We found 44918 price guide item(s) matching your search

A limited edition Beryl Cook signed print entitled ' Shall We Dance '. Limited to 650 copies. The print being signed in pencil to the bottom right with blind stamp to lower left. Measures 70cm tall by 51cm wide.

A 19th Century Georgian Jacobean revival oak wall hanging Delft plate rack, with shaped and moulded cornice, three central shelves flanked by smaller shelves. All with pierced fret work and blind fret decoration. Measures 95 cm high x 143 cm wide x 17 cm deep.

After Mackenzie Thorpe (b.1956), shepherd and his flock, 'Blue sky over winter', limited edition colour print 759/850, blind stamped, numbered, inscribed and signed in pencil, Washington Green certificate verso, 34.5cm by 45cm

After Mackenzie Thorpe (b.1956), sheep in snow covered woodland, 'Sheltering', limited edition colour print 371/850, blind stamped, numbered, inscribed and signed in pencil, Washington Green certificate verso, 35cm by 50cm

After Mackenzie Thorpe (b.1956), three sheep, 'High on Love', limited edition colour print 363/850, blind stamped, numbered, inscribed and signed in pencil, Washington Green certificate verso, 45.5cm by 38cm

A George III style mahogany glazed corner cabinet with dentil carved cornice and blind fret decoration, twin arched panel glazed doors enclosing three shelves, above two cupboards, on bracket feet, 79cm

After Montague Dawson, tall ships at sea, signed in pencil lower right with studio blind stamp, in a large burr walnut frame, 63x77

An ivory netsuke of two blind masseurs; one holding a staff with both hands and the other tying up his geta, 19th CenturyProvenance: The Property of a Lady. From a Private Collection acquired by her Great-Grandfather and all collected prior to his death in 1944.PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank's advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements, and the onus is therefore on them to arrange their own shipping. .Some wear extant.

An ivory netsuke of five blind masseurs fighting together, 19th CenturyProvenance: The Property of a Lady. From a Private Collection acquired by her Great-Grandfather and all collected prior to his death in 1944.PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank's advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements, and the onus is therefore on them to arrange their own shipping. .Some old wear and deterioration.

18TH CENTURY EIGHT DAY OAK LONGCASE CLOCK by Jeremiah Bullock of Ellesmere (Cheshire), having later moulded and cross banded broken arch pediment above square aperture flanked by plain turned pilasters, cross banded waist door on blind base. The brass face with Roman chapter ring, date aperture and pierced spandrels. 30 x 29cm approx. Eight day two train movement with baluster pillars, striking on steel bell. Overall 220cm high approx. (B.P. 24% incl. VAT) CONDITION REPORT: Overall in good original condition. Single weight only, includes pendulum.

19TH CENTURY WELSH OAK TWO STAGE RACK BACK DOG KENNEL DRESSER having moulded cornice above iron hooks and three moulded shelves, the projecting base above three cock beaded drawers, dog kennel arched base flanked by two blind panelled double doors standing on stile feet. 160 x 43 x 203cm approx. (B.P. 24% incl. VAT) CONDITION REPORT: Some of the mouldings, particularly on one of the cornices is missing, there's a bid hole to the back of one of the panels. Iron hooks are not complete, some parts are missing. Splits and wear commensurate with age as expected and losses.

19TH CENTURY DUTCH MARQUETRY TWO STAGE CABINET having double arch cornice above inlaid flower heads and foliage with two glazed doors, the interior revealing one fitted shelf above a cylinder pull out drawer, two blind panelled marquetry doors with floral bouquet decoration on a projected three tier base, standing on large bun feet. 41 x 67 x 167cm approx. (B.P. 24% incl. VAT) CONDITION REPORT: Scuffed and worn with age but basically sound. No obvious worm bar two or three holes in one backboard.Very minor losses to veneer in places. One end panel has horizontal split. Internal drawer. Bun feet very worn.

EARLY 19TH CENTURY OAK BLIND PANELLED CORNER CUPBOARD on later stand, having moulded and reeded cornice above a blind panelled with inlaid shell motifs, having three dummy drawers, the interior revealing three shaped shelves. 94 x 51 x 181cm approx. (B.P. 24% incl. VAT)

VICTORIAN PAINTED MAHOGANY SERPENTINE FRONTED DISPLAY CABINET having broken swan neck pediment above single serpentine door, revealing glass shelves to the interior, the projecting base with two blind panelled cupboards painted with couples in 18th Century dress, open shelf below on square tapering legs with flower head and trailing ribbon painted decoration. 145 x 96 x 213cm approx. Note: Provenance acquired by Rhys Davies, High Sheriff of Breconshire in the 1920's, who owned collieries in Abercraf, Breconshire. Believed to have been acquired by him from the Swansea Dock Authorites who had placed the cabinet in rooms made available to the Prince of Wales at the opening of Swansea Docks in 1881, accompanied by Princess Alexandra. (B.P. 24% incl. VAT) CONDITION REPORT: Rather grubby, some wear and tear in places commensurate with age but no obvious significant damage or losses.

EARLY 19TH CENTURY OAK CARMARTHENSHIRE LOW PRESS CUPBOARD having moulded cornice above two blind panelled doors with four moulded ogee panels, the interior revealing two fitted shelves, the protruding base with an arrangement of four drawers with ivory escutcheons and turned handles standing on bracket feet. 138 x 52 x 159cm approx. (B.P. 24% incl. VAT) CONDITION REPORT: Rather dry and faded in places. One door has some losses to it on one edge and opposite that there is a large split, side splits and shrikage splits. General wear as expected with age. One interior shelf may be a replacement.

19TH CENTURY WELSH OAK LOW PRESS CUPBOARD having moulded cornice above two blind panelled and ogee fielded doors, the interior revealing one fitted shelf and an arrangement of six drawers, standing on projecting base with bracket feet. 134 x 49 x 135cm approx. (B.P. 24% incl. VAT) CONDITION REPORT: Some loose pieces of moulding but are present. Some splits to the sides and to the top. Heavy wear in places, scratches and surface wear commensurate with age. One handle is broken and incomplete.

19TH CENTURY WELSH OAK TWO STAGE LINEN PRESS CUPBOARD having moulded cornice above two blind panelled doors with turned handles and ivory escutcheons, the interior revealing two fitted shelves, above an arrangement of three short and two long drawers with turned handles, standing on bracket feet. 56 x 129 x 190cm approx. (B.P. 24% incl. VAT) CONDITION REPORT: Rather tired condition in places, some loss to veneers. Scratches, split and wear as expected commensurate with age. The shelves and the back have probably been replaced and are now pine. One small knob handle is missing and one large knob handle also missing. As well as damage to some of the handles.

After Salavdor Dali - Swans reflecting elephants (Cygnes reflectis an elephants_ - a limited edition French serigraphic print by the Atelurs Silium 72/375, gallery blind stamp to lower left margin,. 19" x 27 1/2", mounted in glazed gilt frame

Five small English prattware pot lids, framed comprising 'The Begging Dog', 'Dangerous Skating (Six Steps)', 'Snap Dragon', 'Blind Man's Buff' and a Dutch Winter Scene, 7.5cm diameter (5)

Thomas Nelson, Market Deeping. A 19thC mahogany bracket clock of large proportion, surmounted by an inverted section with orb finial, above a domed case set with four further orb finials, flanked by lion mask and ring handles, with blind fret metal sides and an inlaid front, set with a diamond patera, on orb feet, the 22cm W arched dial with Roman numerals, signed Thos Nelson Market Deeping, with chime and non-chime feature playing seven tunes to include New Waterman, East To Him, Garland of Love, etc. double fusee movement striking on bells, airs and a gong to the hour, playing a tune for each day of the week, with door and winding keys and pendulum, 79cm H. Thomas Nelson is noted Lincolnshire Clock, Watch and Barometer Makers, A.S.H. Wilbourn and R Ellis, p.69. Clock and watchmaker 1811-1823 (P.1822-1823). LR&SM Friday, December 27th, 1811. T. Nelson, clock and watchmaker, Market Deeping respectfully returns his most grateful acknowledgements to his friends, and the public in general, for the liberal encouragement he has received since his residence in Market Deeping and assure them that no exertion shall be wanting to merit a continuance of their patronage. A journeyman clockmaker immediately wanted - none but good workmen need apply. LR&SM Friday, August 26th 1814 Wanted immediately an apprentice to a clock and watchmaker and silversmith - apply to Mr Thomas Nelson, Market Deeping. LR&SM Friday, July 26th 1816 Yesterday at Market Deeping, Mr Nelson, watchmaker of that place to Miss Ann Moulds, daughter of Mr Moulds of Langtoft Longcase clock extant.

Staffordshire. Phillips (J. & Hutchings W.F.), A Map of the County of Stafford, Divided into Hundreds & Parishes from an accurate Survey, made in the years 1831 and 1832, Henry Teesdale, 1832, large scale engraved map with contemporary hand colouring, sectionalised and laid on linen, table of explanation, compass rose and an uncoloured vignette of Lichfield cathedral, slight dust and finger soiling, 1320 x 975 mm, marbled endpapers, contained in a contemporary blind stamped mottled tree calf book box, later morocco gilt label to spine, a little worn at extremities (Qty: 1)

Brooke (James, Rajah of Sarawak). The Private Letters of Sir James Brooke, K.C.B. Rajah of Sarawak, narrating the events of his life, from 1838 to the present time, edited by John C. Templer, 3 volumes, 1st edition, London: Richard Bentley, 1853, half-titles, occasional scattered spotting, ownership ink stamp to front free endpaper of volume 1, title of volume 2 and half-title of volume 3, hinges cracked & worn, original blind blocked dark terracotta cloth gilt, slightly marked, 8vo (Qty: 3)

[China]. Sheng ü Siang Chai, or Chinese Historical Illustrations, republished in Reduced Form by the Tien Shih Chai Photo-Lithographic Works, Shanghai: Tien Shih Chai, 1879, printed on doubled leaves of lightweight Chinese paper, lithographic illustrations throughout, many leaves now separated along fore edges, blind stamps ('Rotterdamsche Diergaarde bibliotheek') to first 2 leaves, stitched in original green silk wrappers, faded, extremities rubbed, 8vo (20 x 11 cm) (Qty: 1)NOTESA scarce photolithographic edition of a suite of woodblocks originally published during the reign of the Kangxi Emperor (1661-1722) to illustrate the Sheng ü Kwang shun , a collection of precepts issued by imperial decree and 'divided into sixteen headings i.e. filial piety, fraternal love, concorn in a neighbourhood, industry in agriculture, economy, importance of learning, scepticisim, obligation to pay taxes, etc., etc.' (Preface).

Leeder (Ehrenfried & Schade Theodor). Illustrirter Handatlas zur Lander und Volkerkunde im verein mit Henrich Leutemann, Leipzig, 1866, additional half title, twenty-two (complete as list), engraved maps with contemporary outline colouring, each surrounded by decorative vignettes, world map with juvenile scribbling and repaired closed tear, some spotting and staining throughout, later endpapers, modern half morocco with gilt morocco title label to upper board, folio, together with Cortambert (E.). Nouvel Atlas fr Géographie Moderne, Paris and Algiers, 1847, additional half title, forty (complete as list) lithographic maps and plans with contemporary hand colouring, later half calf but retaining original boards, near contemporary morocco gilt title label to upper siding, slim oblong 4to, with Houze (Antoine Philippe). Atlas Universel Historique et Géographique..., Paris, circa 1870, additional half title, 101 lithographic maps with contemporary hand colouring, each map with a near contemporary ink manuscript number to upper right, contents list with near contemporary red ink numbering and underlining, later endpapers, modern half calf gilt over marbled boards, 4to, plus Tunison (H. C. publisher). Tunisons Peerless Universal Atlas of the World, Jacksonville, New York, San Francisco, Chicago &c., circa 1890, allegorical title page ten plates and seventy wood engraved maps with contemporary hand colouring, publisher's blind-stamped cloth boards, later re-back in calf gilt, folio, and Cram (George Franklin). Cram's Unrivaled Family Atlas of the World, Chicago, 1883, decorative title, ninety-four colour printed photo-lithographic maps, with additional diagrams and illustrations, later endpapers, later half morocco over publisher's blind-stamped cloth boards with gilt title to upper siding, folio (Qty: 5)

Purton (Thomas). A Botanical Description of British Plants, in the Midland Counties, Particularly of those in the Neighbourhood of Alcester..., 4 volumes in 3 [vol III in 2 parts] , Stratford-Upon-Avon: J. Ward, 1817-1821, half-titles present, 38 hand-coloured engraved plates including 2 folding (some plates by James Sowerby), contemporary calf, gilt and blind decorated spines and gilt decorated borders to boards, 8vo (Qty: 3)NOTESBissen 1571.

Webber (Charles Wilkins). Wild Scenes and Song-Birds, 1st edition, New York: George P. Putnam & Co., 1854, 20 chromolithographic plates, plates slightly toned and offset and with a few spots mainly to margins, but remaining bright, all edges gilt, original deluxe binding of dark red morocco over bevelled boards, decoratively stamped in gilt and blind, 8vo (24.6 x 16 cm) (Qty: 1)NOTESNissen IVB 974; Wood p. 620; Tyler (ed.), Western Art and Western History , p. Zimmer p. 667 (1858 edition). In addition to ornithological subjects, this work notably contains five plates of Native American life after pioneering Baltimore-born artist Alfred Jacob Miller, who visited the Rocky Mountains in 1837. Rare in the publisher's deluxe binding.

Wolf (Joseph). Feathered Favourites. Twelve Coloured Pictures of British Birds, 1st edition, London: Thomas Bosworth, 1854, 12 circular chromolithographic plates mounted on card within floral gilt borders, spotting to mounts, later gift inscription to title-page, all edges gilt, original red pictorial cloth gilt, recased, slightly marked, restoration to tips, 4to, together with: Green (J. F.), Ocean Birds, with ... a Treatise on Skinning Birds by F. H. H. Guillemard, London: R. H. Porter, 1887, 6 chromolithographic plates, bookplate and ownership inscription dated 1893 of D. Losh Thorpe, original maroon cloth, large 4to, Crichton (A. W.), A Naturalist's Ramble to the Orcades, 1st edition, London: John van Voorst, 1866, tinted lithographic frontispiece after J. Wolfe, 8 pp. advertisements, bookplate removed from front pastedown, original green pictorial cloth gilt, small 8vo, Darton and Co., (publisher), Our Favourite Birds. By Agnes, 1st edition, London: Darton and Co., [1859], 8 hand-coloured wood-engraved plates, original pictorial boards, 4to, Gurney (John Henry), A Descriptive Catalogue of the Raptorial Birds in the Norfolk and Norwich Museum, part one: containing Serpentariidae, Polyboridae, Vulturidae, [all published], 1st edition, London: John van Voorst, 1864, original blind-stamped cloth, a very bright copy, 4to, and 8 others, mainly early-20th-century British ornithology, original cloth, 8vo and 4to (Qty: 13)NOTESDarton H10 (Darton and Co.); Mullens & Swann pp. 659 (Wolf), 155 (Crichton), 258 (Gurney); Wood pp. 633 (Wolf: 'Good examples of the work produced by this master of animal portraiture'), 368 (Green), 305 (Crichton).

* Payne (Charles Johnston, Snaffles), ' Forrard on me lads and hit em Bl----y ard', circa 1940, colour lithograph with an uncoloured remarque of a Huntsman and hounds, snaffle bit blind-stamp, signed by artist in pencil to lower right, slight spotting to margins, overall size 510 x 590 mm, framed and glazed (Qty: 1)

Bindings. The Holy Bible, containing the Old and New Testaments, Oxford: Printed at the University Press for the Society for Promoting Christian Knowledge, 1864, all edges gilt, bookplate of W.H. Foster of Spratton Grange to upper pastedown, contemporary brown morocco, blind embossed decorative design to covers incorporating to upper board engraved & raised brass corner bosses, brass cross and brass plaque engraved with the presentation inscription "Presented to W.H. Foster Esqre. M.P. on the occasion of His Marriage by the Congregation of S. Marks, Pensnett, in token of their esteem and in acknowledgement of the kindness and assistance of his Father, W.O. Foster Esqr.", extremities slightly rubbed, large 4to, together with The Holy Bible, containing the Old and New Testaments, Cambridge: Printed at the University Press, circa 1860s, all edges gilt, morocco presentation label to upper pastedown "Presented to William Henry Foster, Esq., by the Children and Teachers of St. James's Schools, Wollaston, April 9th, 1867, contemporary brown morocco by R. Broomhall of Stourbridge, blind embossed decoration, brass corner pieces and clasp, large 4to, plus three copies of The Holy Bible, Stereotype Edition, London: Printed by George Eyre & Andrew Strahan, 1821, all edges gilt, two inscribed to front blank 'Apley Park 1823 Tapestry Bedroom, W.O. Foster, 1868', near matching contemporary morocco gilt, lightly rubbed, thick 12mo, and other 19th & 20th century Bibles & prayerbooks, 12mo & 8vo (Qty: 22)

Boissard (Jean Jacques). [IIII (-VI.) Pars antiquitatum Romanarum , parts 4-6 only (of 6), Frankfurt: apud Iohannem Feyrabend, impensis Theodori de Bry, 1598-1602], lacking title to first part and preliminaries incomplete, engraved titles to parts 5 & 6 present, 2 portrait illustrations to preliminaries, 353 engraved plates, initial leaves detached and torn to margins and last few leaves frayed to margins, few plates slightly cropped at fore-edge, dust-soiling, dampstaining and spotting throughout, upper outer corners & margins of some leaves with worming & damp mottling, old book label of the College, St. Mary's, Cork to upper pastedown, endpapers frayed, torn & lifting, contemporary blind panelled calf, gilt decoration to spine, upper joint split and some wear to extremities, small folio (Qty: 1)NOTESAdams B2338; B2339 & B2342. Sold with all faults, not subject to return.

Caxton (Pisistratus, i.e. Sir Edward Bulwer Lytton). What Will He Do With It, 4 volumes, 1st edition, Edinburgh & London: William Blackwood, 1859, a little light toning, bookplates, contemporary half calf, joints and edges rubbed, 8vo, together with Cox (Francis Augustus). The Life of Philip Melancthon, comprising an account of the most important transactions of the Reformation, 2nd edition, 1817, engraved portrait frontispiece (offset to title), some light spotting, bookplate, contemporary calf gilt, covers with interesting geometric design in blind and gilt, 8vo, plus Alison (Archibald). History of Europe from the commencement of the French Revolution in MDCCLXXXIX to the restoration of the Bourbons in MDCCCXV, 13 volumes including index, 9th edition, 1853-56, engraved plates, text in double column, some light spotting and small stains, previous owner signature, contemporary half calf, spines with red and green labels and gilt decoration, a little rubbed, 8vo, with others leatherbound including G.N. Wright's The Life and Reign of William the Fourth, 2 volumes, circa 1840, Thomas Hope's Costume of the Ancients, 2nd edition, 1809 and Don Quixote de la Mancha... illustrated by Tony Johannot, 3 volumes, 1837-40 (covers detached) (Qty: 3 shelves)

Day (Cyrus Lawrence & Murrie , Eleanore Boswell) . English Song-Books 1651-1702, a bibliography..., 1940, numerous black & white illustrations, some minor toning, original cloth spine with boards, spine lightly toned, 4to, together with Winslow (Ola Elizabeth) , American Broadside Verse, from imprints of the 17th & 18th centuries, 1930, Yale University Press, U.S.A., numerous black & white facsimiles, blind stamp to foot of the title page, original boards, lightly rubbed to head & foot, folio, and Kunzle (David) , History of the Comic Strip, volume 1: The Early Comic Strip..., 1973, University of California Press, U.S.A., colour and black & white illustrations, ex-library copy with associated stamps, original yellow cloth, boards & spine slightly rubbed & marked, folio, plus other mostly modern bibliography reference & related, mostly original cloth, some in dust jackets, G/VG, 8vo/folio (Qty: 6 shelves)

A group of three Baxter prints, one of Napoleon in front of the Tricolore, Viscount Lord Nelson and the Duke of Wellington, each with blind stamp, 11 x 8cm, in slip mount, Hogarth frame and glazed (3).

A collection of prints to include two elliptical chromolithographs after George Morland, two pairs of Baxter prints 'Sweep at Baxter's Door' and a further two prints of chimney sweeps entitled 'Cop it Your Honour', one with blind stamp, also a print of Victoria and Albert leaving Kingston Harbour and a Baxter print showing the Descent from the Cross of Christ, with blind stamp, 20.5 x 16.5cm, in slip mount, framed and glazed (9).

CARLOS EZQUERRA (1947-2018); original artwork for a frame of the comic from the 'Strontium Dog' (2000AD) long-running comic series, in pencil, pen and ink and with Tipp-Ex adjustments, the image with blind stamp to the top right hand corner dated 1984 and reading 'Not to be reproduced in any way without prior permission by the copyright artist', 44 x 34.5cm, framed and glazed.

French Napoleonic 1st Empire Imperial Guard Regiment of Polish Lancers Chapska. A magnificent and extremely rare example of a chapska worn by an Officer or Senior Non Commissioned Officer of a Regiment of Polish Lancers of Napoleon’s Imperial Guard. The tall shapska with ribbed crimson cloth upper section, the mortar board top with brass pateri ornaments to each corner which supports bullion cord which quarters to the top. The patent leather body supports a band of gold lace and to the front a gilt brass sun ray is mounted a large “N” Napoleonic device. The black patent leather peak is edged with brass trim and bears blind tooled floral decoration to the leather work. Retaining brass interlinked chinchain, with crimson cloth backing, which is supported by two large brass lion head bosses. Complete with a National cockade. The interior with a leather lining and wicker frame. The overall condition is very good for age.

ATTRIBUTED TO HENRY EDRIDGE (BRITISH, 1768-1821) Nelson as Victor of Copenhagen, circa 1801 Pencil and grey wash 14¼ x 7in. (36 x 17.8cm.)Footnote: This interesting view of Nelson was recently discovered amongst a large quantity of assorted prints. A heroic view of Nelson, he is depicted with Copenhagen and its distinctive warehouses ablaze behind him whilst, at his feet, Marianne of France – recognisable by the sans-culottes cap and shattered Fasces (the Roman emblem of power) – lies prone at his feet with his sword tip resting upon her throat. Whilst it serves as a potent image of the Danes defeat and thereby a major blow to France and her ambitions in the Baltic (and by extension, Russia), it was probably deemed ungallant as the vanquished girl at his feet is presented as a fragile beauty and perhaps more magnanimity should be shown in victory, so it is likely a rejected print design, but one that happens to show a radiant and handsome Nelson. Although Nelson was supposed to be subordinate to Admiral Hyde Parker at the Battle of Copenhagen, his famous audacity in raising his telescope to his blind eye when ordered to withdraw, commenting "I really do not see the signal" has become one of the most iconic moments in naval history and the idiom of 'turning a blind eye' to ignore undesirable information has entered the English, if not global dialect. Edridge produced two or three full length views of Nelson - a signed example ascribed to 1802 may be viewed at the National Museum of the Royal Navy, Portsmouth, also in undress uniform, but hatless. The hat on this example sports a finely detailed view of his famous Chelengk, awarded after the Battle of the Nile by Sultan Selim III in 1798, it appears to conform closely to the re-constituted version recently researched, produced and written about by Nelson authority Martyn Downer in Nelson's Lost Jewel (published by The History Press, London 2017) suggesting Edridge may have had a first-hand view of this unique decoration.

A SILVER GELATINE PHOTOGRAPH OF THE R.Y. BRITANNIA BY WEST & SON, SOUTHSEA, CIRCA 1895 depicting in full sail heeling on a starboard reach and flying the Prince of Wales' colours, with studio blind stamp lower right -- 13¾ x 10½in. (35 x 26.5cm.); together with two further examples by West & Son of Big Class yachts racing, circa 1894-5; another of Britannia by Adamson, Rothesay, blindstamped; another, unsigned, depicting the Great Yachting Disaster of August 1896 and featuring Meteor , Britannia , Isode and Saint immediately after multiple collisions and one death; and another unframed, probably of Britannia at anchor (6)Footnote: Provenance: Britannia Inn, Isle of Wight.Condition report: Sold as seen.

BLUES/R&B/SOUL - LPs. Stunning collection of 48 x LPs. Titles/artists/compilations include Big Joe Turner, Boogie Woogie And More, Big Maceo Vol. 2, Bobby Bland, Call On Me, Two Steps From The Blues, Jr. Walker & The All Stars, Piano Red, Cajun Vol. 1 Abbeville Breakdown 1929-1939, Aladin 14 Magic Lamps, Clap Your Hands And Stomp Your Feet, The Best Of Bobby Bland, Chicago Blues, The Sun Story, Wingy Manone, Electric Blues Chicago Style, Jackie Wilson Story, Soul Of The Matter, The Original Five Blind Boys, Lonnie Mack, Milton Brown & The Brownies, Fats Domino Swings, Buddy Johnson, The Blues & All That Jazz, Jimmie Rodgers, Sleepy John Estes, Bix Beiderbecke, Spike Hughes And His All American Orchestra, Earl King, Washboard Rhythm Kings, The 20 Coasters, Lucky Millinder's Orchestra, Jerry Lewis, Gospel Greats, Atlantic Honkers, Jimmy McGriff. Condition is generally Ex to Ex+.

BLUES / R&B / COUNTRY - CDs. Killer collection of around 120 x CDs with a few CD box-sets. Titles/artists include Milt Brown, Cajun Capers, Bluegrass Festival, Boogie, Snooks Eaglin, Blues Encore, Jimmy Yance, Leroy Car, Black Chicago Big Bands 1922-1929,, Anisteen Alllen, As Good As It Gets Boogie Woogie, Black Tootsie Roll, Freddie Mitchell, Speedy West, Robert Lee McCoy The Bluebird Recordings 1937-1938, Don Redman, Roger The Engineer, Sister rosetta Tharpe, Lonesome Sundown, Catch That Teardrop, Excello Vocal Groups, Jericho Alley, Creole Kings, Rahsaan Roland Kirk, Black Nights, Rhythm & Booze, Big Maceo, The Best Of Jimmy McCracklin, Big Jay NcBeedt, Memphis Minnie, Big Mama Thornton, The Okeh Rhythm & Blues Story, Big Maybelle, Robert Johnson, Joe Hill Louis, Barrelhouse Piano Blues, Elko Blues, Rockin' With Reed, Five Blind Boys, Gonna Rock The Blues. Condition is generally Ex to Ex+.

A Welsh Oak Spinning Chair with Blind Carved Decoration

Attributed to Jonathan Christie (1968-2013) Contemporary American school, TODT 'Smell Freedom' blind stamped image, Christie was a former student at the Massachusetts College of Art, during his career he worked for Chihuly, Bourgeois and Kiki Smith, he is renowned for his glass but also worked on other media, framed and glazed internal dimensions 61 cm x 45cm

After James Priddy (1916-1980)Etching"Waterloo Street, Birmingham", signed lower right and with artist's blind studio stamps lower right, entitled lower left, together withAfter James PriddyColoured aquatint"Scafel Pike from Derwent Water", signed in pencil and artist's blind studio stamp lower right, entitled lower left, together withAfter James PriddyColoured aquatint"After the storm", signed in pencil with artist's blind studio stamp lower right, entitled lower left (3)

Pam Williams (20th century) Limited edition colour print"The Van Over There", 2/100, signed in pencil lower left, artist's blind studio stamp and dated 1994 in pencil lower right, 25.5cm x 35cm 

JOHN SWANNELL (BRITISH 1946) 'NUDE, UTAH', a limited edition Giclee photographic print 7/295, signed to lower margin with blind stamp and certificate, mounted, framed and glazed, approximate size 51cm x 62cm (condition:- damage to the frame) (A)

JOHN SWANNELL (BRITISH 1946) 'DASHA IN CUMBRIA, SERIES 2', a limited edition photographic Giclee print 14/295, signed to lower margin, with blind stamp, mounted, framed and glazed, approximate size 63cm x 52cm (condition:- small amount of damage to frame)

A COLLECTION OF POCKET WATCHES, featuring a sterling silver J W Benson pocket watch, open faced white enamel dial with Roman numerals and a subsidiary seconds dial missing it's hand, glass is decoloured, dated London 1871, with another sterling silver pocket watch, open faced colourful floral design on a white dial with black Roman numerals, engraved foliate decoration with blind cartouche, dated Birmingham 1886, also included are two foreign metal pocket watches, with marks to indicate silver, approximately total gross weight 334 grams, to include a hinged mother of pearl purse, a metal lighter and a Yardley compact

WILLIAM RUSSELL FLINT (BRITISH 1880-1969) a limited edition print 607/650, blind stamp lower left, mounted, framed and glazed, approximate size 26cm x 34cm (condition:- slight damage to one corner of the frame) (A)

AN EARLY 20TH CENTURY OPEN FACED STERLING SILVER POCKET WATCH, gold gilt floral dial, Roman numerals, subsidiary dial, case engraved with a blind cartouche, inner hallmark for Chester 1901, crown with possible hallmarks for Birmingham 1901, approximate weight 195 grams, together with a gold plated full hunter pocket watch, A.W.W. Co. Waltham Mass signed dial, Roman numeral, subsidiary seconds dial

DAVID SHEPHERD (1931-2017) 'THREE HAPPY JUMBOS', a limited edition print numbered 847, signed to lower margin, Fine Art Trade Guild blind stamp, mounted, framed and glazed, approximate size 49cm x 86cm (condition:- some damage to frame) (A)

Four silver boxes, to include a cased silver box 'Aristocrat by Harman Brothers' with the top depicting the nursery rhyme 'Three Blind Mice', hallmarked Birmingham; a silver jewellery casket, hallmarked Birmingham; a Mexican white metal pill box, stamped 925 Mexico to base; and an Italian silver circular box, stamped 800, gross weight 6.5 troy oz

Victor Pasmore 1908 - 1998, untitled screen print, pencil signed numbered 19/70, dated 1990, Kelpra Studios Blind Stamp, 63cm x 45cm

Autographed ''Barcelona'' print of Ole Gunnar Solskjaer's winning goal in Manchester United's 1999 UEFA Champions League Final victory,fully-signed by the Manchester United team, Limited Edition Lithograph Print, this example with the exclusively low edition number of 2, artwork by Stewart Beckett who has also signed the piece, bears blind stamps, mounted, framed & glazed overall 65 by 85cm.; COA taped to the backboard

Tom Dodson signed print with blind stamp 'The fairground'

A 19TH CENTURY MAHOGANY BOOKCASE with blind fret carved decoration and twin astragal glazed doors, raised on bracket feet, 107cm wide x 33cm deep x 131cm high

Pair thermal lined beige ground curtains with floral pattern (W260cm, Drop - 210cm) and a matching Roman blind (W93cm, Drop 150cm) Condition Report Click here for further images, condition, auction times & delivery costs

After Archibald Thorburn (British 1860-1935) Four Game Bird Print Engravings, Having blind stamp to largest example, 38cm x 60cm, (largest) framed in oak, (4)

David Stratton Watt "Grand Day For It" Signed Limited Edition Print, no 167 of 500, blind stamp lower left, signed in pencil lower right, 32.5cm x 45cm, framed

An Edwardian mahogany display cabinet with blind fretwork frieze enclosing one drawer above two glazed doors on cabriole legs linked by an under-tier, 104cm high x 130cm wide x 40.5cm deep

A Chippendale style mahogany desk by Phillips of Bristol, with red leather skiver top over four short and one long drawer all decorated with blind fretwork, raised on cluster column legs, 74cm high x 109cm wide x 66cm deep