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After W H Hopkins: a print of a hunting scene, blind stamped A. Ackerman, London, 1819, overpainted in oils, 69 by 26cm.

Sir William Russell Flint (1880-1969): Isabella of Lucenay, coloured print, signed in pencil lower right, ECC blind stamp, 52 by 67cm.

[NATURAL HISTORY]. BOTANY Maund, B. The Botanic Garden; Consisting of Highly Finished Figures of Hardy Ornamental Flowering Plants, Cultivated in Great Britain, Volume III, Bell & Sons, London, 1878, blind-stamped dark mauve cloth gilt (faded) with floral motif to upper cover, frontispiece and a further forty hand-coloured plate illustrations, eight page publisher's list, quarto (lacking spine strip; upper hinge tender).

EARLY 19TH CENTURY WELSH OAK NOW GLAZED TWO STAGE STANDING CORNER CUPBOARD having moulded cornice over veneered and banded frieze, two later glazed oval panel doors revealing shaped shelves to the interior on a projecting base with two blind panelled doors revealing fitted shelf to the interior. Circa 1830. 43" x 25" x 83" (109cm x 63cm x 211cm) CONDITION REPORT: Various mouldings, front bracket feet etc. whilst with the piece are loose and require re-fixing. The oval panels may be later glazed. A little dry in places. Some restoration required.

An Edwardian mahogany display cabinet, fitted two astragal doors opening to reveal shelves, over two blind cupboard doors below, raised on four short square tapering legs, terminating in spade feet, width 38ins

A late Georgian mahogany collectors cabinet, the frieze carved with flower heads, foliage and a butterfly, with blind cupboard doors, width 40ins

After MAUDE GOODMAN; a large black and white engraving, a family playing musical instruments, published in 1900 by Landeker & Brown of London, signed and bearing blind stamp lower left, 52 x 70cm, in broad oak frame and glazed.

A 19th century mahogany chest of five graduated drawers with blind fret carved frieze on bracket feet, 108 x 77 x 44cm. CONDITION REPORT: There appears to have been perhaps a mirror back or something to sit on the top of it which is now missing, the holes have been filled in sometime ago. A little bit of moulding missing on the front left corner beneath the frieze. Some slight discolouration on the drawers, minor surface scratches elsewhere, otherwise OK.

An early 20th century mahogany framed cheval mirror with blind fret carved pediment above rectangular bevelled plate, height 172cm.

[NATURAL HISTORY]. BOTANY Sowerby, John, illustrator, & Johnson, C. Pierpoint. British Wild Flowers... to which is now added A Supplement... by John W. Salter and the Ferns, Horsetails, and Club Mosses by John E. Sowerby, re-issue, Gurney & Jackson, London, 1890, blind-stamped bevelled green cloth gilt, all edges gilt, ninety-two plate illustrations (ninety hand-coloured, including frontispiece), quarto (upper hinge tender; joints, corners and spine ends torn and frayed; bookplate to front pastedown).

[NATURAL HISTORY]. BOTANY Sowerby, John, illustrator, & Johnson, C. Pierpoint. British Wild Flowers, Van Voorst, London, 1861 (inserted slip placed over printed details: Sowerby, Lambeth, 1860), blind-stamped pebble-grained blue cloth gilt, top edges gilt, eighty-three plate illustrations (eighty-one hand-coloured, including frontispiece), quarto (rubbed; joints and spine ends torn and frayed; frontispiece almost detached).

SIR WILLIAM RUSSELL FLINT RA, PRWS (1880-1969), THE DANZA MONTANA, coloured artists proof, signed in pencil lower right, blind stamp lower left, published 1960 by Frost and Reed, framed and glazed, 48cm by 63.50cm

SIR WILLIAM RUSSELL FLINT RA, PRWS (1880-1969) YOUNG SPANISH GIRLS WITH A BASKET OF APPLES, a 1975 coloured limited edition print 419/650, bears Alexander Gallery Publications blind stamp lower left, framed and glazed, 45cm by 60cm

Jamie Wyeth, American (b. 1946) Color Lithograph "Nureyev" Signed in Pencil, Numbered 248/300 and Embossed Blind stamp Lower Right. Toning From age or in Otherwise Good Condition. Framed Under Glass. Measures 34 Inches by 24 Inches (sight) Frame Measures 36 Inches by 26 Inches. Shipping $155.00

Jamie Wyeth, American (b. 1946) Color Lithograph "Seagulls" Signed in Pencil Lower Right, Numbered 67/300 and Embossed Blind stamp Lower Left. Toning From age or in Otherwise Good Condition. Framed Under Glass. Measures 24-1/2 Inches by 26-1/2 Inches (sight) Frame Measures 26-3/4 Inches by 29-1/4 Inches. Shipping $165.00

A VERY GOOD LATE 18TH CENTURY CHINESE REDWOOD ARTIST’S TABLE, with crossbanded top, unusual carved and pierced frieze, pierced and blind fret carved ends, 6ft 6in long x 3ft 7in wide.

A pair of mid 18th century provincial silver casters, probably by James Kirkup, Newcastle, of plain baluster form, the covers(one decoratively pierced the other with conforming blind cap) with bell shaped finials, crested, 14.5cm, 11oz (2) In good condition, covers marked, no date letters

A pair of George III silver casters, by Thomas Daniell, London 1775, the plain baluster bodies with beaded girdle and foot below double domed covers with wrythen finials (one cover drill pierced and engraved, the other with conforming blind cap), 13.5cm high, 6oz (2) In good condition, covers marked, maker's mark indistinct on the base of one

A Queen Anne walnut chest on later stand, the moulded cornice with a blind frieze cushion drawer, the fitted interior of small drawers arranged around a central cupboard, enclosed by feather banded doors, the later base with single drawer on slender baluster legs united by shaped stretchers - with restorations 153 x 90 x 45cm (60 x 35 x 18in) Provenance: Oxfordshire Country House The leg structure below the drawer level is a replacement. There is evidence of an old repair to a split in the right hand door.

A George IV mahogany partners table desk, boxwood line inlaid border decoration with blind drawers verso, leather lined top and fitted seven drawers, brass handles, on square tapering square legs and spade feet 79 x 140 x 76cm (31 x 55 x 30in) Faded red leather lined top

A 19th century French marquetry inlaid centre table, arc-en-arbelette outline with blind drawer and gilt brass mounts on swept legs and sabots 76 x 99 x 64cm (30 x 39 x 25in) Some fading to the top, but otherwise sound.

A MAHOGANY PEDESTAL TABLE, 19TH/20TH C with drawer and blind drawer, 76cm h; 53 x 63cm++Well made and of good quality timber, one or two old minor stains on the top.

A VICTORIAN WALNUT DAVENPORT, C1860 with sycamore veneered interior, the stationery compartment with pair of brass capped glass inkwells, the sides with drawers and opposing blind drawers, 86cm h; 53 x 51cm++The top with replacement red leather insert, the interior with filled crack in the floor, typical minor scuff marks and scratches and build up of dust and polish over time

A VICTORIAN WALNUT AND AMBOYNA DAVENPORT, C1870 the sides with drawers and opposing blind drawers, 74cm h; 53 x 53cm++The leather inset on the top original but torn and with loss. Shrinkage crack in centre of top, minor veneer loss, scuffs and scratches but unrestored and complete

A GEORGE III OAK THIRTY HOUR LONGCASE CLOCK, C1800 the painted dial inscribed CHA WOOD WEDNESBURY the door inlaid with a gothic niche, 202cm h++Cheeks packed and dial/movement associated to the case, the movement apparently complete but dirty. Pendulum crutch bent, hood with replacement roof board, old damage to blind fretwork, base with later added skirting. Of pleasing deep old colour, polish residue to the brass furniture

GEORGE HENRY GRENVILE MANTON, RBA (1855-1932) PICKING PRIMROSES signed, watercolour, an illustration, 26 x 16.5cm++A charming composition highly detailed and in fine fresh condition on watercolour sketching board with partial circular blind stamp lower right corner

Greenhalgh, Manchester Gothic Revival brass bracket clock, brass dial, double fusee striking movement (gong/bell deficient), within a Gothic blind tracery case, raised on scroll feet, height 40cm Please note our special conditions of sale regarding clocks and watches

Late George III mahogany secretaire press cabinet, circa 1810, the top with crossbanded cornice and two satinwood banded doors opening to an interior with five trays, the chest base with fall down blind double drawer front top drawer, fitted interior with central cupboard door flanked by vertical drawers inlaid with Prince of Wales feathers in boxwood and harewood, flanked on either side with small drawers and piegonholes, and over three further long drawers, all with pressed brass plate oval handles, raised on bracket feet, width 128cm, height 213cm

Early Victorian mahogany commode, circa 1840, the lift up top with two blind drawer front with brass knobs, opening to reveal a vacant interior, with a further two blind drawers beneath, raised on turned feet, width 60.5cm, height 75cm

PRINTED CATALOGUE AMENDMENT: THE ESTIMATE FOR THIS LOT SHOULD READ £300-500: Oak glazed free standing flat front corner cupboard, 19th Century, ogee moulded cornice over two glazed doors with brass knobs, opening to three shelves, the base fitted with a single drawer flanked by two blind drawers over two panelled cupboard doors opening to a further shelf, all raised on bracket feet, width 110cm, height 205cm

Mahogany glazed hanging corner cupboard, late 19th Century, having a dentil and blind fretwork cornice over an astragal glazed door opening to three shaped shelves, height 104cm, width 64cm

20th century Continental school, a Venetian riverscape, aquatint, signed and dated 1991 in pencil lower right, limited edition 38/60, blind stamped. H.23.5cm W.15cm

Cyprus. 1938-43 set of sixteen perforated SPECIMEN Type W8a, fine mint, the £1 with an unusual display of blind perfs. Ex Cruttwell. SG 151s-163s (£800)

A 19th CENTURY CHESS AND BACKGAMMON COMPENDIUM, the natural and red stained ivory chess set and matching backgammon playing pieces, together with a pair of PAPIER MÂCHÉ SIMULATED TORTOISESHELL DICE SHAKERS and two dice, also a LATER SET OF EBONY AND IVORY DOMINOES, contained in a WOODEN BLIND AND GILT TOOLED LEATHER COVERED FOLDING BOX SIMULATING TWO BOOKS, the spines labelled History of England Vols 1 and 2, the exterior both a chess board, the interior for backgammon, 18 1/4" x 10" (46.5 x 25.5cm) closed (some worn areas to the exterior leather)

A Mitsubishi DY-359 industrial sewing machine together with a similar base and a Singer blind stitch machine

An Edwardian envelope top card table with single drawer featuring blind fret decoration, standing on cabriole legs with shaped stretchers and undertier - top 56 cm x 56 cm - Height 72 cm Condition report: Minor restoration to stretchers required

Helen Bradley 1900 - 1979 Artist signed colour print - Going Home - signed in pencil with blind stamp 1981 - 35 cm x 40 cm with another Bradley print - Come Children - unsigned - 47 cm x 60 cm Condition report: Both clean condition

AFTER PAUL APPS "Dusty Menace", a study of an elephant, a Limited Edition Colour Print 160/500, bears Paul Apps Limited Edition blind stamp lower left, 40cm x 53cm

A PART 18TH CENTURY JACOBEAN STYLE OAK BUFFET having plank top over a floral blind fret carved frieze, the back panel carved with central portrait motif flanked by floral panels with inlaid surround over triple drawer fitted centre, raised on turned forelegs, 1.80m high x 1.92m wide

A circa 1920's Elliot walnut mantel clock for Garrard & Co of Regent St. with blind fret decoration.

A circa 1930's oak monk's bench with bulbous supports to side arms and blind fret carving to top.

Base metal medallions, Birkenhead Docks 1847, The Great Britain Experimental Voyage to the Thames 1845, General Institute for the Blind and Birmingham 1852

Carriage clock timepiece, the 1.75" chapter ring within an engraved blind fret mask and an ornate stepped brass case, 6.5" high

Good walnut and seaweed marquetry case with aperture for an 11" square dial, the long door fitted with a lenticle and profusely inlaid with stylised birds and butterflies amidst scrolling foliage, the hood surmounted by a flat stepped pediment over a blind foliate carved frieze, 82" high

Oak case with aperture for an 11" square dial, the case with long moulded door, the hood surmounted by an architectural pediment with three carved giltwood finials above a carved blind fret panel, 82" high

Mahogany and burr walnut veneered eight day longcase clock, the 12" square brass dial signed Henry Thornton at Y Dyall in Basing Lane, London to the chapter ring enclosing a matted centre with subsidiary seconds dial, calendar aperture and ringed winding holes, the later case with long burr walnut veneered door with central glass lenticle, the hood surmounted by a stepped moulded pediment and stepped caddy top above a blind fret carved panel, 92" high, (pendulum, two brass capped weights) (a.f)

Walnut eight day longcase clock, the 12" brass arched dials signed Bowen, Bristol to the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the arch with penny moon and unusual tidal dial, the case with long wavy arched door, the hood surmounted by an arched moulded stepped pediment above a blind fret carved panel, 86.5" high (pendulum, two brass capped weights) See A.J. Moore - The Clockmakers of Bristol 1650-1900, page 110 for reference of this clock (John Bowen 1718-1734)

Attractive mahogany grandmother clock, the 7" square brass dial with Roman numeral chapter ring and cherub spandrels, twin fusee movement, the case with a square flat hood and slender turned pillars with blind fret decoration, the case with long door and canted corners, upon ogee bracket feet, 66.5" high (pendulum)

A blind earl pattern dish with a gilt scalloped edge, decorated with insects and leaves, unmarked, 20cm diameter, together with a Delft tin glazed earthenware plate, a pickle dish and a twin handled bottle vase

After Sir David Wilkie, R.A. (1785-1841): The Blind Fiddler, oil on canvas, H 62 x W 75 cm. The present composition is after Wilkie's original, now in the Tate, London

EARLY 20TH CENTURY WELSH OAK CABINET BACK DRESSER having moulded cornice over a pair of arch glazed cabinets, flanking three centre shelves. The projecting base with moulded edge over three frieze drawers with arch moulded kennel flanked by two blind panel cupboards, half turned baluster pilasters on baluster turned feet. Circa 1900. 64" x 19.25" x 84" (162cm x 49cm x 213cm) CONDITION REPORT: Overall good condition, some pronounced ink stains to the top, a little dry, scuffs to the lower angles. Old damp stains to one end.

19TH CENTURY MAHOGANY SECRETAIRE BOOKCASE the top having moulded cornice over reeded pilasters, two astragal glazed doors revealing adjustable shelf to the interior, the projecting base with moulded panel drawer having fall front revealing satinwood fitted interior over two blind panel cupboard flanked by reed moulded pilasters standing on turned bun feet. Circa 1840. 49.5" x 23" x 92" (126cm x 59cm x 234cm) CONDITION REPORT: Grubby, scuffed and worn commensurate with age. Cracks to two of the glass panes. Feet are detached, return moulding from bookcase on one side is detached. Cracks to side panels to one side which is also slightly faded.

LATE VICTORIAN MAHOGANY CHIFFONIER BOOKCASE moulded cornice over two glazed doors revealing fitted shelve to the interior and flanked by moulded corbels. The projecting base with two frieze drawers over two blind panelled doors flanked by a similar moulded corbel on a platform base. Circa 1890. 42" x 19" x 84" (107cm x 49cm x 214cm) CONDITION REPORT: Basically good condition overall for the age. Some minor wear and scuffs in places. Stains and ring marks to upper surfaces.

GOOD QUALITY EDWARDIAN INLAID MAHOGANY STRAIGHT FRONTED LIBRARY BOOKCASE having moulded dentil cornice over three astragal glazed doors, flanked by reeded canted angles, the projecting base overall cross banded and inlaid with foliate designs to the three blind doors, standing on bracket feet. Circa 1900-10. 74" x 17.5" x 94" high (188cm x 44cm x 239cm) CONDITION REPORT: Overall good condition, consigned from a large private house in Cardiganshire. Minor scuffs and wear commensurate with age but no serious damage or losses.

LATE VICTORIAN MAHOGANY MIRROR BACKED CHIFFONIER having foliate cresting and scrolled mounts to the arched plate, the base with moulded edge top over two concave fronted blind drawers, two arch panel blind doors below flanked by scroll corbels, on a platform base. Circa 1890. 53" x 19" x 63" (135cm x 48cm x 160cm) CONDITION REPORT: Good clean condition overall, commensurate with age. Some minor rubbing, evident splits down one end.

EARLY 19TH CENTURY MAHOGANY SECRETAIRE BOOKCASE having arched pediment over a pair of oval blind panel doors revealing adjustable shelves to the interior, the projecting base with fall front upper drawer revealing fitted interior over two further drawers. All with satinwood outlines, stringing and cross banding. Heart shaped bone escutcheons on bracket feet. Circa 1815. 33" x 19" x 86" (84cm x 48cm x 219cm) CONDITION REPORT: Overall good, minor veneer damage to carcass frame around drawers, some splitting to panels of cupboard doors. Ink stains to surfaces, scuffs and wear and tear. Detailed report on request.

EDWARDIAN INLAID MAHOGANY DOUBLE CORNER CABINET having satinwood inlaid and moulded frieze over astragal glazed door with three shelves to the interior, projecting base with inlaid panelled blind door standing on bracket feet. Circa 1900-1910. 32" x 18" x 81" (81.5cm x 46cm x 206cm) CONDITION REPORT: Overall fair condition, some general wear and tear commensurate with age. Particularly scuffs and bumps on lower sections. No obvious serious damage or losses.

A LATE VICTORIAN INLAID ROSEWOOD TWO STAGE DISPLAY CABINET BY EDWARD & ROBERTS the glazed cabinet top having moulded and cross banded cornice over scrolled inlaid frieze, projecting pair of glazed doors with glass shelves to the interior, the base similarly inlaid with a pair of projecting foliate and scroll inlaid blind panel doors over a under shelf standing on square tapering legs with spade feet. Circa 1900. 30.5" x 13.5" x 65.5" (77cm x 34cm x 167cm) CONDITION REPORT: A little faded by sunlight particularly to one end. Otherwise no obvious damage or losses. Some minor wear and tear commensurate with age.

19TH CENTURY WELSH OAK SECRETAIRE PRESS CUPBOARD having moulded cornice over two arched blind panel doors with fitted shelves to the interior over a fall front secretaire drawer revealing fitted interior, two further cock beaded drawers below all with turned knobs standing on baluster turned feet. Circa 1865. 47.5" x 82" x(121cm x 208cm) CONDITION REPORT: Fair condition for age. Rather dry with fading and splitting to panels on both ends. General scuffs and wear and tear commensurate with age. Areas of missing cock beading on drawers. Moulding loose to one side of base. Lock missing on fall front.

19TH CENTURY MAHOGANY TWO STAGE HANGING PRESS CUPBOARD having moulded cornice over two blind panel doors, the projecting base with two short, two long graduated drawers with turned knobs, standing on baluster turned feet with shaped apron. Circa 1840. 51" wide x 23.5" deep x 84" high. (128cm x 60cm x 222cm) CONDITION REPORT: Damage with minor loss to top of right hand door frame. Evident panel crack to left hand door. A little dry with wear and tear commensurate with age. No other serious damage or losses.