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BY AND AFTER SIR WILLIAM RUSSELL FLINT (1880 - 1969) 'Symposium at Lucenay' reproduction in colour, limited edition 726/850, blind stamp, 49cms x 68cms

BY AND AFTER SIR WILLIAM RUSSELL FLINT (1880 - 1969) 'Ariadne' reproduction in colour, limited edition no. 187/850, blind stamp, 49cms x 56cms

BY AND AFTER SIR WILLIAM RUSSELL FLINT(1880 - 1969) 'In A Burgundian Granary' reproduction in colour, limited edition 668/850, blind stamp, 49cms x 66.5cms

BY AND AFTER SIR WILLIAM RUSSELL FLINT (1880 - 1969) 'Carlotta on the Loire' reproduction in colour, limited edition, 307/850, blind stamp, 49.5cms x 68cms

A 19th century mahogany chest on chest, the moulded cornice above a blind fretwork and tassel drop decorated frieze, the two short and three long graduated drawers with brass swan neck handles flanked by fluted canted side pilasters on a base with brushing slide over three long graduated drawers to fretwork carved bracket feet, 117 cm wide (ILLUSTRATED)

A Victorian rosewood framed dressing stool, the upholstered rectangular seat above a blind fretwork carved frieze on acanthus carved and moulded cabriole legs to scroll feet united by a scroll work design X stretcher, 56 cm (ILLUSTRATED)

ROBERT SMITH SURTEES, 6 ttls: HILLINGDON HALL, 1888, 1st edn, orig blind stpd cl gt, recased, PLAIN OR RINGLETS, circa 1890, orig pict cl gt, HAWBUCK GRANGE, circa 1890, orig pict cl gt, HANDLEY CROSS, circa 1890, orig pict cl gt, MR SPONGE'S SPORTING TOUR, circa 1890, orig pict cl gt, YOUNG TOM HALL, 1926, orig pict cl gt (6)

JOHN HENRY PARKER: A GLOSSARY OF TERMS USED IN GRECIAN ROMAN ITALIAN AND GOTHIC ARCHITECTURE, Oxford 1845-46, 4th edn, 3 vols, orig blind stpd cl (3)

GEORGE CRUIKSHANK: OMNIBUS, Ed Laman Blanchard, 1870, new edn, ex Ruari Mclean Library with his sig and bkplt, orig blind stmp cl gt

EDWARD DILLON: MINIATURES, 1905, 1st edn, orig blind stpd cl gt + CHARLES H CAFFIN: HOW TO STUDY THE MODERN PAINTERS, 1914, 1st edn, orig cl gt (2)

GEORGES PERROT AND CHARLES CHIPIEZ: HISTORY OF ART IN PRIMITIVE GREECE MYCENIAN ART, Trans I Gonino, 1894, 1st edn, 2 vols, ttl pges blind lib stps, orig cl, lib reference numbers at foot of spines + A S MURRAY: TERRACOTTA SARCOPHAGI GREEK AND ETRUSCAN IN THE BRITISH MUSEUM, 1898, 7 plts, fo, orig cl bkd bds worn and soiled (3)

THOMAS WRIGHT (TRANS/ED): THE BOOK OF THE KNIGHT OF LA TOUR-LANDRY, L 1868, rebound, decor blind stpd cf gt + JOHN DRYDEN: THE POETICAL WORKS, 1859, old crimson mor gt + GEORGE GROTE: PLATO AND THE OTHER COMPANIONS OF SOKRATES, 1865, 3 vols, orig cl worn (5)

JOHN CAM HOBHOUSE LORD BROUGHTON, 2 ttls: A SPEECH ON THE PRESENT STATE OF THE LAW OF THE COUNTRY __-, L 1828, 5th edn, engrd port frontis, orig wraps, ex lib, LETTER TO THE MARQUESS OF LANSDOWNE K G LORD PRESIDENT OF THE COUNCIL ON THE LATE REVOLUTION IN FRANCE, L 1848, 4th edn, orig wraps worn and chipped + JOHN LORD CAMPBELL: LIVES OF LORD LYNDHURST AND LORD BROUGHAM, L 1869, 1st edn, orig blind stpd cl gt + THOMAS CLARKSON: STRICTURES ON A LIFE OF WILLIAM WILBERFORCE ___ WITH A CORRESPONDENCE BETWEEN LORD BROUGHAM AND MR CLARKSON ___-, 1838 1st edn, inscr "From the Author", orig bds, v worn, loosely inserted AL sigd from Henry Peter Lord Brougham to Rev Cunningham, two autograph pges undtd (5)

THE COMIC OFFERING, 1832, 12 mo, orig decor blind stpd cf

ELIZABETH LADY HOLLAND: THE JOURNAL, Ed Earl of Ilchester, 1908, 1st edn, 2 vols, orig decor cl gt + PRINCESS MARIE LIECHTENSTEIN: HOLLAND HOUSE, 1875, 3rd edn, orig decor cl gt + HENRY RICHARD LORD HOLLAND: FOREIGN REMINISCENCES, NY 1851, 1st edn, orig blind stpd cl v worn, disbnd (4)

SIR ROBERT PEEL: SIR ROBERT PEEL FROM HIS PRIVATE PAPERS, Ed Charles Stuart Parker, 1891-99, 1st edn, 3 vols, orig cl gt worn + JOHN ARTHUR ROEBUCK: HISTORY OF THE WHIG MINISTRY OF 1830 TO THE PASSING OF THE REFORM BILL, 1852, 1st edn, 2 vols, orig blind stpd cl v worn

JOHN LORD CAMPBELL: THE LIVES OF THE LORD CHANCELLORS AND KEEPERS OF THE GREAT SEAL OF ENGLAND, 1846-47, 7 vols, orig blind stpd cl gt (7)

CHARLES EARL GREY: THE REFORM ACT 1832 THE CORRESPONDENCE OF THE LATE EARL GREY WITH HIS MAJESTY KING WILLIAM IV AND WITH SIR HERBERT TAYLOR, Ed Henry Early Grey, 1867, 1st edn, 2 vols, orig cl gt + RICHARD PLANTAGENET TEMPLE NUGENT BRIYDGES CHANDOS GRENVILLE 2ND DUKE OF BUCKINGHAM AND CHANDOS: MEMOIRS OF THE COURT AND CABINETS OF GEORGE THE THIRD, 1853, 1st edn, 2 vols, orig blind stpd cl (4)

ELIZA ACTON: MODERN COOKERY IN ALL ITS BRANCHES, 1850, 10th edn, 8 plts, orig blind stpd cl worn and soiled + THE BOOK THAT EVERY FAMILY NEEDS CONSULT ME TO KNOW HOW TO COOK ___-, Wakefield, William Nicholson & Sons, [1868], 1st edn, col'd frontis, orig blind stpd cl gt v worn and soiled, disbnd (2)

REV JOHN WILLIAMS: THE ECCLESIASTICAL ANTIQUITIES OF THE CYMRY, OR THE ANCIENT BRITISH CHURCH __-, 1844, 1st edn, orig blind stmp cl gt, + CLAPTON CRABB ROLFE: THE ANCIENT USE OF LITURGICAL COLOURS, 1879, 1st edn, orig cl gt, (2)

JAMES INGRAM: MEMORIALS OF OXFORD, ill John Le Keux after F Mackenzie, 1837, 3 vols, orig blind stpd cf gt worn, vol 1 top bd detchd, ex lib (3)

THOMAS ROSCOE: THE TOURIST IN SPAIN GRENADA - ANDALUSIA - THE TOURIST IN SPAIN AND MOROCCO, ill David Roberts, 1835, 1836, 1838, 1st edn, 3 vols, unif orig blind stpd cf gt (3)

[JOHN BURTON]: ANTIQUITATES CAPELLAE DE JOHANNIS EVANGELISTAE HODIE SCHOLAE REGIAE NORWICENSIS, L 1712, 1st edn, fdg frontis plts supplied in facs, mod cl bkd bds + J CHARLES COX: THE ENGLISH PARISH CHURCH, [1914], 1st edn, orig blind stpd cl + G H COOK: MEDIAEVAL CHANTRIES AND CHANTRY CHAPELS, 1947, 1st edn, orig cl, d/w + F A PALEY: ILLUSTRATIONS OF BAPTISMAL FONTS, 1840, rebound cl + five others similar (9)

A D BAYNE: A COMPREHENSIVE HISTORY OF NORWICH, 1869, orig blind stmpd cl, + MARK KNIGHTS: THE HIGHWAYS AND BYEWAYS OF OLD NORWICH, 1887, (350), numbered, 4to, orig hf cf, v worn, splits at spine, + A D BAYNE: ROYAL ILLUSTRATED HISTORY OF EASTERN ENGLAND, Great Yarmouth, ca 1873, 2 Vols, orig blind stmpd cl, worn and soiled, + J EWING RITCHIE: EAST ANGLIA, 1893, 2nd edn, revised and enlarged, orig cl worn, ex lib, (5)

WILLIAM LEE HANKEY Fisherfolk comprising two women and a small child Signed and with blind stamp Etching 11 2/2 x 10 inches plate size

WILLIAM LEE HANKEY Harbour scene with figures in the foreground Signed in the margin and with blind stamp Etching 914 x 934 inches

A mahogany framed double cane bergere drawing room suite, Chinese Chippendale style blind fret decoration, ivory damask covers, early 20th century

A good Japanese Satsuma koro with a reticulated cover, the body moulded with blind fretwork lappets and key fret bands, a gold eleven character mark to the base, Meiji 1868-1912, 13.5cm. (2)

A late George III chest on chest, mahogany, the dentil cornice and blind fret frieze over two short and three long drawers to the upper section on a three drawer base, all fitted with pressed brass swan neck handles, raised on ogee moulded front bracket feet (faded) 108cm wide, 184cm high 53cm deep

EDWARDIAN WALNUT BOOKCASE CABINET, IN 18th CENTURY STYLE, the glazed upper section with blind fretwork carved cornice, the lower section with four long graduated cock-beaded drawers, raised on bracket feet. 1.82m by 0.93m by 0.47m

EARLY GEORGE III OAK CHEST ON CHEST, the upper section with projecting cornice above a frieze carved with blind fretwork, above two short over three long graduated drawers, all flanked by fluted quarter columns, the lower section with three long graduated drawers, on bracket feet, with original gilt-brass pulls. 1.67m by 1.17m by 1.55m

Mid C19th Victorian Teak Chiffonier on plinth, pair of panel doors, central frieze drawer with carved corbels with blind panel upstand with serpentine shelf, carved details to cresting rail 36"W x 15 1/2"D x 34 1/2"H to top, 59" to top of carving

A set of ten second quarter 20th Century mahogany dining chairs in the Chinese Chippendale style, comprising two carvers and eight side chairs, the foliate-carved top rails above pierced splats and drop-in seat pads, raised to blind-fret carved front legs, various upholstery. ILLUSTRATED (10)

Historical Manuscripts Commission The Earl of Eglinton, Sir J. Stirling Maxwell, etc. London, 1885, 8vo, later cloth gilt, some spotting; Ibid. The manuscripts of his grace the Duke of Portland. London, 1891-1901, 8vo, 7 volumes, contemporary blue cloth gilt, bookplates; Register House Hand-book of records in H.M. General Register House, Edinburgh. Edinburgh, 1885, 8vo, contemporary half calf gilt, faded at backstrip; Bruce, John Correspondence of King James VI of Scotland. London, 1861, 8vo, original blind-stamped cloth gilt, rubbed at edges; Ibid. Letters of Queen Elizabeth and King James VI of Scotland. London, 1849, 8vo, original blind stamped cloth gilt; Stevenson, George Pieces from the Makculloch and the Gray Mss. Edinburgh, 1918, 8vo, frontispiece, contemporary quarter morocco gilt, rubbed at edges; Hume Brown, P. Scotland before 1700 from contemporary documents. Edinburgh, 1893, 8vo, original cloth gilt, rubbed at edges; and 10 others (23)

Watson, Richard Historicall collection of ecclesiastick affairs in Scotland. London: J. Garfield, 1657, 8vo, first edition, advertisement leaf, nineteenth century blind-stamped calf Note: Wing 1091 Provenance: Benedictine Abbey of Fort Augustus

Blind, Karl 9 autograph letters signed from Karl Blind referring to the publication of the article Au peuple français to make peace and friendship between Germany and France in 1871, all but one in German, c.1871-76 Note: Karl Blind (b.1826), German revolutionist and journalist, born at Mannheim. He took part in the risings of 1848, was sentenced to prison for a pamphlet entitled German Hunger and German Princes" but was rescued by the mob and found refuge in England.

Robinson, Charles - Stevenson, R.L. A child's garden of verses. London, 1896, 8vo, illustrated by Charles Robinson, original green cloth gilt, decorative blind stamp on upper board, bookplate; Setoun, Gabriel The child world. London, 1896, 8vo, illustrated, original red cloth gilt, decorative gilt stamp on upper board, some fading to backstrip, foxing to endpapers, bookplate; Field, Eugene Lullaby land. London, 1898, 8vo, illustrated by Robinson, original green cloth gilt, backstrip and top of boards faded, foxing to endpapers (3)

"Smithsonian Scientific Series", a set of twelve gilt tooled leather bound limited edition volumes No'd 535/875 and bearing blind stamp, published by Smithsonian Institution Series, Inc, New York

Wells.Country of the Blind,GCock,1939.

An ivory Okimono of a blind man standing wearing a long coat and leaning on his staff, 4ins (10.2cm) high; an ivory Okimono of an actor holding a fan and wearing his mask on his head, 3ins (7.6cm) high; and a walrus ivory okimono of a farmer, signed gyokuzan, 5.5ins (13.3cm) high, all nineteenth century.

A good early 20th Century Mahogany China Display Cabinet, dentil moulded and blind fretwork cornice, over astragal glazed doors, enclosing fitted glass shelving, the gadrooned base raised on short cabriole supports moulded at the knees with scrolls, and terminating in claw and ball feet, 52 ½” wide, 75” high

Snaffles. (Charles Johnson payne). Peshawar Vale. Coloured print overall 19. 75”(50cm) x 28” (71cm). Laid on a support sheet, with printed remarque and blind stamped snaffles bit. Signed in pencil by the artist. Framed and glazed.

DAVID SHEPHERD, SIGNED IN PENCIL TO MARGIN, ARTISTS COLOURED PROOF WITH BLIND STAMP, (124/850), “Last Leaves of Autumn”, 12” x 19”

JOHN CYRIL HARRISON, SIGNED IN PENCIL TO MARGIN, TWO LIMITED EDITION ARTISTS PROOFS WITH BLIND STAMP, Woodcock and Snipe in Flight, 22” x 15”, (2)

SNAFFLES (CHARLES JOHNSON PAYNE), SIGNED IN PENCIL TO MARGIN, TWO ARTISTS COLOUR PROOF WITH BLIND STAMPS, Merry England and The Timber Merchant, 11” x 10” and 9” x 12”, (2) (Badly faded)

A George III period mahogany chest on chest the dentil cut cavetto moulded cornice above a blind fret frieze and two short and three long graduated drawers flanked by fluted canted corners, the lower section with a brushing slide and three long graduated drawers, on shaped bracket feet 112 cm wide, 184 cm high, 56 cm deep

* After Vincent R Balfour-Browne 1880-1963- Stags in a highland landscape, publ by W F Embleton 70, Jermyn Street London, 1919; colour reproduction print, signed in pencil, bears Fine Art Trade Guild blind stamp, 29x39.3cm: A Peter. late 20th century- Mediterranean harbour scenes; acrylic, two, both signed and dated 72: together with a mixed quantity of pictures and prints, (a lot)

* Frank McFadden, mid 19th century- "The Lock"; etching, after John Constable 1776-1837, with remarque depicting a portrait of John Constable, signed within the plate, bears faint pencil inscription and blind stamp, condition poor with various tears and defects, 67x55cm: After Sir Joshua Reynolds RA 1773-1792- "The Infant Samuel"; mezzotint, trimmed with the plate: together with a folio of other 18/19th century mezzotints, etchings and engravings, by and after various hands, condition variable, (a lot) (folio) Note: John Constable painted the Lock in 1824 and is now in the Walter Morrison Collection, Sudeley Castle.

British School early 20th century- Still life of a dead pigeon, jug, eggs, celery and basket; watercolour, bears blind stamp, 50x68cm: together with two other early 20th century watercolours of floral still life subjects, (3)

A late 19thC Chippendale revival mahogany display cabinet on stand with broken, arch pediment, astragal glazed doors and blind fretwork in the Chinese style throughout, the base having two drawers and undershelf, 29" wide, 69" high.

A George V mahogany bureau cabinet, blind-fret frieze above fall-front and three drawers, glazed cabinets to each side, on claw and ball feet, 4ft. 6in.

A Large & Impressive Carved Antique Masonic Throne chair. The 70 inch ( 178 cm) tall padded back, arms and seat upholstered in green leather with brass studded edges. The peaked cresting rail carved with masonic symbols enriched with gilding above stop fluted columns with voluted Ionic capitals. The arms having finely carved outswept animal head terminals on curved acanthus crested supports. The blind fret carved seat rails raised on cabriole legs carved with acanthus and leading down to the hairy paw feet.

A Mahogany Chippendale Style Open Bookcase. The dished top having a moulded edge and re-entrant corners above a carved blind fret-work frieze with a carved foliate cartouche at the centre. The four adjustable shelves flanked by shallow carved sides, above a moulded base and ogee feet with carved scroll terminals. 41½ ins (91.5 cms) high, 47 ins (119.5 cms) wide and 9½ ins (24 cms) deep.

A Fine 19th Century Mahogany Silver Table. The rectangular top having a pierced fretwork gallery above a blind fret carved frieze band with pierced scrolling corner brackets. The square canted legs embellished with further blind fret carving and terminating on moulded spade feet united by pierced stretchers bearing a galleried under-shelf. 27 ins (69 cms) wide, 16½ ins (42 cms) deep and 30 ins (76 cms) high.

A Tall Chippendale Style Carved Mahogany Musical Longcase Clock. The 12 inch (31 cms) brass dial having a roundel plaque to the arch inscribed with maker's name; Thos. Henderson Hull, decorated with scrolling mounts & spandrels, and framed by a blind-fret carved dome-topped door with stop fluted columns either side; the gilt Corinthian style capitals bearing a heavy swan-neck pediment ornamented with carved sprays of foliage and surmounted by a foliate crest. The arch topped trunk door edged in moulding and adorned with interlaced C-scrolls and foliage flanked by canted blind-fret carved corners. The base with further applied foliate carving raised on bracket feet, 102 ins (60 cms) in height.

After David Shepherd, Captain and Sergeant, a pair of heavy horses, colour reproduction, signed in pencil by the artist, with a blind stamp for the Fine Arts Trade Guild, 8 1/2" x 15 1/2", gilt and stained wood frame

A George III Chippendale style mahogany serving table, the rectangular top above a blind fretwork lattice frieze carved with quatrefoil rosettes, raised on chamfered block legs, width approx 143cm, height approx 84.5cm (alterations).

A large mahogany three section bookcase, with glazed display cupboards over three blind cupboards, all raised on a plinth base, 188 cm wide.

A mahogany corner cabinet, late 18th Century with alterations, the blind fret cornice above astragal glased doors enclosing three shaped shelves, with a drawer and cupboard doors below, 209 cm x 107 cm wide x 46 cm deep.

A SOVEREIGN CASE of circular form, the hinged lid with blind cartouche, on engine turned ground, 1 1/8" wide, Chester 1910