We found 44913 price guide item(s) matching your search

Vinyl - Two Japanese release LPs to include The Beach Boys Pet Sounds & Blind Faith Self Titled, both ex/near mint

Vinyl - Around 55 Rock, Folk and Blues LPs to include Rolling Stones Sticky Fingers, David Bowie Aladdin Sane, Ziggy Stardust, Hunky Dory, 2 x Fotheringay self titled on Island ILPS9125, Procol Harum A Salty Dog, Blind Faith self titled, The Who, etc, vg++ overall

Vinyl - Approximately 50 UK / US 1st pressing Blues LPs to include Sammy Price, Junior Wells, Randy Weston, Champion Jack Dupree, Jimmy Rushing, Roy Milton, T Bone Walker, Little Brother Montgomery, Blind John Davis, Big Joe Turner, sleeves vary, vinyl vg+

Vinyl - Two LP's to include Blind Faith (Polydor 583059) first press, sleeve VG- with wear to spine and general losses, vinyl VG+, and Andy Warhol's Velvet Underground featuring Nico (MGM 2683 006) sleeve and vinyl EX

Astronomy.- Johnston (Alexander Keith) School Atlas of Astronomy, 21 double-page colour plates, occasional faint spotting, contemporary calf, gilt, slight bumping to corners and extremities, 1869 § The Astrarium Improved, 12 engraved plates, occasional faint spotting, previous owner's ink inscription, contemporary calf, a little rubbed, 1833 § Loomis (Elias) A Treatise on Astronomy, 8 plates, illustrations, previous owner's ink inscription to title, blind-stamp to title, occasional spotting and staining, contemporary calf, rebacked with original spine laid down, rubbed and worn, New York, 1869 § Herschel (Sir John F. W.) Outlines of Astronomy, frontispiece, 6 plates, 1 folding, illustrations, occasional spotting, bookplate, modern calf-backed boards, 1858; and 19 others similar, 4to & 8vo (23)

NO RESERVE Cescinsky (Herbert) and Ernest Gribble, Early English Furniture & Woodwork, 2 vol., 2 colour-printed frontispieces, illustrations, contemporary cloth-backed boards, spine labels a little scuffed, 1922 § Lenygon (Francis) Furniture in England from 1660 to 1760, illustrations, some coloured, original blind-stamped cloth, gilt, spine a little rubbed and faded, 1924 § Pugin (A. Welby) Fifteenth and Sixteenth Century Ornaments, plates, title page browned, some foxing, 20th century roan, extremities a little rubbed, 1904; and c.60 others, craft, furniture, ornament etc, v.s. (c.65)

Calligraphic manuscript.- Gadd (C. J.) To Edward Caulfield, calligraphic testimonial manuscript, manuscript on paper, title and 6ff., frontispiece, and first few ff. with illuminated decorations in gold, blue, pink and other colours, original morocco, ornately blind-stamped and gilt with inset coat of arms of Pope Leo XIII, inner dentelles and silk doublures, folio, housed in blind-stamped box., bound by Palmer, Howe and co., 1895.

Lloyd George (David, first Earl Lloyd-George of Dwyfor, Prime Minister, 1863-1945) Typed Letter signed to Cecil Harmsworth, later Lord Harmsworth, 1p. & envelope, 4to, Churt, Surrey, 24th November 1939, arguing for peace at the outbreak of the Second World War, "I have been literally overwhelmed with letters over my speeches and articles on the peace proposals and I have been quite unable to cope with them. I am afraid our rulers are deaf to any appeals because they are blind to all perils", folds.

NO RESERVE Junius. Stat Nominis Umbra, engraved portrait frontispiece and plates, bookplate to pastedown, 20th century ink signature to front free endpaper, contemporary blind-stamped straight grain morocco, gilt, joints and extremities rubbed, else a very good copy, 4to, Gale, Curtis & Fenner, 1813.

Napoleon Bonaparte.- De Bourrienne (M.) Memoirs of Napoleon Bonaparte, 4 vol., engraved portrait frontispiece, plates, folding plan, spotting and occasional browning, contemporary half calf, extremities a little rubbed but overall an attractive set, 1836 § Forsyth (William) History of The Captivity of Napoleon at St. Helena..., 3 vol., frontispieces, folding map to vol.1, some spotting and occasional finger-soiling, frontispiece to vol.2 laid down, original blind-stamped cloth, spines faded, 1853; and 31 others relating to Napoleon and St Helena, v.s. (38)

NO RESERVE Bindings.- Scott (Sir Walter) Les Femmes, engraved frontispiece and plates, occasional spotting, contemporary blind stamped morocco with arms of Queen Augusta first Empress of Germany to upper cover, Bruxelles, 1842 § Longfellow (Henry W.) Hyperion: a Romance, albumen print frontispiece and plates by Francis Frith, tissue-guards, occasional marginal foxing, bookplate, original decorative cloth, gilt, a little rubbed, slight bumping to corners and extremities, 1865; and another, 4to & 8vo (5)

NO RESERVE Women in the workplace.- Chappell (Jennie) Women Who Have Worked and Won, illustrations, original pictorial cloth, [1904] § Tuckwell (Gertrude) et al., Women in Industry, original blind-stamped boards, 1910 § Penny (Virginia) How Women Can Make Money, Married or Single, original wrappers, lightly faded and soiled, lacking spine strip, c.1870; and 15 others, relating to women and women in the workplace, 4to & 8vo (18)

NO RESERVE Cox (J. Charles) The Antiquary's Books, 19 vol., some first editions, original blind-stamped cloth, gilt, rather rubbed and soiled, 1904-1930 § Pollard (Alfred) Fine Books, original blind-stamped cloth, a little rubbed and faded, 1912; and c.130 others, miscellaneous, including others from the Connoisseurs Library series, v.s. (c.150)

Caricatures.- Cruikshank (Isaac Robert) Blind-man's Buff, satire on suitability for marriage, the lady shown is Isabelle Forrester, who jilted both Lord Apsley and Mr Biddulph before marrying George Anson, etching and aquatint with hand-colouring, on wove paper with watermark date '1826', platemark 255 x 310 mm. (9 7/8 x 12 1/4 in), sheet 285 x 405 mm. (11 1/4 x 16 in), minor exposure lines and surface dirt, unframed, [c. 1820]; together with William Heath's 'The Virginia Fishing Smack, 1827 [BM Satires15410], John Phillips' 'The Nurse, Child, and Plaything', 1829 [BM Satires 15772], and W.H Isaacs' 'Revd. Mr Sambo's Sarmont', circa 1850 [not in BM Satires] (4)

Africa.- Petherick (John) Egypt, The Soudan, and Central Africa, first edition with the rare subscription pamphlet appealing for funds for Petherick's proposed expedition, presentation inscription from the author to half title, previous owner's book label to pastedown and stamps to preliminaries, original blind-stamped cloth, rubbed, spine faded, custom-made case with morocco spine label, slip-case, 8vo, 1861.

One by Suzuki Harunobu and one attributed to Suzuki Harunobu (1725-1770)Edo period (1615-1868), circa late 1760sTwo chuban yoko-e shunga prints: the first attributed to Harunobu, depicting a husband and a wife making love, in the presence of a child, 20.3cm x 27.7cm (8in x 10 15/16in); the second by Harunobu, no.8 from the series Enshoku Mane'emon (Elegant Erotic Mane'emon), depicting a man and woman enjoying themselves after a bath at a famous hot spring resort, watching the party with a blind ballad singer, the naked bean man Mane'emon coming in from the bath, 21.3cm x 28.3cm (8 3/8in x 11 1/8in). (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

After William Russell Flint, 831/850, nude ladies relaxing in a room, with studio blind stamp, 46x69cm

A 20th century davenport desk, superstructure with hinged lid, writing slope flanked by four drawers and four blind drawers

A mahogany and marquetry davenport desk, hinged superstructure and hinged writing slope, flanked by four drawers and four blind drawers, 52cmW

FOUR GREENWICH WORKSHOP COLLECTION PORCELAIN FIGURINES BY JAMES CHRISTENSEN comprising 'Mother Goose'; 'Three Blind Mice: Sniffer'; 'Three Blind Mice: Weevil'; and 'Three Blind Mice: Fluffy', each boxed.

[TOPOGRAPHY]. TAUNTON, SOMERSET Toulmin, Joshua. The History of the Town of Taunton, by Norris, Taunton, 1791, modern black library buckram, folding engraved map, three engraved plate illustrations; together with Twelve Maps of Antient Geography, drawn by Sieur Danville, hand-coloured in outline, bound as one, quarto (ex library); and Anon. Some Account of the church of St. Mary Magdalene, Taunton, and the Restoration thereof, by Vizetelly, London, 1845, original blind-stamped crimson cloth, all edges gilt, nine plate illustrations (as called for but not as listed), quarto (ex library; spine torn with small losses at ends), (2).

A pair of Designers Guild lime ground silk curtains, floral sprays with silver thread, lined and interlined, with matching Roman blind

Selection of Various Badges Including Samples including darkened SSE on sample board ... Darkened EKM on sample board ... Darkened GH on sample board ... Darkened LD Co on sample board ... Brass WB (lug fixing) ... White metal Glasgow Blind Asylum ... Brass The Royal Blind Asylum & School Edinburgh ... White metal CGR belt buckle ... Gilt, entwined letters pouch badge. 25 items.

Six large 19th century and earlier monochrome engravings including ‘The Vendramin Family’ after Titian, 40 x 57cm, ‘The Blind Hermit’ after Thomas Stothard, ‘A Midnight Modern Conversation’ after Hogarth, etc, housed in large part marbled folio (af).Additional InformationFolio heavily worn, cover loose, tears, scratches etc throughout, one of the images with small surface tear, others with creasing, marks, discolouration etc, tears to mounts.

JOHN LEWIS CHAPMAN (born 1946); two signed limited edition prints, Edwardian figural street scenes with harbour to background, both with FATG blind stamp, 33.5 x 47.5cm, both framed and glazed (2). (D)Additional InformationFrames with light general wear, some spotting and yellowing to mounts.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

GEORGE SIDNEY HUNT; two signed coloured mezzotints, Charles Dickens and Admiral Lord Nelson, both with FATG blind stamps, published 1921 by The Museum Galleries London, the latter and slightly larger 12.5 x 10cm, both framed and glazed (2).Additional InformationDickens with some yellowing and spotting; Nelson with some light spotting, general wear to frame.

A late 19th century mahogany free standing corner cabinet with blind fret detail to the top section above single glazed door, the base section with single panelled cupboard door, raised on bracket feet, height 188cm, width 78cm.Additional InformationGeneral wear, light scratches, the beading on the glazed panel has been broken off and reglued, chippin/losses to the corners and edges of the piece.

A quality 20th Century retro vintage teak room unit / highboard dresser in the manner of Poul Hundevad. The divider having a large open stepped shelves over a double door sideboard base with blind fronted doors having recessed handles. Made in Denmark stamp to verso.  Measures 200cm x 122cm x 59cm

G-Plan Furniture - A retro 20th century teak wood low sideboard credenza. Raised on an inset plinth base with a series of blind fronted cupboards above. Measures 66cm x158cm x 44cm.

A Chinese blue & white 'boys' vase, Yuhuchunping, the flared rim above a short neck decorated with banana leaves, the pear shape body painted with young boys playing blind mans buff in a garden landscape with rockwork and a willow tree, six character pseudo Qianlong seal mark to the underside, 22.5cm

A Japanese ivory okimono, Meiji period, well carved as a startled deity seated in a lotus leaf throne above a group of blind men, a further blind man clambering up his back, signed, 12cmCondition report: The figure seated on the left of the standing central figure has lost his left hand. Otherwise no further obvious faults.

Three boxwood netsuke19th centuryThe first a simulated Bizen stoneware model of Hotei holding a fan, partially hollowed out beneath, signed on the reverse Shisui with a seal Koku, 3.4cm (1 5/16in) high; the second of Sato Tadanobu lifting a goban with one hand and the hem of his robe with the other, with painted details, signed Shuzan, 5.4cm (2 1/8in) high; the third a blind masseur strengthening his muscles by lifting a large boulder, signed Gyokkei, 3.2cm (1¼in) high. (3).Footnotes:黄楊彫根付　三点（布袋、佐藤忠信、按摩）　19世紀Provenance:The first: Purchased at Tajan, Paris, 11 March 2011, lot 66.The second: Paul Corbin Collection.The third: Purchased at Aguttes, Clermont-Ferrand, March 1982.Published:The second: Weber, KH, pl.LIX, no.6.For further information on Nagamachi Shuzan, see N. Davey, MTH, p.56.A very similar example of the third is illustrated by B. Hurtig, MNA, p.114, no.434; another is illustrated by A. Ducros, NS, 1978, p.104.For further information on this lot please visit Bonhams.com

A Japanese Meiji period ivory netsuke, modelled as six blind men and an elephant, as an allegory of truth and interpretation, signed to the underside, 4cm high x 5.5 cm wide

A Victorian oak serving table in Gothic taste, circa 1850, the back with central applied oval painted armorial with motto VINCTUS NON VICTUS, the rectangular top above a carved frieze incorporating a blind drawer, and faceted reeded tapering legs, 127cm high overall, 152cm wide, 47cm deep, together with a pair of hall chairs en-suite, the backs with a further painted armorial with the same motto, the rear rail indistinctly stamped with chair maker's initials, each 100cm  The arms shown are those of George de Worms (1829-1902), later 2nd Baron de Worms of the Austrian Empire. Therefore the present chairs were most probably supplied to him for Milton Park, Egham George de Worms was born on 16 February 1829. His father was Solomon Benedict de Worms (1801-1882) who owned large plantations in Ceylon and was made a Hereditary Baron of the Austrian Empire by Franz Joseph I of Austria. His mother was Henrietta Samuel. His paternal grandmother was Schönche Jeannette Rothschild (1771-1859), thus his paternal great-grandfather was Mayer Amschel Rothschild (1744-1812), the founder of the Rothschild banking dynasty. He served as Justice of the Peace for Middlesex, the City of Westminster and Surrey and subsequently served as Deputy Lieutenant of Surrey.He became 2nd Baron de Worms on 20 October 1882 upon the death of this father and inherited Additionally, he was awarded the honor of Knight Commander of the Order of Franz Joseph. He was a Fellow of the Society of Antiquaries of London. He was also a member of the Anglo-Jewish Association.    Condition Report: The serving table: Marks, knocks, scratches, abrasions consistent with age and use,Some chips and losses, the top with some marks and stains some further areas of darker staining to some recessesSome old splits and cracks, The armorial panel appears to be later associated and applied to the back  The chairs:Marks, knocks, scratches, abrasions consistent with age and use,Some chips and losses, the seats with marks and stains, some further areas of darker staining to some recesses. The seats also with dents and gouges to the centre from age and use,Old splits and cracks,Overall the chairs appear solid and stable,Condition Report Disclaimer

An early Victorian bird's-eye maple and parcel ebonised writing table, circa 1850, in the manner of Holland & Sons, the shaped rectangular leather inset top above a pair of blind frieze drawers, lobed finials, architectural carved ends with lappet carved vase, bipedal outswept feet joined by a turned stretcher, 72cm high, 107cm wide, 54cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and use,One section of ebonised moulding is detached and missing to the rear of the table, approximately half the length is present but detached in the drawer the remainder is not provided with the lot. Overall solid and stable, The inset with old scuffs and marks and various stains Some areas the timber surface is quite 'dry' and would benefit from a sympathetic polishThere is no key presentCondition Report Disclaimer

A painted and parcel giltwood console table in Empire style, mid-20th century, of semi-elliptical outline, the top above a blind frieze drawer, supported by herms and a plinth base, 86cm high, 117cm wide, 59cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and use, overall distressed to simulate greater age, there is dirt and discolouration to the surface, indentations and chips and some patches of infilling to the painted decoration - all of this appears to be simulation of age. Overall stable  Condition Report Disclaimer

A William IV mahogany hall stand or console table, circa 1835, in the manner of Gillows, the shelved superstructure above the table top with apertures to each short side for sticks, the top above a blind frieze drawer and turned and lappet carved columnar supports and shaped platform base incorporating the drip pans, 116cm high, 173cm wide, 50cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and use,Overall with a polished appearance, the middle of the top with some old marks and wear - it appears something like a vase or a sculpture has stood here previously,Overall sold and stable The drip pans with the usual marks and corrosion expected with items of that sort, would perhaps benefit from re-blackingCondition Report Disclaimer

A Biedermeier birch chest of drawers, second quarter 19th century, with three long drawers each with a bone escutcheon, 84cm high, 77cm wide, 43cm deep, Provenance: Property of the late Raine, Countess Spencer Condition Report: Marks, knocks, scratches, abrasions consistent with age and use,One part of the moulded edge is present but detached from the lot,With a polished appearance overall, The drawers are all unlocked but there are no keys present, due to their blind nature it is difficult to open them - it would be up to the purchaser to source a key for themselves. The escutcheons with old splits and cracks, Some chips, losses and replacements to some areas such as to the tops of the drawer fronts Condition Report Disclaimer

A Matrix Model G Braille machine No210, stamped for 'The Royal National Institute for the Blind, London W1', fixed within a case, 31.5 x 17 x 18cm.

A 19th century Pratt ware shallow oval footed dish with printed scene of 'The Blind Fidler' after Sir David Wilkie R.A, an Arthur Wood tennis-themed brown glazed mug, a Royal Crown Derby 'The Angler Mug' with image of coastal angler and a small ditty, a pressed glass and plated claret jug and a small stick with brass dog head handle (5).

A Chippendale style mahogany bookcase on stand, the outswept pediment with dentil moulding and blind fretwork, over two astragal glazed doors, with foliate detailing, opening to reveal three shelves, edged with cock beading, over two frieze drawers, on a table base raised on square legs, 194cm H, 111cm W, 44cm D.

An early 20thC mahogany serpentine sideboard, with shaped splash back, gadrooned top, three central doors enclosed by concave doors, blind fret canted sides, and cabriole legs with ball and claw feet, 156cm wide.

A 19thC German figured and burr walnut cased upright piano by F Weber of Berlin, the case having blind fret and applied moulded decoration, cast brass side handles, the interior revealing a brass over wood overstrung mechanism, and label VNWIEN 1875 C Goltermann, Hannover, 155cm wide.

Alexis de Leeuw (Belgian 1822-1900), The Timber Wagon, chromolithograph on canvas, signed bottom right, framed 62 x 92cm, frame 87 x 117 cm 19th-early 20th century French School, coloured etching of Windmill, Georges Pettit blind stamp bottom left, signed 'Fienne Frisus' bottom right, 37 x 46 cm (PL), frame 55 x 65 cm Ralph Duck (Irish 20th Century), The Old Cedar Tree, watercolour, signed bottom right, mounted and framed. Measurements 34 x 27 cm (i), frame 55 x 47.5 cm. Previous auction label verso.There is a record for Ralph Duck as a member of the Dublin Sketching Club with whom he exhibited with in 1967. Together with: John Purser (British School), Leaving Harbour at Whitby, watercolour, signed bottom right. Measurements 25 x 34.5 cm and Geoff Marsters, The Weaver Bend, limited edition print, signed and dated 1989 bottom right, numbered 250/300, measurements 21cm x 31 cm (PL), frame 38 x 45 cm (3)

John Home, a burr oak 'Ambassador' range desk and side table for HK Furniture c.1998The desk with rectangular top over two blind frieze drawers, on end supports, above two separate banks of drawers on casters, the side table with square top on conforming plinth base Desk - 73cm high, 190cm wide, 94cm deep Side table - 38cm high, 76cm square (2) Note : In 1998 the desk in this lot was awarded Guild Mark 86 for exacting standards of excellence in design by the Worshipful Company of Furniture Makers.Please refer to department for condition report

MAHOGANY VENEER REPRODUCTION SERPENTINE FRONT CHEST OF FOUR DRAWERS WITH BLIND FRET WORK AND GLASS TOP

A George III style mahogany carved side chair, in the 'Chippendale Chinoiserie' manner, early 20th Century, the crest rail in the form of a pagoda top, with a lattice pierced back splat, fitted with a drop in wool-work seat pad, raised on square sectioned leg with blind fretwork carved decoration, the legs united by a fretwork carved and pierced H stretcher, 98cm high, 53cm wide, 53cm deep 

A signed limited edition David Shepherd print, Arctic Foxes, blind stamp for Soloman & Whitehead. (25cm x 36cm).

COLLECTION OF BOOKS & PRIVATE PRESS PUBLICATIONS .including Walter Crane, illustrator. The History of Reynard the Fox. London: David Nutt, 1897. 8vo; Moller, Muriel. Wood-carving designs, a portfolio of six sheets of facsimile drawings with a foreword by Walter Crane; Ashbee, C.R. Craftsmanship In Competitive Industry. Essex House Press, 1908, 8vo, original quarter cloth; Jameson (Anna). Legends of the Madonna, Unit Library Ltd. 1904; Walter Crane: 'The Decorative Illustration of Books. London, 1905; Eric Gill. The Law the lawyers. Concerning dragons. both St Dominics Press, Ditchling; Sculpture and the living model. Sheed & Ward; and Unemployment. Faber & Faber; In Praise of Bishop Valentine. London, Chiswick Press, 1893, octavo, one of 125 copies printed on hand-made paper, title in red and black, engraved frontispiece of a pair of lovers, original vellum jacket with silk ties; Golden Cockerel Press. A Tale of Rosamund Gray and Old Blind Margaret by Charles Lamb, 1928, port. frontis., orig. vellum backed boards, small 8vo (ltd. ed. 137/500); Keats. Odes. De La More Press; The Essays of Sir Roger De Coverley. The Bibelots. J. Potter Briscoe, Ed. vellum covers, limited edition 14/60, published by Gay and Bird, 1901; The book of Ruth, private press, orig. vellum backed boards; Gregynog Press. Bones (Thomas Gwynn) Elphin Lloyd Jones, printed in red, blue and black, illustrations, original boards, 4to, Privately Printed, 1929; Virgil an address to the boys of Sevenoaks School Sir Arthur Quiller-Couch. Cambridge University Press 1930;

H. W. BATLEY (1846-1932) FOR GILLOW & CO., LANCASTER AESTHETIC MOVEMENT MAHOGANY CORNER CABINET,the upper section with fretwork, an arrangement of open shelves and a cupboard, the base with blind-fretwork drawer, stamped maker's marks to the drawer GILLOW & CO./ LANCASTER/ L11046(87cm wide, 229cm high, 55cm deep)Footnote: Literature: Soros, Susan Weber Rediscovering H.W. Batley (1846-1932), British Aesthetic Movement Artist and Designer, Studies in the Decorative Arts, VI, no. 2 (Spring-Summer 1999), pp. 6-8 Note: Soros states that what distinguishes Batley's work from other art furniture by designers such as T.E. Collcut and E.W. Godwin is the dense effect of the sheer quantity of decorative devices he used, including tooled leather, turned spindles, applied and painted panels, carved details, and decorative mouldings, as in the present example. Batley trained under Bruce Talbert and designed in the Gothic Revival style in the 1860s, however although this cabinet demonstrates some Gothic origins, here Batley incorporates Japonesque Aesthetic details in an asymmetric composition.

A Venetian blind; with a Stanley tool box

Cornelius Pearson (1805-1891), a watercolour vignette of an encampment by a river, signed and dated and two other small pictures, a landscape oil on board with figures, a dog and a traveller on horseback pausing at a roadside inn and a pencil drawing by Charles Francois Felu (Belgian 1830-1900) of a blind man and a young boy begging, signed, inscribed and dated 1852 (3) 5.5 x 12cm to 19.5 x 23.5cm

After Sir David Wilkie, oil on board, Blind Man's Buff, 41 x 61cm

19th century French School, oil on canvas laid on board, 'Blind Man's Buff', 58 x 58cm

SHERREE VALENTINE DAINES (BRITISH 1959) a limited edition print of the winners circle on ladies day at Ascot 822/850, signed to lower margin with blind stamp, mounted, framed and glazed, approximate size 37cm x 47cm

George V Signed: Appointment of Terence Vincent Brenan consul resident in Tehran, Iran. Aug. 14, 1935. Signed George IV, with blind stamp. With seal, mounted framed & glazed.

1- O'Connell, John: The Select Speeches of Daniel O'Connell, M. P. edited, with historical notices by his son, in 2 vols. Dublin, J Duffy, 1865, 1st. Edns. Original green blind-stamped cloth; rubbed; 2- Macfarlane, C & Rev. Thomas Thomson: The Comprehensive History of England, in 12 divisions. Blackie, no date, c1856. With 4 frontis plates, 5 engraved titles with vignettes, and numerous text ill. original gilt decorated blindstamped covers; little rubbed; 3- Lorrequer, Harry: Charles O'Malley The Irish Dragoon. In 2 vols. Dublin, 1841. (16)

*Nicola Simbari (Italian, 1927-2012) 'Capri' colour serigraph, signed in pencil l.r., with blind stamp, numbered 101/200 l.l., image 64 x 80cm; together with another by the same hand (2) *Artist's Resale Right may apply to this lot.

*Banksy (b.1974) 'Visit Historic Palestine' poster with 'The Walled Off Hotel' blind stamp sheet 59.5 x 42cm, unframed, together with a Banksy Souvenir key fob - a hand-painted souvenir resin sculpture (2) *Artist's Resale Right may apply to this lot.

Small bundle of London Transport material comprising a 1930s BULB HORN, thought to be ex-STL (rubber bulb is perished), a Routemaster plastic RADIATOR BADGE (lightly used), a 1948 MAINTENANCE MANUAL for Mobile Canteen on Scammell Trailer (marked 'Garage Engineer, Chelverton Road', well used) and 4 large sheets, c1949 onwards, of DESTINATION BLIND CODES, full and partial display, standard layout for destination blinds (good condition). [7]