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Sir William Russell Flint, beach scene with lady on the shore, limited edition colour print, marked 489/850 in pencil, blind stamped, Florentine Galleries label verso, 53cm by 68.5cm

Boyle (John, Earl of Cork and Orrery). Remarks on the Life and Writings of Dr. Jonathan Swift, Dean of St. Patrick's, Dublin, in a Series of Letters from John Earl of Orrery to His Son, the Honourable Hamilton Boyle, 1st edition, printed for A. Millar, 1752, etched portrait frontispiece by B. Wilson, contemporary ink signature of Joseph Anson to head of title, bookplate to front pastedown, contemporary calf, rubbed and some wear, with joints partly cracked to spine, 8vo, together with Hamilton (Alexander), Outlines of the Theory and Practice of Midwifery, 1st edition, Edinburgh, 1783, some minor marks and offsetting, contemporary full calf, boards and spine slightly rubbed with minor loss, 8vo, and Sallustius Crispus (Caius). Opera Omnia quae Exstant..., Editionovissima, Leiden, 1677, additional engraved title, blind stamps to first and last few leaves, library bookplate to upper pastedown, all edges gilt, together with CurtiusRufus (Quintus), Alexander Magnus et in illum Commentarius SamuelisPitisci..., 3rd edition, one volume in 2, The Hague, 1708, engraved portrait frontispiece, additional engraved title, 5 folding engraved maps, 8 engraved plates (including some folding), all edges gilt, blind stamps to first and last few leaves, library bookplates to upper pastedowns, all edges gilt, uniform 18th century red morocco gilt, old paper labels at foot of spines, joints cracked, upper board of volume 1 of first work detached, slight wear to extremities, dust soiled, 8vo, and 5 more volumes of 17th and 18th century history and reference, mostly leather bindings, condition is generally good/very good, 8vo/folio (10)

Boccaccio (Giovanni). Del Decamerone, 5 volumes, new edition, Tuscany: Giovanni Ghiara, 1770, engraved frontispiece to volume 1, engraved plates, occasional spotting, bookplate of Stephan D. Winkworth to front pastedowns, contemporary blind-stamped vellum with leather spine labels, slightly rubbed and soiled, a little wear at foot of volume 1 and head of volume 2, 8vo, together with Feijoo y Montenegro (Benito Jeronimo), Theatro critico universal..., 8 volumes, [& Cartas eruditas, y curiosas, 5 volumes; Relustracion apologetica...], 14 volumes in all, Madrid, 1769, some spotting throughout, contemporary limp vellum with manuscript titles to spines, small gilt stamp of Camperdown Library to upper covers and leather loop and knot ties, slightly rubbed and soiled, small split at head of spine to volume 4 of first part, plus Valmont de Bomare (Jacques-Christophe), Dictionnaire raisonne universel d'histoire naturell..., 10 volumes, new edition, Lausanne, 1776, half-titles, spotting throughout, armorial bookplate of Thomas Fair to front pastedowns, contemporary vellum with leather spine labels, rubbed and soiled, 8vo, plus 4 other vellum-bound antiquarian, all 8vo (32)

A Victorian mahogany chest of drawers, blind drawer to frieze, two short above three long drawers, flanked by pilasters, plinth base

Tony Smith (British, 20thC). Il Leone - World Champion, lithographic print, Washington Green blind stamp, signed by Nigel Mansell OBE and the artist, limited edition 1167/1500, 44cm x 71cm, with certificate.

An Edwardian mahogany cabinet, the serpentine front above blind fret frieze flanked by drawers and glazed doors (missing super structure legs cut down), 120cms wide.

Early 20th Century oak two door, blind panelled shelving unit.

20th Century mahogany two door, blind panelled, filing cabinet.

19th Century oak blind panelled hanging corner cupboard.

Bible-embossed lettering for the blind-Glasgow 1838

PEZELIUS (Christophorus) Argumentorum Philippicorum . . . pars ultima. Continens Explicationem Locorum . . . printer's devices, (16), 610 & (18)pp.; contemp. continental vellum, elaborately panelled & blind-stamped, with armorial on covers, red edges gauffered in gilt & blind, 8vo. Neustadt: Mattheus Harmisch, 1589. * this edition at Adams 947 (but with variant pagination).

A late 19th century rectangular bijouterie table, with blind fret carved decoration, on tapering square supports, 69cm wide x 73cm high.

LUCIAN (of Samosata) Philosophi Opera Omnia . . . engraved title-page device, (commences with Greek title); newly rebound dark tan calf, blind-decorated & panelled spine with gilt-ruled label, thick roy. 4to. Paris, 1615. * edited by J. Bourdelotius; in (Greek & Latin) d-column.

KIRSCH (A.F.) Abundissimum Cornucopiae. Linguae Latinae et Germanicae Selectum . . . editio novissima . . . engraved frontis., part title; contemp. blind-stamped pigskin with panelled spine, v. thick 8vo. Ratisbon, (1735) * a massive multi-faceted lexicon of some 1800 d-column pages.

ARISTOTLE. Aristotelis Stagiritae Organum, quod Logicam Appellant. engraved title device, some diagrammatic text illus., head & tailpiece decorations, text- pp. 3-637; old blind-stamped vellum (with 'C' & 'N' blind-stamped either side of eagle within decorated oval -on both covers), g.e., sm. 8vo. Lyons: apud haeredes Jacobi Junctae, 1564. * this edition (nor its printer) in Adams.

MATTIOLI (P.A.) Kreutterbuch: dress hochgelehrten und weitberuhmbten . . . edited by Joachim Camerarius. title in red & black within elaborate pictorial woodcut border & v. many woodcut plant illus., large colophon device at end; contemp. blind-stamped pigskin over wooden boards; gilt clasps & 1 (of 2) metal straps, folio. Frankfurt: heirs of Jacob Fischers, 1626. * earlier German editions of this important Italian herbal had appeared in 1563 (Prague) & 1586 (Frankfurt).

NAPIER (W.) The Life and Opinions of General Sir Charles James Napier . . . First Edition, 4 vols. folded map, 4 portraits, errata leaf (vol. 3) & advert leaves; blind, gilt-decorated & gilt-lettered cloth, partly unopened. 1857. * mostly the Peninsula, North America & India ('I have Scinde'- as every schoolboy used to know). Illustrated

After Alan Ingham, 'In The Heart Of The Fells', limited edition, colour print, pencil signed, titled, No.276/600, Washington Green blind stamp, 29cm x 73cm; 'Sleepy Hamlet', limited edition colour print, pencil signed and titled, No.124/600, with Washington Green blind stamp, 30cm x 65cm; 'Heart Of The Country', limited edition colour print, pencil signed, titled, No.90/600, with Washington Green blind stamp, 25cm 50cm, (3).

After David Shepherd, 'Kudu', limited edition colour print, pencil signed, No.328/850, with blind stamp, 46cm x 76cm.

After David Shepherd, 'The Hot Springs of Yellowstone', limited edition colour print, pencil signed, No.173/1500, with blind stamp, 42cm x 60cm.

After David Shepherd, 'Luangwa Evening', limited edition colour print, pencil signed, No.360/1500, with blind stamp, 37cm x 71cm.

After Simon Combes, 'Simba', limited edition colour print, pencil signed, No.360/1500, with blind stamp, 37cm x 71cm.

George III style mahogany corner cabinet, cavetto moulded cornice, blind fretwork frieze, astragal glazed doors, enclosing three shaped shelves on a stand, with central frieze drawer flanked by dummy drawers, shaped apron, cabriole legs, width 90cm, height 205cm.

An early 19th century silk and pen-work large picture of the blind poet, John Milton, dictating to his wife and daughter, 58 x 44 cm, in glazed gilt gesso frame

A George III figured mahogany tea table, the bowfront fold-over top on double gateleg action over a centre frieze drawer flanked by blind drawer front on square tapering supports to spade feet, 73 cm high x 100 cm wide

An early 18th century burr walnut and crossbanded longcase clock, the modified eight-day movement with 12 cm square dial by Samuel Hollyer, London, the hood with moulded cornice above blind fret frieze and three-quarter pilasters, long trunk door beneath box base and later bracket foot, 228 cm highCondition reportStriking train and bell removed from movement.  Second hand missing

A Victorian mahogany sofa table, the rectangular top having rounded drop ends over two frieze drawers opposing blind drawer front, raised on chamfered slab ends on downswept legs united by a an octagonal turned stretcher and arched supports, Irish origin, 73 cm high x 92 cm wide (closed) x 75 cm

19th century mahogany standing corner cupboard, the upper section with dentil cornice and blind fret frieze, three shaped shelves enclosed by pair astragal-glazed panel doors, cupboard below, all on plinth base, 137cm wide

A 1920s 4ft 6ins walnut framed and cane panelled bedstead, the scroll shaped head and foot board with double cane panels, the sides with blind fret scroll carving and gadroon mounts, on shell capped legs with claw and ball feet and box base for same

A 19th Century Prattware oval two-handled tazza, printed in colours with "The Blind Fiddler", after Sir David Wilkie, 13.5ins x 9.25ins, four Prattware coloured pot lids and bases, including "Tam O'Shanter ", 4.25ins, a jug printed in colours with shells on an apple green ground and inscribed in gilt "William O'Connell Emily 1859", 10ins high, and two Scottish carpet bowls

A Chinese carved ivory rectangular cribbage board surmounted by figure of seated Buddha to one end and with cavity to other end, 6.5ins overall, a pair of black and red lacquer and metal mounted bookends of rectangular arched form, with blind fret carved foliage, the centre inset with carved bone standing figures of Geisha, 6ins high, an ivory paper knife with carved bone and metal mounted handle, 16.5ins overall (damaged), and a Tibetan prayer wheel

Great Britain.1978 Cycling 13p. Gutter sheet marginal single example with 'Blind Perforation'. Very fine. Unusual. Unmounted mint. SG1070 var

Great Britain.1999 Royal Wedding 26p. Top sheet marginal horizontal pair, first stamp showing 'blind perforation'. Extremely fine. Unusual. Unmounted mint. SG2096 var

Laurence Stephen Lowry RA (British, 1887-1976), THE ARREST, limited edition colour print, no. 350/850, bears embossed blind stamp to margin, framed and mounted, approx 52x42cm. CONDITION REPORT: In good condition, without damage or repair and minimal fading

After Colin Burns,A study of a windmill on a winters morning,signed in pencil and numbered 493,limited edition Fine Art Trade Guild coloured reproduction with blind stamp,image 44 x 53 cm CONDITION REPORT: Even discolouration and fading

Gervaise, Nicolas. An Historical Description of the Kingdom of Macasar in the East-Indies, first edition in English, somewhat spotted and browned, a few library stamps in blind, modern cloth, bookplate of Bath Library, 8vo, London: Thomas Leigh and D. Midwinter, 1701

[Bird, Charles] Picturesque Old Bristol, [A Series of Fifty-Two Etchings... with Letterpress by John Taylor], 2 volumes, Lettered Proof, half-titles, pictorial titles, but without printed titles, 52 etched plates, all titled 'third state', tissue guards, some spotting, title with note in margin 'Lettered Proof, Part 4', free endpaper with blind-stamp 'Library of Derek Taysum', contemporary half morocco gilt, top edge gilt, folio, [Bristol: Frost and Reed, 1885]

Beattie, William and W.H. Bartlett. The Danube, its History, Scenery, and Topography, engraved additional title, 78 engraved plates, engraved map, some browning and spotting to plates, occasional library stamps in blind, publisher's full morocco gilt, rubbed, all edges gilt, 4to, London: George Virtue: 1844

Maffei, Francesco Scipione. A Compleat History of the Ancient Amphitheatres, first edition, 15 engraved plates, mostly folding, some spotting occasional library stamps in blind, contemporary calf, rather worn, rebacked, bookplate of Bath Library, 8vo, London: Harmen Noorthouck, 1730

Rousselet, Louis. India and Its Native Princes, first edition, numerous wood-engraved illustrations, maps, some spotting, a few leaves loose, occasional library stamps in blind, original cloth gilt, extremities rubbed, somewhat shaken, bookplate of Bath Library, folio, London: Bickers and Son, 1878

Wyndham, Henry Penruddocke. A Tour through Monmouthshire and Wales, second edition, half-title, 16 engraved plates, some browning, contemporary calf-backed boards, rebacked, arms of Stuart de Rothesay stamped in blind on covers, 4to, Salisbury: E. Easton, 1781

The Bibliographical Society. Transactions, a run from 1893-1973, together 72 volumes, lacking only volume 21, but including supplements and index, original cloth-backed boards, 8vo, London: For the Society, 1893-1973; Illustrated Monographs, 20 volumes only, original cloth, 4to, London: For the Society, 1894-1939; and 36 others, all issued by the society, library blind-stamps, bookplates of Bath Library, 8vo (128)

A 19TH CENTURY GOTHIC INSPIRED PINE DWARF LINEN PRESS With chinoiserie decoration and two cupboards enclosing slides above three drawers, the plinth base with a blind fret frieze. (94cm x 54cm x 123cm)

Snaffles (Charles Johnson Payne 1884 - 1967) 'The D R', hand-coloured print, Snaffle blind stamp in margin, 50cm x 44cm

Snaffles (Charles Johnson Payne 1884 - 1967) 'Good Hunting! Old Sportsman', The 'Gunner', hand-coloured print, Snaffle blind stamp in margin, 43cm x 34cm

Victorian walnut pot cupboard with shaped blind panel door on ogee bracket feet Condition:

Early 20th Century oak Globe Wernicke style three section bookcase having two up-and-over glazed doors, the base with blind panel door with drawer below Condition:

Victorian mahogany breakfront wardrobe, the centre section having a pair of arched blind panel doors enclosing brushing slide with drawers below, flanked each side by pair of arch mirror panel doors, having cushion frieze and solid plinth Condition:

4 John Fahey LPs comprising Requia UK 1969 stereo LP 1st pressing Vanguard SVRL 19055 NM, America UK 1972 stereo LP Sonet SNTF 628 NM, Blind Joe Death Vol 1 UK 1969 stereo LP Sonet SNTF 607 M & Death Chants Breakdowns & Military Waltzes Vol 2 stereo LP Sonet SNTF 608 M

5 blues 10" records comprising; Leadbelly Vol. 1, 2 & 3 MPL 511, MPL 512 & MPL 515, Classics in jazz Leadbelly LC 6597 and Blind Lemon Jefferson Penitentiary Blues AL3546, condition generally Gd

9 blues 45s comprising; Treasures of North-American Negro Music Vol. 1 & 2 Leroy Carr & Blind Willie Johnson Fontana TFE 17051 & TFE 17052 Ex++, Tribute to Leadbelly Sung by Pete Seeger EPM7-78 and 6 Big Bill Broonzy; Sings the Blues EPV 1024, Do You Remember... YEP 9508, an evening with... EXA 61, BIg Bill Broonzy EPV 1107, Hollerin' Bues ZEP 10093 and Mississippi Blues Vol 1 NJE 1005, condition generally Gd. 

After Laurence Stephen Lowry (1887-1976); a signed limited edition coloured print, 'The Harbour', signed in pencil lower-right, with Fine Art Trade Guild blind stamp lower-left and letter to number stamp indicating 586 in a limited edition of 850, 44 x 57cm, framed and glazed. CONDITION REPORT The colours are still strong, very slight discolouration to the image and mount, no visible signs of damage, overall nicely presented.

A late Victorian mahogany and walnut mirror back sideboard, the upper section with a three part glass headed by a blind fret cornice and flanked by polished columns, above a serpentine sub section with further blind fret panels and two curved drawers flanked by cupboards, on squat cabriole legs with ball and claw feet, 185cm high, 183cm wide, 63cm deep.

ROLLER WINDOW BLIND

An Edwardian Mahogany Serpentine Side Cabinet by Maple & Co., the pierced carved pediment above a blind fret work frieze and two astragal glazed doors enclosing shelves, the lower section with two similar lined fret work drawers raised upon square tapering legs with under tier, 76 cms wide

NINETEENTH CENTURY COPELAND SPODE CHINESE HELMET SHAPED CREAM JUG, with scale moulded base, hand painted Imari decoration, 3 1/2" high, 'Spode Cabinet Collection'; 'Glendale' pattern MILK JUG; Royal Worcester white china leaf moulded JUG and reproduction 'The Blind Earl' JUG, 3 Royal Crown Derby bone china JUGS, 'Bali', 'Olde Avesbury' and 'Derby Posies' (7)

A NORTH WALES OAK BREAKFRONT DRESSER circa 1830 having a three shelf wide boarded rack over a planked top, three opening frieze drawers and three blind central drawers with flanking turned quarter cut pillars and inset panel outer doors on shaped corner bracket feet, ivory escutcheons and replacement fancy brass backplates with swing handles, panel sided and peg joined with good overall colour, 216 cms high, 171 cms wide

AN EXCELLENT CIRCA 1900 MAHOGANY DISPLAY CABINET, the oval mirrored top rail with urn and swag carving, inverted moulded top over a blind frieze, shaped and applied door moulding and bevelled glass side panels and coloured interior shelves, carved corbel apron on tapering supports with applied moulding, 220 cms overall height, 108.5 cms wide

A CARVED CONTINENTAL HALL CABINET abundantly decorated with panels of mythological scenes on the top frieze and the mid-area cupboard doors, three lower drawers with winged cherub head and fruit and ribbon swags, divided by four turned columns with acanthus leaf caps and bases and centrally carved winged cherub heads, open lower base section with panel back and further frieze panels, the sides with blind fretwork and lion mask decoration, the whole raised on large turned bun feet, 173.5 x 145 x 49 cms

A CHINESE HARDWOOD FRAMED MIRROR, with key design blind fret moulding, 11.5" wide