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A good George III design mahogany rectangular foldover tea table with a blind fret decorated frieze and legs.

Sandra Bullock signed 10x7 colour photograph. Bullock achieved recent success with the comedies Miss Congeniality 2000, Two Weeks' Notice 2002, The Proposal 2009, The Heat 2013, and Ocean's 8 2018, the drama Crash 2004, and the thrillers Premonition 2007 and Bird Box 2018. For her portrayal of Leigh Anne Tuohy in the biographical drama The Blind Side 2009, Bullock won the Academy Award for Best Actress. She was nominated for the same award for playing an astronaut stranded in space in the science fiction thriller Gravity 2013, which ranks as her highest grossing live action film to date. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Early 20th century oak sideboard, the raised back with cornice over blind fret carved frieze, two geometric panels and bevelled mirror flanked by spiral turned supports, two cupboards and three drawers under, raised on spiral turned and block supports united by stretcher W152cm

Georgian mahogany oval drop leaf table, the square chamfered blind fret carved supports swinging to support the drop leaves, W77cm

A 20TH CENTURY MAHOGANY STORAGE UNIT with blind fret carved, lift up action top, two door front opening to reveal four interior drawers, over a further fall-down drawer front

A pine CD rack together with a Venetian blind (2)

A retro vintage mid 20th Century 1950's walnut bookcase display cabinet having twin glazed sliding doors housing a single adjustable shelf within. Below two blind fronted sliding concealing cupboard space within. All raised on tapering splayed supports. Measures 80 x 90 x 28cm. 

A George III mahogany glazed bureau bookcase, deocrated with blind fretwork and with fitted interior (AF), 106cm by 58cm by 219cm

An Edward VII gentleman's alligator skin suitcase, fitted with silver gilt and glass accoutrements by Percy Whitehouse, London, 1901; together with a crocodile skin hatbox (2)By repute, owned by Mary Cooper Harvey, who lost her two sons in WWI, formerly of Llandudno, Conway, North Wales. Marriage Records show her husband as: James Eugene Harvey - 28 (at time of marriage), Broker, Bachelor, 12 Holly Road Mary Cooper Henderson - 20, Spinster, Beech Hill, Groom's Father: James Harvey, Gentleman, Deceased, Bride's Father: William Gavin Henderson, Banker, witness: Mary Gibson; Mary Harvey; Robert F. Harvey; W. G. Henderson; Enoch Harvey, Married by Banns by: T. W. M. Lund M. A. Chaplain to the School for the Blind.Condition report: Please see additional images.

[TOPOGRAPHY]. FROME (SOMERSET) Cuzner's Hand-Book to Froome-Selwood, Cuzner / Griffin, Froome-Selwood / London, no date [circa 1866], original blind-stamped green cloth gilt, engraved frontispiece, eleven further engraved plate illustrations, octavo. Condition Report : Plates and opposing pages foxed; otherwise good. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

20th century Tanzania carving of a drummer, the carving depicts Morris Nyunyusa, a blind Tanzanian master drummer renowned for playing twelve drums simultaneously, L74cm

Price (Uvedale) A Letter to H. Repton, Esq. on the Application of the Practice as well as the Principles of Landscape-Painting to Landscape-Gardening, first edition, spotting,contemporary calf, rebacked retaining original spine, arms of ?Earl of Dartmouth stamped in blind to boards, 8vo, 1795.

Architecture.- Vredeman de Vries (Jan), after. 20 plates from 'Das ander Buech, Gemacht auff die zvvay Colonnen, Corinthia und Composita sampt jren podien, basen, cornicen, capitellen, architraben, phrisen und coronamenten...', from a "column book", a type of pattern book, engravings by Joannes and Lucas van Doetecum, on laid paper with armorial and crown watermarks, each platemark approx. 300 x 235 mm (11 3/4 x 9 1/4 in), sheets 350 x 280 mm (13 3/4 x 11 in), some with restoration to loss within the plates, slightly worn impressions, scattered surface dirt and browning, loose, unframed, [Antwerp, Widow of Hieronymus Cock, circa 1565-1581] (20); together with 'The Blind Man and the Lame' by Joan Sadeler I (c. 1550-1600), and a bound collection of 4 biblical and landscape engravings published Marco Sadeler, two after Pieter Stevens, probably by Isaac Maijor, engravings, each platemark between approx. 145 x 230 mm (5 3/4 x 9 in) and 218 x 270 mm (8 1/2 x 10 1/2 in), good margins, [late 16th century] (21)

River Avon.- Ireland (Samuel) Picturesque Views on the Upper, or Warwickshire Avon ..., half-title, additional aquatint title and 29 aquatint plates, engraved map, folding plan, 2 engraved portraits, illustrations, scattered faint spotting, bookplate, later half-calf, gilt, a little rubbed, 1795 § Barrett (William) The History and Antiquities of the City of Bristol, engraved plates, large folding map, list of subscribers, ex-library with occasional blind-stamps, bookplate, modern half-morocco, slight rubbing to corners and extremities, [1789]; and a 3 vol. work on Gloucester, 4to (5)

Botany.- Loudon (Jane) The Ladies' Flower-Garden of Ornamental Annuals, second edition, half-title, 50 hand-coloured lithographs, tissue-guards, faint spotting to first few leaves, backstrip broken at lower joint but holding firm, rubbed, [1850]; British Wild Flowers, second edition, half-title, 60 hand-coloured lithographs, a little rubbed, [1849], ex-library with blind-stamp to title, bookplate and ink-stamp to title verso, contemporary half-roan, [Sitwell p.115], 4to (2).

NO RESERVE London.- Thomas (A. H.) & I. D. Thornley. The Great Chronicle of London, one of 500 copies, half-title, title in red and black small blind-stamp to title, plates, original morocco by Zaehnsdorf, gilt, 4to, 1938.

Kawase Hasui (1883-1957)Showa era (1926-1989), dated 1935An oban yoko-e print, titled along the left margin Koshigaya no yuki (Snow in Koshigaya), depicting a docked wooden boat during a snowstorm, the marshes opposite almost entirely blanketed by snow, a tiny isolated hut shown at the edge of the promontory on the Motoara River in Saitama Prefecture, the large snowflakes printed with karazuri (blind embossing), dated Showa junen nigatsu saku (Work of February, Showa 10 [1935]), published by Watanabe Shozaburo, with a Hanken shoyu fukyo mosha Watanabe Shozaburo seal along the lower right margin; signed Hasui with Kawase seal. 26.5cm x 38.5cm (10 3/8in x 15 1/8in).For further information on this lot please visit Bonhams.com

ANONYMOUSEdo period (1615-1868), 18th century50 of the 100 Poets; a six-panel folding screen affixed with 50 sheets painted in ink and colour on paper mounted on a gold-sprinkled black paper ground, in silk mounts; unsigned. Overall: 170cm x 370cm (67in x 145 5/8in); each shikishi approx., 33cm x 24cm (13in x 9 7/16in).Footnotes:This is the right-hand half of what was formerly a pair of panels affixed with all hundred poets selected for Hyakunin isshu (100 Poems by 100 Poets), the famous anthology compiled by Fujiwara Teika (1162–1241). While some portraits are generic, many have unambiguous markers referring either to themes in the poems or characteristics of the poets, making it possible to establish that the 50 images are arranged in the order set by Teika, reading from top to bottom and right to left. Among the better-known are Kakinimoto no Hitomaru (third, with brush in hand and writing box at his side); Yamabe no Akahito (fourth, the only poem that mentions Mount Fuji); Sarumaru (sixth, 'the wandering stag calls'); Ono no Komachi (ninth, Japan's best known female poet); Semimaru (tenth, the blind biwa player); Ariwara no Narihira (17th, autumn leaves on the Tatsuta River); Oshikochi no Mitsune (29th, white chrysanthemums); Ki no Tomonori (33rd, cherry blossom); Ki no Tsurayuki (35th, plum blossom); Sone no Yoshitada (46th, 'sailing over Yura strait'); and Onakatomi no Yoshinobu (49th, 'like sentry fires at the imperial gate'). All 100 poems, with readable English translations, can be conveniently accessed at jti.lib.virginia.edu/japanese/hyakunin/hyakua.html.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Eleven kozuka (knife handles)Edo period (1615-1868), 17th to 19th centuryOf shakudo, shibuichi, copper, or iron, decorated in a variety of chiselling and inlay techniques, the first with a Chinese general and a Tartar warrior, with signature Toshinaga; the second with travellers in a ferry boat, with signature on the side Hamano Noriyuki; the third with Kanzan holding a scroll, with signature Joi; the fourth with monkeys, signed Omori Hidekuni (a nanako specialist); the fifth with a snow-covered stem of bamboo, the moon on the reverse, indistinctly signed; the sixth with a tokkuri and guinomi (sake flask and cup), the reverse with a poem ; the seventh in the form of a fish, signed Yuzo; the eighth with a herdboy on an ox in a river, reaching out to recover his lost flute, signed Kato Tomotoshi and sealed Tomotoshi; the ninth with cranes in a rice paddy, signed Yoshida Kiyoteru; the tenth with a bamboo blind and books, with signature Goto Yujo and a kao; the last with a horned owl on a branch by the light of the moon. (11).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

C20th Chippendale style mahogany rectangular silver table with blind fret carved frieze and square supports with pierced corer angle brackets, W81cm D50cm H71cm

Chinese Chippendale Revival mahogany torchere, the hexagonal top with fretwork gallery on openwork column support with three out splayed blind fret carved cabriole legs W36cm H128cm

Edwardian Chippendale revival bow breakfront display cabinet, blind fret frieze above three glazed doors with two glass shelves with above three doors, on square tapering supports W137cm D50cm H190cm

Chippendale style mahogany tray topped table, galleried top with pierced handles on blind fret carved supports with corner angle brackets, W68cm D46cm H56cm

Pair of C19th Chippendale Revival side chairs, serpentine cresting rail with Gothic pierced splat and stuffed over seat on blind fret carved supports with H stretchers, W57cm D50cm H98cm (2)

Pair of early C19th engravings after Barlotzzi 'Blind Mans Buff' and another D26cm, a collection of similar prints and engravings, and a print on paper after Jean-Baptiste Greuze 'Girl with a Lamb', Phoebe Hoppner (Sophia Weston), and the Industrious Cottager after Wheatley (9)

French 19th Century gilt metal casket/cabinet, the blind fret panels with a swing handle to the top and four foliate porcelain foliate corner panels, the body of the casket with confirming blind fret panels, the end panel opening to reveal three short drawers, raised on bracket feet, 13.5cm deep, 10cm wide, 11cm high

A Collection Of Records To Include 12" LP's , 7" Singles And 78's. Mainly Soul, Pop/ Reggae/ Rock. Artists Include. Bob Marley, Sam Cooke,  Canned Heat, Elvis,  The Shadows, Blind Faith,  The Kingston Trio, Robert Palmer, The Four Seasons,  Ray Conniff, The Fantastic Peddlers,  Harry Belafonte, Ottis Redding,  Malcolm Mclaren, Beatrice Reading, Glady's Knight And The Pips, Klark Kent, Greyhound, Harold Melvin & The Blue Notes, Hot Chocolate, Sophia George, Steel Pulse, Tavares, Stevie Wonder, David Bowie, Keith Emerson, T. Rex, Sister Sledge, Kc & The Sunshine Band,  Louis Armstrong, Approximately 49 12 " LP's Approximately 50 7 " Singles Approximately 15 78's In One BoxAll Records Are In Good Overall Condition With Light Surface Scratches And slight Wear To The Sleeves Perfect For A Person Looking To Start Their Collection Or For Shop Stock

Margaret Aulton : Pinula Della Salute, etching, 28 x 14 cm, with blind stamp, together with another similar etching by the same artist, both parts framed (2)

Waffen SS Laudanum Bottle. The ridges in the glass are for blind recognition.

AN EDWARDIAN MAHOGANY DISPLAY CABINET, central rounded top above foliate blind fretwork detail, two glazed doors with overlaid detail, enclosing three shelves and a mirror back, flanking an open centre with a shaped bevelled mirror and a single glazed bowfront door, blind fretwork bottom rail, on four cabriole legs and padded feet, width 156cm x depth 46cm x height 214cm (condition:- two pieces missing to each door on overlaid fretwork detail, left door handle broken but not missing, split on framed below central mirror, other finish is in good condition and only a few surface marks)

A 'HEATHLAND FURNITURE' OAK MULE CHEST, with blind fretwork detailing to the three front panels above two short drawers, width 105cm x depth 49cm x height 84cm

A VICTORIAN CAST IRON PRESS FOR EMBOSSING PAPER TO PRODUCE A BLIND STAMP, current removable stamp reads Walter Cassey Limited, approximate height 37cm

A PRATT OF FENTON OVAL PLAQUE THE BLIND FIDDLER, THE SPORTSMAN A POT LID TOGETHER WITH A TREACLE GLAZED TOBY JUG

Blind stamped & signed print by Terrence Cuneo

L/E signed print with blind stamp - WWII Plane

Pair of trolleybus/bus tin SIGNS and a DESTINATION BLIND comprising "Danger, do not put booms on overhead wires", operator unknown but likely from a trolleybus depôt (20" x 20", 51cm x 51cm) and two Eastbourne Corporation items: a double-sided "Dial-a-Bus" sign (12", 30cm square) and a small destination blind (20", 51cm wide). Items in ex-use condition but generally good to very good. [3]

London Transport DM-class DESTINATION BLIND from Shepherds Bush (S) garage dated 12.8.82 and coded 'YY' for the side box. A complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

London Country (London Transport-manufactured) RT DESTINATION BLIND from Grays (GY) garage dated 2.6.71 and coded 'V' for the rear ultimate box. Includes yellow-lettered panels for Green Line relief duties. A complete, linen blind, Aldenham-manufactured, and in very good, ex-use condition. [1]

c1960s Oslo, Norway bus DESTINATION BLIND as fitted to the Leyland Worldmasters used there (see second image). A complete blind in very good, ex-use condition. [1]

London Transport DESTINATION BLIND for a Routemaster or Metrobus at Palmers Green (AD) garage dated 19.4.85 and coded 'NN' for the ultimate box. A complete blind, Aldenham-manufactured, generally in very good, ex-use condition. [1]

London Country (London Transport-manufactured) DESTINATION BLIND for an RML Routemaster (also fits RT) at Staines (ST) garage dated 18.6.74. Includes yellow-lettered Green Line destinations for relief duties. Coded 'NN' and for the front/rear ultimate boxes. A complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

London Country (London Transport-manufactured) DESTINATION BLIND for an RMC or RCL Routemaster (also fits RT) at Dartford (DT) garage dated 3.6.74. A complete linen blind, Aldenham-manufactured, in very good, ex-use condition. [1]

Eastbourne Buses DESTINATION BLIND with a wide range of local and long-distance destinations. A Tyvek-type blind, c1980s/90s, complete and in very good condition. [1]

London Country (London Transport-manufactured) DESTINATION BLIND for an RML Routemaster (also fits RT) at Windsor (WR) garage dated 12.9.72. Includes yellow-lettered Green Line destinations for relief duties. Coded 'NN' and for the front/rear ultimate boxes. A complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

London Transport RT DESTINATION BLIND from Edgware (EW) garage dated 21.12.65 and coded 'S' for the side or rear box. A complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

London Transport DMS DESTINATION BLIND from Sutton (A) garage dated 21.12.83 and coded 'YY' for the side box. A complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

c1940s/50s Glasgow Corporation TRAM DESTINATION BLIND from Langside depôt marked 'Universal screen, bottom'. A complete blind in good, ex-use condition. [1]

London Transport DESTINATION BLIND for an SMS (also fits RF) at Thornton Heath (TH) garage dated 13.6.79 and coded 'K' for the front box. A complete, linen blind, Aldenham-manufactured, and in very good, ex-use condition. [1]

Trio of London trolleybus DESTINATION BLINDS comprising a side-box blind from Fulwell (FW) depôt dated 6.3.61 (some restoration at very top with a replacement white leader panel, otherwise very good) and number blinds from Bexleyheath (BX) depôt dated 14.2.57 and from Stonebridge (SE) depôt dated 1.12.59 (both well-used, the former has small losses from the leader panels) [3]

London Transport RT DESTINATION BLIND from Hendon (AE) garage dated 25.7.69 and coded 'B' for the front intermediate box. A complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

c1960s Eastbourne Corporation DESTINATION BLIND. A lengthy blind, linen-type, complete and, apart from the first 3 panels, in very good, ex-use condition. [1]

Maidstone Corporation 1950s/60s bus or trolleybus DESTINATION BLIND. Includes an interesting panel for Tillings Works. A complete blind in very good, ex-use condition. [1]

London Country DESTINATION BLIND for an RML Routemaster (also fits RT) at Harlow (HA) garage, undated. Includes yellow-background Green Line destinations for relief duties and blue-background express panels. Coded 'NN' and for the front/rear ultimate boxes. A complete blind, manufactured by King & Flack in Tyvek-material and in very good, ex-use condition. [1]

UPDATED: WW2 London trolleybus DESTINATION BLIND from Acton & Hanwell depôts dated Mar 23, 1944. Fits the front and rear boxes. An amazing survivor. An intact blind, complete with white leader panels, in well-used condition with wear and small areas of damage. A London trolleybus historian advises us that some panels have been removed at some stage. [1]

London Transport trolleybus DESTINATION BLIND from Highgate (HT) depôt dated 17.2.56 and for the front and rear boxes. A linen blind, Aldenham-manufactured. The bottom white leader is missing and it is not known whether the displays are complete. Generally in good, ex-use condition, a little brittle. [1]

London Transport RT DESTINATION BLIND from Harrow Weald (HD) garage dated 12.10.70 and coded 'E' for the front ultimate box. A complete, line blind, Aldenham-manufactured and in very good, ex-use condition. [1]

Maidstone Corporation 1950s/60s bus or trolleybus DESTINATION BLIND. Includes an interesting panel for Tillings Works. A complete blind in very good, ex-use condition. [1]

Pair of DESTINATION BLINDS comprising a 1960s Maidstone & District blind for the lower box in an early Atlantean (well used but generally good) and a short coach destination blind from an unknown South Coast operator (well used condition). Both are complete. [2]

London Country DESTINATION BLIND for an SM or RF at High Wycome (HE) garage dated 9/75. This garage was unusual in operating routes numbered in both the northern area 3xx and southern area 4xx series. A lengthy, complete linen blind manufactured by King & Flack and in very good, ex-use condition. [1]

Blackpool Corporation TRAM DESTINATION BLIND. A traditional example, c1960s, complete and generally in very good, ex-use condition with a little wear in places. [1]