We found 44913 price guide item(s) matching your search

Various Stereo Cards: including four young Chinese missionaries with printed names on reverse and `FRW Photo` blind stamp (1), Brighton - Fox - fishing boats on beach (1), W H Mason - The Brighton Fancy Basket Shop, hand-coloured (1), The Highland Games, Braemar, before and after arrival of royal party (2), group at Stafford House (1), shipping scenes (2), Francis Bedford `Chester Illustrated`, including William Porden`s pre-Waterhouse Eaton Hall (4), garden views (2), religious (2), family portraits including Mustard the terrier (4), Crystal Palace interiors (9), 1862 Exhibition (2), Petschler garden views in Chatsworth and area (6), 1860s, most G-VG, some with slight foxing (37)

A Marion 3x4 Soho Reflex Camera, with Ross Xpres f/4.5 6" lens, and Rada roll film back, F-G, base re-fixed, shutter blind not traversing fully, lens, G, some scratching

William Russel Flint `Balance` Coloured print signed in pencil lower right, gallery blind stamp lower left 40cm x 57cm; together with another Russel Flint coloured print, gallery blind stamp lower centre (2)

Helen Bradley `Ah Dear Emily` and `Oh Just Look! Said Mother` Pair of coloured prints Each signed in pencil, with gallery blind stamps; together with a signed limited edition Rex Trayhorne print and an oil on board signed `J Warren` (4)

After Charles Johnson Payne `Snaffles` (1884-1967). `The Huntsman` coloured lithograph signed in pencil with printed remarque and Snaffles blind stamp 39cm x 59.5cm.

After Charles Johnson Payne `Snaffles` (1884-1967). `Tonnage` coloured lithograph with white body colour signed in pencil and with printed remarque, lacking blind stamp, 39cm x 37cm.

After Lionel Edwards (1878-1966) Fernie`s Sheephorns, reproduction colour print, signed in pencil below image, with blind stamp, printed and published by Eyre and Spottiswoode, image size 33.5cm x 49cm.

After Lionel Edwards (1878-1966) The Essex Hunt, reproduction colour print, signed in pencil below image, with blind stamp, printed and published by Eyre & Spottiswoode, image size 33.5cm x 49cm

FREDERICK, LORD LEIGHTON. Classical Figures on a terrace, engraving, with foxing in margin areas, pencil signed, with blind stamp of The Berlin Photographic Company, Pl. 17 x 35 in; and engraving by W. Dendy Sadler titled `Corked`; and an engraving after Thomas Barber depicting William Coke, Esq; three (3)

TOLKIEN, J.R.R. The Silmarillion. 1st End. 2nd Impression. 1977. The Hobbit. Special Edition, 1991. Both with D/w (Folio Society), DARKINS, RICHARD. The Blind Watchmaker. HILL, SUSAN. Dome a Favour. 1st Edn. 1963. No D/w AND various authors sundry works (19)

MARGARET CHAPMAN ARTIST SIGNED LIMITED EDITION COLOUR PRINT `The New Contraption` limited to 500 copies, signed in pencil the margin and with blind stamp the image 18" x 45.7cm x 58.4cm) unframed

A Dome Topped Four Division Wooden Box with Gilded Blind Carved Decoration, the Lifting Lid with Paper Panels Depicting Figures Playing Musical Instruments, 12.5 cm

A Georgian Mahogany Chest on Chest with Chamfered Reeded Supports, Blind Carved Top Rail and Dentil Moulded Cornice. Top Section with Two Short and Three Graduated Long Drawers, Brushing Slide Over Graduated Long Drawers, Bracket Feet, 114 cm x 60 cm x 193 cm

An Antique George II-Style Mahogany Console Table, rectangular marble top with rounded corners, conforming frieze with gothic blind fretwork, shell-carved cabriole legs terminating in ball and claw feet, height 34 in., width 42 1/2 in., depth 23 1/2 in.

A 19th Century French brass carriage clock, push button repeat striking on a gong, circular white enamelled dial with Arabic numerals and painted with flowers with a silvered frame, blind fret and pillared case on cushion feet, height 15cm.

Captain Batty : Welsh Scenery from Drawings, 1823. 1st. Ed. 8vo. Fine olive green leather binding, gilt and blind-stamped, aeg. A very attractive selection of 35 engraved plates by Edward Finden after drawings by Robert Batty, each with a page of descriptive text. Engravings include Snowdon, Cader Idris, Caernarvon and Conway Castles. CONDITION REPORT: Some minor wear to the shoulders and extremities of the binding ( restorable ) some minor foxing spots to the margins of plates and offsetting - o/w a nice copy of the scarcer 1st.edition in a fine binding.

A Hand-Book for Visitors to Oxford, 1848. 8vo. Original maroon blind-stamped cloth with gilt titling and image on upper board, teg. Engraved plates featuring locations with architectural significance together with vignette illus. in the text. Relatively scarce. CONDITION REPORT: Binding a little worn at the extremities with some small tears on the spine but complete and capable of restoration. Some minor foxing to the margins the of plates and text, o/w tight and clean.

The New Testament, 1643. Tall 12mo., contemporary leather binding with a simple decorative blind-stamped border to the boards. Title page features an elaborate engraved margin, verso with order of the books of the New Testament. Each book with an engraved decorative heading and initial letter. Scarce. CONDITION REPORT: Binding quite worn with small marginal loss. Text block closely cropped, tp browned with slight loss to extreme edges, marginal loss of text to last remaining 9 pages. Lacks last 7 chapters of Revelation.

Early Tourist 'View' Books : A Collection : Twenty Four Views of the Isle of Wight, nd. C.1880; 12mo landscape, blue blind-stamped stiff card binding, engraved titled vignettes; Upton's Victoria Album - Coloured Views of Folkestone, nd. C.1900. Red 12mo landscape stiff card binding, gilt, coloured engraved-type glazed folding illus; New Album of London, nd. C.1900, small 8vo. blue,gilt stiff card binding, monochrome engraved-type folding illus; One Hundred and Fifty Views of London, nd. C.1920. Qto. Monochrome photographic illus. CONDITION REPORT: Generally vg.

Children's Miscellany : Doyle R. : An Old Fairy Tale Told Anew, 1865. Small qto. Original textured maroon cloth binding, decorative gilt panel & cartouche on upper board, blind-stamped decoration. Aeg. Engraved illustrations. The Merry Ballads of Olden Time illustrated in Pictures and Rhyme, Nd. C.1890. Qto.Blue cloth with gilt titling and illus. on upper boards, teg. Chromolithograph plates & illus. Illustrated Ditties of the Olden Time, 1850. Small qto. Elaborate gilt design on both boards, aeg. Printed on rectos only. Fine engraved illus. Christmas Comes But Once A Year, Nd. C.1850. Very small qto. Original cloth, gilt titling & decoration, blind stamped design. Aeg. Engraved plates and illus. CONDITION REPORT: Illustrated ditties spine with cloth repair and marginal reinforcement of some pages. O/w generally vg.

ARCHIBALD THORBURN, SIGNED IN PENCIL LOWER LEFT, COLOURED ARTIST’S PROOF WITH PUBLISHER’S BLIND STAMP, PUBLISHED BY W F EMBLETON 1927, The Seasons Set – Grouse, 12” x 18”

* SIR WILLIAM RUSSELL FLINT, RA, PRWS, SIGNED IN PENCIL LOWER RIGHT, BLIND STAMP LOWER LEFT, PUBLISHED BY FROST & REED 1960, COLOURED PRINTS, The Danza Montana, 19” x 25”

Sir Stanley Spencer - self portrait 1913, titled in pencil and numbered 14/75, impressed `Friary Studio`, blind stamp of Henry Houghton Trivick, c1973, 36 c 23cm approx.

A Regency rosewood sofa table with inlaid brass decoration, two frieze drawers (with key) and two blind drawers, on inlaid trestle columns uniting a base with brass mounts and four splayed legs with lion paw caps and castors, circa 1820

An Edwardian mahogany bookcase with four astragal glazed doors and two blind fret doors on ogee bracket feet

Sir William Russell Flint (Scottish, 1880-1969), 'Dos Cabrais', Spanish landscape study of goat herders with a hilltop fort beyond, blind stamped lower left, limited edition print. W. 62 cm, H. 45 cm.

Brunel – original share certificate for the Great Eastern – an original share certificate in ‘The Great Ship Company Ltd’ [ie The Great Eastern] being one share of £1^ dated March 1st 1858. Printed in light blue on a leaf of paper approx 22x13cm^ and featuring a blind embossed image of the finished ship^ together with an ILN engraving showing the Great Eastern leaving Sheerness with the Atlantic Cable on board. The Great Eastern was Brunel’s most ambitious maritime achievement^ being^ at the time it was built^ by far the largest ship afloat. The project was ultimately to bring about Brunel’s untimely death^ and although originally conceived as a luxury liner for the Trans Atlantic route^ its greatest achievement was to lay the first Transatlantic Cable linking America with Europe.

L.S. LOWRY (British, 1887-1976), 'Man Holding Child', lithograph in colours, limited edition, 50cm x 75cm, blind stamped with the letters 'CJD' lower left, signed in pencil and framed.

A Victorian walnut ladies work box in serpentine form, the top opening to reveal a fitted interior with maple and rosewood inlaid covers above a blind drawer - all raised on a turned and carved stem and three cabriole legs - Height 76 cm x 55 cm x 50 cm Condition report: Some veneer cracking to top, three knobs missing to interior and two small dividers, drawer does not close, moulding loose

A lithograph print - Geese in flight over marshland - Sir Peter Markham Scott CH CBE DSC FRC - English 1909 -1989 Exh. RA - signed, stamped - Published 1947 by Arthur Ackermann & Son Ltd. Fine Art Trade Guild blind stamp, after a painting dated 1945 - 34.9 cm x 53.3 cm Condition report: Two scuffs to surface of print

AFTER MICHAEL LYNE “The Grand National - Canal Turn, 1965”, a colour print, bearing artist`s blind proof stamp, pub. Frost & Reed Ltd. 1967, signed in pencil to margin, 48 x 63cm, in decorative pierced giltwood glazed frame"

Copping, Harold and John Bunyan. The Pilgrim`s Progress, first edition, number 103 of 150 copies, 31 mounted bromide photographs after original drawings by Harold Copping, some spotting, original full vellum, blocked in blind, top edge gilt, slipcase, 4to, London: Religious Tract Society, 1903

Thorley, John. Messilogia, or the Female Monarchy. of Bees, first edition, engraved frontispiece and four plates, one folding, 2 plates with margins cropped, affecting border, 8vo, London: Printed for the Author, 1744; Hill, Thomas. The Arte of Gardening, 2 parts, 3 woodcut illustrations in text, A1-C4 with margins cropped, occasionally affecting fore edge notes, woodcuts, etc., title with contemporary manuscript annotations, worn, without half-title, 8vo, London: Edward Allde [and H.B.] 1608 [STC 13497]; Bickham, George, the younger. The New Years Gift or, Times Progress for the Year of Our Lord [1748], 12 engraved plates, London: For George Bickham, [n.d.], the three works bound in one, seventeenth century calf, the covers stamped in blind with the initials `E.F.`, neatly rebacked in the nineteenth century, 8vo

Dugdale, William. The History of St. Pauls Cathedral in London, first edition, engraved portrait frontispiece, 31 single page engraved plates after W. Hollar, 12 double-page and one folding (torn and repaired, but with slight loss), engraved illustration of `The Dance of Death` in text, single worm hole to margins affecting signatures A1 to Oo1, G2 with paper defect, affecting text, slight dampstaining to lower margin of early leaves, Vvv with margins laid down, first signature and upper cover detached, contemporary blind-stamped calf, rebacked, spine worn, folio, London: Thomas Warren, 1658 [Wing D2482]

Sir William Russell Flint, women in a temple, signed in pencil and blind stamped, I.42.5 x 58cm.

A CARVED OAK GOTHIC REVIVAL FONT COVER OF CONICAL FORM, with blind tracery, height approximately 125cm, and a font cover (2)

Indian Feudatory StatesTravancore1921 5c. on 1ch. grey-blue vertical pair, variety imperforate between, blind perfs. at top, two part c.d.s.; "imperforate" at foot. S.G. 32c, £375. Photo Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

A George III style bureau cabinet, the upper section with a pierced and gilt metal mounted swan neck cornice above a blind fret frieze and twin glazed doors, the bureau on associated base with cabriole legs

(x) India1974-83 Definitive Issue with Values Expressed in Numerals only1r. vertical pair, variety imperforate between (some soiling), 2r. complete sheet with some blind perforations at left and at foot, 2r. upper right corner block of six with showing printing blob on value, 2r. vertical strip of three with two stamps showing value and "india" omitted, the third with value omitted, 2r. marginal singles (2, one used) from the foot of the sheet, variety "imperforate" between stamp and margin, the used with blind perforations, and 2r. block of twelve with the centre block of eight with value and "india" largely omitted; the last three in pale shades with the last possibly chemically altered, and sold on its merits Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

*Edward Bawden RA (1903-1989), 'LEADENHALL' Lithograph after linocut, signed, inscribed with title, and numbered 35/75, printed by the Curwen Press, CP blind stamp, 45.5 x 61.5cm *Artist's Resale Right may apply to this lot. CONDITION REPORT: Not viewed out of frame. Paper is yellowed and a little dirty in bottom left hand corner. Creases in margin. Please view additional images (available upon request).

*Laurence Stephen Lowry RA (1887-1976), 'THE RAILWAY CROSSING' Coloured reproduction printed in colours, signed in pencil l.r., with blind stamp 41 x 57cm *Artist's Resale Right may apply to this lot. CONDITION REPORT: Not viewed out of frame. No obvious major faults, perhaps a little pale.

After Lawrence Stephen Lowry - a colour print depicting 'The Auction' issued in a limited edition of 850 (No 682), blind stamp bottom left margin, image size 42 cm x 53 cm - Est £80 - £120

After Lawrence Stephen Lowry - a colour print depicting 'The Arrest' issued in a limited edition of 850 (No 561), blind stamp bottom left margin, image size 52 cm x 42 cm - Est £80 - £120

After Eric Richard Sturgeon (1920-1999) - two colour prints depicting a view of 'Henley in Arden', image size 46 cm x 61 cm and 'The Church Steps', image size 37 cm x 48.5 cm, signed in pencil, blind stamp, 46 cm x 61 cm - Est £40 - £60

A large Georgian style wing armchair on straight blind fretwork supports

James Alphege Brewer - York (Petergate); Salisbury (High Street Gate), etching in colours, signed and titled in pencil, blind stamp of Fine Art Trade Guild, 21.5 x 45.5cm; a drawing after Mable Lucie Atwell; and one other work, signed Mervin

Two Commemorative Royal Worcester `Blind Earl` pattern china dishes decorated with rosebuds, together with a Royal Crown Derby `Derby Posies` saucer dish and sieve and a small jardiniere painted with an Armorial (5)

A vintage aluminium cover, "Blind Shaft"

3 x Signed Ltd Edition Cricketing Heroes printed sketch – including Ian Botham, signed by Botham 28/300 signed, and the print is 38/950 signed by Jack Russell, a Sir Don Bradman, 314/950 signed by Russell, and a `Blind Beggar` 60/1250 signed by Russell, overall 25" x 18"

A GEORGE III MAHOGANY AND LINE INLAID PEMBROKE TABLE WITH OVAL TOP, DRAWER AND OPPOSING BLIND DRAWER, ON SQUARE TAPERED LEGS WITH SPADE FEET, 71CM H; 86 X 102CM

A small George III bachelor`s chest of 4 long graduating drawers with blind fret canted corners and later oval handles (no feet)

A modern bronze bust on marble base modelled as a Blind Folded Youth.

A carved oak rectangular coffer in the 17th Century manner:, with a plain triple panel hinged top and a moulded edge, the front with blind fret foliate lunette frieze and triple arcaded blind fret lozenge panels, raised on plain extending stiles, 117cm (3ft 10in) long.

An early 19th Century carved mahogany bureau bookcase:, the upper part with a foliate and moulded dentil cornice, fitted with adjustable shelves, enclosed by a pair of ogee pointed arch astragal glazed panel doors with rosette and husk swag crestings, the sloping hinged fall decorated with a central musical trophy in moulded cartouche foliate surround enclosing a fitted interior with small drawers and pigeon holes, about a central enclosed cupboard, flanked by fluted column upright concealed compartments with blind fret scrollwork, containing two short and three long drawers below with foliate scroll decoration, having a gadrooned base on foliate ogee bracket feet, 112cm (3ft 8in) wide, 219cm (7ft 2 1/4in) high.

ANTONIO TAPIES (Spanish, 1923-2012), 'Abstract', screenprint, 187/300, 28cm x 38cm, with blind stamp lower right, signed and framed (with faults, crack on frame).

'House of Parliament' early 20th Century etching signed in pencil Fred G Farrell with blind stamp

AN 18th.C.OAK SIDE TABLE WITH BLIND FRIEZE DRAWER AND STRETCHER BASE

L NORSWORTHY. EVENING ON THE ARUM SIGNED AQUATINT WITH BLIND STAMP

ɑ An L S Lowry, a market scene in a northern town, limited edition, with Patrick Seale Prints blind back stamp, and signed in pencil to the margin See illustration Condition report Report by JB A few light marks and a couple of specks of foxing can be observed to the white mount in the top centre, top left and bottom left. The centre image itself would appear in relatively good order, the colours appear strong, a possibility of light discolouration at the top skyline, however, may be part of original colouring. No major damage of note would appear present Please see illustrations

Attributed to Sir David Wilkie, Blind Man's Buff, pen and ink, bears a signature, 14 x 22 cm, with a copy of the Sir David Wilkie exhibition at the Royal Academy of Arts 1958 (see number 56) See illustration Condition report Report by JB The booklet is marked Royal Academy Diploma Gallery, Sir David Wilkie, RA, Royal Academy of Arts London 1958 catalogue 1/6, and is not directly linked to the drawing, otherwise it would have been mentioned in the catalogue description.