We found 44736 price guide item(s) matching your search

Mahogany wall hanging corner cupboard, early 19th century, the moulded cornice and blind fret frieze over a single fielded panel door, enclosing three shaped shelves over two short drawers, flanked by canted corners, width 74cm.

An early 20thC mahogany display cabinet, decorated blind fret raised on square tapering supports united by under tier, 73cm high, 59cm wide.

A George III mahogany side cabinet, circa 1780, with a drawer above blind fret stand, ‘stamped S. WATLING’, 78cm high, 94cm wide, 47cm deep. Provenance: The Late Mr Michael Stoop

A late 19th Century walnut wall clock with eight day movement striking on a gong, the enamel dial with Roman numerals, the serpentine top with turned finials above a glazed door with chequer banding and blind fret work panels flanked by turned columns, above a similarly decorated shaped apron, height approx 92cm, with a pendulum and key.

A George III mahogany bowfront hanging corner cabinet, the Greek key moulded pediment with a blind fretwork frieze above a pair of crossbanded doors with inlaid satinwood corner fan spandrels, width approx 73cm.

*A George III green japanned eight-day longcase clock, J. Shippard, Poole, circa 1775. The five pillar rack and bell striking movement with 11.75 inch brass break-arch dial with calendar aperture and subsidiary seconds dial to the matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes and signed J. Shippard, Poole to lower edge, the angles with bird and urn cast spandrels beneath recessed arch panel now painted with a coastal view within a dark blue ground border (rocking ship automaton lacking), the case with foliate painted ogee caddy above gilt blind fret upper quadrants and three-quarter columns flanking gilt hatched panel bordered door to hood, break-arch trunk door applied with coloured transfer engravings of a money counter and a merchant within conforming gilt borders and with opposing panels of oriental figures to upper angles, the plinth fronted with a coloured marine view with coastal ruins and men o`war above double skirt base, 240cm (94.5ins) high.

A handsome 19th century mahogany serpentine fronted card table in the Chinese Chippendale style, with blind fret decoration, the hinged lid with single gateleg support, width 92cm (illustrated)

A George III mahogany straight front chest of two short over three long graduated cock beaded drawers with brass drop handles and pierced back plates, dentil frieze and blind fret canted corners, raised on shaped bracket feet, 117cm (illustrated)

An Edwardian Chinese Chippendale revival mahogany serpentine fronted chest of drawers, with blind fret decoration and canted corners, width 108cm (illustrated)

A rare 18th c. Worcester dessert Plate in Blind Earl pattern, with painted moths and insects and raised twig and bud roses with gilded scalloped rim, 7 1/2" diameter

A GEORGE III MAHOGANY DINING TABLE the drop-leaf top with blind fret carved border, on tapering turned legs and pad feet, 71cm h; 107 x 128cm

An Edwardian mahogany-framed gentleman`s armchair, the blind-carved, pierced and reeded back centred by a padded, upholstered panel, conforming armrests and stuffover seat, tapering circular supports, brass caps, pottery casters and a matching ladies chair (2)

A Victorian oak mule chest, of conventional form with three drawers to the base, blind-carved all over with strapwork and roundels, and inscribed to the sides, "John Hargreaves made this at Rough-Lee near Colne, Lancashire, June 4 1842", 135cm wide

DAVID SHEPHERD. Cool Waters, no. 328/850, with blind stamp of the Fine Art Trade Guild, published by Solomon and Whitehead, 1987, Pl. 16 1/2 x 29 1/2 in

DAVID SHEPHERD. `High and Mighty` reproduction in colours, no. 288/850, with Fine Art Trade Guild blind stamp, published by Solomon and Whitehead 1986, Pl.9 x 16 in

C18th Mahogany Chest on Chest with bracket supports, lower section with 3 graduated deep cock beaded fully oak lined drawers with mirror veneers, top section with 2 short & 3 graduated long cock beaded drawers all with mirror veneers under Greek key cornice, canted sides with blind fret carved mouldings, fully oak lined with later period style oval plate handles, main carcass approx. 42" W x 21" D x 76.5" H

A GEORGE III MAHOGANY BUREAU with blind fret carved, fitted interior and four graduated drawers below with brass handles, on ogee feet, 106cm h; 54 x 119cm ++ Some replacements and restorations, but of good rich colour

Ephemera – a very early letter for the blind remarkable embossed letter clearly written by a blind person dated Boston (USA) April 8th 1836^ addressed to Rev Mr Carlton in Salem informing him that there was to be a concert given by members of the local institution for the blind. Embossed text with ms insertions. Loosely inserted in a copy of ‘Beauties and Achievements of the Blind’ New York 1865.

GOLDEN COCKEREL PRESS. "The Country of the Blind, 1939." by H.G. Wekks, engr plts and illus by Clifford Webb, Limited edition of 280, orig vellum backed cl, teg, 4to 1939 vg.

AFTER DAVID WILKIE "The Blind Fiddler", colour print after an engraving by John Burnet

A George V Chinese Chippendale style mahogany silver table, the rectangular top above a blind fretwork apron, on cabriole legs and claw and ball feet, width approx 81cm.

An Edwardian mahogany circular occasional table with blind fretwork decoration, raised on cluster columns united by an `X` frame stretcher with urn finial.

After Laurence Stephen Lowry RBA, British 1887-1976- "The Contraption"; photographic reproduction, signed and dated 1949 within the plate, signed in pencil bears Fine Art Trade Guild blind stamp, 34x31.5cm

A leather suitcase containing three etchings by Percy Lancaster, HP Huggins, blind stamped, and E Sharland, and four books including the Flower Fairies of Summer, and Twelfth Night with illustrations by W Heath Robinson.

An Edwardian mahogany wardrobe with cornice over blind fretwork above single mirror door raised on square supports, 192 by 99 by 49cm.

A WELSH GEORGE III OAK CHEST, THE DETACHABLE BOARDED LID WITH CLEATED SIDES ABOVE FOUR RAISED AND FIELDED OGEE PANELS AND CONFORMING BLIND DRAWERS, ON BRACKET FEET, 96CM H; 54 X 142CM THE LID LACKING MOULDING FROM ONE END AND WITH WIDE SHRINKAGE CRACK; PLEASING COLOUR AND PATINA, THE PANELLED SIDES FREE FROM SPLITS OR REPAIR

A vintage bus blind; A-Z of London destinations and surrounding areas, paper-backed, yellow on black

A Green Line routes 701, 702 and 725 linen-backed bus blind, yellow on black, 13`8" long

A George III oak chest of two short and three long drawers, the rectangular top with moulded edge above a blind fret frieze, the drawers flanked by a canted conforming corners on ogee bracket feet, 109cm wide.

An early 20thC mahogany dwarf chest of four drawers, the rectangular top with moulded edge, the four drawers with stamped brass circular back plates and ring handles, flanked by blind fret canted corners, and on splay bracket feet, 78cm high, 60cm wide, 44cm deep.

An early 20thC mahogany bedside cabinet, with broken arch pediment to the top and blind fret decoration to the front, with fielded panelled door enclosing three shelves, 42cm wide, 86cm high.

George III and later mahogany bookcase with blind fretwork Gothic influence pediment, two panelled doors enclosing adjustable shelves and drawers and two panelled doors below, 106cm wide, 184cm high Further images and condition reports are available at www.reemandansie.com

AN EARLY 19TH CENTURY EMBROIDERED SILK PICTURE, portraying three children playing Blind Man`s Buff within a curtain of flora and foliage, 53cm diameter in gilt gesso glazed frame

A PAIR OF LATE 19TH/EARLY 20TH CENTURY ASIAN CARVED JARDINIERE STANDS, each having bone/ivory floral inset centres, blind carved top and moulded edge, raised on three leg pierced supports, 31cm high x 30cm high

A modern Venetian blind

A Pair of Mid 19th Century Oak Circular Footstools with Tapestry Tops on Blind Carved Bases each with Four Scrolled Feet, 31 cm Diameter.

An Oriental Inside Painted Glass Snuff Bottle Depicting Children Playing Battle Game and Blind Mans Bluff, 9 cm High, Signed.

A Late 19th Century Walnut American Rocking Chair with Upholstered Seat and Back and Blind Carved Top Rail.

Charles Johnson Payne (Snaffles), `Merry England - and worth a guinea a minute`, colour print, signed in pencil, bit blind stamp, with remarque of fox jumping a brook, 27 x 26 cm (10 1/2 x 10 1/4 in.).

An early 20th century Georgian style figured mahogany bedroom suite with gadrooned and blind fret decoration, comprising triple wardrobe, width 81" a kneehole dressing table, width 54", tallboy width 54", 4` 6" bed, bedside cabinet and 3 bedroom chairs

An 18th century oak long case clock, with carved swan neck pediment, blind fret frieze and turned reeded side pillars, full length crossbanded door and quarter turned reeded side pillars and ogee bracket feet, having square brass dial with silvered chapter ring and inset moon phase, by Lister Bramley, Halifax, ht 87"

A late 19th/early 20th Century Mahogany Secretaire Bookcase, with moulded cornice over astragal glazed doors, and with blind fretwork moulded detail throughout, the secretaire drawer with fall front enclosing interior of green gilt-lined writing inset and pigeonholes, two panelled doors below enclosing cupboard on splayed bracket feet, 36” wide, 84” high

East London.- A mixed group of maps including a manuscript map of Bethnal Green after the 1703 engraving by Gascoyne with 9 engraved maps 1 from John Stow`s Survey and others of Whitechapel Shoreditch Spitalfields and St Katherine`s Dock engravings v.s. largest 590 x 610mm with numerous facsimiles occasional browning handling creases tears and surface dirt the manuscript map of Bethnal Green with some surface loss and backed onto linen; with a small quantity of engraved views in East London including `The Blind Beggar and his daughter of Bethnal Green` by Chapman after Bunbury a costume study of a Bethnal Green volunteer light infantry and others v.s. all unframed (Qty.)

Willoughby (Capt. Sir. John C.) East Africa and its Big Game: The Narrative of a Sporting Trip from Zanzibar to the Borders of the Masai first edition half-title frontispiece and 17 plates 4 lithographed folding coloured map 24pp. publisher`s catalogue at end water-stained original pictorial cloth gilt soiled [Czech p.175] 1889 § Rosevelt (Theodore) African Game Trails first English edition half-title photgravure frontispiece plates title with publisher`s blind-stamped presentation stamp title lightly spotted original pictorial cloth lower corners bumped [cf. Czech pp.138-139] 8vo 1910; and another African Big Game 8vo (3)

facsimile of the 1486 edition original blind-stamped vellum spine gilt soiled 1881 § Twici (William) The Art of Hunting or Three Hunting Mss. translated by H. Dryden plates ink ownership inscription to front free endpaper plates original cloth gilt a few small marks a very good copy Northampton 1908 § Lomax (James) Otter Hunting Diary 1829 to 1871 portrait frontispiece and plates occasional spotting contemporary half-morocco rebacked preserving original backstrip rubbed Blackburn 1910; and c.18 others field sports v.s. (c.21) facsimile of the 1486 edition original blind-stamped vellum spine gilt soiled 1881 § Twici (William) The Art of Hunting or Three Hunting Mss. translated by H. Dryden plates ink ownership inscription to front free endpaper plates original cloth gilt a few small marks a very good copy Northampton 1908 § Lomax (James) Otter Hunting Diary 1829 to 1871 portrait frontispiece and plates occasional spotting contemporary half-morocco rebacked preserving original backstrip rubbed Blackburn 1910; and c.18 others field sports v.s. (c.21)

Barber (Thomas) Picturesque Illustrations of the Isle of Wight engraved vignette title folding map 39 plates tissue guards 1 plate all but loose and little frayed little spotting original blind-stamped cloth rubbed ends of spine and corners worn 8vo [c.1840].

Paton (Andrew Archibald) Highlands and Islands of the Adriatic including Dalmatia Croatia and the Southern Provinces of the Austrian Empire 2 vol. first edition half-titles tinted lithographed frontispieces and 8 plates folding map and double-page plan some light foxing affecting a few plates original blind-stamped cloth a little rubbed rebacked preserving original spines [Abbey Travel 44] 8vo 1849.

Guarmani (Carlo) Northern Najd: A Journey from Jerusalem to Anaiza in Qasim limited edition of 475 copies this copy unnumbered half-title map and plates browned original blind-stamped buckram gilt spine faded edges uncut 4to The Argonaut Press 1938.

Michelet (Jules) Procès des Templiers 2 vol. half-titles some slight browning Athenaeum Library blind stamp on titles new endpapers modern cloth 4to Paris 1841.

Blacker (William) Blacker`s Art of Fly Making &c. Comprising Angling & Dyeing of Colours rewritten and revised by the author engraved frontispiece 21 plates (17 hand-coloured) plate guards bookplates of Alfred Harmsworth and Kohn McKinley on front endpapers front free endpaper torn and repaired original blind-stamped cloth gilt spine edges uncut [WS p.33] 12mo 1855.

[Bowden-Smith (Richard)] Fly-Fishing in Salt and Fresh Water first edition 6 lithographed plates of artificial flies (5 hand-coloured) half-title advertisements at end slightly browned original blind-stamped cloth corners bumped lacks head of spine a few small chips to spine 8vo [WS p. 95] 8vo 1851.

Shipley (William) A True Treatise on the Art of Fly Fishing Trolling Etc. wood-engraved frontispiece slightly foxed and browned original blind-stamped cloth edges uncut [WS p. 194] 1838; and 5 others Trout fishing 8vo (6).

Forshaw (Joseph M.) and William T.Cooper. Kingfishers and Related Birds: 6 vol. first edition number 402 of 1000 copies signed by the author and artist and with an additional print numbered and signed by the artist (framed and glazed) colour plates by William T.Cooper illustrations prospectus loosely inserted original half morocco ruled and stamped in gilt and blind housed in three cloth drop-back boxes with morocco labels to lids and spines vol.3-6 still in the publisher`s cardboard packaging folio Melbourne 1983-1994. *** Comprisisng Alcedinidae 2 vol.; Todidae Momotidae Meropidae; Leptosomatidae Coraciidae Upupidae Phoeniculidae; Bucerotidae 2 vol.(3 boxes & 1 frame)

A GEORGE III MAHOGANY TALLBOY in two halves, the upper part with blind fret cornice and three long graduated drawers, the lower part with brush in slide and three long drawers, with bracket feet, 74" x 42".

BYRON (Lord) The Works, in 5 vols, London: John Murray 1823, half titles, small 8vo, slight staining, ownership signatures, full calf tooled in gilt and blind (rubbed)

A George III thirty hour oak longcase clock the 11 inch square brass dial signed `J N Tibbot, New Town`, with centred date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals and pierced cherub moulded spandrels, the hood with blind fret frieze over a square hood door between fluted front corner hood pilasters, over an ogee arched long trunk door between fluted quarter pilasters on a wide planked box base and later skirting plinth (at fault) 199cm high NOTE: G H Bailey notes John Tibbot, Newtown, Wales, born 1757 died 1820 worked from 1777-97 in Watchmakers and Clockmakers of the World Volume One

AFTER SIR PETER SCOTT Geese in flight over a wetland, print in colours, pencil signed in the margin and with FATG blind stamp, 13" x 21 1/2".

AFTER CHARLIE JOHNSON PAYNE (SNAFFLES) `Jock`, lithograph with hand-colouring, the border with Snaffles bits blind stamp, 11 1/4" x 8".

WILLIAM LEE HANKEY (1869-1952) `Two Sisters`, etching, inscribed in pencil to margin `W. Lee Hankey inv. del et imp. Plate 19 No. 8` and also with `W.L.H.` blind stamp, 6 3/4" x 5 1/2" (see illustration).

DAVID YOUNG CAMERON (1865-1945) Scottish Hills, signed in pencil in the margin and with blind stamp, coloured print, 17 1/2" x 19 3/4"