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A mid 20th century partners desk with blind fretwork detail to canted corners, swan neck handles, twin pedestal, by Cookes, Finsbury Ltd, inset leather top.

George III mahogany bowfront hanging corner cupboard fitted four shelves enclosed by pair of blind panel doors with brass hinges, 110cm high

Early 19th Century oak hanging corner cupboard fitted two shaped shelves enclosed by blind panel door, 72cm wide

Victorian mahogany table top cabinet having a moulded edge enclosed by a pair of blind panel doors, standing on bun feet, 64cm wide

William IV mahogany secretaire chest with drawer fitted turned handles, the cupboard enclosed by pair of blind panel doors with applied carved decoration, the whole standing on bracket feet, 110cm wide

Edwardian mahogany display cabinet having satin wood crossbanding and boxwood string inlay enclosed by glass sides and pair of glass panel doors having tracery and blind lower panels, standing on four splayed supports, 116cm wide

Edwardian inlaid and crossbanded mahogany serpentine front standing corner cabinet, the upper section fitted two shelves enclosed by a glass panel door, the lower section enclosed by blind panel door, standing on bracket feet, 70cm wide - see illustration

A pair of brass fire dogs, surmounted by pierced scrollwork medallions above blind scroll cast uprights, on ball feet, 65.5cm high

A George III mahogany chest on chest, the dentil moulded cornice above a blind fret frieze and two short and three long drawers, flanked by fluted chamfered corners, the projecting base fitted with a brushing slide above three long drawers, on later shaped bracket feet, many restorations, 109cm wide

After Terry Frost (1915-2003) abstract study, etching, signed in pencil and numbered 21/100, also dated '88 (1988), bearing a blind stamp 38cm x 27.5cm (17.5cm x 12.5cm (P.L))

Handbook for Military Artificers, Prepared in the Ordnance College. London: H.M.S.O., 1899. 8th edn, 8vo, diagramatic illus., folding plates, blind-stamped scarlet cloth (bears ownership stamps for E"" Battery, Royal Horse Artillery); and Audsley, W. & G.. Guide to the Art of Illuminating. London: Rowney & Co., 1865. 11th edn, 8vo, frontis. and a further seven plates (of eight?), 41 pp. publisher's catalogue, blind-stamped crimson cloth (binding broken; sold with all faults), (2). """

Duplais, MM.. A Treatise on the Manufacture and Distillation of Alcoholic Liquors...Philadelphia: Baird, 1871. 1st edn, 8vo, trans. into Eng. by M. McKennie, frontis., folding illus., blind-stamped brown cloth (rubbed; spine cloth torn and frayed).

Master Wace, His Chronicle of the Norman Conquest from The Roman de Rou, trans. Edgar Taylor. London: Pickering, 1837. 8vo, illus., original blind-stamped grey-green cloth; Bumpus, T. Francis. The Cathedral Churches of Italy. London: Werner Laurie, 1926. 1st edn, 8vo, col. frontis., further b. & w. plates, blue cloth gilt, dustjacket (spine head repaired; jacket torn and tape-reinforced); and assorted other works of historical interest, (2 boxes).

A Victorian 'Gothic' armchair, profusely carved with blind tracery to the back and front panels and vines to the supports

A modern coffee set, Blind Earl

A circular Regency convex mirror and one another smaller with blind fret decoration

Leonard Campbell Taylor (1874-1963) BALLET DANCERS Reproduction printed in colours, signed in pencil, bears Fine Art Trade Guild blind stamp, 53 x 48cm

Sir William Russell Flint, RA (1880-1969) A GROUP OF IDLERS Limited edition reproduction printed in monochrome, edition of 850, signed in pencil with blind stamp, 51 x 68cm

GEORGE III OAK LONGCASE CLOCK, EARLY 19th CENTURY, by Price Evans, Shrewsbury, the moulded panelled cornice surmounted by brass urns, above a blind fretwork frieze, supported on brass-mounted fluted columns flanking a silvered brass dial with subsidiary seconds dial and date aperture, within urn- and exotic bird-cast spandrels, eight day movement, the trunk with double-arched cross-banded door, flanked by fluted quarter columns. Height 225cm.

1920's MAHOGANY BERGERE DRAWING ROOM SUITE, comprising two seater sofa and a pair of armchairs, each with canework sides and carved with blind fretwork, with loose cushions.

A late 18th Century Mahogany Longcase Clock by T.W. Field of Aylesbury, the pagoda top hood centred by blind fret carved panel, turned columns flank the break arch door and enamel 30cm arched dial with rolling moon to the arch, seconds and date dials and faintly inscribed, the 8-day movement striking on a bell, the case with arched trunk door, fluted chamfered sides on plain panel base, 223cm high (Field recorded circa 1790).

A circa 1700 Walnut Longcase Clock by David Jones of London, the flat topped hood with blind fret carved frieze over square door flanked by three-quarter twist columns and glass side panels, the 27.5cm square brass dial with silvered chapter ring and seconds dial with cast brass spandrels, date aperture and inscribed David Jones with 5-pillar 8-day movement striking on a bell, the trunk door well figured and line inlaid with lenticle on panelled base 193.5cm high.

A Swiss Bible, Basel 1772, calf, and The Family Treasury, 1870, blind stamped cloth (sold with all faults not subject to return) (2)

A late 19th Century mahogany cased eight day longcase clock, the blind fretwork swan neck pediment over a pair of reeded columns flanking the movement inscribed 'Thomas Lighton, Lanark', the trunk with an arched top door flanked by pilasters, resting on bracket feet.

A Victorian ebonised music cabinet with bevelled mirror back over single drawer over blind cupboard enclosing three shelves raised on turned supports.

Wells, H[erbert] G[eorge], Men Like Gods, London, New York, Toronto, and Melbourne, Cassell and Company Ltd, 1923, 8vo (190 x 120mm.), half title, slight browning to endpapers, original green cloth, dust-jacket, slightly creased and nicked, second state binding with publisher's name in blind at foot of the spine, First Edition, Second Issue.

After Jean Baptiste Pater (1696-1736): 'Blind man's buff' et al, set of four ltd ed Mezzotint engravings in colour, pub Virtue and Co 1910, 54cm x 43cm

Ashmead-Bartlett (Ellis). Port Arthur. The Siege and Capitulation, 1st ed., 1906, port. frontis., b & w illusts. from photos., two folding maps contained in rear pocket, ex-lib. copy with unobtrusive blind-stamp to title and margins, orig. cloth gilt, a little rubbed and darkened on spine (classification no. in white at foot of spine), thick 8vo (1)

Curzon (Hon. George N.). Persia and the Persian Question, 2 vols., 1st ed., 1892, b & w illusts. from photos., nine single-page maps, folding linen-backed map at rear of vol. 1, pubs. presentation blind stamp to title of vol. 1, some minor scattered spotting, orig. cloth gilt, a little rubbed and minor wear to extrems. (new endpapers), thick 8vo (2)

Ferrars (Max & Bertha). Burma, 1st ed., 1900, numerous b&w illusts. from photos double-page map at rear (lower right-hand corner slightly insect eaten) t.e.g., orig. blind-stamped & gilt dec. cloth, rubbed on spine, 4to (1)

Livingstone (David). Missionary Travels and Researches in South Africa; Including a Sketch of Sixteen Years' Residence in the Interior of Africa,..., 1st ed., 2nd issue, 1857, folding uncol. wood eng. frontis., eng. port., wood engs. to text, folding maps, incl. two contained in rear pocket (one a little spotted), 8 pp. publishers adverts. to rear, orig. blind stamped cloth gilt, rubbed with a little water damage to lower cover and some minor fraying to extrems., 8vo (1)

Moodie (Susanna Strickland). Roughing It in the Bush; Or, Life in Canada, 2 vols., 1st ed., 1832, orig. blind-stamped cloth gilt, worn on spines, 8vo, together with Chapman (Olive Murray), Across Iceland, the Land of Frost and Fire, 1st ed., 1930, signed by the author on title, col. and b & w illusts., single page sketch map, some spotting, orig. cloth, faded on spine and rubbed, 8vo, with other misc. travel, mostly American interest (24)

* Carte-de-visite albums. Two 1870's carte-de-visite albums, containing num. window-mounted family ports., both a.e.g., one bound in attractive blind-stamped and gilt dec. red morocco with twin brass clasps, the other bound in tooled and gilt dec. dark brown morocco with single brass clasp, together with two further late Victorian/Edwardian padded morocco photograph albums (empty), oblong 8vo/small 4to, all G/VG (4)

Bible [English]. The Holy Bible, Conteyning the Old Testament, and the New: Newly Translated out of the Originall Tongues: and with the former Translations diligently compared and revised by his Maiesties speciall Commandement, 2nd ed. [Great 'She' Bible], imprinted at London by Robert Barker, 1613/11, black letter text, fifty-nine lines in double column, large portion of woodcut general title still present (large portions to fore-margins missing, relaid), all eighteen leaves of prelims. present, without the Speed map usually found after the Genealogies, A2 repaired to margins, with some loss, A3 & 4 repaired to top margin, sl. affecting one or two words, several following leaves with paper repair to extreme top margin, not affecting text, eighteen leaves of Genealogies present (the first two leaves misbound before A2 of prelims.), NT woodcut title present (in good condition), lacks final leaf of text (Aa6), now supplied in old manuscript, Aa5 repaired and restrengthened to margins, with some loss of text to lower outer corner, occn. minor marginal repairs elsewhere, some minor damp stains, mainly to top margins at front of vol., occn. minor soiling (text generally in good clean condition), contemp. blind-panelled full calf over wooden boards, remains of brass clasps, diamond-shaped brass lozenge to centre of upper and lower covers, and brass bosses to corners of each cover (one missing to upper cover), 19th-c. reback, large thick folio. Herbert 319. A good copy of the Great She Bible, with the correction 'She' for 'He' in Ruth, III, 15. (1)

Grattan (Thomas Colley). The Heiress of Bruges; A Tale of the Year Sixteen Hundred, 2 vols., New York, 1830, some spotting, untrimmed, orig. linen-backed boards with paper labels to spines, soiled and some wear, tall 12mo, together with Walker (Thomas, of Trinity College, Cambridge), The Original, vol. 1 [all published], 1835, contains articles on education, marriage, pauperism, prize fights, wine, etc., contemp. half calf gilt, rubbed and some wear to spine, 8vo, and Thoms (William J.), The Longevity of Man, Its Facts and Its Fictions, with a Prefatory Letter to Prof. Owen, on the Limits and Frequency of Exceptional Cases, 1st ed., 1879, author's presentation copy, signed and inscribed on fly leaf, orig. blind stamped cloth gilt, rubbed, 8vo, and others, various (11)

Hughes (Thomas). The Scouring of the White Horse; or, the Long Vacation Ramble of a London Clerk, 1st ed., Cambridge, 1859, double-page pictorial title and wood engrs. in the text by Richard Doyle, orig. blue cloth, elaborately blocked in gilt and blind, a trifle rubbed, a.e.g., together with [Jones, John], Hints to Servants....by an Upper Servant, 1843, twelve wood engr. plts. after Kenny Meadows, orig. blue cloth, lettered and blocked in gilt, plus, Halse (George). Agatha: a Fanciful Flight for a Gusty Night, 1861, four steel engr. plts. and wood engr. decs. un the text by Hablot K. Browne, orig. green cloth, blocked in gilt and blind, a.e.g., plus Lemon (Mark). Prose and Verse, 1852, etched frontis. by John Leech, orig. brown cloth, blocked in gilt and blind, and five others similar, all in orig. cloth, 8vo and small 8vo. (9)

Ashendene Press. Sir Thomas More's Utopia, 1906, text in black and red, rough-trimmed, contemp. full crushed dark red morocco, raised bands between blind fillets, continued onto returns with foliate decoration and gilt dots, spine a little rubbed at head, upper cover partially lightly faded at head and along return, 4to. One of only twenty copies on vellum. (1)

A 19thC rosewood travelling case, with brass mounts, the cover with shaped medallion inscribed 'W.P. Jan'y 21st, 1841', the fitted interior with blind tooled leather lids and various bottles; 12" wide.

An early 20thC Indian brass jardiniere, spherical, embossed with mythical beasts within blind fret border and lower lappet border, lion masks and ring handles; 21" dia.

A 17thC oak coffer, with three-panel top over a blind fret frieze and three-panel front, raised on stiles; 43" wide, 20" deep, 24" high.

After Peter Graham- Rock coastal landscape; photogravure, bears Printmaker's Association blind stamp, 66.5x84.5cm: After Maude Goodman- "In Sweet Accord", publ. by Landeker & Brown, London EC.; photogravure, 47x60cm., (2)

After William Russell Flint- "Carmelita"; reproduction print in colours, signed in pencil, and bears publisher's blind stamp, 27.5x31.5cm: together with one other reproduction print after the same hand, titled "Victorian Diversion", signed in pencil, 58x43cm., (2)

After David Shepherd- "Fred- after his Shampoo"; colour reproduction print, signed in pencil, and bears publisher's blind stamp l27.5x43.5cm: together with two other similar reproduction prints after the same hand, two after Seerey-Lester, and another after Helen Bradbury, all signed in pencil, (6), (part unframed)

Victorian style mahogany Display Cabinet, dentil moulded cornice, blind fretted frieze, astragal glazed doors enclosing adjustable shelves, bracket feet.

An early 20th century mahogany occasional table, supported on blind fret square leg supports fitted understretcher, width 90cm.

A Victorian mahogany double wardrobe, fitted three blind panelled doors (one a replacement in oak) enclosing linen trays with two short and two long drawers under; the right-hand door enclosing full-length hanging space, width 195cm.

A Victorian Chippendale style mahogany bookcase cabinet, the dentilled cornice above blind fret arcaded frieze and pair of astragal glazed doors with Chinese lattice blind fretwork, enclosing adjustable shelves (base lacking) 105cm wide, 109cm high, 29cm deep

Early twentieth century demi-lune oak side table, the frieze with carved blind fretwork and raised on turned gun barrel supports joined by a demi-lune stretcher, 29in (73.6cm) wide

Edwardian ladies' writing desk, the back with pairs of side drawers with blind fretwork detail joined by a shaped front shelf over a top with leather skiver and above two frieze drawers with blind fretwork detail on square tapered supports ending in brass castors, 36in (91.5cm) wide

A TORTOISESHELL TRINKET BOX of oblong form with domed lid, blind cartouche, raised on white ball feet, 2 1/2" wide, a horn snuff box and five black papier mache snuff boxes (7)

A VICTORIAN DOUBLE ENDED VESTA CASE of rounded oblong form, chased with leaves around a blind cartouche, 1 3/4" wide, mark rubbed

A VICTORIAN SCENT BOTTLE of cone form with hinged domed lid, embossed with a snake amongst scrolling foliage, around blind cartouche, 5" long, Birmingham 1894

DAVID SHEPHERD, After the Rain, reproduction in colours, limited edition 144/850, signed in pencil with blind stamp, 11" x 16 3/4", stained frame

FRENCH SCHOOL, Portrait of a Young Girl in a Pink Bonnet, reproduction in colours, indistinctly signed in pencil with blind stamp, 22 1/2" x 15 1/4", gilt frame

CLIFFORD R JAMES, After Jean Marc Nattier, "Henrietta de Bourbon", limited edition mezzatint, signed in pencil with blind stamp, 20 3/4" x 26 1/4", gilt frame

SIR WILLIAM RUSSELL FLINT, Corisande, limited edition coloured reproduction, 402 of 850, blind stamp for Michael Stewart Fine Art, published 1980, 11" x 19", gilt frame

A PINE FIRE SURROUND the moulded and dentil oblong shelf over blind fret trellis frieze, cushion shaped jambs with beading, on plinth, 19th century, 59" wide, 53" high

A GEORGE III MAHOGANY LINEN PRESS, the moulded and dentil cornice over blind fret frieze, two doors with applied beaded panelling enclosing shelves and hanging rail, two short over a long drawer below with brass drop handles, on bracket feet, 49 1/4" wide, 72 3/4" high

A 19TH CENTURY CARVED MAHOGANY CABINET ON STAND IN THE CHIPPENDALE TASTE the cabinet with a three quarter spindle gallery, enclosed by a central door with raised panel with flowerhead and ribbon decoration, flanked by three short drawers to either side with blind fret dentil ornament, the sides with applied gilt brass and acanthus scroll carrying handles, within raised panels of flowerheads and ribbons, the stand with a Vitruvian scroll frieze on square section legs with shell and pendant husk decoration on scale grounds, having pierced fret spandrels and block feet with castors, 82cm (2ft 8 1/4in) wide, 116.5cm (3ft 9 3/4in) high

A 19TH CENTURY INDIAN CARVED HARDWOOD AND MOTHER OF PEARL INLAID ARTISTS EASEL with blind fret foliate scroll designs heightened with mother of pearl stellar and dot medallions, having a spindle turned panel on tapering stand, 170cm (5ft 7in) high.