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Lot 733
Andrew Watson Turnbull (1874-1957) three etchings, 'Lough Belshade, Donegal', signed and titled in pencil to margin, blind stamped, 17 cm x 24.5 cm; 'Deeside', signed and titled in pencil to margin, blind stamped, 21 cm x 30.3 cm; 'Canongate Clock, Edinburgh', signed in pencil to margin, 27.5 cm x 17.5 cm, all framed and glazed. Together with Wallace R. Hester (1866-c.1923) etching, 'City of London School', signed and titled in pencil to margin, artists proof no. 119, 25.7 cm x 17.4 cm, framed and glazed (4)
Lot 740
A group of six coloured etchings, including Francis Wells (act. 1897-1938), 'St Michael's Mount' and 'The Bass Rock', both signed and titled in pencil to margin, artist's proof, blind stamp, 15.5 cm x 32 cm, framed and glazed; Alice Barnwell (1910-1980), Bluebell Woods, signed and titled in pencil to margin, artist's proof, blind stamp, 29 cm x 20.5 cm, framed and glazed; G. C. Gaynard 'View of a Canal, Venice' and 'View of Piazza San Marco Venice', both signed in pencil to margin, 16.5 cm x 12 cm, framed and glazed; and Alfred G. Burr, 'Llyn Peris-Llanberis', signed and titled in pencil to margin, artist's proof, blind stamp, 24 cm x 17 cm, framed and glazed (6)
Lot 2135
Good quality George III mahogany linen press, the blind fretted and dentil cornice with broken arch pediment above two panelled doors enclosing linen slides, the base with a brushing slide above two short and three long graduated drawers with brass handles raised on ogee bracket feet CONDITION REPORT Split to front bottom drawer, mouldings missing on side, multiple old veneer repairs. Could be restored but there are quite a lot of areas to clean, repair and polish. 53ins wide x 28ins deep x 94ins high
Lot 2142
George III rectangular mahogany fold-over card table, the top with a carved rim above a single frieze drawer raised on blind fretted chamfered supports CONDITION REPORT Four fretwork corner inserts are missing from front and one side, otherwise this piece is structurally ok. Needs a good clean and polish. 32.5ins x 17.75ins.
Lot 1107
English School 19th/20th Century sheep and travellers in a landscape, oil on canvas; together with ''The Blind Beggar'', attributed to R Falke, oil on canvas; attributed to J Lesage, ''Phyllida'', painted porcelain portrait; and a pair of oval continental landscape scenes, indistinctly signed (5)
Lot 52
A 19th century mahogany longcase clock by George Lewton, Kingswood, Bristol. The painted face with secodary apertures, faceted hands under moonphase action. Set to a mahogany trunk with columns to either side of hood with brass eagle swan neck pediment having blind fret work decoration. Complete with key, weights and pendulum. Measures 234cms high x 48cms wide x 25cms depth
Lot 66
Robert Sweet: The Florist's Guide and Cultivator's Directory in two volumes, containing Coloured Figures of the Choicest Flowers, Cultivated by Florists. Containing coloured figures of the choicest flowers cultivated by florists; including ranunculus, carnations, picotees, pinks, georginas, polyanthus, auriculas, hyacinths, and tulips, with their descriptions and an account of the most approved methods of culture. Two volumes. With 200 hand-colored copper-engraved plates with accompanying letterpress, engraved by S. Watts from drawings by E.D. Smith; extra-illustrated with 72 hand-colored copper-engraved plates by S. Watts after E.D. Smith, from Vol. V of Sweet's Geraniceae. 9¼x5¾, period half calf & marbled boards, spines tooled in gilt & blind, raised bands, morocco lettering pieces. Published by James Ridgway, Piccadilly 1827-1829. Measures 26cms high x 17cms wide
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