st English ed., [1845], folding eng. map (a little spotted), a few wood-engs. to text, near-contemp. blind-panelled morocco gilt, rubbed and a little worn at extremities (with Eton leaving inscription dated 1863), 8vo. (1)

Weston (Rev. Walter). Mountaineering and Exploration in the Japanese Alps, 1st ed., Murray, 1896, half title, two folding maps at rear, numerous b & w photo. plates, orig. decorated cloth gilt, faded with some splitting to joints and fraying to extrems, 8vo. Neate W45. Weston (1860-1940) was a British missionary based for many years in Japan where he is highly respected, becoming the first honourary member of the Japanese Alpine Club. He was short, stocky and blind in one eye, but remembered as a tenacious climber. (1)

White (Lieutenant George Francis & Roberts, Emma). Views in India, Chiefly Among the Himalaya Mountains, [1838], steel-eng. frontis., additional vign. title and thirty-five steel-eng. views, correct as list, some scattered spotting, a.e.g., orig. blind-stamped and gilt-dec. plum morocco, some wear to extremities, inner joints crudely strengthened with linen tape (lacks rear free endpaper), 4to. (1)

Workman (Fanny Bullock & William Hunter). Ice-Bound Heights of the Mustagh. An Account of Two Seasons of Pioneer Exploration and High Climbing in the Baltistan Himalaya, 1st ed., 1908, half-title present, col. frontis. and plts., photogravures, numerous b & w illusts. from photos, folding map at rear, ex-lib. copy, upper margin of many leaves stamped in blind ‘Bradford Library and Literary Society’, t.e.g., orig. pict. cloth, recased, preserving orig. spine, corners bumped, 8vo. Neate W123. (1)

Bellows (William). Zermatt and The Matterhorn, Privately Printed for the Entertainment of Friends, 1925, author’s presentation copy, inscribed on flyleaf ‘With kindest remembrances from ‘W.B.’ Gloucester 3.10.25’, 19 p., four b & w illusts. from photos, some scattered spotting, orig. stiff wrappers retained in recent green cloth, together with Coolidge (W.A.B.), Walks and Excursions in the Valley of Grindelwald, 2nd ed., pub. Grindelwald, 1935, 64 p., b & w illusts. to text, folding map and single ad leaf at rear, orig. printed wrappers retained in recent green cloth, both slim 8vo, plus Wood (Edith Elmer), An Oberland Chalet, 1st ed., [1911], twelve b & w illusts. from photos, some minor scattered spotting, orig. blind-stamped cloth gilt in bright condition, 8vo, and Lyall (Alan), The First Descent of the Matterhorn. A Bibliographical Guide to the 1865 Accident & its Aftermath, 1st ed., 1997, half-tone plts. and illusts. to text, orig. cloth in d.j., royal 8vo, and others related (17)