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A JAPANESE WOOD NETSUKE OF A BLIND BEGGAR, 19th Century, with inlaid eye, signed to a rectangular reserve. 36mm

A JAPANESE WOOD NETSUKE, carved as a blind masseur, signed, 19th Century. 26mm

An oak display cabinet, with a pyramid pediment with blind fret work decoration, over a painted interior, over a cupboard with free standing reeded supports, 108cm wide, 46cm deep, 170cm high

WILLIAM WARIN, THIRSKA GEORGE III OAK EIGHT-DAY LONGCASE CLOCK, the 12-inch brass break-arch dial with silvered chapter with Roman numerals, outer minutes and interesting Masonic emblems, the centre engraved with a crest, subsidiary seconds and date calendar, the hood with dentil cornice and reeded columns, the trunk with blind fretwork frieze and long door flanked by reeded quarter columns, the base with canted corners and raised on bracket feet, with weights, pendulum and key. 227cm

Unframed LS Lowry print 'An Organ Grinder' 324/850, with blind stamp

Signed print 'Friends for Life' with artist blind stamp

Bible in English - The Sermon on the Mount, illuminated by Owen Jones, 8vo, original blind stamped morocco, illuminated title and 15 leaves of red and black with gold initials and illuminated colours, early pages damp stained and spotted, London 1845

AN EDWARDIAN MAHOGANY DISPLAY CABINET with blind fret carved decoration, twin glazed doors and square tapering legs, 113cm wide x 38cm deep x 180cm high

A CHIPPENDALE STYLE MAHOGANY URN STAND of oval form with pierced gallery, with slide and blind fretwork decoration four square tapering legs, 36cm wide x 70cm high

Nikolai Batakov Etching; pencil inscription with blind stamp

A good quality Georgian style mahogany glazed hanging corner cupboard, 20th CenturyWith a dentil cornice above a blind fretwork frieze and a single astragal glazed door enclosing a lined interior with two shelves and flanked by fluted canted corners, 99cm high.

David Shepherd, 1931-2017, study of a rhinoceros, lithograph, signed with blind stamp, 22 x 32cm

A 19th century Anglo-Indian bone inlaid hardwood travelling jewellery/dressing box, the lifting lid with angle mirror over a fitted interior, the hole with extensive blind tracery decoration, 20cm wide x 7.5cm high x 25cm deep.

A mid-18th century mahogany serpentine chest of two short and three long graduated drawers, flanked by canted blind fret corners, on square outstepped ogee bracket feet, 113cm wide x 96cm high x 57cm deep. Illustrated

James Shoolbred & Co; an Edwardian blind fret-work mahogany display cabinet on two drawer stand, with pierced scrolling swan neck pediment on square tapering supports, 76cm wide x 176cm high x 45.5cm deep. K7

Laurence Stephen Lowry RA (1887-1976) Sailing Boats, signed coloured print with Fine Art Trade Guild blind stamp, signed in pencil lower right, dimensions approximately 29cm by 34cm, published by Venture Prints Bristol 1975, framed and glazed (Artists Resale Rights may apply to this lot)

Laurence Stephen Lowry RA (1887-1976) limited edition print The Old Town Hall and St Hilda's Church, Middlesborough Tees Valley numbered 153/850, published and printed by the Adam Collection with blind A stamp to lower left margin, dimensions approximately 39cm by 29cm, framed and glazed

Laurence Stephen Lowry RA (1887-1976) The Beach, Deal, coloured signed print published by Venture Prints Bristol 1973, signed in pencil to margin lower right, Fine Art Trade Guild blind stamp lower right, dimensions approximately 26cm by 50cm, framed and glazed, together with print of original preparatory sketch, signed in blue pen lower left together with Fine Art Trade Guild blind stamp, published by Venture Prints Bristol 1973, dimensions approximately 17cm by 25cm, framed and glazed (2) (Artists Resale Rights apply to this lot)

NO RESERVE Smiles (Samuel) Lives of the Engineers, 3 vol., first edition, half-titles, engraved portraits, illustrations, 12pp. catalogue at end of vol.1, a very clean copy, original blind-stamped cloth, a little rubbed, spines faded, 8vo, 1861-62.

Castlereagh (Lord).- Crabbe (Rev. George) Tales [&] Poems, 2 vol., presentation copies from Lord Castlereagh with his ink inscriptions on title of first mentioned and fly-leaf of second mentioned, also ink name of James Barry and another name crossed out, new editions, half-titles, slightly browned, contemporary calf, gilt and blind stamped borders, modern slip-case, 8vo, 1820.⁂ Robert Stewart, Viscount Castlereagh and second Marquess of Londonderry (1769-1822), politician.

§ Laurence Stephen Lowry, RBA, RA (British, 1887-1976) Fever Van signed lower right in pen "L S Lowry" and with the Fine Art Trade Guild blind stamp offset lithograph 45 x 53cm (18 x 21in) The fever van was the colloquial term in the north of England for the ambulance that transported patients with infectious diseases, usually scarlet fever or diphtheria, to the local isolation or infectious diseases hospital. These vehicles were in existence throughout the country from around 1910 to the 1950s and had various nicknames. Condition: In a good condition, there are no visible faults. Margins seem clean and there are no signs of any offset stains from the mount. Not examined out of frame.  

§ Laurence Stephen Lowry, RBA, RA (British, 1887-1976) Britain at Play signed lower right in pencil "L S Lowry" and with the Fine Art Trade Guild blind stamp offset lithograph 48 x 61cm (19 x 24in)

§ Laurence Stephen Lowry, RBA, RA (British, 1887-1976) His Family signed lower right in pencil "L S Lowry" and with the Fine Art Trade Guild blind stamp offset lithograph 57 x 73cm (22 x 28in)

§ Laurence Stephen Lowry, RBA, RA (British, 1887-1976) The Lake limited edition gouttelette, one of 35 copies, with a framed certificate of authenticity offset lithograph 66 x 80cm (26 x 31in) Please note this edition was not signed by the artist. Chelsea Green blind stamp to lower right corner.

§ Laurence Stephen Lowry, RBA, RA (British, 1887-1976) Steps at Wick, Caithness limited edition gouttelette, one of 95 copies, with a framed certificate of authenticity offset lithograph 66 x 80cm (26 x 31in) Other Notes: The original painting of this scene was painted in 1936 and was sold at Bonhams, London for £890,500 on 20th November 2013. Please note this edition was not signed by the artist. Chelsea Green blind stamp to lower right corner.

THE BOOK OF COMMON PRAYER [together with] A COLLECTION OF HYMNS AND PSALMS London, Printed for the Editors, 1824. 8vo, contemporary red straight-grained morocco, boards with gilt panels and blind-tooling, wide inner gilt dentelles and panelling with green silk doubleurs, upper board with central gilt lettering 'WILLIAM BRISTOW', gilt edges, a little rubbed; MONTGOMERY, ROBERT - THE OMNIPRESENCE OF THE DEITY, A POEM London, Samuel Maunder, 1828. Sixth edition, 12mo, 19th century green morocco with marbled boards; BELSHAM, THOMAS - A SUMMARY VIEW OF THE EVIDENCE AND PRACTICAL IMPORTANCE OF THE CHRISTIAN REVELATION in a series of Discourses addressed to Young Persons. London, R Taylor, 1807. 8vo, attractively bound in 19th century calf with marbled boards, the Bouverie-Pusey copy with engraved bookplate. Rare - not located in the British Library; THE YORK JOURNAL OF CONVOCATION.... London, James Parker & Co, 1874. 8vo, contemporary calf with marbled boards, from the library of Edward Hailstone, with his superb heraldic bookplate in green morocco, elaborately gilt, to the inner front board; and two other theological books, both bound in red straight-grained morocco (6)

FINCH, HENEAGE (1st EARL OF NOTTINGHAM) - AN EXACT AND MOST IMPARTIAL ACCOMPT OF THE INDICTMENT, ARRAIGNMENT, TRIAL, AND JUDGMENT (ACCORDING TO LAW) OF TWENTY NINE REGICIDES, The Murtherers Of His Late Sacred Majesty Of Most Glorious Memory: Began at Hicks-Hall on Tuesday, the 9th of October, 1660. And Continued (at the Sessions-House in the Old-Bayley) until Friday the nineteenth of the same Moneth. Together with a Summary of the Dark, and Horrid Decrees of those Caballists, Preparatory to that Hellish Fact. London, R Scot, 1679. 8vo, imprimatur leaf present, full contemporary calf, the copy of the Hon. George M Fortescue with his blind-stamped armorial to the upper board. ESTC R17120, Wing N1404; DU MOULIN, LEWIS - A SHORT AND TRUE ACCOUNT OF THE SEVERAL ADVANCES THE CHURCH OF ENGLAND HATH MADE TOWARDS ROME: or, A model of the grounds upon which the papists for these hundred years have built their hopes and expectations, that England would ere long return to popery. London, Printed in the Year, 1680. First edition, small 4to, three parts in one, second and third parts with separate title pages dated 1679. Later leather-backed boards. ESTC R35667, Wing D2553; NIXON, ROBERT - NIXON'S CHESHIRE PROPHECY AT LARGE. Published from the Lady Cowper's correct copy. With historical and political remarks: and several instances wherein it is fulfilled. Also his life. By John Oldmixon Esq. London, E Curll, 1740. 8vo, modern cloth boards (3)++HENEAGE - signatures M-P a little proud, stitching partially broken at sig M, occasional light spotting, very small loss of calf to base of spine DU MOULIN - text good, modern reback in black leather gilt lettering, old boards NIXON - small contemp. signature to imprint, lightly browned, good, modern cloth boards with new endpapers

CONGREVE, WILLIAM - THE WORKS...IN THREE VOLUMES Fifth edition, London, J Tonson, 1730. 12mo, contemporary calf. Contains The Old Batchelor, The Double Dealer, Love for Love, The Mourning Bride, The Way of the World, The Judgment of Paris, Semele, and Poems on Several Occasions. From the library of Denton Manor in Linconshire, with the signature of William Welby in vol 3. ESTC T52788; HAMILTON, ELIZABETH - MEMOIRS OF MODERN PHILOSOPHERS Fourth edition, Bath, Cruttwell, 1804. 8vo, three volumes, half calf with marbled boards, an attractive set. A novel responding to the revolutionary fervour of the 1790s and concerning the role of women in modern society (6)++CONGREVE - internally good, bindings sound with light tubbing, title labels chipped/missing from vol 2, slight joint cracking, sides with blind panels HAMILTON - nice set, good internally, attractive gilt spines with double black title and volume labels

A FINE FACSIMILE MANUSCRIPT OF HORACE published in Rome, Regia Officina Polygraphica, 1933, example number 293, two 4to volumes with superb facsimile manuscript leaves on thick parchment, reproducing exactly the original (even down to cut-away corners and edges of leaves), rubricated latin text with decorative capitals, finely bound in full blind-panelled calf over wooden boards, reproducing the original bindings, with central and corner metal bosses, clasps and catches, bottom compartment of one volume missing some leather, a high-quality and expensively-produced work which gives the impression, on first inspection, that you are looking at a genuine manuscript (2)

[EARLY LAW / CONVEYANCING] PHAYER, JOHN - A BOOKE OF PRESIDENTS [I.E. PRECEDENTS] exactly written in maner of a Register, newlye corrected, with additions of diuers necessarie Presidents, meete for all such, as desire to learne the fourme and manner howe to make all maner of Euidences, as in the Table of this Booke more playnely appeareth. [London], Anno Domini 1584 In ædibus Richardi Tottelli. Small 4to, black letter text, lacks final leaf of prelims though text appears continuous (blank?), 184 leaves of text, later blind-panelled calf with new end-papers. Includes sections on indentures, licenses, letter patents, manumissions, letters of attorney, etc. ESTC S106520, recording just 7 locations, 3 of which are in N America++Occasional light soiling, faint damp-stain to a few leaves and light spotting, one or two marginal tears not affecting text, overall a good copy of an early book. The later binding is in good condition and attractive, spine lightly sunned

[MEDICINE] BOWEN, B B - A BLIND MAN'S OFFERING New York, published by the Author, 1851. 8vo, engraved portrait frontispiece of the author, cloth; DeKROYFT - A PLACE IN THY MEMORY New York, John F Trow, 1866. 12mo, frontispiece of the New York Institute for the Blind, publisher's cloth; UNGLEY, CHARLES C - DEFICIENCIES OF NUTRITION (1938). Slim 4to, signed by the author; HUDSON, ALFRED - LECTURES ON THE STUDY OF FEVER Dublin, McGee, 1868; and approx 53 others, all related, a good collection, including some volumes from the estate of Dr. Macdonald Critchley, past President of the World Federation of Neurologists (approx 57)

BARNUM (PHINEAS TAYLOR) (1810-1891) A REMARKABLE GROUP OF PERSONAL EFFECTS OF THE LEGENDARY AMERICAN SHOWMAN AND HIS ENGLISH SECOND WIFE, NANCY, NEE FISH COMPRISING 1. 2.General Tom Thumb souvenir medallion, white metal by Allen & Moore, Birmingham, issued by P T Barnum 1844, obverse General Tom Thumb after the design by Charles Bauginet for the lithograph published 1844, obverse coach and horses, 38mm 3. North American silver mounted black sealskin purse by Tiffany & Co, the flap applied with crisply chased silver daisies, 11cm w, impressed under the flap Mrs P T Barnum Bridgeport Conn, mounts marked TIFFANY & CO M STERLING, sealskin impressed in blind SEAL and TIFFANY & CO NEW YORK PARIS LONDON and a contemporary matching wallet by the same, similarly impressed Mrs P T Barnum Bridgeport Conn, mounts unmarked 4. Calling card of Miss Nancy Barnum Leigh (1889-1909) with printed address 109 West 93rd Street, reverse inscribed by her in ink Wishing my dearest Grandma Barnum a happy Easter from her devoted granddaughter Nancy, 5 x 7.5cm 5. Victorian walnut workbox, with coloured straw work banding, the interior fitted with a tray, applied with the gilt initials PB to the flap under the lid, 29cm w 6. Victorian electroplated teapot, coffee pot and sugar basin, engraved with the initial B, mother of pearl knops, coffee pot 24cm h, marked BMEP, late 19th c 7. Brine (Mary D) Grandma's Attic Treasures A Story of Old-Time Memories, 4to (20 x 16cm), frontispiece and illustrations in the text, inscribed by P T Barnum in ink on the front free endpaper To My Mother in Law Fish with Wishes for a Merry Xmas P T Barnum 1887, aesthetic style embossed fan patterned light brown limp leather sewn with yellow thread, New York, 1887 8. Barnum (N) The Last Chapter In Memoriam of P T Barnum, 4to (21 x 16cm), 19pp, portrait frontispiece and one plate with tissue guards, copy No 1 (in red ink), marbled paste downs and endpapers, contemporary black morocco with gilt lettered title with scroll flourishes within double fillets, gilt dentelles, aeg, privately published, Bridgeport, Connecticut, 1893 9. Black silk lady's parasol with bamboo shaft and engraved silver mounted faux tortoiseshell swan neck handle, brass tip, 92cm, late 19th c 10.Miniature silver playing card box of pillar shape, the square top engraved with the coronet of a baron and initials NBA, having glazed front, the sides stamped with leafy scrolls, 5cm h, by Samuel Jacob, London 1905, containing two packs of 52 contemporary playing cards published by Goodall, London 11. Societe des Amis de Malmaison membership card issued in the name of Madame La Baronne d'Alexandry d'Orengiani, 6 x 10cm, c1900 Provenance: Nancy, Baroness d'Alexandry d'Orengiani (1850-1927)Please contact Mellors & Kirk for full details

[KING JAMES FOLIO BIBLE] - THE HOLY BIBLE containing the Old Testament and The New. Newly Translated out of the originall Tongues: and with the former Translations diligently compared and revised, by His Majesties speciall commandment. Appointed to be read in Churches. London, printed by Robert Barker, printer to the Kings most Excellent Majestie: and by the assignes of John Bill, 1640. Folio, title within elaborate woodcut border, separate title to the New Testament dated 1639, printed in double columns in black letter, woodcut headings, tail-pieces and capitals, collation complete and as per the British Library copy, bound in 17th century reversed blind-panelled calf. The black letter text here is generally crisp and clean - there is some water-staining to the top of the final gatherings, corners dog-eared etc, but importantly this is a complete and unrestored copy of "the last of the folio editions in large black-letter printed between 1611 and 1640" (Darlow & Moule), and a rare survival. ESTC S90554. Provenance: St John's College, Nottingham++water-staining to the top of the final gatherings, corners dog-eared etc, first title with browning, leaf Kkk2 bottom right-hand corner torn away affecting last 3 lines of text in right-hand column, leaves Iiiii4 and Bbbbbb5 torn without loss of text, a small single wormhole in lower blank margin towards the end not affecting text, final leaf top right-hand corner torn away just affecting text, spine with short tear at the bottom, joints sound

CULPEPER, NICOLAS & SIBLY, E - CULPEPER'S ENGLISH PHYSICIAN AND COMPLETE HERBAL To which are now first added Upwards of One Hundred additional Herbs, with a display of their Medicinal and Occult properties, physically applied to the Cure of all Disorders incident to Mankind. London, Lewis and Roden, 1805. 4to, two volumes in one, hand-coloured plates of plants, anatomical plates in red, modern blind-panelled calf, new end-papers, frontispiece re-margined, title-page trimmed and laid down with no text loss++Some browning/foxing as usual, modern blind-panelled calf, new end-papers, frontispiece re-margined, title-page trimmed and laid down with no text loss

ROBERT LENKIEWICZ, pen & ink portrait from sketch book "Mouse" artist estate blind stamp 7.5" x 9"

CHIPPENDALE REVIVAL DISPLAY CABINET, mahogany twin door cupboard base display cabinet with blind fretwork cornice and shaped shelf base, 44" width

CREAM & RELATED/BLUES ROCK. Terrific selection of 16 x LPs largely featuring Cream members... Perhaps the highlight though is a well presented 1st UK pressing of the eponymous Climax Chicago Blues Band LP (PCS 7069 - Ex nice record with just a couple of rather light marks/VG+ name on reverse). Cream (and related) titles include Blind Faith - S/T (original UK Polydor 583059 - Ex/VG), Badger - One Live Badger (K 40473 - VG/Ex nice sleeve), Wheels Of Fire (RSO RE double 2671 109), Fresh Cream (mono 593001 Dratleaf/Jewel side 1 credits, Dratleaf/Copyright/Jewel/Essex side 2), Disraeli Gears (RSO 2394) and Jack Bruce - Songs For A Tailor. Also to include a selection of 6 x LPs from Colosseum inc. Those Who Are About To Die Salute You (UK Fontana 1st STL 5510 - VG+/Ex very clean sleeve), Daughter Of Time (UK small swirl 2nd pressing 6360017 - neat Ex copy with swirl inner) and Live. Elsewhere, condition is generally VG to Ex.

CREAM & RELATED - LPs. Major collection of 35 x LPs featuring Cream and related members (12 x Cream, 16 x Clapton, 4 x Ginger Baker, 2 x Derek & The Dominos and 1 x Blind Faith). Titles include Fresh Cream (US SD 33-206), Disraeli Gears (US SD 33-232), Wheels Of Fire (US x 2 stereo SD 2-700), Blind Faith S/T (US SD33-304B), Ginger Baker's Air Force (SD 2-703) and 2 (SD 33-343), Goodbye (SD 7001), Off The Top (PD 5529), Early Cream, Live Cream I and II, Best Of Cream, Ginger Baker At His Best, Eleven Sides Of Baker and (Clapton) - At His Best, E.C. Was Here, No Reason To Crey, Backless, Just One Night, Another Ticket and Money And Cigarettes. Condition is largely VG+ to Ex+ on these primarily US pressing LPs.

BLUES ROCK/PROG LPs. Terrific bundle of 12 x classic LPs. Artists/titles are The Mandrake Memorial - Puzzle (UK Poppy original PYS 11003 - VG+/solid VG a small paper tear on the front) Duster Bennett - Smiling Like I'm Happy (Blue Horizon 1st UK stereo S 7-63208 - Ex+ superlative record/Ex lovely sleeve), Utopia - S/T (UK original UAG 29438 - Ex/Ex with original company inner), Blind Faith - S/T (UK Polydor 583059), Fleetwood Mac - Then Play On (RSLP 9000 tri-steamboat) and Kiln House (RSLP 9004), Keef Hartley Band - Halfbreed (red/white Deram stereo SML 1037 - VG+ copy), Caravan - In The Land Of Grey And Pink (red/white stereo SDL R1), Mark-Almond (SHSP 4011 boxed), Al Stewart (63087), Keith Christmas - Pigmy (CAS 1041 - VG/Ex) and Tri Na Nog (ILPS 9153 UK original, a VG+ copy). Elsewhere, condition is generally VG to Ex.

60s/70s 7" DEMOS/FACTORY SAMPLE . Very interesting selection of 33 x 7" demo/factory sample stickered. Demos include Billie Davis - Nights In White Satin (F 12977), Alice Cooper - Only Women and Welcome To My Nightmare, The Everly Brothers - It's Been Nice (WB 99), Raymonde's Magic Organ (DM 237), Gene Pitney - Somewhere In The Country (white label), Hank Locklin (RCA 1959), Harry Chapin (K 12078), The Cascades (45-WB 88), Arthur Brown (GULS ), The Searchers, Chicken Shack - I'd Rather Go Blind (S CBS 832), Eric Clapton (EC 1 Duck Records) and Neil Innes (UP 35639). Condition can range to under VG all the way up to Ex+...

CLASSIC/BLUES/PROG ROCK RARITY LPs. Excellent selection of 12 x essential LPs presented in top condition. Artists/titles are Black Sabbath - S/T (Netherlands original 1970 847 903 VTY - Ex/Ex a clean copy with swirl inner), Uriah Heep - ...Very 'Eavy, ...Very 'Umble (German 6360 006 original - lovely Ex+/Ex copy), Livin' Blues - Bamboozle (Dutch first pressing 6413 024 - Ex+/Ex great copy), The Soft Machine - S/T (US original uncensored sleeve CPLP-4500 - a well presented Ex/Ex copy), Alice Cooper - Love It To Death (French Warner/Straight 46177 - Ex+ green labels/Ex), Iggy & The Stooges - Raw Power (Dutch CBS S65586 with original stickered sleeve - Ex+/VG+), Jimi Hendrix - Presents The Band Of Gypsys (scarce Dutch export D117/8 - Ex+/Ex, Humble Pie (UK AMLS 2013 - Ex+/VG+), Blue Cheer - BC #5 The Original Human Being (German original 6336 004 - very clean Ex+ record/VG+ gatefold), Blind Faith - That's Blind Faith (Dutch club issue with different track listing D103/8 - Ex+/Ex), The Beatles - Sgt. Pepper's (Dutch mono original PMC 7027 - side 1 VG+ with a surface mark from A3/lovely Ex+ side 2/VG+ some shelfwear, with 'psych' inner) and Wild Turkey - Battle Hymn (German 6307 501 - Ex+/Ex).

A late Victorian E.P.N.S.mounted oak canted rectangular gallery tray, centred by an monogrammed canted cartouche, scroll and baton handles, blind escutcheons to side angles, bun feet, 64cm wide, c. 1890

Cyril Edward Power: a signed limited edition linocut, "Where and Whither", with blind stamp, unframed

*Jacques Villon (French, 1875-1963)LE FAUTEUIL (Ginestet & Pouillon 521)Lithograph printed in colours, 1951, signed and numbered LVII/LX (57/60) in pencil, published by the Guilde de la Gravure, Paris, with their blind stamp, on Arches wove paper, with full marginsimage 48.8 x 30.3cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)GREGORY EVANLithographic poster on Arches paper, 1979, signed in pencil, designed by the artist for Artcurial, Paris, printed by Atelier Mourlot, Paris with their blind stamp, on Arches wove paper, the full sheet printed to the edges sheet 76 x 53cm, framed*Artist's Resale Right may apply to this lot.

Andy Warhol (American, 1928-1987)WATERCOLOR PAINT KIT WITH BRUSHES (FELDMAN & SCHELLMANN II.288)Offset lithograph printed in colours, 1984, signed in black felt-tip pen, numbered 312/500, printed by Kordett Color Graphics and Rupert Jasen Smith, published by the New York Association for the Blind, on Carnival Felt Cover wove paper, the full sheet sheet 22.9 x 30.5cm, framed

*After Mary Fedden (British, 1915-2012)RED SUNSETOffset lithograph printed in colours, 2000, signed and numbered 292/500 in pencil, after a painting of the same title, 1994, published by BOW Art, London, with their blind stamp, on wove paper, with full marginsimage 29 x 35.7cm, framed*Artist's Resale Right may apply to this lot.

*After L S Lowry (British, 1887-1976)CRIME LAKEOffset lithograph printed in colours, 1972, signed in pencil, from the edition of 500, with the Fine Art Trade Guild blind stamp, printed by Max Jaffe, Austria, published by The Adam Collection, on wove paper, with full marginsimage 45.7 x 60.7cm, framed*Artist's Resale Right may apply to this lot.

*After L S Lowry (British, 1887-1976)FERRY BOATSOffset lithograph printed in colours, 1972, signed in pencil, from the edition of 500, with the Fine Art Trade Guild blind stamp, published by Venture prints, on wove paper, with full marginsimage 30.5 x 40.7cm, framed*Artist's Resale Right may apply to this lot.

*John Piper (British, 1903-1992)EYE AND CAMERA, RED, BLUE AND YELLOWScreenprint in colours, 1980, signed in pencil, the edition was 150, from the series 'Eye and Camera', printed by Kelpra Studio, London, published by Kelpra Editions and the Tate Gallery, with their blind stamp, on Grand Vélin Arches paper, with full marginssheet 59 x 75cm, unframed*Artist's Resale Right may apply to this lot.

Poole pottery bowl, Worcester style Blind Earl vase, Royal Doulton Bunnykins bowl, Keswick hammered metal pedestal dish etc

Continental walnut cased bracket clock, blind fretwork panels, damaged, 38cm.

CONSOLE TABLES, a pair, early 20th century, French, Louis XV design beechwood, each with blind frieze drawer and marble top, 52cm W x 30cm D x 79cm H. (2)

Heaney, Seamus. Sweeney Astray. A Version from the Irish, signed limited edition. Farrar, Straus, Giroux, New York, 1983, first American edition, 86pp. 8vo, green cloth blind embossed, gilt, in publisher's slipcase. Number 146 of 350 copies, signed to the colophon page by the author. Illustrated by Barrie Cooke.

Joyce, James. Dubliners. The Egoist Press, London, 1922, second edition, 12mo, 288pp, original green cloth gilt and blind embossed.

Victorian Governmental dispatch box, for the Executive Council of a British Dominion nation. A dispatch box bound in dark maroon leather, the bevelled, hinged lid with recessed brass handle, blind embossed with scrolls and gilt embossed with 'VR' royal cypher and 'Executive Council'. 5 by 15 by 5in. (12.7 by 38.1 by 12.7cm) An Executive Council in a Dominion constitutional practice is a constitutional organ which exercises executive power and advises the governor or governor-general. These Councils have almost the same functions as the privy council in the United Kingdom and Canada, and accordingly, decisions of the cabinet gain legal effect by being formally adopted by the Executive Council.

SYMPSON, Samuel. Book of Cyphers Containing Six Hundred Compos'd and Engraved, by S. Sympson 1727, T. Clark, Grays Inn, 4to, engraved plates, some soiling, spotting and browning, contemporary blind tooled calf, front board lacking; together with a quantity of other books relating to monograms and crests including Girault, Delamotte and one volume of Fairbairn's Crests (a lot)

A George III mahogany hanging corner cabinet with dental cornice above a blind fretwork frieze with fluted canted corners and panelled doors, 119cm high x 87cm wide x 54cm deep

After David Wilkie (Scottish), 1785-1841, Blind Man's Buff, engraving, engraved by Abraham Raimbach (1776-1843), published by Paul Jerrard & Sons, London 1822, 49cm x 63cm

A William IV rosewood octagonal sewing table of trumpet form, the base with blind fretwork and turned finials over tripod and scrolled feet, h. 79 cm