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Edwardian mahogany standing corner cabinet with moulded and blind fretwork cornice above two astragal bar glazed doors enclosing shaped shelves on bracket feet

Edwardian mahogany bijouterie cabinet with all-over blind fretwork decoration, the hinged lid above glazed sides and square tapering supports with spade feet

An Edwardian mahogany bow front sideboard with blind fret carved frieze, fitted three frieze drawers above centre cupboard with ram's head mask, flanked to each side by a glass door, on fluted turned supports

1930's kitchen cabinet with two glazed doors over a single drawer and two blind doors. { 180cm H X 82cm W X 42cm D }.

1930's kitchen cabinet the two glazed doors over a fall front and two blind doors. { 178cm H X 90cm W X 50cm D }.

Georgian mahogany gentleman's robe the blind fretwork ovet two doors with astragal glazed and blind panels on ogee feet. { 212cm H X 123cm W X 52cm D }.

Georgian inlaid mahogany corner cupboard the two astragal glazed doors over two blind doors. { 216cm H X 90cm W }.

1930's kitchen cabinet the four blind doors over two shelves and bread board and two drawers over four blind doors. { 187cm H X 153cm W X 45cm D }.

ART DECO walnut robe with two blind doors. { 159cm H X 85cm W X 44cm D }.

A 19th Century Two Part Carved Mahogany Display Cabinet in the Chinese Chippendale style. The upper section having two glazed doors flanking a carved scenic centre panel with glass shelves to the velvet lined interior above four shallow frieze drawers blind-fret carved with trellis-work. The galleried top centred by a pagoda canopied section with fretted trellis rails either side. The table base having foliate carved edge moulding above two cock-beaded frieze drawers standing on column cluster legs united by a shaped under-shelf, 76½ ins (194 cms) high, 53½ ins (136 cms) wide, 19½ ins (50 cms) deep.

A Handsome George III Mahogany Chest on Chest. The upper chest having a dentil moulded top above a decorative blind fret carved frieze band, two short over three long cock-beaded drawers flanked by fluting to the canted corners. The base chest housing three further long drawers raised on bracket feet. The drawers retaining their original gilt brass swing handles. 75 ins (190 cms) high, 42 ins (107 cms) wide, 20½ ins (52 cms) deep.

A Chinese Republic Style Four Panel Screen. The ebonised frame blind fret carved with bats amidst scrolling clouds enhanced with gilding and containing four porcelain panels painted with figural scenes and calligraphy. 34½ ins (88 cms) high, 38½ ins (98 cms) wide.

A 19th Century Mahogany Eight Day Long Case Clock by W Prest of Liverpool. The 14 inch (36 cms) wide arch-topped enamel dial painted with warring crusaders in the arch and architectural structures in the corners. The face painted with a ring of black Roman numerals encircling a seconds and calendar subsidiary dial. The hood having a moulded swan neck pediment with embossed rosettes to the terminals flanking a swan finial with spired ball finials either side. The glazed hood door flanked by fluted columns. The trunk having a blind fret carved frieze band above a serpentine topped door with lip-moulded edge flanked by sunken corner columns above carved 'brick-work'. The moulded base raised on bracket feet, 98 ins (248 cms) in height.

Stanley Palmer, New Zealander b.1936- Coastal scene; bamboo etching, signed, titled, numbered 17/60 and dated 77 in pencil, bears publisher's blind stamp, 12.6x25.9cm (unframed)

Michael Ayrton, British 1921-1975- View in Greece; lithograph printed in colours, signed and numbered 46/50 in pencil, bears publisher's blind stamp, 52.5x75cm (may be subject to Droit de Suite) CONDITION REPORT: in a glazed wooden frame, late 20th/early 21st century looks to be stuck down on centres and corners full sheet visible staining/tape residue all along right hand edge small grubby mark top centre edge some grubby marks along bottom edge creasing along left hand side sheet somewhat time faded and yellowed otherwise good

Laurence Stephen Lowry RA RBA LG NS, British 1887-1976- "Group of Children"; colour reproduction print, signed in pencil, bears Fine Art Trade Guild blind stamp, 20.5x20.5cm: together with a group of three reproduction prints in a shared frame after the same hand "Sketch for Group of Children"; ea. 10x12.5cm (shared frame), (2) (may be subject to Droit de Suite)

Forsyth, William. History and Captivity of Napoleon at St. Helena; From the Letters and Journals of the Late Lieut.-Gen. Sir Hudson Lowe, and Official Documents not Before Made Public. 3 volumes, 1853 Three engraved frontispieces and a folding engraved map at the end of volume one, the engravings with some spotting and offsetting, the map with old repairs to the folds. Text with some scattered spotting. Original blind-stamped bindings, rubbed and worn, spines faded with some snagging.  * This copy with the bookplates of B. Jackson. Lieutenant-Colonel Basil Jackson (1795-1889) was a Lieutenant in the Staff Corps in St. Helena. He arrived with Sir Hudson on April 14th 1816 on H. M. S. Phaeton. He was an artist and drew many watercolour sketches in the island. His job was to supervise the repairs to Longwood House where Napoleon had been living in exile since December,1815; (the frontispiece to the second volume is of the House , taken from one of his sketches). He also supervised the building of Bertrand’s Villa and Longwood New House. He spoke excellent French and on July 20th 1817 had an interview with Napoleon, returning to England on July 8th 1819 aboard H. M. S. Dunira. There are many ink and pencil notes in the margins of the book by Jackson which add to points made in the narrative. Many of the notes are signed.

Diodati, Giovanni. Il Nuovo Testamento del Signor nostro Jesu Christo tradotto da Giovanni Diodati. 12mo. [Geneva] 1608. Engraved title page with a contemporary owner’s manuscript initials and device, at the foot of the page a collector’s stamp, the letters “B” and “R” in a monogram inside a heart shaped laurel wreath. This latter stamp also on the foot of the last printed page Contents loose in the contemporary full vellum binding which has blind stamped wreaths on the upper and lower covers and a gilt oval wreath stamped on the spine. Spine title supplied in ink (in English) with the manuscript number “247.” The binding rubbed and worn.

Holme, Charles (Ed.) Modern Pen-Drawings: European and American London: The Studio: First edition, 1901. 4to, 216pp, 75 plates (2 double-page), numerous text illustrations, remainder untrimmed, original binding in blind-stamped full vellum gilt, complete with box cover. Limited edition 244 of 300 numbered copies. With illustrations by Jessie M. King, Maxfield Parrish, Walter Crane, Laurence Housman, Hugh Thomson etc

A LATE 18TH CENTURY OAK 30 HOUR LONGCASE CLOCK, the 11" square brass dial with Roman chapter ring, Arabic five minutes signed Henry Baker, Malling, the matted centre with subsidiary seconds and date aperture, rococo spandrels, the posted movement with outside count wheel bell strike, the hood with blind fretwork frieze over fluted pilasters, long trunk door and double skirt base, 195cm high

KINGSLAKE (A.W.) The Invasion of the Crimea: its origin, and an account of its progress . . . (mixed editions), 8 vols. folded lithographed view, folded facsimile, 63 maps & plans (mostly folded, some coloured), half titles, publisher's catalogues; original blind & gilt-decorated cloth. 1874-87. * vols. I & II (5th editions); vols. III & IV (3rd edition); vols. V-VIII (1st editions); the 5th edition reprinted the 4th - which had some corrections & many notes added.

NOLAN (E.H.) The Illustrated History of the War against Russia. First Edition, 2 vols. engraved pictorial & printed titles, 63 steel-engraved plates (incl. portraits), 7 d-page coloured maps & 2 plans; contemp. Oxford blue calf, gilt-ruled & blind decorated covers, gilt-decorated & panelled spines with red labels, marbled e/ps. & edges, thick 4to. (1857). * v. substantial text in d-column printing.

EYRE (Lt. V.) The Military Operations at Cabul, which ended in the retreat and destruction of the British Army . . . with a Journal of Imprisonment in Afghanistan. 2nd edition. folded plan, 2 advert leaves; publisher's blind-decorated & gilt-pictorial cloth. 1843

GAWLER (Col. G.) The Essential of Good Skirmishing. 2nd (extended) edition. music notation (bugle calls), publisher's 8pp. catalogue; original blind-decorated limp cloth. 1852. * ownership signature (Dumfries Militia) on dedication; with other related manuals - field exercise, cavalry etc. (16)

ANTOMMARCHI (Dr. F.) The Last Days of the Emperor Napoleon. First Edition, 2 vols. 19th cent. green half calf & cloth (by Seton of Edinburgh). 1825. * armorial bookplates of William Scott Kerr, of Chatto * by Napoleon's physician (& fellow Corsican); MAITLAND (Capt. F.L.) Narrative of the Surrender of Napoleon and of his residence on Board H.M.S. Bellerophon; with a detail of the principal events that occured in that ship . . . 2nd edition. folded map; earlier 19th cent. purple blind & gilt-decorated calf with panelled spine, marbled e/ps. 1826. * armorial bookplate of John George Lambton, 1st Earl of Durham; together with 7 other related books.

[SHERER, M.] Recollections of the Peninsula. 3rd edition, 1824; bound with [SHERER, M.] Notes and Reflections during a Ramble in Germany. old blind-decorated straight grain morocco, rebacked with old gilt leather spine & red label. 1826.

ASHTON (J.) English Caricature and Satire on Napoleon I. new edition. frontis. & many text illus.; gilt-pictorial cloth. 1888. * Hartington armorial bookplate; SCOTT (J.) A Visit to Paris in 1814; being a review of the moral, political, intellectual, and social condition of the French capital. 4th edition, corrected, and with a new preface . . . contemp. blind & gilt-decorated calf, panelled spine. 1816. * contemp. ticket - ' bound by the Inmates of the Male Refuge, Hoxton '; with books on other interesting miscellaneous topics of the period, including 'home front'.

BOYS (T.S.) Picturesque Architecture in Paris, Ghent, Antwerp, Rouen . . . First Edition. coloured pictorial title, dedication leaf & 28 illus. on 25 colour-printed lithographed plates; contemp. blind-decorated & gilt-ruled red morocco with silk upper board (within the shaped leather surround) & onlaid gilt-pictorial label, half cloth lower board, folio. Thomas Boys, 1839. * finely illustrated in the artist's inimitable style; the printing was undertaken by G. Hullmandel.

[BOOTH, John] The Battle of Waterloo, also of Ligny, and Quatre Bras . . . with circumstantial details. By a Near Observer . . . forming an Historical Record of the Campaign in the Netherlands, 1815 . . . 2 vols. (in one). 10th edition, enlarged and corrected. portrait frontis.,title vignettes, 2 folded & hand-coloured panoramas, a large folded plan, a large folded map, 5 other maps/plans & 34 etched plates; publisher's blind-decorated & gilt lettered cloth, 4to. 1817. * a standard historical account; the folded map & plan being a detailed record in themselves.

[EATON, C.A.) Narrative of a Residence in Belguim during the Campaign of 1815; and of a visit to the Field of Waterloo. By an Englishwoman. First Edition. contemp. gilt-decorated calf, blind & glit panelled spine, inner gilt dentelles. 1817. * neat contemp. inscription at front; an unrelated map has been bound-in; together with PATTISON (Lt. F.H.) Personal Recollections of the Waterloo Campaign, in a series of letters to his grand-children. 2nd edition. mounted photo. frontis. (author's ms. inscription beneath); original cloth with g.e. Glasgow: printed for private circulation, 1873. * with author's presentation inscription at front; he had served in the 33rd (Duke of Wellington's) Regt.; sold with 10 other related books (12)

[SIBORNE, Capt. W.) Atlas of the Waterloo Campaign] First Edition. 2 maps & 9 plans (with outline & detail colour), the plans (within decorated borders) are variously 2 1/2 x 6 1/2 ins. to the mile; loose in contemp. gilt-lettered portfolio, miltary trophies vignette in blind on lower cover. (?1844) ; sold with Another Copy. contemp. red half calf morocco & cloth, gilt leather label on upper board, in this instance the plates are bound-in, folio. * this copy with old quaint hexagonal booklabel of C.T.C. Luximoore; the Atlas accompanied the author's 2 volume Campaign History, published the same year.

GEORGE II WALNUT LONGCASE CLOCK BY JOHN ELLICOTT, LONDON MID 18TH CENTURY the stepped caddy top with a blind fretwork frieze above an arched brass dial with silvered Roman numeral chapter ring, subsidiary Strike/Silent and seconds dials, and a date aperture, inscribed 'JNO Ellicot London'; above an arched door and a plinth base, the eight day movement striking a bell 49cm wide, 245cm high Provenance: Private London Residence

DUTCH BURR WALNUT LONGCASE CLOCK BY WILLIAM GIB, ROTTERDAM LATE 17TH / EARLY 18TH CENTURY the high caddy top above a hood with blind fret carved arched frieze and brass urn and eagle finials, the pierced arch brass dial with Roman and Arabic chapters, subsidiary seconds dial, date aperture and three winding holes, engraved WILLIAM GIB/ ROTTERDAM above the long trunk with an arched door with a star etched lenticle, on a plinth base raised on turned bun feet, the eight day movement striking on nine bells 46cm wide, 252cm high, 26cm deep Provenance: The Contents of Mullanhead House, Balfron

SIR WILLIAM RUSSELL FLINT. Three Groups, Viviers, reproduction in colours, pencil signed, with blind stamp of The Fine Art Trade Guild, Pl. 16 1/2 x 22 3/4 in

SIR WILLIAM RUSSELL FLINT. Secret Retreat, reproduction in colours, pencil signed, with blind stamp of The Fine Art Trade Guild, Pl. 16 3/4 x 22 3/4 in

Early 20th Century pine blind panelled cupboard on a platform base.

Mahogany inlaid blind panelled, bow front corner cupboard with dentil cornice.

Blind oak continental style two door cabinet with deep under drawer on bun feet.

19th century mahogany blind hanging corner cupboard.

18th Century oak blind paneled hanging corner cupboard.

20th century walnut two stage secretaire cabinet by Waring & Gillow of Lancaster having two pairs of blind panelled doors with leather tooled writing surface. Label reads 'By Appointment to the King Waring & Gillow'.

A signed limited edition coloured print after Robert Lenkiewicz showing a seated woman in a studio interior, signed bottom right R D Lenkiewicz, with title Painter With Women, St Antony Theme, with Washington Green blind embossed stamp, edition 61/475, 67 x 50 cm in black and gilt frame

A signed coloured print after Sir William Russell Flint showing female and other figures outside a church, signed in pencil bottom right and with blind embossed stamp bottom left, inscription top, published 1968 by Frost & Reed Limited, with Frost & Reed label verso dated 71, also with presentation inscription, 49 x 64 cm in gilt frame

Gustave David [1824-1891]- The Blind Beggar with a Mother and Child outside a Convent:- signed bottom right watercolour 34 x 26cm.

A 17th Century carved oak three tier buffet:, with blind fret strapwork and gadrooned friezes and foliate decorated uprights, on block feet, 126cm (4ft 1 1/2in) long.

Ten Irish Interest Books to Include: History of the Tractarian Movement by Edward George Kirwan Browne. Dublin: James Duffy, Six Wellington-Quay, 1856. First edition. Brown cloth with gilt lettering on spine and blind stamped decorations on the front and back boards (a/f). Pp. 388. Inside front & back, and title pages inscribed by a 'B. O'Reilly'; Letters to Eminent Handsto Wit Andrew Lang, Bret Hartee, Edna Lyall, F. Anstey, George Moore, Grant Allen, Phil Robinson, Rhoda Broughton, Robt. Louis Stevenson, Rudyard Kipling, Thomas Hardy, W. S. Gilbert. by i' (Joseph William Gleeson White, 1851-1898), English writer on art and founder of the 'Studio' magazine, Art Workers Guild; Arts and Crafts Movement). Published: Derby Leicester and Nottingham: Frank Murray, 1892. In original cream printed wraps. One of two hundred copies of the 'Small Paper Edition'. In the 'Moray Library'. The Message of the Masters: A Legend of Aileach. With stamp for De la Salle College Waterford. The Sunburst of Ireland Reciter: A Selection of the Most Celebrated Addresses Delivered by Irish Orators and Patriots. Glasgow: Cameron, Ferguson & Co., no date. And The Etiquette of Teaching by B. Healy. Dublin: Keating & Co., 1889 and others (10).

A Mixed Lot To include Dewalt alligator saw (110v), small round front side table, small oak side table with long drawer, Olivetti cash register, single white roller blind (150cm w), glass bath/shower screen, swinging baby cot, small coffee table, circular pine dining table with base and single leaf, 3 shade ceiling light, a rowing machine, Side Chair with rush seat and a swivel jardinière with brass handle (plant holder) (Q) €60-100

Victorian Mahogany Pot Cupboard with one blind panel door €60-80

A Late 18th Century Oak Coffer with Blind Carved Top Rail and Iron Lock Plate

A 19th Century Blind Carved Stool with Cane Top on Turned Reeded Legs Culminating in Castors. 79cm Long. 37cm High

Mahogany bowfront china cabinet, gadrooned edge, blind fretwork frieze, glazed doors enclosing shelves, cabriole legs with ball and claw feet, width 92cm.

Continental Arts and Craft ebonised casket, blind tracery with brass mounts, width 28cm.

Giacomo Balla (Italian, 1871-1958): Equilibrio spaziale, colour screenprint, blind stamped & numbered 130/150

Edwardian mahogany glazed door music cabinet in the classical Adam style, incorporating blind fret drawer above bevel glass multi glazed door and mirrored back and shelf, very good condition, height 57 inches, width 22 inches, depth 15.5 inches

A carved oak astrigal glazed two door bookcase with blind fret carving.

After David Shepherd, The Tigers of Bandhavgarh, limited edition print, signed in pencil and numbered 83/1000, with gallery blind stamp, 40 x 69cm, together with a set of twelve prints of animals after David Shepherd

Archibald Thorburn, 1860-1935, Grouse shooting, print, signed in pencil to the margin by the artist with gallery blind stamp for Q.A.R Printsellers Association, 39 x 55cm, published by Leggatt 1893, together with three others similar, (4)

Helen Bradley MBE (1900-1979): A set of colour prints The Four Seasons: Winter Spring Summer and Autumn, 22 by 30cm, Blind Stamps BHJ, JHB, FBH and BFK, signed in pencil lower right, edition of 850. (4)

Two limited edition fashion prints, blind stamped V&A for Victoria & Albert Museum, 'Lady in a black lace hat', edition numbered 22/195, and 'Lady in a white feathered hat', 63/195. (2)

Opera Omnia, 2 parts in 1, general title in red and black Opera Omnia, 2 parts in 1, general title in red and black, engraved frontispiece portrait of Suarez, double column, 3B8 and 2L4 at end blanks, second part Q5 slight worming to end, extensively foxed and browned, 19th century ink inscription on front free endpaper and ink inscription of the Jesuit College at Bailleul at head of title, ex-library copy with ink stamps, hinges a little weak, contemporary blind-stamped calf over wooden boards, rubbed, corners and edges repaired, brass clasps, rebacked in later morocco, Mainz, Hermann Mylius Birkmann and Balthasar Lipp, 1621; and another, Xenophon, 1596, folio (2).