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London Transport RT bus DESTINATION BLIND for the side/rear box (S) from Thornton Heath (TH) garage dated 24.4.72. A complete blind with both white hems present. The first display has been well used, the rest much less so. [1]

London Transport TRAM DESTINATION BLIND for a Standard car at New Cross depôt, dated Mar 21 1951. A long and complete blind with both white hems present. In very good, ex-use condition. [1]

London Transport/London Country bus DESTINATION BLINDS, firstly for the side box (CC) for a Leyland Titan at Loughton (L) garage dated 12.1.82 and, secondly, a King & Flack blind dated 8.75 for a Leyland National at Hemel Hempstead (HH) garage. Both are complete blinds with the white hems present and are in very good, ex-use condition. [2]

London Transport RT/RTL/RTW bus SIDE DESTINATION BLIND BOX, mounted in a wooden frame (minus glass) and in working order with winding mechanism intact. Comes with appropriate BUDGET KEY (marked 'LPTB') and contains a well-used but complete 1964 Holloway (J) garage DESTINATION BLIND. A most unusual item. [1 + blind]

London trolleybus items comprising a DRIVER'S CAB BLIND (concertina), two TROLLEY HEADS, complete with skids, and a DEPOT/RUNNING NUMBER STENCIL HOLDER (part no TB/A-1413), all in ex-use condition, plus a Newcastle Corporation CARD NOTICE 'Conversion of Trolley Vehicle Services to Motor Omnibus Operation' dated September 1966 (folded). [5]

London Transport Trolleybus ITEMS comprising the FLEETNUMBER PANEL cut out from the side of East Lancs re-bodied H1 class 804B, scrapped at Penhall Road in April 1959 plus a Rexine PLATFORM NOTICE, a TIMECARD-HOLDER and LIGHT SWITCH & HORN PANEL from the driver's cab, an exterior driving MIRROR and a blind-winding HANDLE. All in ex-use, ex-scrapyard condition. [6]

Pair of Edinburgh Corporation TRAM DESTINATION BOXES, one complete with original blind and key, the other empty and incomplete. Both have the original varnished wooden backing sections. These boxes were situated on the lower deck, inside the first window, and therefore don't have their own glass. Measure 12" x 37" (31cm x 94cm). Heavily used, probably ex-scrapyard condition. [2]

Bus DESTINATION BLIND BOX (numerals) containing 3 number blinds, each from 0-9 + A, B, C & X. Original operator unknown. Complete with winding handle and row-selector gear. Works smoothly. Measures 22" x 18" (56cm x 46cm) [1]

After Robert Heindel, ''Forgetful of virtue'', limited edition, signed and inscribed and numbered in pencil 213/250, bears blind stamp, a colour reproduction, together with a limited edition reproduction After Mark Spain, ''In profile II'' , and a further limited edition reproduction After John Bond, ''While the sun shines'' 85.5cm by 76cm, 28cm by 26.5cm and 23.5cm by 29.5cm respectively (3) Overall condition good. Drip trails are an integral part of the image.

Follower of David Wilkie, The Blind Fiddler, oil on oak panel, signed W Claridge and dated 1840, 43cm by 57.5cmSigned and dated to the sides of the stool and spinning wheel. Scattered surface scratches, particularly around border but also above fire place. 43cm x 57.5cm. Estimate £200-£300

After William Russell Flint (1880-1969), ladies in a Roman bath, print, signed in pencil to the margin with gallery blind stamp, (43cm x 58cm), glazed in a composite frame. Condition Report: Light foxing evident to the edges, otherwise good.Frame with light, age related wear.

'Greasbrough Dusk', limited edition etching no.96/200 after George Guest signed, numbered and titled in pencil with blind stamp pub. Christies Contemporary Art 48cm x 36cm Condition Report Click here for further images, condition, auction times & delivery costs

'Tag Row', limited edition etching no.96/200 after George Guest signed, numbered and titled in pencil with blind stamp pub. Christies Contemporary Art 36cm x 48cm Condition Report Click here for further images, condition, auction times & delivery costs

'Monumental Landscape', limited edition etching no.96/200 after George Guest signed, numbered and titled in pencil with blind stamp pub. Christies Contemporary Art 36cm x 48cm Condition Report Click here for further images, condition, auction times & delivery costs

'High House', limited edition etching no.96/200 after George Guest signed, numbered and titled in pencil with blind stamp pub. Christies Contemporary Art 48cm x 36cm Condition Report Click here for further images, condition, auction times & delivery costs

'Storm Flowers', limited edition colour print no. 23/150 after Anna Pugh signed titled and numbered in pencil with blind stamp 39cm x 32cm Condition Report Click here for further images, condition, auction times & delivery costs

'Ice Wilderness', limited edition no 648/1500 after David Shepherd signed and numbered in pencil with blind stamp 28cm x 43cm Condition Report Click here for further images, condition, auction times & delivery costs

Portraits of African Wild Animals including Black Rhino, African Elephant, Cheetah, Lion and Buffalo, five limited edition colour prints after David Shepherd signed in pencil with blind stamp 34cm x 50cm (5) Condition Report Click here for further images, condition, auction times & delivery costs

19th Century console table, the shaped marble top with canted corners above a gilt crisscross fret frieze with hanging carved roses above blind fret tapering legs, 75cm wide, 48cm high 71cm high

1.) McGowen custom saber clip point handled in stag with nickel silver mounts. Correct leather sheath signed "LIZ". 2.) Handmade Japan drop point handled in wood. Correct leather sheath. 3.) BLIND HORSE custom drop point handled in hard wood. Circa - Contemporary. Blade Length-6", 3 - 1/2", 2 - 1/8"; Overall Length-10 - 7/8", 8", 5 - 1/2";

WILLIAM RUSSEL FLINT 'Venetian Scene', colour print, signed in pencil with blind stamps, in gilt, glazed mounted frame, 46cm x 61cm

HENRY MATTHEWS AN EDWARDIAN SILVER MOUNTED EASEL MIRROR, repousse floral decoration with blind cartouche to crest, fitted bevel plate, with a velvet lined back, overall 35cm high x 28cm wide

AN OAK GLASTONBURY STYLE CHAIR, blind carved panel back, arched arms, with plank seat on pegged X form supports, c.1900

A George III Mahogany Long Case Clock, the shaped arched hood with blind fret work above an arched door and a rectangular door with pinched corners all upon a conforming plinth base, the brass dial inscribed James Peddie, Stirling and with subsidiary seconds dial and date aperture with Roman and Arabic numerals and with corner spandrels, the eight day movement striking on a bell

Gentlemen's Timors Time Guide Blind Mans watch, circa 1950s, White Braille marked dial, large black hands, Arabic numerals painted on inner section, automatic 21 jewelled movement, stainless steel case with snap back case, flip up lever to open crystal cover, on a black leather strap. AF

A LARGE EDWARDIAN "CHIPPENDALE REVIVAL" DISPLAY CABINET, the front with two large astragal glazed doors beneath a scrolling pierced and blind fret cornice, the swept sides with similar blind fret decoration, on square legs, 19th/20th century, 81" high x 77" wide

EILEEN ALICE SOPER (1905-1990) Patience Signed in pencil, etching, 12cm x 10cm CONDITION REPORT: Paper slightly yellow. Blind stamp to mount. Frame scuffed, Etching good condition.

Andrew Dickie of Edinburgh mahogany longcase clock with square brass dial with seconds and date aperture, the hood with blind fret cornice, 214cm CONDITION REPORT: Dial is 30cm/12" wide. Marked Andrew Dickie Edinburgh on bottom edge.Generally in quite a poor condition. Replacement pillars. Repairs to the moulding. Repairs around glass of hood. Glass side window smashed. Veneer issues, some splitting and losses. Large filled hole below hood. Split dow middle of base. Trunk door locked.

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition coloured print, "Crime Lake", signed in pencil lower right, bearing FATG blind stamp letter to number indication 516/850, 48 x 62cm, framed and glazed. (D) CONDITION REPORT: Has not been removed from the frame so unknown if stuck down or not. Pencil signed. Good colour. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition coloured print "Woman With a Beard", bearing blind stamp and Fine Art Trade Guild stamp lower left, letter to number stamp 057, 58 x 48cm, and the corresponding limited edition print for sketch of "Woman With a Beard", bearing blind stamp, 21 x 13cm, both framed and glazed (2). (D) CONDITION REPORT: Very slight yellowing to the margin and the image is slightly slipped in the mount. Has not been removed from the frame so unknown if stuck down or not. No signs of foxing and minor colour fading. The smaller image is slightly rippled and has some light staining. Pencil signed. Smaller picture has rippling to paper. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition coloured print "The Cart", signed in pencil lower right, with Fine Art Trade Guild blind stamp and latter to number indicating 509/850, 52 x 40.5cm, framed and glazed. (D) CONDITION REPORT: Has not been removed from the frame so unknown if stuck down or not. Pencil signed. Good colour. Good condition. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition colour print "Burford Church" signed in pencil to lower right, limited edition 774/850, published by Grove Galleries Ltd, Manchester, 63 x 47cm, framed and glazed. (D) CONDITION REPORT: Has not been removed from the frame so unknown if stuck down or not. No blind stamp. Pencil signed. Good condition. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

AFTER SIR WILLIAM RUSSELL FLINT; a limited edition coloured print, two female figures in an interior, 339/850, bears blind stamp lower left, image 38 x 56.5cm, framed and glazed.

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); pencil study "Lytham St Annes", signed and dated 1916, inscribed on Pitcairn Galleries of Knutsford label verso, 12 x 16.25cm, framed and glazed. (D)Purchased by the vendor directly from The Pitcairn Galleries. CONDITION REPORT: Overall the drawing is in good original condition. However, there are two tiny white marks to the left hand side of the image which are paint residue on top. Some brown staining noticeably to the sky and along the lower section just above the mount. There are also traces of a possible inscription beneath the signature. Pencil signed. No blind stamp. Has not been removed from the frame so unknown if stuck down or not. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

A WWI pocket compass in leather case, YMCA WWI Bible, blind soldiers gift book 1914, year book Albert bombardment, postcards, miniature death plaque, map of WWI cemeteries in Belgium, WWI POW booklet etc

Charles Johnson Payne (Snaffles 1884-1967), framed and glazed Lithograph "Vimy", blind stamp lower right, 28.5cm x 22cm

John Piper (British, 1903-1992), a framed and glazed Limited Edition (12/150) colour Screen Print, "Fountains Abbey, Yorkshire", signed lower right in pencil in the margin by Piper and also with blind stamp lower right, image size 45cm x 62cm, with Christie's Contemporary Art Certificate and Christie's original sales invoice dated 1981 CONDITION REPORT: Very good with no problems with no problems/conditions issues noted, still retains strong bright colours.

John Piper (British, 1903-1992), a framed and glazed Limited Edition (14/120) colour Screen Print, "The Court House, Long Crendon', (near Thames, 14th Century Staple Hall, probably used as a wool store), created for the 1978 National Trust Collection, signed lower right in pencil in the margin by Piper and also with blind stamp lower right, image size 42cm x 58cm, together with Christie's Contemporary Art Certificate CONDITION REPORT: Generally very good overall with some very minor spots/thunderflies to underside of glass visible in border, the left and right hand sides and bottom have been cut by guillotine and the top the paper looks as if it has been torn by hand, generally all good original condition.

John Piper (British, 1903-1992), a framed and glazed Limited Edition (47/75) colour Lithographic Print, "Study of Sunflowers", signed lower right in pencil in the margin by Piper and also with blind stamp lower right, image size 40cm x 55cm CONDITION REPORT: A few minor thunderflies under glass and showing in margin otherwise very good with good original strong bright colours etc., in good general order.

A large quantity of mid-18th C antiquarian books, mainly religious subjects including FARRAR, FREDERIC W.,"The Life of Christ", Cassell Petter & Galpin, tree calf leather, gilt rules, raised bands, gilt titles and decorations, paste-down title and author to backstrip, marbled endpapers, marbled edges, gilt dentelles, blind stamp 'Doidge Bookseller, Plymouth' on second ffep, two volumes; BUNYAN, JOHN "A True Relation of the Holy War, made by King Shaddai upon Diabolus, illustrated with valuable notes similar to those added to The Pilgrims Progress by Mr William Mason and others" published by J Robins & Co, printed for J &J Cundee, Ivy Lane, engraved frontis with tissue guard, engraved half-title, five plates, full leather (53) (2 boxes)

"THE HISTORY OF ENGLAND by Hume and Smollett with a Preliminary Essay by the Rev. Henry Stebbing D.D.", George Virtue, London, three volumes n.d., frontis portrait, engraved vignette on half-title, numerous plates (not collated) contemporary marble boards, half-leather, raised bands, gilt titles and decoration and paste-downs to backstrip. MERLE D'AUBIGNE, J.H., "History of the Reformation in the Sixteenth Century", three volumes, 1845 Blackie and Son, plates, bookplate inside front board, full leather, gilt rules, blind stamp decoration to front boards. DUGDALE, THOMAS "Curiosities of Great Britain - England and Wales Delineated ..." three volumes published by Tallis, London, numerous plates, plans and maps (not collated), full-leather, blind stamped, gilt decorations and paste-downs to spines, all edges marbled, bookplate inside front boards; "A New History of England from the time of its first invasion by the Romans... " four volumes 1757, and one other binding, "An Abridgment of the History of England from the invasion of Julius Caesar..." 1805 (14) (1 box)

Tolson, F. "Hermathenae, or Moral Emblems and Ethnick Tales with Explanatory Notes..." Vol I, engraved half-title, dedication, list of subscribers, engraved emblems, errata page, contemporary full-leather, blind stamped, gilt titles, raised bands, bookplate inside front board

BROWN, the Rev. John, "A Dictionary of the Holy Bible..." Samuel Leigh 1814 London, two volumes, folding coloured map to both volumes, full tree-calf lrather, gilt decorations, paste-downs to backstrip, "Concordance to the Holy Scriptures" Mathews and Leigh 1811, frontis portrait, full-leather; HOLY BIBLE printed by T Wright and W Gill 1769 Oxford, folio full-leather, backstrip worn and with loss; HOLY BIBLE Oxford University Press 1882, full-leather with brass clasp, bumped and worn, HOLY BIBLE printed by George E Eyre and William Spottiswoode 1861, full-leather with gilt blind stamp decorations, covered with buckskin wrapper (6)

TOLKIEN J.R.R. "The Lord of the Rings" George Allen & Unwin Ltd in three red cloth volumes, dust jackets not price-clipped: "The Fellowship of the Ring" eighth impression 1959, "The Two Towers" sixth impression 1959 and "The Return of the King" fourth impression 1958. All three volumes have inscriptions 'Birdwood - Trinity' in ink inside front boards (hidden by dustjacket flaps) and the third volume has a slight crease to its front board. JOYCE, JAMES, "Ulysses" The Bodley Head, 1958 reprint, green cloth with bow blind stamp and gilt titles, green dust jacket not price-clipped, TOLKIEN J.R.R. "The Hobbit or There and Back Again" George Allen and Unwin, 11th impression 1959, illustrated by the author, map on endpapers, green cloth with black decorations and a Folio Society volume (6)

A Chippendale period mahogany Stool having drop-in seat, profusely carved with blind fret decoration, the square chamfered legs united by an 'H' form stretcher

Five early 20th Century oak dining chairs, with blind fret backs, to include two carver chairs; together with a draw leaf dining table, raised on spiral twist legs, the table 75cms high; and three demi lune console tables.

Oak eight day longcase clock, the 13" painted arched dial singed W. Mason, Duns, with subsidiary seconds and calendar dials, the case with long wavy arched door flanked by fluted canted pilasters, the hood surmounted by a moulded broken arched pediment above blind fret carvings, with central ball and spike finial, 84" high (pendulum, two weights)

Mahogany eight day grandmother clock, the 11" square brass dial signed Alex Irving, Canongate on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and ringed winding holes over a calendar aperture, the case with long rounded arched door flanked by quarter fluted columns and the hood with a flat stepped cornice over a geometric blind carved frieze, 72.5" high (pendulum and two weights)

Oak thirty hour longcase clock, the 10" square brass dial signed John Welch, Chessen on an arched plate to the matted centre with single iron hand, the case with long moulded door and the hood surmounted by a stepped caddy top over a blind foliate fret carved frieze, 81.5" high (pendulum and weight)

Scottish oak eight day single weight longcase clock, the 12" circular silvered dial signed Joseph Durward, Edinburgh, the case with long wavy moulded arched door and the hood with blind foliate fret carved spandrels, surmounted by a moulded swan neck pediment and three giltwood flaming urn finials, 87" high (pendulum and weight)

Good Scottish walnut eight day longcase clock, the 13" brass arched dial signed Jas Liddle, Bathgate to the foliate engraved centre with subsidiary seconds and calendar dials, also with strike/silent dial to the arch, the Dutch style case with long wavy beaded door inlaid with boxwood lines and fitted with an ornate gilt metal cast lenticle depicting a lady riding a bull and the hood with wavy moulded arched top over a blind foliate carved fretwork panel, 90" high (pendulum, two weights and key)

Walnut eight day longcase clock with five pillar movement, the 12" brass arched dial signed Dan Quare, London no. 89 to the matted centre, with subsidiary seconds dial and calendar dial to the arch, the case with long crossbanded rounded arched door and the hood surmounted by a stepped caddy top surmounted by three finials (missing) over blind foliate fretwork carved panels, 100" high (pendulum, door key, no weights or hood finials)

Mahogany eight day longcase clock, the 12" silvered arched dial signed Benjamin Brock, Bristol within a foliate border to the centre, with subsidiary seconds dial and calendar aperture, also with moon phase and high water at Bristol Quay register to the arch, the case with long moulded arched door and the hood surmounted by a rounded stepped cornice over a blind foliate fret carved panel, 90" high (pendulum and two weights)

CRUIKSHANK (G.; illustrator) The Bee and the Wasp, Charles Tilt, 1832, 12mo, 16pp., yellow wrapper bound in, late 19th century half calf; The Peacock "at Home", by a Lady, 21st edition. The Butterfly's Ball, by Mr Roscoe, London: John Harris 1841, small 8vo, 12 hand coloured illustrations, few small finger stains, original blind stamped limp cloth (2)

A Victorian mahogany chiffonier, the superstructure with shaped scrolling acanthus crest, serpentine-shaped shelf, one long blind drawer above shaped shield-shaped doors, plinth base, bun feet (faults)

After Pierre Auguste Renoir 'La Famille' Colour etching - blind stamp for A. Vollard, 25cm x 19cm, frame 68cm x 63cm

A George III style satinwood, burr walnut and inlaid oval side table, by Brights of Nettlebed, with patera inlaid centre, blind fluted frieze and square tapering legs joined by a cross stretcher, 57cm wide, 71cm high

THREE LIMITED EDITION RUSSELL FLINT PRINTS, classical maidens, with blind stamps, each approximately 37cm x 22.5cm (3)

SIR WILLIAM RUSSELL FLINT (1880-1969), river landscape print, signed in pencil lower right with publishing blind stamp lower left, approximate size 52cm x 68cm

DEBBIE GILLINGHAM, Spaniel, signed Limited Edition print, No.189/495 with blind stamp, approximately 20.5cm x 18.5cm