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Lot 639
A CONTINENTAL OAK DRAWER-LEAF DINING TABLE, extending to approximately 8'5", raised on large cup and cover legs joined by an angular stretcher, 78.5cm by 258.5cm (extended) by 100cm; together with A SET OF SIX OAK AND UPHOLSTERED DINING CHAIRS, each with blind-fretwork carved rungs to the back. (7)
Lot 46
Artist: William DawsonTitle: Blind SailorSize: 29 x 39 x 2.5cm Medium: Mixed MediaWilliam DawsonWhilst studying Illustration at Cardiff School of Art and Design I became interested in abstract painting, so much so that I wrote my dissertation on its history and language. It's this fascination with abstraction combined with a love for nature that influence my practice. Since University my painting has become almost void of colour. I try to focus entirely on composition and texture to create pieces that stand alone as purely abstract, yet still have (very loose) ties to nature. DISCLAIMER: The Porthleven baulk/harbour defence wood is made (on the whole) of Douglas Fir Pine. The actual date of the wood is unknown, the wood broke on the 5th February 2014 and after that was stored outdoors in the harbour yard. Wood is a natural product that responds to temperature and humidity variations by expanding and contracting. You are purchasing a natural product as seen and the Charity the Fishermen's Mission cannot be held responsible for any changes in the wood after the auction on the 18th March 2017.
Lot 806
A George III oak longcase clock by John Lawson of Bradford. The heavily carved case with swan neck pediment, blind fret work, scrolling foliage and fluted quarter columns. Housing an 8 day movement with square brass dial incorporating a painted moon roller and date chapter, dial 30.5cm square, overall height 226cm. Condition Report. To be used as a guide only. Case and dial in good order. Sold with weights and pendulum.
Lot 147
Selection of Ephemera of Royal Naval Interest, including set of three diaries of WW2 era compiled by H W Wright who served on convoys, WW2 Naval Certificate of Service for Leonard Fraser with other documents and a photograph of an Indian man inked to the reverse “a freak of nature 70 years of age born deaf & dumb Blind and no arms or legs Bombay Sept 1943”; paperwork of Naval Cadet James Rosse Eagles including Navy Pay & Identity book, Royal Navy College Chester papers, map of Bermuda Islands Great Sound Including Hamilton Harbour, plus other items. (small quantity)
Lot 34
Southampton Area Bus Destination Kelbus Linen Blind, on blind reels,St.Marys-Portswood, Swaythling, Civic Centre-Portswood, Bullar Road-Northam,Bassett, Midanbury-Portswood, Shirley-Millbrook, Bitterne,Heath Road, Sholing, Harefield Estate, Butts Road,and other destinations,plus a number destination blind,both in good used condition (2 items)
Lot 35
Two Southampton Area Bus Destination Kelbus Linen Blinds, on two blind reels, Woolston, Bargate, Millbrook, Midanbury (Castle Inn) Bassett, Swaythling, Portswood, Thornhill, Bitterne Brewary, Bitterne Church,The Dell and other destinations, plus a number destination blind,all in good used condition (3 items)
Lot 942
after Laurence Stephen Lowry R.A. (British, 1887-1976), The Notice Board, signed in pencil lower right, from an edition of 500, blind stamped, published by The Adam Collection in 1975 for the Manchester Club, printed by Chorley and Pickersgill, painted 1971, 15¾ x 19¾in. (40 x 50cm.), in two-tone window mount and plated frame.
Lot 919
A late Victorian oak eight day longcase clock by Maple & Co., with twin train gong strike movement, the matted gilt brass arched dial with silvered Roman chapter ring, subsidiary seconds dial at noon and Strike/Silent to arch, signed 'Maple & Co. Ltd. London', with gilt brass scroll spandrels, the case with swan neck pediment over a blind fret frieze, supported on twin gilt brass mounted and stop fluted columns, over a trunk with serpentine arched door and conforming brass mounted pilasters, on a fielded panelled base with wavy plinth, 91½in. (232.5cm.) high.
Lot 57
A George III carved mahogany bureau cabinet attributed to Thomas Bradshaw The pierced broken swan-neck acanthus and egg and dart carved and moulded pediment above a leaf and bellflower carved frieze and a pair of Gothic arched astragal glazed doors enclosing two adjustable shelves, the lower part with a sloping fall enclosing a panelled door flanked by triple cluster column 'secret drawers' and six pigeonholes with pierced fret arcading, above two short and three long graduated drawers and a wreathed base moulding, on acanthus carved ogee bracket feet, 107cm wide, 57cm deep, 264cm high. The distinctive pierced cornice is a feature often used by the cabinet-maker Thomas Bradshaw. A bureau bookcase by Bradshaw with this type of cornice is illustrated in C.Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, p.119, pl.150. Bradshaw is listed as working at St.Paul’s Churchyard 1754-75 and subscribed to Chippendale’s 1754 Director. He was declared bankrupt in 1772, (see G.Beard & C.Gilbert, Dictionary of English Furniture Makers 1660-1840, p.99). A Bradshaw display cabinet of circa 1760 and formerly with Freshfords Antiques with pierced swan-neck fret pediment has comparable acanthus carved glazing bars, a more unusual feature. See Sotheby's, Important English Furniture, 30 June 2004 for a George III mahogany linen press, circa 1760, attributed to Thomas Bradshaw. A very similar unattributed bureau-cabinet, formerly with Hotspur, was sold Christie's, Important English Furniture, 6 July 2000, lot 150. A secretaire bookcase with pierced cornice, almost certainly attributable to Bradshaw and formerly with French & Co., New York, is illustrated in F.Lewis Hinckley, Metropolitan Furniture of the Georgian Years, 1988, p.138, Ill.212. Two further unattributed but similar examples can be noted in C. Claxton Stevens & S. Whittington, 18th Century English Furniture, The Norman Adams Collection, pp.192 & 197, the one illustrated on p.192 has a comparable wreathed moulding, whilst both have ogee bracket feet as seen in the above lot (although this example has more sophisticated feet) rather than the blind fret bracket foot which is often seen in Bradshaw pieces.
Lot 94
A SUITE OF FOUR 'SANDERSON HONEYSUCKLE' DESIGN CURTAINS after William Morris, all fully lined with tie-backs, each curtain 96" drop x 42" at the top (gathered) x 100" to the base. With a matching Roman blind and a single dark green William Morris curtain Drop 83" x 37" at the top (gathered) x 102" (approx) to the base
Lot 1831
George III oak longcase clock, the rectangular hood with a moulded cornice and blind fretwork frieze and flanking pilasters, the shaped panelled door above a conforming plinth, the square painted dial with Roman numerals and subsidiary seconds and date dials, signed Reeves, Capel, the thirty hour movement striking on a bell (weight and pendulum lacking)
Lot 420
A GEORGIAN STYLE MAHOGANY FRAMED DISPLAY CABINET by Edwards and Roberts the moulded cornice with DENTIL frieze above a blind cut panel with a pair of timber glazed doors revealing glass shelved interior the outset base with moulded rim above two fireze drawers on ancanthus carved cabriole legs with paw feet joined by a platform stretcher 262cm x 104cm x 48cm
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