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Sir William Russell Flint, coloured print, semi nude reclining female, No. 608 of 850, bearing blind stamp, gilt framed, 11.25ins x 19ins, gilt framed and another of a seated female figure in a peach dress, No. 85 of 753, bearing blind stamp, 10.75ins x 16ins, gilt framed

Late 19th / early 20th Century rectangular giltwood stand with blind fretwork decoration, 26ins x 19ins approximately

Good quality Edwardian mahogany hanging corner cabinet, the swan neck pediment above a blind fretwork frieze, two bevelled glass doors and an alcove decorated with fretwork above a small open shelf, 55ins x 20ins approximately

George III mahogany tallboy, the moulded key pattern cornice above a blind fretwork frieze, two short and six long graduated drawers divided by a brushing slide, the upper half with blind fretwork canted corners, the whole with brass swan neck handles and bracket feet, 45ins wide (restorations)

Helen Bradley, group of five various signed coloured printsAll have blind stamps of Fine Art Trade Guild

A mid-century teak wood wall mounted cabinet in the Danish modular manner. The cabinet having twin doors with blind fronts. Mountings to rear. Together with another similar. 

Large framed print by William Russell Flint 'Bathing scene' 663/850 with artist blind stamp 77 cm x 91 cm

° ° Burnet, Gilbert - The History of the Reformation of the Church of England ... 2 vols, pictorial engraved and printed titles (in red and black), 16 engraved portraits; 20th century,gilt and blind panelled calf, roy.4to., 1679-81

Two Wedgwood pin dishes, both having 'guide dogs for the blind' relief design, three pin cushion ceramic half figures,miniature Spode cup and saucer, a small cuckoo clock and A variety of collectable coins including 1797 example.

Waring and Gillow - oak bookcase on cupboard, projecting cornice over arcade frieze, guilloche upright decoration, the top section enclosed by three astragal glazed doors, the lower section enclosed by three geometric panelled doors with blind fretwork decoration, on turned feet

A two-tier occasional table of Chippendale design, early 20th century, each tier with fret-carved gallery and with further blind fret-carved frieze and supports. 71cm by 43.5cm square

Edwardian mahogany blind fretwork bijouterie table, 53 x 74 x 41cm (a/f)

Mahogany chest on chest, moulded cornice with blind fret frieze above two short and three long drawers, with a further three long drawers to the base, on bracket feet, 167 x 54 x 100cm

PrunkvaseStaatliche Porzellan Manufaktur, Meissen 1965. - Blumenbukett - Porzellan, weiß, z. T. glasiert. Kobaltblaue Ränder. Polychrom und Gold bemalt. Goldbronze. Goldrand. Unter der Glasur blaue Schwertermarke. 1. Wahl. Produktionsbedingt Fuß und Korpus blind verschraubt. H. 25 cm. - Zustand: Standring mit 5 Chips.

Johan? George - Cinema, lithograph, signed, titled and numbered in pencil to the margin 38/100, and with studio blind stamp, 51x35cm, unframed, together with a single sheet lithograph by Berchmans (2)

**A pair of Laura Ashley rose pattern Curtains on cream ground, 82" drop x 157" wide approx. and a fabric blind.

Two shaped pelmets and matching Swedish blinds in Colefax and Fowler blue and cream floral linen and blue and white checks to the reverse, with strings; blue and white checked blind; two large red toile de jour cushions. folding blind and two covered coat hangers, seat cover; 10 boxed rolls of Summertime Toile wallpaper in raspberry by Baer & Ingram, each roll 10.05m x 520mm (one box) plus pelmets & bed valance Condition report: Pelmet 145cm by 55cm at widest parts, blind 105cm long by 105cm wide.

A CARVED WOOD STELE DEPICTING SHIVA SLAYING ANDHAKA, VIJAYANAGARA PERIODSouthern India, 16th-17th century. Boldly and deeply carved with Shiva in a fierce manifestation with many arms, brandishing weapons and attributes including a bow and a vajra, richly adorned with beaded jewelry. He is standing on a prostate Andhaka, stabbing the demon with his trident, Andhaka's head resting on a seated demon behind him holding a curved sword.Provenance: Anthony M. Lee, Toronto. A British private collection, acquired from the above. Over the past 40 years Anthony M. Lee has been an art consultant, gallery owner, and collector. He developed Asian art departments for several auction houses and has worked with almost every major museum collection of Asian art in North America. He is the author of two books on Zen Buddhism and one on the Japanese tea ceremony.Condition: Overall displaying very well, condition commensurate with age. Wear, losses, age cracks, chips, scratches, signs of weathering and erosion. The reverse with a screw and metal wire for wall attachment. Fine, naturally grown patina.Weight: 1,944 gDimensions: Height 50 cmShiva's face shows a fierce expression with large bulging eyes, flanked by long pendulous earlobes with earrings in the form of heads of a kala and an elephant, respectively. His large crown is carved with a central kala head as well as numerous nagas.Andhaka was the blind son of Shiva and Parvati. He was created from the sweat of Parvati's hands and Shiva's subsequent anger when Parvati playfully covered his eyes, thus plunging the world into darkness. Andhaka was given to the King of the Demons and later became king himself. Not knowing of his heritage, he set out with his army to win Parvati as his queen. Shiva defeated Andhaka by spearing him with his trident. See S. Kramrisch, Manifestations of Shiva, 1981, page 50.Auction result comparison: Compare a related carved wood relief depicting a demon, 87 cm high, dated ca. 17th century, at Sotheby's New York in Asian Art on 19 March 2016, lot 1317, sold for USD 27,500. For another depiction of Shiva slaying Andhaka, see Christie's, 19 September 2002, lot 46, sold for USD 23,900.毗奢耶那伽羅朝木雕濕婆殺阿陀伽印度南部，十六至十七世紀。大膽而深刻地雕刻了濕婆手持武器，包括弓和金剛杵，豐富的珠飾。他站在阿陀伽上，用他的三叉戟刺向惡魔，阿陀伽的頭靠在他身後的一個坐著的惡魔上，手裡拿著一把彎曲的劍。 來源：多倫多Anthony M. Lee收藏；英國私人收藏，購於上述收藏。在過去的 40 年裡，Anthony M. Lee 一直是一名藝術顧問、畫廊老闆和收藏家。他為多家拍賣行開發了亞洲藝術部門，並與北美幾乎所有主要的亞洲藝術博物館合作。他著有兩本關於禪宗和一本關於日本茶道的書。 品相：整體狀況極好，狀態與年齡相稱。 磨損、缺損、老化裂縫、碎屑、劃痕、風化和侵蝕跡象。背面帶有螺釘和金屬線，用於牆壁連接。自然生長的包漿十分細膩。 重量：1,944 克 尺寸：高50 厘米 拍賣結果比較: 比較一件相近的十七世紀惡魔木雕，高87厘米，見紐約蘇富比Asian Art 2016年3月19日 lot 1317, 售價USD 27,500 ；另一件濕婆阿迦陀，見佳士得2002年9月19日 lot 46, 售價USD 23,900。

Criminal Justice.- Compte Général de l'Administration de la Justice Militaire pour l'année 1843, woodcut device to title, tables, blue silk bookmark with light offsetting to inner margins pp.22-23, silked endpapers, handsome contemporary gilt and blind-stamped red morocco, g.e., gilt spine title, small scratch to lower cover, fractional bumping to corners and extremities, 4to, Paris, Imprimerie Royale, Mai 1846.⁂ A handsome copy with a small pencil note attributing the binding to Thouvenin. A statistical report on military justice in the French Army, dedicated to King Louis-Philippe. The first 'Compte' appeared in the 1830s, soon after Louis-Philippe's succession, and became and annual series thereafter.

Ottoman.- [Religious], manuscript in Turkish, Nashki script, c. 234ff., title with gold floral borders, text within gold borders, a few small tears, some ff. stuck together, slightly browned and stained, original blind-stamped morocco, darkened, rubbed and worn, spine split, 165 x 105mm., [late 19th century].

Law.- De termino Hillarii. Anno. xvij. Edwardi tertij, [STC 9557], [Printed by Richard Tottell], [?1584] bound with De termino Hillarii anno xviii. Edwardi tertii, [STC 9560], [Printed by Richard Tottell], [?1584] and the same for the years xxi, xxii, xxix, xxx, xxxviii and xxxix, together 8 works in 1 vol., caption titles, woodcut initials, modern pencil marginalia, worm trace diminishing in size to outer margins of first 2 mentioned, some spotting or staining, lightly browned throughout, contemporary blind-stamped calf, spine in compartments, covers with arabesque centre-pieces, upper joint repaired, spine ends and corners worn, stained, small folio

Binding.- Hale (Sir Matthew) Contemplations moral and divine: in two parts, 2 parts in 1, lacking portrait, some spotting or light foxing, lightly browned, contemporary black blind-stamped armorial panelled morocco, gilt, spine in compartments, spine faded to olive, loss of gilt to 1 corner-piece of upper cover, rubbed, g.e., 8vo (202 x 132mm.), Printed for D. Brown [& others], 1711. sold as a binding and not subject to return.

Dr. Samuel Johnson subscriber.- Jones (Rhys) Gorchestion beirdd Cymru: neu flodau godidowgrwydd awen, first edition, list of subscribers, ink library stamp to verso of title and within text of N2v (text legible), G1 with blind-stamp within text (which remains legible), spotted, occasional staining, library buckram, spine gilt, spine ends chipped, corners little worn, 4to, [Shrewsbury], Stafford Prys, 1773.⁂ Collection of early Welsh poetry, to which Dr. Johnson subscribed. He considered Welsh one of the 'cultivated tongues', and his interested in the language led him to encourage the publication of a reprint of John David Rhys' Cambrobrytannicæ Cymraecæue linguæ institutiones (1592), in order to preserve the language.

Scotland.- MacLaurin (Daniel ) History in memoriam of the Clan Laurin, author's copy, signed presentation inscription from the author to front endpaper, 5 lithograph plates laid down, 2pp. of manuscript notes to rear endpapers, contemporary manuscript musical score loosely inserted, author's bookplate, some finger soiling, contemporary blind-stamped calf, rebacked, [1866] § Northumberland (Alan Ian Percy, 8th Duke of) The Shadow on the Moor, one of 200 copies, illustrated by 'B.B' Denys Watkins-Pitchford, presentation inscription to front endpaper, original cloth, 1967, 12mo (2)

Binding.- Jones (Trevor, bookbinder).- Arnold (Sir Edwin, translator) The Chaurapanchâsika: An Indian Love-Lament, colour illustrations, 2 colour slides and binders notes loosely inserted, modern buff Nigerian goatskin with onlays of white, red and foil, tooling in blind, gold, vapco and various colours, g.e., decorative silk backed felt-lined drop-back box, original boards housed in small compartment, wrapped in binders original cardboard packaging, rubbed, oblong 8vo, [1896].⁂ This binding was completed by Trevor Jones in 1985, for T. V. Sathyamurthy, who suggested that it would be interesting to see an English designer's response to Indian art, on a book which is and English translator's response to Indian poetry.

World.- Pinkerton (John) Modern Geography. A Description of the Empires, Kingdoms, States, and Colonies; with the Oceans, Seas, and Isles; in all Parts of the World, 3 vol., new edition, half-titles to vol.2&3, 50 engraved maps (of which 3 folding) and a folding plate, offsetting, spotting and staining, contemporary half calf by J. Carrs & Co. of Glasgow (with their label to vol.1), blind-stamped decorated spines in compartments and with double leather labels, vol.2 1 label chipped, affecting a couple of letters, corners worn, rubbed, 4to, 1807.

Angling.- Bailey (William) The Angler's Instructor, first edition, 3 tape marks, ex-library with usual labels and stamps, hinges strengthened, original cloth, rebacked, a little rubbed, slight bumping to corners and extremities, 1857 § Fisher (P.) The Angler's Souvenir, engraved frontispiece, additional engraved title, 29 plates, ex-library with usual labels and ink-stamps throughout, original cloth, gilt, a little rubbed, bumping to corners and spine extremities, 1886 § Bromley (A. Nelson) A Fly Fisher's Reflections 1860-1930, plates, ex-library with label, scattered faint spotting, original pictorial cloth, gilt, slight bumping to corners and extremities, 1930 § Stevenson (C. A.) The Song of the Reel, frontispiece, ex-library with labels and discreet blind-stamps, original cloth, slight bumping to spine extremities, Nottingham, 1914 § Bell (H.) Fly-Fishing for Chub and Dace, second edition, presentation copy from author, plates and illustrations, advertisements at end, ex-library with ink-stamps to title verso, original cloth, rubbed, bumping to corners, [1920]; and 5 others angling, including duplicates, 8vo & 12mo (10)

Maritime law.- Bynkershoek (Cornelis van) Opera Minora, olim separatim, nunc conjuncim edita, first edition, title in red and black, woodcut initials, contemporary blind-stamped vellum, a little rubbed, slight bumping to corners and spine extremities, title in manuscript to spine, backstrip beginning to split at upper joint but holding firm, 4to, Leiden, Johannes van der Linden, 1730.⁂ First edition of this collection of Bynkershoek's works. It includes his treatise on the dominion of the sea, 'De domino maris dissertatio', originally published separately in 1703, which is generally accepted as being the first exposition of the principle of delimiting territorial waters.

International law.- Bynkershoek (Cornelis van) Quaestionum Juris Publici libri duo, quorum primus est de Rebus Bellicis, secundus de Rebus Varii Argumenti, first edition, title in red and black with engraved ornament, scattered spotting, 3E4 with small hole affecting odd letter, contemporary blind-stamped vellum, a little rubbed, slight bumping to corners and extremities, title in manuscript to spine, 4to, Leiden, Johannes van Kerckheim, 1737.⁂ Bynkershoek, a lawyer who served as a member and eventually as president of the Supreme Court of Holland, is perhaps best know for his treatise on the law of the sea (see Lot 89), but he also wrote on other aspects of law. This title contains several chapters concerned with diplomacy and one concerning the fundamental law of treaties: the obligation to respect treatise in good faith.

L.S. Lowry R.A. (British 1887-1976) "St. Luke's Church, Old Street, London, E.C.", signed and numbered 232/850 in pencil in the margin, published in 1973 by G.R. Mellor, with publisher's blind stamp, limited edition colour print.image size 61.5cm x 46cm (24.25in x 18in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition with strong colours. There is some very light time staining and browning around the edges of the margins near the mount board most notably along the top edge of the print where the paper has dropped slightly within the mount. The print is framed and glazed. The original metal frame has some minor scuffs and scratches commensurate with age.

L.S. Lowry R.A. (British 1887-1976) "The Two Brothers", signed in pencil in the margin, with Fine Art Trade Guild blind stamp, from an edition of 850, published by Adam Collection Ltd, limited edition colour print.image size 60.5cm x 30.5cm (23.75 x 12in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in good, original condition with strong colours and no obvious faults to report. There is some very light time staining and yellowing in the margins. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

L.S. Lowry R.A. (British 1887-1976) "Berwick-upon-Tweed", signed in pencil in the margin, with Fine Art Trade Guild blind stamp, from an edition of 650, limited edition colour print.image size 53cm x 43cm (21in x 17in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition with strong colours and no obvious faults to report. The print is framed and glazed.

L.S. Lowry R.A. (British 1887-1976) "The Reference Library", signed in pencil in the margin, with the Fine Art Trade Guild blind stamp, from the edition of 850, limited edition print.image size 24cm x 35cm (9.5in x 13.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

L.S. Lowry R.A. (British 1887-1976) "Britain at Play", signed in pencil in the margin, with Fine Art Trade Guild blind stamp, published by Mainstone Publications, Norwich, printed by Beric Press, London, limited edition colour print.image size 45cm x 60cm (17.75in x 23.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in good, original condition. The colours have faded across the print. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Josef Herman R.A. (Polish 1911-2000) "The Strong Form", (The Song of the Migrant Bird), 1999, signed and numbered 13/50 in pencil in the margin, printed by the Curwen Press, Chilford, with their blind stamp, lithograph printed in colours.sheet size 29.5cm x 21cm (11.75in x 8.25in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition. There are one or two minor stains around the edges of the paper. The print is framed and glazed. The frame has some minor scuffs and scratches commensurate with age.

L.S. Lowry R.A. (British 1887-1976) "People Standing About", signed in pencil, with Fine Art Trade Guild blind stamp, from an edition of 500, limited edition colour print.image size 33 x 49.5cm (13in x 19.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in good, original condition. The colours have faded slightly across the print and there are some minor surface scratches across the sheet. The print is framed and glazed although the frame is falling apart and would need to be replaced.

Chinese woodblock print, Republican period, depicting two officials with satchels, watching children playing Blind Man's Buff, buildings and an enclosure beyond with uniformed figures at leisure playing ball games, with banner inscription to sky, 48cm x 79cm, framed

George III wing back armchair on Chippendale-style blind fretwork-carved chamfered front supports, and period brass swivel castors, 115cm high

Four medieval silver coins, John the Blind (Luxembourg)

A collection of six of children's illustrations; to include, Penny Dale, Tabletop, signed and dated 'Penny Dale 83' (lower right), gouache on paper, 11 x 14cm; Cat and a mouse having a party, initialled and dated 'C.A/ 1990' (lower right), watercolour and pen on paper, 33 x 26cm; children playing in a winter forest - artist proof, signed indistinctly (lower right), blind-stamped 'TR', coloured print on densely textured paper, 32 x 23cm; Dana Kubick, personalised thank you card with a child sleeping, watercolour on paper, 10 x 14cm; S.C Burnside, illustration from Arthur Mee's Children's Treasure-House, inscribed with title and name (lower right), watercolour and pen on paper, 12 x 9cm; four teddies in a bed, inscribed with a personalised message (along the left side), pencil on paper, 12 x 11cm (6)

A LARGE OAK GLAZED BOOKCASE the upper section with two pairs of glazed doors, above blind fret carved frieze over two further pairs of glazed doors enclosing four shelves, 229cm wide 219cm high 37cm deep Condition Report : good condition, no real damage Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

G B Piranesi: an 18th century engraving, "Veduta del Tempio detto della Concordia", plate mark and blind stamp, 18 3/8" x 27 5/8", in ebonised and gilt frame (slight foxing)

Eileen A Soper: etching, "The Giants Strides", 1921 blind stamp

Sir William Nicholson: watercolours, still life, brass bowl and onions, "National Bronze Medal 1908", 14" x 19", in ebonised strip frame (ESK blind stamp)Condition:Condition of the picture is good. no visible damages.Mount is slightly seperated from the frame on the right side.Frame has some minor marks around the edges.  

A partners late 19th century carved mahogany double bow and inverse breakfront double pedestal desk with blind fretted carving and tooled lined top, fitted eighteen drawers, on bracket feet, 16" wide x 36" deep x 29 1/2" highCondition:Replacement blue leather scribe.A fair few scruffs on most corners and high use areas but no major damages.It does not come to pieces. It is all one piece. 

An oak dresser plate rack in the 18th Century style, the dentil cornice over a blind fretwork frieze and two open shelves with fielded panel cupboard doors and drawers 176 cm wide x 25 cm deep x 114.5 cm high together with two open plate racks 205 cm wide x 202 cm high and 185 cm wide x 128 cm high

An Edwardian mahogany bookcase cabinet with blind fretwork decoration, the two astragal glazed doors enclosing adjustable shelving over two drawers and two further astragal glazed doors on a bracket foot base, 121 cm wide x 46.5 cm deep x 222.5 cm high

A 19th Century mahogany bureau bookcase, the broken arch pediment over a dentil and blind fretwork Greek key style frieze and two astragal glazed doors enclosing adjustable shelving, the sloping fall enclosing a stepped fitted interior with central blind fretwork decorated cupboard door flanked by two similarly decorated deed drawers and surmounted by a secret drawer flanked by pigeonholes and further drawers over four long graduated drawers on ogee bracket feet 112.5 cm wide x 59 cm deep x 247 cm high

Whistler (James Abbott McNeill, 1834-1903). Portrait of Whistler's Mother - Arrangement in Grey and Black No.1, c.1900, photogravure, depicting a woman sitting in profile, wearing black dress with white cuffs and collar and white cloth hat, feet resting on a wooden block, signed with printers blind stamp 'HZX' to lower left margin, inscribed outside the plate 'L'Edition d'Art, H Piazza et Cie, Paris', printed on india laid paper, pasted onto card, after the painting by James McNeill Whistler, printed by H Piazza et Cie, 47 x 55.5cm (18 4/8 x 21 7/8ins), mounted, framed and glazed (49.5 x 57.5cm)Qty: (1)

BERYL COOK (1926-2008). Two ladies in a pub with Bull Terrier dog,'Dog in the Dolphin', print, signed on margin in pencil lower right, blind stamp lower left, Halcyon Gallery label verso, 52 x 25 cm

Fleming, Ian. Thunderball, first edition, London: Jonathan Cape, 1961. Octavo, publisher's cloth lettered in gilt to spine with blind-embossed skeletal hand to upper board, unclipped dust-jacket by Richard Chopping (priced 15s. net). Contents good, clean, bright; spotting to edges of text-block encroaching slightly at top edges of pages; binding tight and square, a couple of bumps to top edge of boards; dust-jacket with slight toning, chipping and very slight loss to corners/edges; slight creasing to extreme edges, and a very short tear at top edge of cover

Fleming, Ian. Thunderball, first edition, London: Jonathan Cape, 1961. Octavo, publisher's cloth lettered in gilt with blind-embossed skeletal hand on upper board, dust-jacket designed by Richard Chopping and priced 15s. net (with Jonathan Cape sticker mounted above, priced 16s 0d), bearing several stamps from F. J. A. Hens & Harris Book Co., Hong Kong. Contents very good and bright, some light spotting to outer edges of text-block and endpapers (more pronounced on fore-edge); binding tight and square, well-preserved; dust-jacket bold and vibrant with slight toning at top of spine and very faint wear/loss at extreme edges; delicate cellophane wrapper partially present, which has helped to preserve the colour

MEISSEN MOKKA - SERVICE, Porzellan, Manufaktur Meissen, unterglasurblaue Schwertermarke, Marke seit 1934 (1. Wahl) sowie Blind- und Malermarken. Geschweifte Form neuer Ausschnitt, polychrome Staffage, Dekor "Weinlaub". Insgesamt 41 Teile; umfasst 2 Kannen (H. 17 cm), 2 Milchkännchen, 2 Zuckerdosen, 12 Tassen (H. 5,3 cm; D. 6,5 cm), 12 Untertassen (D. 11 cm), 10 Konfekt- oder Kuchenteller (D. ca. 14 cm) und ein Durchbruchteller mit Flechtrand (D. 21 cm; Deckelblüte einer Kanne und Rand einer Tasse minimal bestoßen).

DURCHBRUCHTELLER "ZWIEBELMUSTER BUNT", Porzellan, Manufaktur Meissen, unterglasurblaue Schwertermarke, Marke 1860-1924 (zweifach geschliffen / 3. Wahl) sowie Blind- und Malermarken. Geschweifte und durchbrochene Form mit Flechtwerk, gegliedert durch drei rocaillegerahmte Kartuschen. Polychrome Staffage "Zwiebelmuster bunt"; Goldrand und Goldstaffage. D. 23,5 cm (mit Drahtmontur zur Wandaufhängung).

TELLER / DURCHBRUCHTELLER, Porzellan, Manufaktur Meissen, unterglasurblaue Schwertermarke, Marke seit 1934 (1. Wahl) sowie Blind- und Malermarken. Geschweifte und durchbrochene Fahne mit Flechtwerk, gegliedert durch drei rocaillegerahmte Kartuschen. Polychrome Staffage, Dekor grüner "Ming-Drache"; Goldrand. H. 3,5 cm; D. 21 cm.

MEISSEN KAFFEE -, TEE - UND FRÜHSTÜCKS - SERVICE, Porzellan, Manufaktur Meissen, unterglasurblaue Schwertermarke, Marke seit 1934 (überwiegend 1. Wahl) sowie Blind- und Malermarken. Geschweifte Form "neuer Ausschnitt", polychrome Staffage, Dekor "Weinlaub". Insgesamt 47 Teile; umfasst Teekanne, Stövchen mit Teelichthalter, Kaffeekanne (H. 21 cm; 3. Wahl), 6 Tassen (H. 6,5 cm; D. 8,5 cm), 6 Untertassen (D. 14 cm), 6 Teller (D. 18 cm), Milchkännchen, Zuckerdose, 6 Eierbecher (H. 7,3 cm), Butterdose mit anmodelliertem Presentoir, Tortenplatte mit Fuß (H. 11,5 cm, D. 32 cm; 3. Wahl), Königskuchenplatte (L. 38,5 cm; 3. Wahl), Gebäckteller mit seitlichen Handhaben (L. 30 cm), 2 runde Schalen unterschiedlicher Größe (D. 25 cm; D. ca. 28 cm - 3. Wahl), 3 ovale Platten unterschiedlicher Größe (L. 23 cm, L. 26 cm und L. 30 cm), 5 Konfektschälchen (D. 8 cm), Tischleuchter in Säulenform (H. 15 cm) und 2 Tischleuchter mit Presentoir (D. 13 cm; 2. Wahl).

VASE, Porzellan, Manufaktur Meissen, unterglasurblaue Schwertermarke, Marke seit 1934 (1. Wahl) sowie Blind- und Malermarken. Balusterform, Camaieu-Malerei in Rot mit Goldakzentuierungen und Goldrand, Dekor "Ming-Drache" mit Drachen- und Phönix-Motiven. H. 23,5 cm; D. 11 cm.

6 TASSEN UND UNTERTASSEN, Porzellan, Manufaktur Meissen, unterglasurblaue Schwertermarke, Marke seit 1934 (Untertassen einmal geschliffen / 2. Wahl; Tassen vierfach geschliffen / Deputatware); sowie Blind- und Malermarken. Geschweifte Form "neuer Ausschnitt", polychrome Staffage mit Beeren- und Blattmotiven. Tasse: H. 7 cm; D. 10 cm, D. Untertasse 15,5 cm.

SCHALE / PRUNKSCHALE, Porzellan, Manufaktur Meissen, unterglasurblaue Schwertermarke, Marke seit 1934 (zweifach geschliffen / 3. Wahl) sowie Blind- und Malermarken. Geschweifte Schiffchenform mit Akanthusblättern, Rocaillen und Kartuschen im Relief, matte und radierte Echtgoldauflagen, polychrome Staffage mit Blütenbuketts, u. a. mit Tulpe und Vergissmeinnicht. H. 7 x L. 30,5 x B. 20,5 cm.

PLATTE / TABLETT, Porzellan, Manufaktur Meissen, unterglasurblaue Schwertermarke, Marke seit 1934 (1. Wahl) sowie Blind- und Malermarke. Rechteckige, eckgerundete Form mit konischem Rand und seitlichen Handhaben. Camaieu-Malerei in Grün mit Goldakzentuierungen und Goldrand, Dekor "Ming-Drache" mit Drachen- und Phönix-Motiven. H. 3 x L.37,7 x B. 22,5 cm.