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Havercampus (Sigebertus)Ed. Pauli Orosii Presbyteri Hispani adversus Paganos Historiarum Libri Septem, ut et Apologeticus contra Pelagium de Arbitrii Libertate. .. Adjectis integris notis Franc. Fabricii Marcoduranti et Lud. Lautii. 4to Leyden (Geraldun Potulier) 1738. Red & bl. title with vignette, engd. vignettes of coins in text, cont. blind stamp vellum raised bands. B.P. V. good copy. (1)

or a Complete System of Modern Husbandry. London: Richard Phillips 1805. 2 volumes, 4to (210 x 260mm), 1 folding plan, hand-coloured frontispiece and 87 engraved plates (2 folding) including 27 hand-coloured, contemporary calf boards, sides with gilt fillet and blind border on sides, neatly rebacked, corners rubbed, front hinge of Vol I slightly weak, front hinge Vol II repaired, some offsetting to text, bookplates of Thos. Marshall, small book label of William Delafield (2)

London: Rowland Ward, 1900. Number 108 of 250, signed by the publisher. 4to, 9 hand-coloured lithograph plates with facing tissue and black and white photographs and illustrations throughout text, original green cloth gilt with black endpapers, some darkening and dust-soiling to half title, bookplate and blind-stamp of Library of The American Museum of Natural History, AMNH cancellation stamp, early ownership annotations in ink and pencil, spine and edges bumped, tears to spine and corners, endpapers dampstained and detached from internal jointsFootnote: Provenance: Bookplates of Henry Fairfield Osborn and Asiatic Hall Collection of the Library of The American Museum of Natural History

Crichton, Michael Jurassic Park. New York: Alfred A. Knopf, 1993. 8vo, 'the gift edition', signed by the author, original polythene wrapper with dinosaur motif; Asimov, Isaac Foundation. London: Weidenfeld & Nicolson, [1953]. First UK edition, 8vo, dust-jacket not price-clipped but with some slight chipping; Holdstock, Robert Eye Among the Blind. London: Faber and Faber, [1976]. First edition, 8vo, dust-jacket not price-clipped; Ballard, J.G. The Unlimited Dream Company. London: Jonathan Cape, [1979]. First edition, 8vo, dust-jacket price-clipped; [Idem] Hello America. London: Jonathan Cape, [1981]. First edition, 8vo, dust-jacket not price-clipped; [Idem] Myths of the Near Future. London: Jonathan Cape, [1982]. First edition, 8vo, dust-jacket not price-clipped; Miller, Walter A Canticle for Leibowitz. London: Weidenfeld & Nicolson, [1960]. First UK edition, 8vo, dust-jacket not price-clipped; Stanley Robinson, Kim The Wild Shore. London: Macdonald & Co., [1986]. First UK edition, 8vo, dust-jacket not price-clipped; Wyndham, John Trouble with Lichen. London: Michael Joseph, [1960]. First edition, 8vo, dust-jacket price-clipped (9)

APPRENTICE STYLE CABINET, twin door desk cabinet, 2 blind panel doors, enclosing drawers to the interior, over 3 drawers below, 20" high 12.5" wide

GEORGIAN SERPENTINE FRONTED CHEST OF DRAWERS, blind fretwork canted corners with brushing slide and fitted top drawer of 4 graduated drawers, gilt Roccoco design handles and Ogee bracket feet, 33" height 35.5" width

A QUEEN ANNE WALNUT LONGCASE CLOCK BY SAMUEL WATSON LONDON the brass month going movement with six turned and finned pillars, with an anchor escapement striking on a bell, with an outside countwheel, the twelve inch brass dial with a silvered chapter ring, with Roman and Arabic numerals, the matted centre with a subsidiary seconds dial and date aperture, signed 'Sam Watson London', with gilt boys and crown spandrels, the hood with a blind fret carved frieze, above a trunk door with book matched burr veneers 216.6cm high Provenance From a Private Cornish Country Estate. Catalogue Note See Britten's 'Old Clocks & Watches and their Makers': Samuel Watson, Coventry and London, horologist, is listed as active between 1649-1710, 'inventor curious piece of clockwork; a clock sold to Charles II, shows the rising and setting of the sun and many other motions.' He is credited with inventing the five-minute repeater.

A GEORGE III MAHOGANY SILVER TABLE C.1770 AND LATER the top with a serpentine edge gallery, above a plain serpentine frieze, on part blind fret carved chamfered tapering legs, with flower and leaf carved brackets, on block feet, united by a pierced fret carved 'X' stretcher, originally on castors 73.5cm high, 89cm wide, 64.2cm deep Provenance Lady Elizabeth Bulteel, Flete House, Devon and by descent.

PARTNERS DESK, twin pedestal mahogany partners desk with gilt tooled leather top, blind fretwork canted corners and carved ogee bracket feet, 68" width x 44" depth

A Chinese Chippendale style mahogany silver table, 19th century, the rectangular moulded top above a blind fret work frieze and 'C' scroll spandrels, upon Gothic moulded legs of tapering square section, terminating in a spreading foot and brass castors, 76cm H x 102cm W x 67cm D Provenance; Llangedwyn HallCondition reportWater splash marks to the table top, 20cm length of beading detached from the end of the table.One leg joint loose at the top of one table leg with a break in the spandrel.Later blocks applied to the underside indicating later restoration, several spandrels also appear to be later.Some loss and damage to the blind fretwork frieze. 

Four English Gothic revival oak pew ends, 19th century, each of ogee gothic arch form with tri-form acanthus leaf finial above blind tracery and a vacant shield cartouche, each 144cm high (4)

After Sir William Russell Flint R.A. (Scottish, 1880-1969),'La Voulte sur Rhone',Artist signed print on paper,Signed in pencil with blind stamp to lower margin,48cm x 63cm,Framed and glazed,With 'Gypsy Festival of St. Eulalia, Analusia', Limited edition print on paper, Unsigned, numbered '806/850' to lower margin, 48cm x 62cm, Framed and glazed (2)

After Sir William Russell Flint R.A. (Scottish, 1880-1969),'Le Quatorze Juillet',Artist signed print on paper,Signed in pencil with blind stamp to lower margin,47cm x 61cm,With 'Flowers in the Cloister', Limited edition print on paper, Unsigned, numbered '130/850' and blind stamped to lower margin, 52cm x 68cm, In matching glazed frames (2) CONDITION REPORT:Both prints are framed under glass and have not been removed for inspection.  Both prints appear to be in good overall condition with no visible foxing or damage to the picture surface.  The colours appear to be clean and strong, but are likely to have faded somewhat over time.

After Sir William Russell Flint R.A. (Scottish, 1880-1969),Three limited edition prints on paper,'The Beach Game', 'Florentine Masquerade' and 'Gossip St Jeannet',All unsigned, numbered '487/650', '89/750' and '204/850', with blind stamp to lower margin,43.5cm x 59.5cm, 71cm x 52cm and 52.5cm x 68.5cm,In matching glazed frames (3)

After Sir William Russell Flint R.A. (Scottish, 1880-1969),'Retreat from the Sun' and 'White Interior Chateauneuf-Sur-Loire',Artist signed prints on paper,Each signed in pencil with blind stamp to lower margin,47.5cm x 62.5cm and 51.5cm x 68.5cm,In matching glazed frames (2)

12 BOTTLES NEW ZEALAND WHITE AND ROSE WINEHaulashore Sauvignon Blanc 2020; Anchorage Reserve Sauvignon Blanc 2020; Map Maker Sauvignon Blanc 2019; Kim Crawford Sauvignon Blanc 2020; Kim Crawford Small Parcels Sauvignon Blanc 2019; Kim Crawford Pinot Gris 2019; Spinyback Pinot Gris 2020; Blind River Sauvignon Blanc 2019; Oyster Bay Sparkling Rosé; Freeman's Bay Rosé 2019; Lansdowne Pinot Gris 2015; The Ned Rosé 2020

A MAHOGANY CHINESE CHIPPENDALE SIDE CHAIR,  with carved leaf and ribbon splat, inset cane seat and raised on blind fret decorated square legs, 59cm wide, 98cm highf04 and 54cm deepCondition Report: Very good conditionNo issues to report20th Century in date

Blues LPs, seventeen albums of mainly Blues with artists comprising J B Lenoir, Blind Blake, Josh White, Albert Burbank & Big Eye Nelson and Ma Rainey, the rest being compilations - various years and conditions

Hardouin Germain, bookseller. Hore intemerate Virginis Mariae second(um) Usum Romanum… Paris G. Anabat, 1505. 8vo., red morocco, blind stamped and gilt, probably 19th c. (inner joint broken). 102 pages including blank at end. Printed on vellum with 16 large and 24 small hand coloured and illuminated illustrations, similar initials, rubricated., n1 with ms. note in Spanish (some soiling to lower blank margins)/Provenance: Spetchley Park CONDITION REPORT: We believe there are 6 pages missing from this lot.

Wells, H. G. Tono Bungay, 1909 (worn); The Country of the Blind, 1911; Men Like Gods, 1923 (spine faded); The Shape of Things to Come, 1933. First Editions, 8vo., orig. cloth. With 12 others by the same (16)

A mahogany inlaid linen press, with a blind fretwork and chequer cornice and frieze over cupboard, enclosing five slides over two short and two long drawers, with canted corners, 127cm wide, 67cm deep, 220cm highCondition report: Fair overall - some knocks and wear to the edges and cornice.

Mid 18th century 8-day longcase clock by Samuel Lee of London, with silvered and brass dial, subsidiary seconds and date aperture in mahogany case with blind fretwork pediment, with two weights, pendulum, keys and crank, 207cm highCondition report: General overall condition very good, movement is dirty, some steel parts are rusty, bell strike has been muffled and we are unable to confirm if the movement is in full working order. Dial is very good, some wear to silvering, hands rusty. Movement appears original to the case and there is no visible evidence of any replacement parts. Case is very good, some evidence of old woodworm, holes filled and polished. Pillar capitals on both case and hood have been painted gold.

Mahogany tallboy/secretaire with carved key pattern cornice, blind fret carving below, 3 short and 3 long drawers above, 3 drawers below, top secretaire with pigeon holes and small drawers, original handles and ogee feet, c. 1760. 44.5” wide x 21” deep x 82” high

Great Britain 1980 10p Yellow-Brown Block 25, Sq U190 'Var' Blind Perfs cyl 2 phos 20 Kampf Perforator

A BRITISH CAVALRY-TROOPER'S PATTERN '08 SWORD SIGNED 'S.B. & N. LTD', WITH SCARCE SADDLE-FROG, dated for 1916 with re-issue stamps to 1921 and originally marked to the 7th Hussars, with narrow single edged and blind fullered 35in. blade with pattern no. to back edge, sheet iron bowl-style handguard with rolled edge, composite material chequered 'pistol-grip' hilt and domed iron pommel, complete with its iron scabbard with twin fixed suspension rings (traces of olive green paint at throat) and fitted to a 1914 dated long leather saddle frog. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

R. MOLE & SONS, BIRMINGHAM A WORLD WAR ONE BRITISH OFFICER'S PATTERN 1897 SWORD FOR THE INDIAN ARMY, dated for 1916, with 32in. straight spear-point blade blind fullered for the first half and etched with arabesques and scrolls (dull and tarnished), the forte with 'ROB'T MOLE & SONS, MAKERS, BIRMINGHAM', the reverse with proofmark inlet within a Star of David device and stamped with a broad arrow over 'I' over 1916, nickel plated half-basket hilt with turned down inner guard and pierced with scrolls and a crown over 'GRI', wire-bound sharkskin grip with chequered backstrap and domed pommel, complete with its heavy duty leather scabbard with extra-long iron drag and iron throat. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

CARL EICKHORN, SOLINGEN A WORLD WAR TWO DIRK FOR THE GERMAN KRIEGSMARINE, with 10in. stiletto blade etched with scrolls, anchors and sailing ships, twin narrow blind fullers, makers mark at forte, gilded carved cross-guard with central fouled anchor and push-button scabbard lock, white celluloid wire-bound grip and eagle and swastika pommel, complete with its gilt brass scabbard embossed with lightning bolts, a bullion portapee knot and its black cloth and velvet hangers with tobak fittings. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over. Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

AN 11mm BOLT-ACTION TARGET-RIFLE SIGNED 'SYSTEME SOMMERDA', serial no. 22642, almost certainly by Dreyse and converted from needlefire circa 1860, with octagonal 26in. barrel, fore-sight with side protectors, twin white metal lines at muzzle, short dove-tail to the top-flat near breech for the carved adjustable rear-sight, the top of barrel throat inlet in silver with 'SYSTEME SOMMERDA' (small losses to inlay), the top of breech marked 'PATENT', octagonal receiver with isolated engraved panels, chequered turned down 'butter-knife' bolt-handle, safe to rear of bolt, walnut half-stock chequered at the wrist (repaired blind crack to right of receiver) the top of wrist fitted with a socket for peep-sight (absent), exaggerated raised cheek-piece, iron butt-plate with engraved top-spur, complex engraved trigger guard bow, double set triggers and plain schnabel fore-end. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

GREENE RIFLE WORKS, USA A SCARCE 56-50 (RIMFIRE) SINGLE-SHOT CARBINE, MODEL 'WARNER'S PATENT', serial no. 2080, one of 2500 2nd. contract carbines made for James Warner delivered between February and March 1865, with round iron 20in. barrel, applied fore-sight with horn blade, folding rear-sight with 'battle' notch and tall blade with two apertures and top notch, London proved rounded brass action with swing-open brass breech-block locking on a catch, the left side of action marked 'GREENE RIFLE WORKS, WORCESTER, MASS, PAT'D 1864' below a short saddle bar with loose ring, central blued hammer, walnut straight hand butt-stock (some age related blind cracks), brass heel-plate and trigger-guard, plunge ejector operated by a slider in the fore-end and single iron barrel-band. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

MERWIN HULBERT, USA A SCARCE .44 (M&H) SIX-SHOT SINGLE-ACTION REVOLVER MODEL 'ARMY, FIRST ISSUE', serial no. 5953, circa 1877, with almost certainly shortened 5in. sighted barrel (signature erased), blind-fluted cylinder, plain frame with barrel slide release catch forwards of the trigger-guard, replacement smooth walnut flared grips, lanyard ring to base of butt, the whole cleaned of an older refinish with traces and shallow pitting remaining. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

Travel. Freeman-Mitford, A. B. - The Attache at Peking. London: 1900. Original cloth with the bat decoration. With the folding plan. With 'Presentation Copy' blind-stamp to title page. (1)

3 Serigrafien, ¨Selbstporträt (blind)¨, ¨Kaiser Ferdinand¨ und ¨Kaiserin Eleonore¨ aus der Mappe ¨Comenius¨ (1976), je handsigniert ¨OKokoschka¨ und in der Platte monogrammiert, Ex. 13/25, je ca. 52,5x42,5cm (in Passepartout), je gerahmt (73x61cm), teilweise fleckig

A modern mahogany Federal style chest on frame with broken swan neck and foliate crest above blind fretwork, fitted two short drawers above four long drawers, with frame fitted one long drawer above two short drawers, with shell and leaf apron to front, on carved cabriole legs ending in ball and claw feet (161cm x 66cm x 31cm)

A Chinese square lamp table with blind fretwork to each side, fitted single drawer, on straight supports ending in moulded feet (56cm x 50cm x 50cm)

An Ernest Leitz Wetzlar Leica IIIb camera stamped Luftwaffen?Eigentum, serial No362916, with Leitz f=5 cm lens, red blind, in original leather case

Georgian style mahogany framed wingback armchair, the scrolled arm terminals and supports carved with flower heads and foliage, sprung seat and back upholstered in pale lozenge patterned fabric, loose seat cushion, blind fretwork frieze rails, square moulded supports joined by pierced stretcher rails Dimensions: Height: 117cm  Length/Width: 80cm  Depth/Diameter: 80cm

English school 19th century, "Portrait of a Male", Engraving, Blind stamp to lower left, 41cm x 32cm.Having an old label to verso for James Bourlet & Sons, Framer

EDWARDIAN 'CHINESE CHIPPENDALE' MANTEL CLOCK, the circular brass dial with Roman numerals and one train 30 hour movement by Japy Freres, , contained in a red lacquered case with pagoda top, blind fretted frieze, on splayed bracket feet, 25cm high Provenance: The William Mowat-Thomson Collection

ANGELICA KAUFFMAN (AFTER), JUPITER & CALISTA; BEAUTY; BLIND MAN’S BUFF AND THE SMITTEN CLOWN Mezzotints by and after Bartolozzi, printed in colours, roundals, 29cm diameter, framed and glazed in gilt moulded frames (4) Provenance: The William Mowat-Thomson Collection

Moltke, The Blind water carrier, a fine art print after Max Gotlieb (1905-1976), 25cm x 18cm

ERIC STURGEON; Village Stores Curry Rivell, signed print. Blind stamped, framed and glazed, 45cm x 80cm

ERIC STURGEON; Gold Hill, signed print. Blind stamped, framed and glazed, 50.5cm x 69cm

ERIC STURGEON; Castle Coombe, signed print. Blind stamped, framed and glazed, 52cm x 65.5cm

Terence Cuneo; Camargue Round-up, signed print. Blind stamped, framed and glazed, 53cm x 66cm

A Pair of Grey and Cream Toile Curtains, with rustic vignettes, line and interlined, 120cm by 192cm, 3ft11in by 6ft4in; A Chintz 5ft Bed Valance; A Linen Roman Blind, printed in 17th century style with mythical beasts; A Similar Single Curtain; A Similar Cushion; and A Length of Matching Fabric

19th century wall hanging oak glazed cabinet with dentil cornice above blind fret work frieze, with astragal glazed door, h 56cm x w 48cm d 28.5cm

Extensive Royal Copenhagen dinner service with blind lattice border and floral decoration, comprising three graduated meat plates largest 44.5cm wide, two covered dishes, spoon warmer, twelve dinner plates 25.5cm diameter, twelve plates 22cm diameter, six plates 20cm diameter, six plates 17.5cm diameter, twelve consommé bowls and saucers (bowls 13cm diameter,) (68) including dish covers,Condition Report: Good condition overall, with some rubbing to gilt and edges, with surface scratches. Aside from this, general wear, marks, scratches to service, with chip to corner of one plate.

Georgian style mahogany Chest on Chest with moulded blind fret work frieze over two small drawers and three graduated long drawers over brushing slide and three long graduated drawers on bracket feet H 164.5cm, W59cm and d 42cm

A collection of six coastal studies on paper; to include, William Gilpin (1724-1804), A coastal landscape, blind-stamped 'W' (lower left), 12.5 x 18cm; Frank Lewis Emanuel (British, 1865-1948), Moving up River, London, pencil on paper, 8.5 x 17.5cm; A pair of shipping scenes, signed 'H. Stafford' (lower left), watercolour on paper, 16.5 20cm; A coastal landscape with ships anchored, indistinctly monogrammed (lower left), watercolour on paper, 16 x 33.5cm; A harbour view, watercolour on paper, 17 x 26cm. Six in the lot (6)

An early 20th Century Chippendale style mahogany side display cabinet, the blind fret-carved pediment above bar glazed doors, two drawers and a satinwood panelled double door cabinet, with fret-cut detail to the legs, height 196cm, width 108cm and depth 35cm, S/D.

A George IV mahogany fall-front bureau, fitted with an arrangement of pigeon holes, eight small drawers and leather book bound compartments flanking the central cabinet, further fitted below with three short and three long cock-beaded and oak-lined drawers flanked by blind fret-carved pilasters and bracket feet, height 104cm, width 113cm and depth 51cm, S/D.

George II silver blind caster of baluster form the domed cover with trellis, dot and foliate engraving, the body inscribed W C F by Samuel Wood, London 1750 , 4.7oz 145.8gm 15cm together with a mustard spoon inscribed with the same initials ( the Blind Caster, the earliest form of mustard pot, was used for dry mustard.)Condition Report: Dents in cover. Marks on cover rubbed. Marks rubbed but readable. Rubbing and wear throughout consistent with age and use.

Snaffles (Charles Johnson Payne, 1884-1967), Yi-hai! Indian Cavalry, colour print with remarques and blind stamp, 46x38cm

After Lionel Edwards, 'The Blackmore Vale Hunt' no. 44/500, studio blind stamp, signed in pencil by visible members of the field, 33x49cm

Hunting interest: Thomas Oldacre, huntsman to the Berkeley Hounds, coloured print with studio blind stamp 'GGP', signed in pencil, 47x35cm

Snaffles (Charles Johnson Payne, 1884-1967), The Stone-Faceder, signed with pencil remarque, with blind stamp, 50cm x 42.5cm

AUDUBON (JOHN JAMES)The Birds of America, from Drawings Made in the United States and their Territories, 7 vol., fourth octavo edition, 500 hand-coloured lithographed plates, tissue guards (a few missing), some spotting throughout (mostly to text), light dampstain in lower fore-corner of a few opening leaves to volumes 2, 3 and 7, pp.71/72 text leaf in volume 1 with blank upper corner torn away, original blind-stamped brown morocco, lettered 'Bird of America' on upper cover, lettered in gilt on spines, g.e., some rubbing and abrasions, the spine of volume 6 heavily stained, large 8vo (268 x 170mm.), New York, V.G. Audubon, 1860Footnotes:The relatively rare fourth octavo edition differs from the first octavo edition of 1840-1844: 'The plain backgrounds of the original 8vo are replaced by tinted ones; those which were tinted are altered in tone or some minor detail. Many of the elaborate scenic backgrounds of the original folio, which were modified or eliminated in the first 8vo, have been replaced and in some cases the size of the figures has been altered in consequence' (Ayer/Zimmer). The text was reset from the first octavo edition, reduced down to five volumes with the intention of accompanying the 1860 large folio edition being prepared by Julius Bien.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

SEUTTER (GEORG MATTHAUS)Atlas novus sive tabulae geographicae totius orbis faciem, partes, imperia, regna et provincias exhibentes..., engraved allegorical title-page by M.G. Grophius after J.C. Weiserman, 50 double-page engraved maps coloured in a contemporary hand, some decorated with allegorical scenes, some general finger-soiling and light staining (mainly towards lower edges/corners, as a result of page-turning, slightly affecting some maps), a few small old paper repairs in margins, contemporary wallet-style limp calf, lettered in blind ('Atlas. Novus. A.L. Mapp.') on upper cover, one leather strap intact, the other loosely inserted, spine and foot of flap restored [Phillips II, 593], folio (550 x 315mm.), Augsburg, Matthaus Seutter, [c.1740]Footnotes:A nice example of Seutter's world atlas in the original wallet-style binding. The maps include the twin-hemisphere World and 'Planispharium coeleste' maps, three of the Americas (including 'Novus orbis sive America meridionalis et septentrionalis'), Asia, and Africa. Seutter was apprenticed to J. B. Homann in 1687 in Nuremberg, then worked as an engraver for the publisher J. Wolff in Augsburg, before setting up his own map and globe business in the same city. Copies of the atlas were issued with very varying numbers of maps.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

C.F. Tunnicliffe RA OBE The Memorial Collection, published by Larkhall Fine Art Ltd and H&G Gerrish, July 2007, Part One full set of seven prints, numbered E, blind stamped and numbered E in pencil 2007 bottom left corner, Part Two full set of nine plates with blindstamps and letters E-J, housed within the memorial collection boxes (2)Notes: These memorial collection edition were limited to 112 published sets with letters A-L not for public sale.Provenance: consigned from a significant private collection of wildlife art, purchased from a member of the Tunnicliffe familyCondition report: The Memorial Collection Parts 1 and 2 - all prints are present and housed within their paper wallets. The sheets are all in good condition without evidence for any rips, folds or creases and no obvious signs of any deterioration. All prints are blindstamped bottom left with pencil letters. The prints are clear with good impressions. Please see additional photographs uploaded to the catalogue. The covers are in good condition with very minor wear and tear, there are no visible surface losses or evidence for damage.

An unusual Edwardian inlaid walnut Davenport type deskThe pen box with gallery back and blind-fretwork front before a pull-out writing surface inset with a tooled tan leather skiver and concealed stationary recesses, above a single frieze drawer with marquetry swag detail, the base with beveled-glazed door within a blind fretwork frame, opening to a single fixed shelf, raised on tapering square-section supports and ceramic casters, 62cm wide x 49cm deep x 85.5cm high.Condition report: Fine splits to back. Split to right side. Small area of staining to top right. Structurally sound overall. Minor cosmetic marks consistent with age and use. Glass good. Small sections of internal divider top snapped off but not lost.