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ROLLING STONES - Two very well presented early UK pressings of the eponymous debut release and No. 2. S/T (Decca mono flipback LK 4605) has the early 'Mona' track listing on both record and sleeve. The record is in Ex condition with just a few light marks. The sleeve is Ex with light ringwear. No. 2 is the original 1964 UK pressing (unboxed Decca LK 4661 mono) with 1A matrix codes, non flipback cover, long blurb and original wording of 'Blind Man' and 'Put The Boot In' that were later censored. The record is in super Ex+ condition with just one or two very minor marks. The sleeve is Ex with some minor laminate wear and a name on the reverse (pen).

ROLLING STONES - 60s LPs - Absolutely superb pack of 8 x original Stones LPs, all early UK pressings and all in great condition! Titles include S/T (Decca mono unboxed LK 4605, no cat. number on sleeve - Ex/VG with some laminate wear/minor staining), No. 2 (Decca mono unboxed LK 4661, 'Blind Man' and 'Put In The Boot' text - Ex/Ex), Aftermath (original UK unboxed 5B/1A LK 4786 in beautiful Ex+/Ex+ condition), Out Of Our Heads (original Decca unboxed LK 4733 9B/9A - Ex/Ex), Between The Buttons (original 1967 unboxed mono Decca, LK 4852, Ex/Ex), Through The Past Darkly (original unboxed stereo Decca) and Big Hits... (Original light green 1966 stereo w/stapled booklet). Condition is generally Ex.

A Chinese cloisonne pig Naturalistically modelled. 10.5 cm long. CONDITION REPORTS: Generally in good condition, expected wear, blind holes to feet, some slight rubbing.

*AR SALVADOR DALI (1904-1989) Spanish Invisible Man Limited edition lithograph Signed and numbered 174/300 in pencil to margin and with Arches paper blind stamp seal Image 59 x 48 cm, unframed CONDITION REPORTS: Generally in good condition, expected wear, some scuffing to edges, some slight staining, some slight cockling to paper.

*AR SIR ALFRED JAMES MUNNINGS (1878-1959) British Nude Life Study Watercolour en grisaille Signed, with examined South Kensington ESA blind stamp 22.5 x 29 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some slight staining/fading.

After Douglas Adams/Stag Hunting Scenes/a pair/each numbered 29 and signed in pencil/blind stamp of SRC Print Sellers Association/monochrome, 40cm x 63cm and three prints depicting stags after Edwin Landseer and another

A Victorian gothic triptych type altarpiece model, the pierced tracery back with foliate finials, the triptych with blind fret decoration and similar decoration to the stepped base, 65cm high

An Edwardian mahogany bookcase, the top with moulded border, blind fret frieze and cluster columns to the sides, fitted adjustable shelves, 114.5cm wide

A good quality Edwardian mahogany bookcase in the Georgian style, with blind fret frieze over a pair of full length rectangular astragal glazed panelled doors, later silk lined, to reveal four adjustable sliding shelves and raised on a moulded plinth, 92 cm wide

An Edwardian ebonised mahogany side cabinet/chiffonier base with central bow front over a blind fret frieze fitted with two drawers over a pair of glazed cabinets with c-scroll detail flanking an open compartment with decorative pierced brackets, raised on slender cabriole supports, together with a mid-20th century walnut veneered display cabinet with slender oval applied mirror panels and a slender oak veneered dropleaf table with gateleg action

A GEORGIAN STYLE MAHOGANY TRIPLE DOOR DISPLAY CABINET, in the Chippendale taste with dentil cornice and blind fret frieze above twin astragal glazed panel doors flanking a glazed sliding panel and raised on a carved base with shell and scroll decoration, with short cabriole legs and claw and ball feet. 139cm wide x 185cm high x 39cm deep

A 19TH CENTURY CARVED AND STAINED OAK FRAME ARMCHAIR, the upholstered padded back, armrests and seat covered in tapestry cloth, the frame decorated with scrollwork and blind fretwork, the armrests terminating in animal masks and raised on 'X' shaped supports

A set of four Royal Worcester 'Blind Earl' pattern cups and saucers, decorated and painted in relief with foliate sprigs and flowers, with a Minton Marlow pattern serpentine dish and a Royal Worcester blue and white serving dish (10)

Walter De La Mare. A Child's Day London, Constable and COmpany, 1912. Illustrated with 23 black and white photographic tipped in illustrations by Carine and Will Cadby. Presentation copy blind stamp to title page, original grey paper covered boards with plate to front cover, 8vo, pp56.

After Alex Portner (born 1920), a collection of four limited edition prints, humorous subjects, each with gallery blind stamp, artist's signature to the margin, various sizes, framed and glazed.

A 19th Century and later oak longcase clock with an eight-day movement, with twin swan-neck pediment and blind fretwork panel above the 12 inch painted broken arch dial detailed with a boat at sail, with subsidiary seconds and date dials, later alterations and repairs, height 215cm.

1920's light Oak hall mirror the arched back with blind fret scrolls over a small shelf, five copper plated hooks and a bevel edged mirror, height 27'

19/20th Century Chinese hardwood rectangular chest, carved with blind key frets and foliate scrolls and with a camphor wood interior, width 34.75'

AFTER JONATHON SAINSBURY "Spaniel standing at the edge of a river", limited edition colour print No'd. 170/600, bears artist's blind studio stamp lower left, signed in pencil lower right, together with AFTER JONATHON SAINSBURY "Spaniel chasing pheasants", limited edition colour print No'd. 199/600, bears artist's blind studio stamp lower left, signed in pencil lower right

AFTER ADRIAN RIGBY "Defence of the Realm", limited edition colour print No'd,. 70/295, signed in pencil, bears artist's blind studio stamp lower left, together with AFTER ADRIAN RIGBY "Heading into darkness", limited edition colour print No'd. 70/295, signed in pencil lower right, bears artist's blind studio stamp lower left, AFTER ADRIAN RIGBY "A hard lesson to learn", limited edition colour print No'd. 70/295, signed in pencil lower right, bears artist's blind studio stamp lower left and AFTER ADRIAN RIGBY "London guard", limited edition colour print No'd. 70/295, signed in pencil lower right, bears artist's blind studio stamp lower left, AFTER J W MITCHELL "Spitfire IX's 611 Squadron 1943", colour print, AFTER BARRY. A. F. CLARK "Spitfire", colour print and AFTER ROBERT TOMLIN "Study of a Spitfire" colour print

A Reproduction mahogany Chinese Chippendale style break front wall display cabinet with a fret work twin swan neck cresting above a blind fret work frieze, four astragal glazed doors and four cupboard doors and a conforming twin pedestal dining table on ball and claw feet.(2)

Snaffles (Charles Johnson Payne 1884 - 1967), hand-coloured print - 'Good Hunting! Old Sportsman', The 'Gunner', with Snaffle blind stamp, in glazed frame CONDITION REPORT A few foxing spots, otherwise good condition

Snaffles (Charles Johnson Payne 1884 - 1967), hand-coloured print - 'Sans Panache' French Cavalry 1914, with Snaffle blind stamp, in glazed frame CONDITION REPORT Quite heavily foxed to the image, less so on the mount

Snaffles (Charles Johnson Payne 1884 - 1967), hand-coloured print - Bon Voyage, with Snaffle blind stamp, in glazed frame CONDITION REPORT Foxing to mount but image in good condition

Snaffles (Charles Johnson Payne 1884 - 1967), hand-coloured print - 'Le 75', with Snaffle blind stamp, in glazed frame CONDITION REPORT Some light foxing to mount but otherwise good condition

Snaffles (Charles Johnson Payne 1884 - 1967), hand-coloured print - Le Poilu, with Snaffle blind stamp, in glazed frame CONDITION REPORT Some scratching to outer mount, otherwise good condition

Snaffles (Charles Johnson Payne 1884 - 1967), hand-coloured print - The 'D. R.', with Snaffle blind stamp, in glazed frame CONDITION REPORT Rather poor condition - scratching to image, cracking to outer mount and in places touched up with white paint

WILLIAM RUSSELL FLINT (1880-1969); a signed limited edition coloured print "Cassilda's White Petticoat", signed in pencil lower right, bearing blind stamp lower left, published in 1955 by Frost & Reed and inscribed on Unicorn Gallery label verso, 45 x 60.5cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

After WILLIAM RUSSELL FLINT (1880-1969); coloured print "The Mill, Barbaste", study of a mill stream with trees, titled to label verso, 21.5 x 68cm and a further RUSSELL FLINT print, limited edition 230/850 and blind stamp for Chelsea Green Editions, with descriptive label verso, 37 x 23cm, both framed and glazed (2). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "Going to the Match", signed in pencil lower right, bearing blind stamp and letter to number stamp for 188 lower left, published by the Medici Society 1972, 53 x 68.5cm. This print was purchased by the vendor's father c.1973 and has never been framed or exposed to light. It is presented with a mount and the original brown paper which has covered it since its purchase, along with the footnote of purchase price of £66.95 + VAT. (D) CONDITION REPORT: As this has been wrapped in original paper, not framed or exposed to light, it is presented in excellent condition, the colours are remarkable, no foxing, no staining. Where the tissue paper has been covering the image, there is the faintest of yellow outlines around the mount. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "Berwick-upon-Tweed", signed in pencil lower right, bearing blind stamp and letter to number stamp 584 lower left, published by the Medici Society 1973, 53 x 43cm, unframed. This print was purchased by the vendor's father in late November 1973 and has never been framed or exposed to light. It is presented with a mount and the original brown paper which has covered it since its purchase, along with the footnote of purchase price of £40 + VAT. (D) CONDITION REPORT: As this has been wrapped in original paper, not framed or exposed to light, it is presented in excellent condition, the colours are remarkable, no foxing, no staining. The left hand edge of the paper has old cellotape along most of it. There is approx 3cm of clear paper between the cellotape and the edge of the image. There is a smudge in the printed "Berwick-upon-Tweed by LS Lowry RA reproduced by permission of Ronald Lyn Esq." at the very bottom of the paper from the "o" of "of" to "n" of "Ronald". There is a tiny mark to the edge of the paper approx 3cm up from the bottom right hand corner. The image is in excellent condition. No marks or scratches. As new. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY (1887-1976); a limited edition black and white print, "The Football Match", bearing GFA blind stamp lower right, no 1470/1500 lower left, published by Grove Fine Arts of Manchester, 28 x 39cm, framed and glazed. (D) CONDITION REPORT: Cannot be taken out of frame so we cannot tell if the print has been stuck down. No foxing, no damage. Not faded, printed on yellowish paper. Not signed. GFA stamp as stated in the description. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY (1887-1976); a limited edition coloured print, "St. Luke's Church", bearing GFA blind stamp lower right, no.321/1500 lower left, published by Grove Fine Arts of Manchester, 52 x 38cm, unframed. (D) CONDITION REPORT: Unframed. Unsigned. No foxing or damage. Not faded. GFA stamp as stated in description. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "His Family", signed in pencil lower right, bearing Fine Art Trade Guild blind stamp and letter to number indicating 394/850, also stamped 282, 54.5 x 71cm, framed and glazed. (D) CONDITION REPORT: Print is not stuck down now and is moving within mount. As it has moved fading can be seen to the margins. The tape from the original sticking down is loose and on the image - not possible to tell if it is stuck to the image. Colours look to be unfaded. Signed in pencil and FATG and letter to number stamp as detailed in description. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition black and white print, "The Football Match", signed in pencil lower right, bearing blind stamp lower left, no.214/850, 24.5 x 36cm, framed and glazed. (D) CONDITION REPORT: Cannot be taken out of frame so we cannot tell if the print has been stuck down. No foxing. Black and white, printed on cream paper. Signed in pencil. HR type backstamp, partially hidden behind mount. Numbered 214/850. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition black and white print "The Football Match", signed in pencil lower right, bearing blind stamp and numbered 780/850, 27.5 x 39cm, framed and glazed. (D) CONDITION REPORT: Cannot be taken out of frame so we cannot tell if the print has been stuck down. Margin seems a little faded but printed on cream paper. Not faded. Signed in pencil. HR type stamp and numbered 780/850. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

WILLIAM RUSSELL FLINT (1880-1969); a signed limited edition coloured print "Lavoir La Bastide", signed in pencil lower right, bearing blind stamp lower left, inscribed in label verso, 48 x 67cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

After WILLIAM RUSSELL FLINT (1880-1969); a limited edition coloured print, a figural street scene, 474/750, bearing blind stamp to lower left, with a Paragon Fine Arts label verso, 55 x 70cm, framed and glazed.

After WILLIAM RUSSELL FLINT (1880-1969); a limited edition coloured print, a semi nude female seated at a shoreline, holding a basket, 607/850, with blind stamp to lower left and The Unicorn Gallery Ltd label verso, 52.5 x 58.5cm, framed and glazed.

After WILLIAM RUSSELL FLINT (1880-1969); a limited edition coloured print, a semi nude female, 511/850, bearing blind stamp to lower left, with The Unicorn Gallery Ltd label verso, 58 x 40cm, framed and glazed.

After WILLIAM RUSSELL FLINT (1880-1969); a limited edition coloured print, a woman sitting on a sofa, 334/850, with blind stamp to lower left, 41 x 58cm, framed and glazed.

After WILLIAM RUSSELL FLINT (1880-1969); a limited edition coloured print, an interior scene with semi nude females, limited edition no. to lower right and blind stamp to lower left, both partially covered by mount, bearing a Sandringham Fine Arts Ltd label verso, 51.5 x 69.5cm, framed and glazed.

After WILLIAM RUSSELL FLINT (1880-1969); a limited edition coloured print, three semi nude females, 702/850, bearing blind stamp to lower left, 35 x 58cm, framed and glazed.

After WILLIAM RUSSELL FLINT (1880-1969); two limited edition coloured prints, a woman seated on a sofa looking at a mirror, 530/850, 32 x 40cm, and a woman seated amongst flower pots, 396/753, bearing a WRF blind stamp to lower left, 29 x 41cm, both framed and glazed.

TERENCE CUNEO (1907-1996); a signed limited edition coloured print "Castle on the Coast", signed in pencil lower right, bearing blind stamp and numbered 233/500 lower left, published by Palaquin Fine Arts, 41 x 70.75cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

TERENCE CUNEO (1907-1996); a signed limited edition coloured print "Snow Hill Station", signed in pencil lower right, bearing blind stamp lower left, 51 x 68cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

TERENCE CUNEO (1907-1996); a signed limited edition coloured print "The Running Sheds of the Great Caerphilly and Vole-Tail Central Railway", signed in pencil lower right, bearing blind stamp and numbered 69/850 lower left, published by Palaquin Fine Arts, 47.5 x 72cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

JEAN HARPER; a signed limited edition coloured print "Sleeping Child", signed in pencil lower right, bearing blind stamp and numbered 231, printed by Chorley & Pickersgill, 27 x 22.5cm, mounted but unframed.

HELEN BRADLEY (1900-1979); signed limited edition coloured print "September", signed in pencil lower right, bearing blind stamp lower left and inscribed on Renoir Galleries Ltd label verso, 38 x 56cm, framed and glazed and a decorative coloured etching by A. ARNOLD; coastal landscape, framed and glazed (2). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

ROBERT LENKIEWICZ (1941-2002); ink drawing, study of a seated figure, bearing Studio of Lenkiewicz blind stamp lower right, 24 x 33cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Laurence Stephen Lowry (British, 1887-1976) The Cart signed in pencil in the margin (lower right) with blind stamps offset lithograph 49.5cm x 39.7cm.

A George III style mahogany serving table, the frieze and legs with blind fret carved decoration, 168 cm wide See illustration Condition report Report by GH Age is circa 1900.

A CONTINENTAL SILVER BLIND CASTER AND COVER, UNMARKED, EARLY 19TH CENTURY, 16CM H, 5OZS

A 19th Century mahogany gentleman's night chest, hinged top revealing central flanked mirror, flanked by hinged shelves, storage compartments, above two central drawers, one blind, three drawers either side, tapering, square legs with brass socket casters (1)

VICTORIAN EBONIZED AND GILT METAL MOUNTED BLIND PIER CABINET having red veined marble top over acanthus leaf gilt metal frieze, gilt metal mounts and pendant bell flowers flanking blind door with mask centre mount on a platform base with mask and foliate mounts. 122 x 91.5 x 40cm CONDITION REPORT: Overall appearing in good condition commensurate with age. The marble slab has broken to one corner and repaired. One particular area of inlaid brass banding is becoming detached.

19TH CENTURY FRENCH OAK CABINET, converted from a Breton Armoire and now having dentil cornice over two glazed doors with fitted shelf to the interior, pull out preparation slide, over three short drawers and a blind panelled cupboard. 211 x 153 x 63.5cm CONDITION REPORT: Fair condition and substantial, showing old worming, much altered from its previous state, wear and tear commensurate with age.

VICTORIAN WALNUT INDENTED BREAKFRONT OPEN SIDE CABINET having beaded yellow metal and ebonized moulded edge top with satinwood banding above classically inlaid frieze, three open velvet covered shelves to the centre with mirror back, flanked by two blind panelled cupboards having French porcelain figural panels and themselves flanked by ebonized and yellow metal mounted columns, on a platform base. 102 x 168 x 39cm CONDITION REPORT: One porcelain panel is broken otherwise overall in fair condition commensurate with age. Minor wear and tear generally but no noted significant damage or losses. From the last quarter of the 19th Century. Provenance: Local private vendor.

VICTORIAN WALNUT BREAK FRONT CREDENZA having satinwood inlaid, geometric and foliate decoration, two glazed end cabinets with fitted shelves, flanking centre blind panel cupboard on a platform base. 99 x 150 x 38cm. CONDITION REPORT: Overall appearing in good condition commensurate with age, some minor wear and a little lacking in patination.

19TH CENTURY FRENCH MAHOGANY BUREAU PLAT TYPE WRITING TABLE with inset tooled leather surface, three blind frieze drawers on cabriole legs with gilt metal, foliate mounts. 77 x 142 x 84cm. CONDITION REPORT: Basically sound condition some wear and tear, particularly to upper surfaces, commensurate with use, no serious damage or losses.

17TH CENTURY STYLE OAK COURT CUPBOARD having canopy top over four recessed cupboard doors, carved and moulded cup and cover supports on a projecting base with two blind panelled cupboards having rosette carved decoration, on style supports. 141 x 80 x 56cm. CONDITION REPORT: Overall in good useable condition. Appears much altered and added to.