We found 44913 price guide item(s) matching your search

Victorian burr oak sideboard, rectangular quartered veneered top above two central drawers flanked by two cupboards all standing on blind base, width 113cm (84"), depth 66cm (26"), height 99cm (39"). Condition report: Four areas of discolouring to veneer with cracking and lifting, also two dents to the right hand side of the top, plinth with scuff marks. No condition reports for this sale.

Victorian rosewood side cabinet, white marble top with moulded edge above ogee frieze, double doors with rectangular mirrored panels flanked by barley sugar twist columns all standing on blind base, with 122cm (48"), depth 36cm (14"), height 89cm (35"). Condition report: Marble in good order, doors to base missing, astragal joint to corner of right hand door missing small section of veneer, box base with scuffs. No condition reports for this sale.

A Chinese Vase of two-handled bulbous form with everted neck, decorated in the round with flowering vines and butterflies on a turquoise ground with dribble glazing, gilt and blind mask handles, 31cm high

Laurence Stephen Lowry (1887-1976), signed limited edition coloured print, St Lukes Church, signed in pencil lower right margin L.S. Lowry, blind stamp lower left, 236/850, published 1973 by G R Mellor Esq, 64.5cm by 47cm

Stripped pine cabinet fitted one drawer over two blind panel doors Condition:

Reproduction yew finish two section bookcase, the upper section fitted four glazed door, the base with four blind panel doors Condition:

Great Britain - Officials : (SG V1) 1840 VR 1d black, lettered BA (blind A), 4 good margins, defective/damaged and repaired NW corner, smudged red MC, used. Good appearance. A rare stamp. Cat £35000 (image available)

A Japanese black lacquer pillar table cabinet, slightly oversailing top above sliding covers recto and verso, blind sides, decorated in hiramakie with sinuous lines, each face pierced with foliate motifs and scrolls, swan neck carrying handle, bracket feet, 26cm high, 18cm wide, Meiji period

A 19th century marquetry and ebonised shaped oval drawing room games table, the crossbanded quarter-veneered top inlaid for chess, flanked by ribbon-tied sprays, above a pair of frieze drawers, blind to verso, serpentine legs, 76cm high, 105cm wide, c.1870

An Edwardian Chinese Chippendale revival display cabinet, fretworked broken swan neck pediment, two astragal glazed doors to top, two long drawers to base, tapering square legs, blind fretwork throughout. 188cm high x 78cm wide x 46cm deep.

An early Victorian mahogany whatnot/side table, oversailing rectangular top above a pair of blind drawers outlined with ebony stringing, open undertier with drawers to frieze, ring turned supports, shaped X-stretcher, turned feet, 85cm high, 65cm wide, c.1840

†Louis Icart: a signed mixed media study of a reclining dancer, with blind stamp and dated 1933, 18" x 14", in linen lined frame

Brookmyre, Christopher, 14 first editions, comprising Quite Ugly one Morning. 1996; Country of the Blind. 1997, signed copy; Not the End of the World. 1998; One Fine Day in the Middle of the Night. 1999; Boiling a Frog. 2000; A Big Boy did it and Ran Away. 2001; The Sacred Art of Stealing. 2002; Be My Enemy. 2004; All Fun and Games until Somebody Loses an Eye. 2005; A Tale Etched in Blood and Hard Black Pencil. 2006; Attack of the Unsinkable Rubber Ducks. 2007; A Snowball in Hell. 2008; Pandaemonium. 2009; Where the Bodies are Buried. 2011; first editions, dustwrappers, not price clipped

Orkney & Shetland - Barry, George History of the Orkney Islands. London: Longman, Hurst, Rees, and Orme, 1808. Second edition, 4to, frontispiece, folding map, 10 plates, without dedication, contemporary gilt and blind-tooled calf, bookplate of John M. Slater, a little spotting and slight chipping to covers and spine

SEVEN ITEMS IN LOT, Graves, Robert Poems (1914-1926). London: Heinemann, 1927. First edition, 8vo., publisher's white cloth with pebble design, with blue printed paper labels, pale blue dust wrapper printed in black, edges uncut, upper edge of the wrapper with some loss, title-page blind stamped "presentation copy", with the bookplate of R. J. Dickinson, (Higginson & Williams 23a); [Idem] Poems 1926-1930. London: Heinemann, 1931. First edition, 8vo., publisher's maroon cloth with white cobbled design, printed paper labels, with mauve dust wrapper printed in white and black, with printed paper labels, edges uncut, with book plate of R. J. Dickinson (Higginson & Williams A36); [Idem] No more ghosts: selected poems. London: Faber and Faber, 1940. First edition, 8vo., grey tan paper boards, faded, endpapers discoloured, slight foxing of upper outer edge, with the book plate of R. J. Dickinson ( Higginson & Williams A50); [Idem] Ann at Highwood Hall: poems for children. Illustrated by Edward Ardizzone, 1964. First edition, 8vo., publisher's blue cloth-simulated boards, with the book plate of R. J. Dickinson (Higginson & Williams A110a); [Idem] Lars Porsena or the future of swearing and improper language. London: Martin Brian and O'Keeffe, 1972. 3rd edition, small 8vo., publisher's blue cloth, clear plastic dust wrapper, in a blue slip case, no 46 of 100, signed by Graves (Higginson & Williams A21d); and 2 others (7)

Scottish History, a collection of 6 works [Keith, Robert] The History of the Affairs of Church and State in Scotland... Edinburgh: Gavin Hamilton, 1734. Folio, volume 1 only, contemporary quarter calf, bookplate of Sir William Forbes, rubbed; Robertson, William The History of Scotland. London: A. Millar, 1759. Two volumes, second edition, 4to, contemporary calf, bookplates of John Belsches; Dalrymple, Sir David Annals of Scotland... Edinburgh: J. Murray, 1776. 2 volumes, 4to, non-uniform half calf, bookplate and ownership signatures/stamps of John Belsches; Stuart, Gilbert The History of Scotland... London: J. Murray, 1782. 2 volumes bound as one, 4to, contemporary calf; 'Blind Harry' The Metrical History of Sir William Wallace... Perth: R. Morison, 1790. 3 volumes, 12mo, contemporary tree calf with red morocco gilt labels, bookplates of Sir William Forbes; Dalyell, John Graham Fragments of Scottish History. Edinburgh: Archibald Constable, 1798. 4to, contemporary tree calf, bookplate of Sir William Forbes (10)

Yeats, W.B. The winding stair and other poems. London: Macmillan and Co., 1933. First edition thus, 8vo., publisher's blind stamped and gilt cloth to a design by Sturge Moore, dust wrapper, uncut and partly unopened, with the errata slip at p. 85, slight browning and fading of the dust wrapper, book plate of R. J. Dickinson, neat ownership inscription of E. C.H. Smyth, Dublin, 1934 on recto of front free endpaper Note: Wade 169. Described as the "second pillar of Yeats's mature reputation."(M. M. Gatch & Ed Maggs A Little dust: the Gatch collection of Yates, 2012, p.23), the present edition differs considerably to the work with the same name published in New York in 1929. Connolly in The Modern Movement considered The Winding Stair along with Yeats's The Tower as, "a peak in English poetry".

Nietzsche, Friedrich Thus spake Zarathustra: a book for all and none; translated by Alexander Tille. London: Henry and Co., 1896. First English edition, 8vo., publisher's blue cloth, blind stamped roundels at corners of boards, repeated in gilt on the spine, uncut, spine faded with rubbing at head and tail, verso and rector of free endpapers discoloured, with the bookplate of R.J. Dickinson Note: Issued as volume VIII of The Works of Friedrich Nietzsche, this translation was published both in London and in New York by Macmillan in 1896. Tille, a German philosopher, was appointed Lecturer of German Literature at the University of Glasgow in December 1890, as well as being granted the privilege of special reader at the university library. Tille returned to Germany in 1900, due to disputes with students over the Boer War

"Aristotle" Aristotle's complete and experienc'd midwife in two parts: made English by W-S-. London: printed and sold by the booksellers, [n.d. c. 1770?]. 12mo., modern quarter cald, marbled boards, the contents bound at the end rather than at the front (ESTC T149182 , W.S. = William Salmon); Aristotle's works containing the master-piece, directions for midwives, and counsel and advice to child-bearing women with various useful remedies. London: John Smith, [n.d., c. 1850?]. 16mo., coloured frontispiece and coloured vignette on the general title-page, 6 coloured plates and illustrations in the text, publisher's green cloth, boards blocked in blind, spine decorated gilt; Another edition. London: Smith, [n.d.]. 16mo., 6 coloured plates, illustrations, red cloth, spine decorated gilt; The works of the famous philosopher. Containing his compleat master-piece. London: Smith, [n.d.]. 16mo., engraved frontispiece, engraved vignette on the title-page, 6 coloured plates, illustrations in the text. red cloth with black stamped decorations; Shailer, W. The young woman's companion; or, female instructor. London: Milner, [n.d. c. 1850?] (5)

Graves, Robert Antigua, penny, puce. London: Seizin Press-Deyá, 1936. First edition, first impression, 8vo., publisher's maroon cloth, with R. J. Dickinson's bookplate, blind stamped address on front free endpaper, slight foxing fore edge, without dust wrapper (Higginson & Wlliamson 46a); [Idem] Count Belisarius. London: Cassell,1938. First edition, 8vo., publisher's cloth, with bookplate of R. J. Dickinson (Higginson & Williams A47); [Idem] I Claudius from the autobiography of Tiberius Claudius. London: Barker, 1934. First edition, 8vo., publisher's black cloth, genealogical table, with R. J. Dickinson's bookplate and signature on the front free endpaper, without dust wrapper (Higginson & Williams A42a); [Idem] Claudius the god and his wife Messalina. London: Barker, 1934. First edition, 8vo., publisher's black cloth, with a map two genealogical tables, with R. J. Dickinson's bookplate and signature on the front free endpaper, without dust wrapper (Higginson & Williams A43a); [Idem] Sergeant Lamb of the Ninth. London: Methuen.1940. First edition, 8vo., with a folding map, publisher's red cloth, bookplate of R. J. Dickinson, spine and upper cover partly faded, without dust wrapper (Higginson & Williams 51a); [Idem] Proceed Sergeant Lamb. London: Methuen, 1941. First edition, 8vo., frontispiece, with a folding map, publisher's green cloth, spine a little faded (Higginson & Williams A53a); and 6 others (12)

Lucanus, Marcus Annaeus Pharslia sive belli civilis libri decem … curante Francisco Odendorpio. Leiden: apud S. Luchtmans, 1728. 4to., 2 volumes in 1, engraved frontispiece, title-page in red and black, folding map, contemporary diced calf, spine decorated gilt in compartments; Propertius, Sextus Aurelius. Elegiarum libri quatuor … curis secundus Jani Broukhusii …. Amsterdam: apud Rod. & Gerh. Wetstenios, 1727. 4to., engraved title-page, printed title-page in red and black, contemporary blind stamped and ruled vellum, upper outer joint splitting; Juvenal & Persius. Satirae: interpretation ac notis illustravit Ludovicus Prataeus … in usum Serenissimi Delphini. Paris: ex typ. Fred. Leonard, 1684. 4to., modern quarter calf, marbled boards, lacking the engraved title-page; Pliny. Epistolarum libri X … cum commentariis Ioannis Mariae Catanaei. Genève: apud P. & J. Chouet, 1643. 4to., contemporary vellum; Aurelius Victor, Sextus. Historiae romanae … notis Anna Tanaquilli Fabri … in usum Serenissimi Delphini. Paris: D. Thierrry, 1681. 4to., contemporary sprinkled calf, spine worn, worming at the lower inner corner of the first few pages, bookplate of Sir Francis Wood, Bart.; Ovid. Opera omnia ed. P. Burman. Volume 1. Heroides. Amsterdam: apud F. Changion, 1727. 4to., engraved frontispiece, title-pages in red and black, contemporary calf, dried and rubbed, volume 1 only, bookplate of L.C.E. Neville Rolfe, Heacham Hall (6)

Elzevier Aphthonius of Antioch. Progymnsmata. Amsterdam: apud L. & D. Elzevier, 1655. 12mo., engraved title-page with date 1649, contemporary vellum; Conciones et orations ex historicis latinis. Amsterdam; ex officina Elzeviriana, 1662. 12mo., 18th century tree calf, with some wormholes: Tacitus. [Opera] ex I. Lipsii editione cum not. et. emend. H. Grotii. Leiden: ex officina Elzeveriana, 1640. 2 parts, 12mo., engraved title-page to the first part, folding genealogical table, contemporary calf, modern rebacking; Pliny. Epistolae et panegyricus. Marcus Boxhornius recensuit. Leiden: apud J. & D. Elzevier, 1653. 12mo., title-page in red and black, contemporary blind ruled calf, corners worn; Curtius (Qinutus Curtius Rufus), Historiarum libri. Amsterdam: ex officina Elzeviriana, 1670. 12mo., engraved title-page, folding map, contemporary calf; Terence. Comoediae ex recensione Heinsiana. Amsterdam: ex officina Elzeviiriana, 1661. 12mo., engraved title-page, contemporary calf, joints rubbed and worn; Suetonius. Caius Suetonius Tranquillus cum annotationibus diversorum. Amsterdam: typis Ludovici Elzevirii, 1650, 16mo., engraved title-page, contemporary vellum; Valerius Maximus. Dictorum fatorumque memrabilium libri IX. Amsterdam: typis Ludovici Elzevirii, 1650. 16mo., engraved title-page, contemporary calf, wear to top of spine; Tacitus. C, Cornelius Tacitus cum optimis exemplaribus collates. Amsterdam: typis Danielis Elzevirii, 1665. 16mo., engraved title-page, contemporary vellum; Aulus Gellius. Noctes atticae. Amsterdam: apud L. Elzevirium, 1651. 12mo., engraved title-page, contemporary calf, modern rebacking; Tacitus. C. Cornelius Tacitus cum optimis exemplaribus collates. Amsterdam: typis Danielis Elzevirii, 1678. 16mo., engraved title-page, contemporary vellum (11)

Album Album of 28 painted illustrations, 21 drawings, 13 silhouettes, 1 miniature on a circular disk, and forty-four MS poems. 1828, etc. 4to., calf, elaborate gold and blind tooled borders, spine decorated gilt, a.e.g., and two commonplace books (3) Note: Many of the illustrations are of high quality. While some are signed or initialled, others give the place and date where the illustration was undertaken. There are a number of topographical drawings , botanical illustrations, drawings of birds including a watercolour of a bird drawn on the banks of the Ganges, 1829, miniature (drawing) of a tournament held in front of St Mark's Venice. The silhouettes appear to be Elizabeth Mitchell with one signed in full by her at Colebrooke House, others are initialled by her.

Yeats, W.B. A book of Irish verse. London: Methuen, 1895. First edition, 8vo., publisher's green buckram, fore-edges uncut, a little rubbed, fore-edges darkened, (Wade 225); [Idem] Poems. London: T. Fisher Unwin, 1904. 4th English edition, 8vo., portrait frontispiece, dark blue cloth, with design in gold on front cover (by Althea Gyles), edges uncut, (Wade 19); [Idem] The land of heart's desire. Portland Maine: Thomas B. Mosher, 1905. 4th edition, small 8vo., publisher's paper boards, printed paper labels, edges uncut, (Wade 13); [Idem] The Shananchie: an illustrated Irish miscellany. Vol. 1 1906. Dublin: Maunsel & Co. Ltd., 1906. 4to., frontispiece, plates, publisher's buckram, edges uncut, covers stained, Wade p. 77, contains the first appearance by Yeats of The Song of the Woman under the title Against Witchcraft; [Idem] Reveries over childhood & youth. London: Macmillan, 1916. First edition thus, 8vo., coloured frontispiece, 2 plates, publisher's dark blue cloth, upper cover with design in gold by Sturge Moore, binding faded and with hinges and edges rubbed, (Wade 113); [Idem] Responsibilities and other poems. London: Macmillan, 1916. First edition thus, 8vo., publisher's dark blue cloth with design in gilt on the front cover by Sturge Moore, uncut, spine rubbed and binding generally faded, half-title discoloured, blind stamped "presentation copy" on the title-page, (Wade 116) (6)

Children's books, 63 volumes, including The World's fair, or Children's prize gift book. [c.1851], 8vo, additional hand-coloured frontispiece and additional title, original cloth gilt; [Dickens, Charles] Sketches of young gentlemen. 1838, Third edition, 8vo, 5 (of 6) plates by Phiz, original boards, worn; [Idem] Sketches of young ladies. 1837. Fourth edition, 6 plates by Phiz, original boards, some spotting, worn; [Browne, Gordon] Some more nonsense. [1896], 4to., original cloth-backed boards, lightly soiled; Burnside, H.M. Buttercup pictures. London: E. Nister, [n.d.], 4to., 7 plates with revolving volvelles, original pictorial boards, slightly rubbed & soiled; Mulholland, R. Puck and blossom, a fairy tale. [c.1877], 8vo, 6 plates attributed to Kate Greenaway, original brown pictorial cloth; Mack, R.E. Blind man's buff. [c.1890], 8vo., chromolithographed plates, original cloth-backed pictorial boards, slightly soiled, corners bit rubbed; and other children's books (63)

Polybius Historiarum libri quinque. Nicolao Perotto interprete. Lyon: apud Sébastien Gryphe, 1542. (122674) [bound with] Beatus Rhenanus & Sigmund Gelen. In Titum Liviusm annoationes. Lyon: apud Sébastien Gryphe, 1542 (USTC 140466) [bound with] Livy. Decadum XIIII epitome. Lyon: apud Sébastien Gryphe, 1542 (122674), 3 works in 1 volume, 8vo., publisher's devices on the title-pages of all three works and on the final leaf of the first, wood cut historiated initials, contemporary vellum, worm hole at the upper inner margin of the first signature in the first work, paper uniformly a little discoloured throughout, occasional underling of the text: Appianus. De civilibus romanorum bellis historiarum. Lyon: Sébastien Gryphe, 1551. 16mo., printer's device on the title-page, with the final two blank leaves, contemporary blind calf, spine damaged (USTC 150802); Ovid. Heroidum epistolae P. Ouidii Nasonis et Auli Sabini Responsiones, cum Guidonis Morilonii argumentis, ac scholiis. His accesserunt Ioannis Baptistae Egnatii observations. Venezia: apud Giovanni Griffio, 1575. 8vo., printer's device on the title-page and on the verso of the last leaf, contemporary limp vellum, buckled, some worming at lower inner margin, title-page dusty and a little stained, verso of last leaf with 17th century ownership inscription and ink scrawls (USTC 845871); Egnazio, Giovanni Battista. Caesarum vitae post Suetonium Tranquillum conscriptae. Lyon: apud Sébastien Gryphe, 1551. 16mo., title-page with device, ruled in red throughout, contemporary vellum, title-page soiled and rebacked (USTC 123100); Cicero. Rhetoricorum ad Herennium libri quatuor. De inventione libri duo. Omnia ad optima quaeque, eaque vetusta exemplaria, castigate. Lyon: apud Antoine Gryphe, 1588. 16mo., device on the title-page, contemporary blind stamped calf, title-page dusty and with early ownership inscription, repairs to tears in p. 165 (USTC 203393) (5)

Lindsay, David A Voyage to Arcturus. London: Methuen, 1920. First edition, 8vo., 8pp., of publisher's catalogue at the end, publisher's red cloth, lettered in blind on the upper cover and in gilt with gilt rules on the spine, spine slightly faded, with the bookplate of R.J. Dickinson Note: Now considered a seminal work of science fiction and which has been described as the major "underground" novel of the 20th century, this, the author's first book printed in an issue of 1500 copies, was not originally a great success, with only 596 of the issue being sold on publication.

Essex House Press - Ashbee, C.R. & Janet E. The Essex House Song Book... Essex House Press, 1903-1905. 8vo, ten parts bound as one, printed in red and black, decorations by Paul Woodroffe, red brown morocco with raised bands and blind-stamped trefoil decoration Provenance: Bookplate of John Morgan, an Aberdeen stonemason and Arts and Crafts enthusiast who was a friend of John Ruskin and Thomas Carlyle. An auction of his books took place in 1908. The bookplate is designed by Charles Ricketts. Note: The binding is similar to those produced by Cockerell and to those produced by the bindery of the Guild of Handicraft, for whom the collection of songs enclosed in the book were formed. It is highly possible that Morgan purchased the book from the Essex House Press in its current binding.

After William Russell Flint (1880-1969), semi-nude figure on a sandy shoreline, trees and buildings beyond, limited edition colour print, blind stamped and numbered in pencil 755/850, 53.5cm by 70.5cm

After William Russell Flint (1880-1969), figures inside a bath house, limited edition colour print, blind stamped and numbered in pencil 692/850, 53cm by 70cm

After William Russell Flint (1880-1969), interior scene with ballet dancers posing before a mirror, colour print, blind stamped and signed in pencil, 39cm by 50cm

After William Russell Flint (1880-1969), woman shrimping on sandy shoreline, sea beyond, limited edition colour print, blind stamped and numbered in pencil 531/650, 40cm by 52cm

After William Russell Flint (1880-1969), ladies inside a bath house, limited edition colour print, blind stamped and numbered in pencil 753/850, 52cm by 68cm

Mackenzie Thorpe (b. 1956) signed limited edition (21/850) print "Sheep in Lane", with blind gallery stamp, 51 x 35cm

UNATTRIBUTED (20th CENTURY) LIMITED EDITION PRINT FROM AN INK AND WASH SKETCH Profile portrait of a jester, possibly Oscar Wilde (3/100) Unsigned, blind stamp, monogrammed VR 25" x 18 3/4" (63.6 x 47.6cm), mounted but unframed

A William IV and later mahogany four poster bed, with blind fret carved canopy and baluster reeded supports, 219cm wide x 237cm high x 170cm deep.

***PLEASE NOTE THAT THIS MIRROR IS IRISH AND ESTIMATE SHOULD READ €2,000-3,000 IN PRINTED CATALOGUE***AN IRISH GEORGE II CARVED GILT WOOD PIER MIRROR, c.1730 fitted with mercury backed plate, surrounded by a narrow leaf carved border, surmounted by a swan neck broken pediment with feather plum cresting over a blind carved apron. 118cm high, 54cm wide

A PAIR OF EARLY GEORGE III MAHOGANY FOLDING TOP CARD TABLES, with rosette carved rims above blind fret frieze, on chamfered square gate leg supports, with open fret brackets. 85cm wide x 42cm (closed) x 73cm high

A GEORGE III SECRETAIRE CABINET, C.1770, with cavetto moulded corners above dentil frieze, above a pair of doors with shaped fielded panel, interior later converted to linen press, above a pull-out fitted writing drawer fitted with serpentine drawers and tray with blind fret facades, the chest base with two short and two long drawers, with outset ogee bracket feet, apparently retaining its gilt brass furniture. 205cm high x 122cm wide x 63cm deep

Oak and mahogany longcase clock, the hood with a moulded cornice above a blind fretwork frieze, turned and fluted columns, long door with shaped top, flanked by turned and fluted columns, box base with canted corners, ogee bracket feet, 14" diameter circular dial, with Roman numerals, subsidiary seconds dial and date dial signed W. Edmunds, Madeley, thirty-hour movement striking on a bell, height 204cm.

AN 18TH CENTURY CHIPPENDALE STYLE MAHOGANY GAINSBOROUGH ARMCHAIR with flower carved decoration to the swept arms and blind fretwork decorated front legs, with an 'H' stretcher beneath 63cm wide x 64cm deep x 94cm high

A 19TH CENTURY OAK HALL TABLE with blind fretwork decoration to the three frieze drawers and standing on square tapering legs united by an undertier with shaped front 137cm wide x 40cm deep x 84.5cm high

LINEN PRESS, George III mahogany with a dentil cornice above blind fretwork and two panelled doors enclosing shelves over two short and one long drawer below on bracket feet, 128cm W x 185cm H x 60cm D. (with faults)

Field Marshal The Viscount Montgomery of Alamein, Normandy To The Baltic, 21 Army Group British Army of the Rhine, 1946, 1946, First Edition for private circulation, original blind-ruled gilt lettered red cloth, ripped dust cover, illustrated with coloured folding maps, Montgomery of Alamein, The Memoirs 1958, The Earl Of Oxford And Asquith, K G Memories And Reflections, Cassell and Company London, 1928, 1928 Edition, in two volumes. (4)

Long blind

After Edward Seago,'Santa Maria della Salute-Grand Canal, Venice',signed in pencil to mount and with blind stamp,coloured reproduction,image 52 x 72 cm CONDITION REPORT: Even discolouration

GEORGE III LONGCASE CLOCKthe hood with swan neck pediment and blind fretted frieze enclosing an arched brass dial with Roman and Arabic numerals, moon phase with calendar aperture and 8 day movement by Thomas Walker of Strathaven, the dial No. 179, contained in a scumbled pine case, on bracket feet, 216cm high

IMPRESSIVE EDWARDIAN CHIMING LONGCASE CLOCKthe lofty hood with swan neck pediment and blind fretted frieze enclosing an arched brass and silverised dial and movement by Winterhalder of Germany, the circular chapter ring with Arabic brass numerals in relief, subsidiary seconds dial within fretted brass scrollwork, similar decoration to the arch and spandrels, with Whittington and Westminster chimes and 8 day movement, contained in a waisted mahogany case with 3/4 fluted columns, the base carved with a floral panel, on bracket feet, 237cm high

Helen Bradley - limited edition print 'Our Picnic', signed in pencil, with blind stamp - 40 x 59cm

A Chippendale style mahogany two door display cabinet with blind fretwork decoration, all raised on stand with drawer and undertier, 97cm wide

Rock and Pop LP's, to include Neil Young 'Harvest', Crosby Stills 'Deja Vu', Cream 'Goodbye', Ten Years After 'Undead' (Deram IB/IB) Blind Faith, Sgt Pepper, etc and 45's to include Jackie Wilson, Troggs, Bobby Hebb.

A Wedgwood Jasperware 'Blind Man's Buff' Vase, limited edition 261/500, dated 1998, in powder green, overall height 30.5cm.

Rolling Stones LP's, to include the collectable 'Beggars Banquet' unboxed dark red Decca, mono, LK4955, side indicators right of spindle hole, inverted below J/T, Rolling Stones LP No.1 (Blind Man Text) No.2 and Aftermath; various Decca singles, EP, etc and the Animals LP.

L.S. LOWRY (1887 - 1976) limited edition lithograph 'The Old Town Hall and St Hilda's Church, Middlesbrough, Tees Valley' numbered 529/850, published and printed by the Adam Collection with blind 'A' stamp to lower margin, framed and glazed (A/F) Sun bleached

An early 20thC mahogany piano stool the hinged seat over a blind fretwork frieze and raised on acanthus carved supports

Goertz Ango Stereo Body, self erecting septum, 9x14 format, shutter working, 2nd blind printed

[TOPOGRAPHY]. SOMERSET Views of Watchet, Rock & Co., London, no date [circa 1870], blind-stamped maroon cloth, twelve engraved plate illustrations, 13.5cm x 18cm (upper cover loose; lower cover stained; lacking rear blank).

A FOUR SECTION MAHOGANY GLOBE WERNICKE STYLE BOOKCASE with blind fret carved frieze, 87cm wide 25cm deep 146cm high

A FOUR SECTION MAHOGANY GLOBE WERNICKE STYLE BOOKCASE with blind fret carved frieze, 87cm wide 25cm deep 146cm high (matching previous lot)

*Broadside. Jarvis J. (publisher), The Poor Blind Pig Man, circa 1760, hand coloured etching with sixteen lines of verse below image, stained, 310 x 195 mm A scarce portrait of a street hawker. A portly man with a cane has a basket around his neck containing model pigs, probably made of clay and designed for children. The seller has his hand on the shoulder of a young boy who acts as his guide. The image is not in the digital collection of the British Museum, but they do have a copy - acquired in 1851 - numbered 1851.0308.527. (1)