We found 44913 price guide item(s) matching your search

4 Jul 93 - Duxford - Classic Fighter Air Show Spitfire Cover Personally signed by Nic Stevens, 35 Sqn., T. Bennett 617 Sqn DFM, Navigation Leader. and Leslie Izzard 35 Sqn. DFM enlisted 1939 expert in TV and Radio at that time due to family business. Wanted to be pilot but was more useful as Radio men, also he was night blind. Successfully developed the ZZ system for blind landing. Did 62 ops on 35 Sqn and one other. Flew on Whitleys then Halifaxes. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Gerard Stamp (b.1955) 'Untitled interior scene', lithographic print, numbered 8/100, blind stamp lower left, signed and dated 2009 lower right, 36cm x 46cmOverall minimal display wear and some tiny marks to the frame, otherwise seems ok.

Hardy (Thomas). The Works of Thomas Hardy, 12 volumes, London: Osgood, McIlvaine and Co.,/Harper & Brothers, 1895-1902, Jude The Obscure, 1st edition, 1896, The Mayor Of Castor Bridge, 1895, Two On A Tower, 1895, bookplate to the front endpaper, tear to the head of the spine, The Return Of The Native, 1895, dry pressed flower pasted into the front endpaper with an accompanying inscription, The Hand Of Ethelberta, A Comedy in Chapters, 1896, Wessex Tales, 1896, A Group Of Nobel Dame, 1896, gutters cracked, The Trumpet-Major John Loveday..., 1897, Under The Greenwood Tree..., 1898, Tess Of The D'Urbervilles, A Pure Woman, 1901, Poems Of The Past And The Present, 1902, Far From The Madding Crowd, 1902, some period inscriptions & ex-library blind stamps to the front endpapers & title pages, top edges gilt, all in original gilt decorated green cloth, boards & spines lightly rubbed, 8vo, together with 3 further volumes of Thomas Hardy, including Wessex And Past & Present Poems, London: Macmillan and Co., 1928, scarce in original cloth & dust jacket, 8voQTY: (15)

Illuminated address. To the Revd. E. Milsom M.A. & Mrs Milson. The parishioners of Roos-cum-Owstwick tender to you their sincere congratulations on your marriage..., [1914], illuminated title page, followed by five leaves of names 'subscribers' within simple illuminated line borders, all edges gilt, contemporary straight-grain dark green morocco, slim 4to, together with another similar volume entitled 'Subscribers to Testimonial presented to the Rev. Edward Milsom, M.A., by his parishioners on July 15th, 1921', simple illuminated title in black & red, heightened in bodycolour & underlined in purple, 11 pages of names written in a calligraphic hand, all edges gilt, contemporary maroon straight-grain morocco, slim 4to,Bartlett (John), Familiar Quotations, being an attempt to trace to their source passages and phrases in common use, London: George Routledge & Sons, Ltd., [1905?], half-title inscribed 'C.L.M. with Cecil's love July 24th 1936, armorial bookplate of Cecil Francis Milsom (1881-1963) to upper pastedown, contemporary dark blue calf by Bickers & Son, gilt decorated spine and armorial to upper board, 8vo,Lempriere (J.), A Classical Dictionary..., new edition, London: T. Cadell, 1839, armorial bookplate of Edward Milson M.A. to upper pastedown, contemporary diced calf, blind decorated spine with black morocco title label, upper joint split at foot, extremities a little rubbed, 4toQTY: (4)NOTE:The Revd. Edward Milsom (1851-1932) was born in Bath, Somerset and married Caroline Louisa Howe (1863-1951) in Diss, Norfolk on the 8th January 1914. He gained an MA at Trinity College, Cambridge and later studied theology at Ripon College Cuddesdon. Shortly after ordination, he became Vicar of Hilperthorne, York, 1881-91 and the Rector of All Saints Church, Roos, Yorkshire from 1891-1921. The interior of the church was reordered by the renowned architect, Temple Moore in the early 20th century. He designed the striking chancel screen and rood figures which were given by Milsom in thanksgiving for his rescue from a dangerous situation whilst climbing in the Alps. The Revd. Milsom built and lived at the Old Rectory which was also designed by Temple Moore. The author J.R.R. Tolkien spent 18 months during 1917-1918 in East Yorkshire convalescing from the effects of Trench Fever after acting as a signalling officer in the Battle of the Somme. He is believed to have resided at Roos and there in the early summer of 1917 his newly-pregnant wife Edith danced and sang in a "hemlock" glade on the edge of the village. After the Revd. Milson's death at Rusthall, Tunbridge Wells, Kent, a memorial window was put in the Baptistery at Roos Church in commemoration of him.Major Cecil Francis Milsom DSO (1881-1963), of The Warren, Northam, North Devon was educated at Bath College and Trinity College, Cambridge. He served during World War I (despatches three times), O.C. Central Requisition Office 1914-15, Senior Staff Officer 31st Division 1915-18, Commander R.A.S.C., Chester District, 1918-19. On 3rd June 1911, he married Lucy Gwladys Morris (d.21 April 1948), eldest daughter of Sir Robert Armine Morris, 4th Bt., D.L., J.P., of Sketty Park, Glamorgan, and had two daughters Hazel Lucy Mary and Sylvia Cecily Veronica.

Jerrard (Paul). Shakesperian Tableaux, London: Paul Jerrard, [1855], 12 fine hand-coloured lithographed plates, each with elaborate border decoration in gold, and facing leaf of decorative text printed in gold, plates heightened with gum arabic, near contemporary presentation inscription dated 1858, decorative endpapers, all edges gilt, original blind-and gilt-decorated brown cloth, rubbed and some light soiling, 4to, together withJones (Owen). The Sermon on the Mount. Gospel of St. Matthew, circa 1860, 16 chromo-illuminated card leaves, all edges gilt, contemporary blind and gilt decorated dark brown full morocco (by Hayday), a little rubbed and some marks, 8vo, plusHumphreys (H. Noel). Maxims and Precepts of the Saviour, [London: 1849], chromolithograph title and 31 chromolithograph pages, single-leaf descriptive index at rear, all edges gilt, original decorated boards in gold and colours, rubbed and some wear to edges (spine and edges with some loss), 8vo, and others various, including G. W. Beldam & J. H. Taylor, Golf Faults Illustrated, new & enlarged edition, fourth impression, circa 1905, original green cloth gilt, Illustrations of Stratford-upon-Avon and the Life of Shakspeare, from original drawings, Stratford-upon-Avon, F. E. Ward, 1851, lithographed plates, contemporary plain cloth, some wear, folio, Frank Southgate, Wildfowl & Waders, Nature & Sport in the Coastlands, described by Hugh B. C. Pollard, London: Country Life, 1928, Saint Joan, A Chronicle Play in six scenes and an epilogue by Bernard Shaw with sketches by C. Ricketts, 1924, folio, limited edition of 750 copies etc.QTY: (carton )

Folding Maps. A collection of nine folding maps, mostly 19th century, engraved and lithographic regional and touring maps, including Wyld (James). A New Map of England & Wales Projected upon the Trigonometrical Operations made for the General Survey of the Kingdom, James Wyld (Successor to Mr Faden), 1st. January 1830, large engraved map with bright contemporary hand colouring, sectionalised and laid on linen on two sheets, calligraphic title, table of the altitudes of the principal mountains and table of explanation, slight offsetting, edged in green silk, each sheet approximately 625 x 950 mm, paper endpapers, contained in a contemporary cloth slipcase with a publisher's printed label to the upper cover, together with Wallis (John). Wallis's New and Correct Map of the Post Roads of England & Wales, 1790, engraved map with contemporary outline colouring, sectionalised and laid on hessian, some staining, small holes where old folds cross, old manuscript ownership signature to the upper margin, 555 x 470 mm, contained in a contemporary marbled card slipcase with publisher's printed label to the upper cover with an additional manuscript ownership signature, heavily worn and frayed, with Cassell, Petter, Galpin & Co. (publishers). Map of Greater London, printed by Edward Stanford, circa 1890, folding lithographic map laid on linen, slight spotting and staining, 740 x 630 mm, contemporary cloth boards with the gilt letters 'J. H. L.' to the upper siding, plus Johnston (W. & A. K. publishers). Northern Part of Ross and Cromarty Shires, Compiled from Actual Surveys by John Craig, Glasgow, circa 1850, engraved map with contemporary outline colouring, sectionalised and laid on linen, inset map of Lewis, 1020 x 700 mm, contained in a contemporary blind-stamped cloth slipcase, and Brion de la Tour (Louis). Cartes des Postes D' Allemagne et des États Voisins..., Paris, 1791, engraved map with contemporary outline colouring, sectionalised and laid on linen, edged with pink linen, 730 x 1060 mm, two string ties in the upper corners, with another four folding maps, including examples by or after Ordnance Survey, Foley. Headley and Dufourcet, various sizes and condition, with Lewis (Samuel). A Topographical Dictionary of England..., 1831, folding engraved map of England and Wales and forty (only) uncoloured engraved county maps (including 10 folding), bookplate of Earl Granville, contemporary half gilt with gilt decorated spine, upper board detached, worn at extremities, 4to, plus Taylor (A. E.). Twenty-five City Plans, circa 1930, uncoloured photolithographic plans with English text below and on the verso of each map, map size approximately 120 x 180 mm, and Blomfield (Ezekiel). Lectures on the Philosophy of History..., 1819, printed title, advertisement and contents list, twelve (complete as list) engraved hemispherical maps with contemporary hand-colouring, partially uncut, slight spotting throughout, contemporary boards, 4to, together with Kent. Porcelain plate, possibly Coalport, circa 1880, colour transfer design featuring a map of the county of Kent, on a white background with a gilt and floriate rim, 225 mm diameter, and Treen. Spooled Length of Ribbon, circa 1880, yellow ribbon contained between two wooden circular discs, one disc painted, the other with an uncoloured circular lithographic map centred on Tunbridge Wells, diameter 55 mm, with a vellum indenture dated 1690, with one red wax seal and a small attached simple manuscript map, overall size 650 x 750 mmQTY: (39)

Book of Common Prayer. The Book of Common Prayer, and administration of the sacraments, and other rites and ceremonies of the Church, according to the use of the Church of England: together with the Psalter or Psalms of David, pointed as they are to be sung or said in churches: and the form & manner of making, ordaining, & consecrating of Bishops, Priests, and Deacons, London: Printed by John Bill, Thomas Newcomb, and Henry Hills, 1680, additional engraved title page with imprint dated 1681 trimmed to margin and relaid, Kalendar in red and black, without portrait frontispiece, damp mottling to final leaves, all edges gilt, 19th century calf, blind panelled boards and spine compartments with motif, red morocco title label, extremities rubbed, folio QTY: (1)

Payne (Charles Johnson, 'Snaffles'). 'The Gunner, Good Hunting! Old Sportsman', 1916, colour photolithography, uncoloured remarques of a column of guns led by an officer arriving at the gallop, and of a bi-plane, snaffle bit blind stamp, some staining and slight spotting, overall size 430 x 340 mm, framed and glazed, together with [Merry England - and worth a Guinea a Minute, 1927], colour lithograph, trimmed to the image, 270 x 255 mm, mounted, framed and glazed, with four humorous colour lithographic sketches after Snaffles, each with lines of text, slight staining, each approximately 265 x 365 mm, framed and glazedQTY: (6)

Payne (Charlie Johnson Payne 'Snaffles'). 1915 - 16. "That far, far-away Echo", circa 1916, colour photolithograph with a remarque of a horse looking out of a loose box, snaffle-bit blind stamp and signed by the artist in pencil to the lower left, overall size 350 x 470 mm, framed and glazedQTY: (1)

Lennon (John, 1940-1980). Samurai 1992, screenprint in colours after a drawing by John Lennon, pencil signed by Yoko Ono Lennon lower left with limitation number 27/300, John Lennon blind stamp and red chop mark lower right, 27 x 38 cmQTY: (1)NOTE:Bag One Arts Inc. certificate of authenticity supplied.ARR may apply.

William Russell Flint (British,1880-1969), 'The Pendant', print in colours, signed in pencil to margin and bearing Fine Art Trade Guild blind stamp, framed and glazed, image size 50 x 69cm, with three further framed and glazed prints after the same artist. (4)

New Next blind, 120 x 120 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

A Prattware large oval plaque:  The Blind Fiddler, after Wilkie; a Prattware cup and saucer and 3 mugs

Christina Lotsa - Xtina, 1981 vintage novelty adult vinyl record on Blind 2 label. Record in very good condition, sleeve has minor scuffing/marks.

A George III-style serpentine chest of four graduated drawers over a brushing slide, with blind fretwork decoration to the front corners and standing on bracket feet, 104cm wide, 55cm deep, 89cm highOf 20th century manufacture, with minor marks, dents and scratches overall due to age and use, some wear particularly due to the opening and closing of the drawers as exemplified just beneath the lower right corner of the top drawer and the lower right and left corners of the bottom drawer, loss to the cockbeading of the second drawer up left hand side, the chest with oak linings.

Edwardian rosewood display cabinet, rectangular top over two drawers with blind fretwork facias, enclosed by two doors with lead glazed and bevelled panels, turned half column pilasters terminating into cluster column supports, united by undertier with raised fretwork gallery, on turned feetDimensions: Height: 117cm  Length/Width: 92cm  Depth/Diameter: 41cm

18th / 19th century French Chestnut and Fruitwood Enfilade or Dresser Base, the long single drawer with applied blind fretwork metal panel, above two inlaid cupboard doors, 138cm long x 57cm deep x 105cm high

A probable 19th century cased painted fan depicting blind man's bluff

[Plato], Bekker (August Immanel, translator & editor), [Platonis Opera]/Platonis et quæ vel Platonis esse feruntur/vel Platonica solent comitari/scripta Græce omnia/ad codices manuscriptos [...], eleven-volume set, first London edition thus, Londini: A.J. Valpy, 1826, Ancient Greek and Latin printing, volume I with engraved portrait frontispiece, volumes X-XI with the ‘Dialogues’ in the Latin translations of Ficino and others, contemporary quarter-vellum gilt over marbled boards, conforming marbled edges and endpapers, 8vo, [11] Provenance: City of Liverpool Reference Library; their discreet blind stamps to each title-page, the base of each spine with their shelf numbering in gilt, recto pastedowns with their book labels (over-stamped ‘WITHDRAWN’).

Bell's Common-Place Book, Form'd generally upon the Principles Recommended and Practiced by Mr Locke, London: Printed for John Bell, near Exeter Exchange in the Strand, 1770, copperplate title-page engraved by J. Ellis after Chinnery Junior, 8pp (Illustration/examples), then sepia printed index leaves and red-ruled contents blank of manuscript entries, original green vellum over boards, apparently as issued (judging by other copies in past commerce), faintly blind-ruled covers, gilt-lettered red morocco label, marbled endpapers, crown folio (39cm x 26cm), [1]

Bibliography & Palaeography - Wyatt (M. Digby) & Tymms (W.R., illustrator), The Art of Illuminating [...], Illustrated by Borders, Initial Letters, and Alphabets, Selected & Chromolithographed, London: Day and Son, Limited, [n.d., 1860], chromolithographed title-page and full-page plates, original publisher's decorative cloth, gilt and blind, 8vo, (1); De Vinne (Theodore Low), The Practice of Typography/A Treatise on Title-Pages [...], New York: The Century Co., 1904, illustrated, original cloth, 8vo, (1); Printing Papers: A Handbook for the Use of Publishers & Printers, London: Spalding & Hodge Limited, [n.d., 1910], original cloth over papered boards, 8vo, (1); facsimiles, including Caxton's Chess; The Times, (4); maps and cartography; etc., [17]

Children's and Juvenile Books - Pogány (Willy, illustrator), Rubáiyát of Omar Khayyám, London: George G. Harrap & Co Ltd., [n.d., c. 1910], lithographed calligraphic and architectural borders, tipped-in colour plates, original limp brown suede, in gilt and blind, top-edge gilt, 8vo, (1); The Gateway to Shakespeare [...], With Sixteen Coloured Platea and many other Illustrations, London: Thomas Nelson and Sons, [n.d., c. 1910], further b/w plates and in-text illustrations, original pictorial cloth, top-edge gilt, 4to, (1); Underdown (Emily) & Morris (William), The Gateway to Romance, With Sixteen Coloured Plates and many other Illustrations, London: Thomas Nelson and Sons, [n.d., c. 1912], original pictorial cloth, 4to, (1); Mabel Lucie Attwell's Peter Pan & Wendy, 1955, 4to, (1); Wagner, (1); Italian Art History, (2); etc., [8]Provenance: the Chandos-Pole family, removed from the Library of Radbourne Hall, Derbyshire.

Fashion - Sacchetti (Enrico, illustrator), Robes et femmes, copy no. 99/300, Paris: Dorbon-Ainé, 1913, illustrated with 11 pochoir colour plates (of which 1 is double-page), each satirising the avante garde fashion designs of Paul Poiret, title-page vignette and colophon leaf with further costume, bound in contemporary Parisian purple polished calf, outlined in blind and gilt-rolled to a scrolling geometric design, six-compartment spine of raised bands, lettered in the second, red-speckled edges, marbled endpapers, original pictorial papered portfolio en suite, crown folio (38cm x 30.5cm), [1]

Fine Bindings - Ye Booke of Guestes, (sic), [n.d., c. 1910], lithograph-printed, an unused visitors' book, finely bound in contemporary grey morocco, lettered upper-cover flanked by a fecund pomegranate and outlined to an 'Arts & Crafts' strapwork design with bosses, all-edges gilt, cased en suite, oblong 4to, (1); a 1920s/1930s faux alligator portfolio case, tan leather binding, cased en suite, (1); other bindings, mostly calf and reverse calf, mostly tooled and lettered in blind, occasional paper wrappers only, various titles of belles lettres, including Emmerson and Byron, 'miniature' books/pocket editions, various sizes; etc., [25] Provenance: The descendants of William Hamilton, an art-binder employed by the Harrap bindery.

Fore-edge Painting - [Homer's Iliad], Homeri Ilias, volume II only: Rhapsodia XIII-XXIV, Lipsiae [Leipzig]: Car. Tavchnitii, 1824, portrait frontispiece, finely bound in contemporary blue calf, the covers blocked in gilt with portrait profiles of the epic poet, within gilt and blind tooled and rolled borders, the fore-edge finely painted in polychrome watercolour with a contemporary Grand Tour classical landscape, top and bottom edges gilt, marbled endpapers, 8vo (14cm x 9.5cm), [1] Provenance: L. Slater/d.d./R.P. Hull, contemporary ink MS presentation inscription to ffep.

Pogány (Willy, illustrator) & Rolleston (T.W.), The Tale of Lohengrin: Knight of the Swan after the Drama of Richard Wagner, London: G.G. Harrap & Co., London, [n.d., 1913], illustrated throughout, original pictorial brown cloth, gilt and blind, pictorial endpapers, 4to, (1); Cruikshank (George, illustrator) & À Beckett (Gilbert Abbott, editor), George Cruikshank's Table-Book, first edition, London: Published at The Punch Office, 1845, engraved frontispiece and additional title-page, further full-page plates and in-text illustrations, bound in polished calf gilt by Tout, stamped, all-edges gilt, 8vo, (1); other illustrators, J.R.R. Tolkien & Frank Brangwyn RA, (2); Ladybird Books, (4); Dick Turpin, (1), [9]

Scottish Sombre Binding, The Holy Bible [KJV] [...], Edinburgh: Printed by James Watson, 1722, architectural title-page engraved by Robert Wood, separate black-ruled New Testament title-page, printed in double-columns, contemporary black morocco, tooled and panelled and blind, all-edges gilt, printed polychrome endpapers, slightly later ink MS ownership inscription: W.T. Procter, 8vo, (1); De Cervantes Saavedra (Miguel) & Jarvis (Charles, translator), The Life and Exploits Of the ingenious gentleman Don Quixote de La Mancha [...], volume I only, second edition thus, London: J. and R. Tonson, 1749, engraved plates contemporary calf, Chippendale armorial bookplate: Evert Geo. Coussmaker Esqr, 8vo, (1); Zola, Rome, first English edition, 1896, 8vo, (1); Priestley's Good Companions, prize binding of three-quarter calf gilt, 8vo, (1); Folio Society, various, (7); etc., [21]

Scottish Sombre Herringbone Binding - The Holy Bible [...], Edinburgh: Printed by Robert Freebairn, 1736, black-ruled title-page, separate New Testament title-page conforming, printed in double-columns, contemporary sombre herringbone black morocco, in blind, marbled endpapers, 8vo, [1]

Sutherland (William, Shipwright and Mariner), The Ship-builders Assistant: or, Some Essays Towards Compleating (sic) the Arts of Marine Architecture [...], first edition, London: Printed for R. Mount on Tower-hill [...], 1711, some old paper repairs, pp: [xii], 165, [1] (blank), illustrated with 13 fold-out diagrammatical engravings as called for (of which a handful have been repaired), in-text diagrams, cross-sections, and black-ruled tables, rebacked contemporary sheep, ruled in blind (the boards present, but detached), 4to, [1] Provenance: 1) John Brockbank, ?the Lancaster entrepreneur and builder of slave ships; slightly later ink MS ownership inscription to title-page; 2) Liber Ricardi Harrington/1911, armorial bookplate to pastedown.

Theology & Divinity - Taylor (Jeremy): The Great Exemplar of Sanctity and Holy Life, three parts in one volume, first edition, London: R.N. for Francis Ash [...], 1649, [a-a1] supplied in 19th century manuscript, a2-[c4], [A]-L3, [2] (blank), [¶2], Aa-[Ll4], ¶2 ,Aaa-[Mmm3], [2] (blank), Nnn-[Nnn4], Ooo-[Ooo4], d5 incorrectly signed d3, contemporary calf, blind-ruled borders, 18th century ownership inscription to recto pastedown, 4to, (1); A Course of Sermons For All the Sundays of the Year [...], second edition, London: Richard Royston, 1655, black-ruled title-page printed in red and black, [¶], A-[A7], B-[Ff2], [¶4], *4, A-[Hh6], Ii-Kk2, [A]-[E5], 20th century calf over buckram, the calf blind-tooled in the 17th century taste, folio, (1); Tegetmeier (Denis, illustrator), The Mysteriousness of Marriage, copy no. 194/300, Capel-y-ffin: Francis Walterson, 1928, original publisher's cloth over papered boards, 8vo, (1), [3] Provenance: 2nd: Jo: Hopkinson, contemporary mid-17th century ink MS ownership inscription to title-page.

An early Victorian scrap album, enclosing tipped-in contemporary ephemera viz. boating and rowing in and around Nottingham, including Colwick Water, the Trent regatta, etc., further typical illustrations of colour scraps, topographical and Old Master engravings, some caricatural book illustrations, etc., contemporary green half-morocco gilt over cloth, marbled endpapers, folio, (1); a mid-19th century lady’s drawing-room commonplace album, dated 1858, artfully inscribed in ink MS. with verse and prose, illustrated with original watercolour and pencil illustrations, including an Italian Grand Tour named-view landscape in the Bay of Naples, typical tipped-in mixed media prints and ephemera, contemporary decorative blind-stamped roan (lacking spine), restrained by an unlocked clasp, 4to, (1); another, similar, including a named-view watercolour sketch of the Hermitage at Frogmore, [Windosr Castle], contemporary green roan over tartan papered boards, 4to, (1); (1); a mid-Victorian and later album of newspaper clippings, 4to, (1); 20th century scrapbooks of European ephemera, mostly hotels and transport, (3), [7]

Miscellaneous Manuscripts - Essex, The Finances of an early Victorian Surgeon, an ink MS accounts book, compiled by Robert William Quennell (1799-1849), of Hart’s Hall, Hornchurch, Essex, with dated transactions from 1st January, 1831, to 30th December, 1839, mostly with tradesmen being based in south-east Essex (Upminster, Romford, Ockenden, etc), various entries including: 1835 Oct. 20th ‘Began taking the Times newspaper [subscription] £3 – 18s – 0d per annum’ and 1835, August 4th; ‘sold out £200 of 3% consols which made £179 – 10s – 0d ‘to pay for an action brought against me by a rascal of which transaction papers will be found in my drawer’, as well as his conservative taste in wine, at the end, an account of the dates of birth and full-names of the owner’s four children, from which it was possible to establish the identity of the book’s compiler, red-ruled contents, contemporary polished calf, covers blind-rolled, marbled endpapers, 8vo, (1); a mid-Victorian country house visitors’ book, believed to have come from a Herefordshire weekend party circa 1862 (loosely-inserted note), partially-filled, comprising 17 autograph signatures, including the Duke of Bedford and George Russell, the Duchesses of Manchester and Montrose, the Marquess of Clanricarde, further members of the British aristocracy, the Bishop of Rochester, and European/Russian noblemen Count Bernstorff and Prince Boris Galitzin, contemporary green morocco gilt, all-edges gilt, moiré endpapers, 8vo, (1); a late 19th century literary-antiquarian’s commonplace book of ballads, rhymes, sayings and songs, principally transcribed in MS, but a few tipped-in scraps of print, disbound, 4to, (1); Jones (Maurice), No Easy Answer, Bournemouth, 1953, 52ff of autograph MS, the narrative history of The Arts and man’s relation to them, inscribed in pen-and-ink, mixed media illustrations by the author throughout, original cloth, 4to, (1), [4]

Miscellaneous Manuscripts – Kent, Genealogy, an early-mid 19th century ink and pencil MS, compiled by Henry Case, 35, Gower Place, New Road, London [now parallel to Euston Road, WC1), with genealogical details and notes of the Towl family and of the landholding and tenancies of John Frith (d. 1795) in the county: Crayford, Dartford, East Wickham, Erith, Eynsford, etc., and with considerable transcriptions of the Frith family entries from the parish register of Eynsford, Stone, and North Cray, contemporary sheep, blind-ruled, oblong 8vo, (1); Sacred Music, a late 19th century anthology of musical scores, 60ff only (rest of the ruled volume blank), principally titled hymns – yet inscribed with musical notation only, dated Christmas 1883, bound in contemporary vellum gilt, panelled cover monogrammed: G.M.W., all-edges gilt, marbled endpapers, 8vo, (1); an early 20th century sketchbook, illustrated with pencil drawings of Old Master pictures and sculpture, named-view topography, etc., some tipped-in engravings and scraps, MS titled paper label to upper-cover, marbled boards only, oblong 4to, (1); Poetry, an early-mid 19th century commonplace scrapbook of verse, compiled with clipped and pasted-in printed verse from periodicals and other publications, contemporary quarter-roan over marbled boards (worn), 8vo, (1), [4]

A late Victorian photograph album of European and British topographical views, predominantly Switzerland, France, and Belgium, some noted English churches and their interiors, occasionally annotated in ink MS, contemporary black morocco binding, tooled in gilt and blind, moiré endpapers, large oblong folio (31cm x 44cm), [1]

After Pablo Picasso - a print taken from the 'Vollard Suite' 1956 (1st Edition) plate no. 97 'Blind Minotaur' led by a girl through the night, bears signature in graphite

A George I provincial oak bureau bookcase, the top section with single shelf and 3 drawers (2 blind), the bureau section with well-fitted interior with a number of secret drawers, 107cm x 206cm x 55cm

A very rare 300 piece English Jig-Saw Puzzle "Blind Man's Buff" 17" x 10" by HOLTZAPFFEL & Co 53 Haymarket London in orig box (lid needs attention) G+

A Chippendale style mahogany secretaire bookcase, with a blind fret cornice over a pair of astragal glazed doors, above a double faux drawer enclosing a secretaire section fitted with drawers and pigeonholes, over three long graduated drawers, on shaped bracket feet. H.218 W.110 D.54cm

An 18th century and later oak blanket chest, hinged top above a blind fretwork frieze and a three panel front, one stile carved with initials, 65cm high, 132cm wide, 52.5cm deep

A George II Revival mahogany bowfront music cabinet, slightly oversailing top above a blind fretwork frieze and a panel door enclosing three shelves, cabriole legs, ball and claw feet, 94cm high, 51cm wide, 43.5cm deep

Three bolts of fabric to include approx 20m of taupe upholstery fabric, together with an Ikea sheer blind panel with scribe and Vitruvian man symbolLocation:

Medicine - A Collection of Books on Ophthalmology, Comprising of various titles including; Franz, August, 'The Eye a Treatise on the art of Preserving this Organ and of Improving the Sight' 1839; Artman, W. M. Beauties and achievements of the Blind, 1869, with an embossed biblical quote between the frontis and the title page and many others (a lot)

A Fine G. Hare Half Plate Mahogany Tailboard Camera, with Ross No.6 Symmetrical 8" brass lens, body, VG, lens, VG, complete with roller-blind shutter, G. Hare Patent Automatic Changing Box and magazine back, in fitted leather case

A GEORGE III MAHOGANY CHEST ON CHESTLATE 18TH CENTURYWith blind fret frieze and canted corners and a brushing slide193cm high, 112cm wide, 56cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, there are areas of replacement timber and veneers to some uprights and areas around locks (probably repairs after previous forcing). There is an element of the frieze lifting to one side All handles and locks appear to be original, there are no keys present but all elements are open at time of reportOverall solid and stableThere is some colour variation across the piece, this may benefit from a sympathetic re-polishPlease refer to additional images for visual reference to condition Condition Report Disclaimer

A MAHOGANY SILVER TABLE IN GEORGE III STYLE19TH CENTURY, AFTER THE MANNER OF THOMAS CHIPPENDALEWith pierced gallery, and blind fretwork decoration throughout 85cm high, 89cm wide, 55cm deep

A VICTORIAN WALNUT AND UPHOLSTERED STOOLBY CHAMBERLAIN & KING, SECOND HALF 19TH CENTURYWith later hinged top upholstered in woven yellow fabric, label for the makers to one rail and serial number 75845cm high, 85cm wide, 62cm deepThe firm of Chamberlain, King & Jones were active in Birmingham as cabinet makers, carpet factors, upholsterers, bed & mattress manufacturers, cabinet carvers, gilders, window blind manufacturers and decorators flourishing between circa 1876-1956 and are indexed by the British and Irish Furniture Makers Online (BIFMO)

A GEORGE III MAHOGANY CHEST ON CHESTCIRCA 1770With blind fretwork frieze above two short and three long drawers flanked by canted angles, the base with a brushing slide and three further long drawers, 188cm high, 113cm wide, 56cm deep Provenance: Dreweatts, European Collections, 23/01/2019, lot 90 

A GEORGE III MAHOGANY CHEST ON CHESTCIRCA 1780The blind fret and dentil cornice above two short and five long drawers, on bracket feet194cm high, 113cm wide, 55cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, there are old chips, splits and replacements to some areas including around locks from previous forcing, one area above the short drawers has had some stain applied to disguise which has discoloured and is ironically more noticeable. The handles and escutcheons appear to be original throughout, the locks are various and the majority are missing entirely, there are no keys present but all elements are open at time of reportThere are old chips, losses and replacements to cock-beadingFading to the sides and colour variation also Please refer to additional images for visual reference to conditionCondition Report Disclaimer

MOKKA - TASSE / ESPRESSOTASSE, Porzellan, Manufaktur Meissen, unterglasurblaue Schwertermarke, Marke seit 1934 (1. Wahl) sowie Blind- und Malermarken. Prunktasse in "B-Form" mit Rocaillen im Relief. Partieller kobaltblauer Fond, teils radierte Goldauflage und Goldrand, polychrome Staffage mit Streublüten, darunter Rosen und Veilchen. H. Tasse 5,2 cm; D. Untertasse 13 cm.

TELLER, Porzellan, Manufaktur Meissen, unterglasurblaue Knaufschwertermarke, Marke 1860-1924 (1. Wahl) sowie Blind- und Malermarken. Geschweifte Form mit blauer Staffage, Dekor "Zwiebelmuster". D. 20 cm (produktionsbedingte Brandflecken; Gebrauchsspuren). Dabei ein Teller der Manufaktur Teichert / Stadt Meissen mit Form- und Dekorwiederholung.

VASE, Porzellan, Manufaktur Meissen, unterglasurblaue Schwertermarke, Marke seit 1934 (1. Wahl) sowie Blind- und Malermarken. Gekehlter Rundstand, angedeuteter Nodus, konische Wandung mit trompetenförmiger Mündung. Polychrome Staffage, Dekor "rote Rose"; Goldrand. H. 9,5 cm; 8,5 cm.

VASE, Porzellan, Manufaktur Meissen, unterglasurblaue Schwertermarke, Marke seit 1934 (1. Wahl) sowie Blind- und Malermarken. Gekehlter Rundstand, angedeuteter Nodus, konische Wandung mit trompetenförmiger Mündung. Polychrome Staffage mit partiellem kobaltblauem Fond, Blumenbukett und Streublüten, u. a. mit Wildrose, Narzisse und Vergissmeinnicht. H. 13,8 cm; D. 11,8 cm.

A Royal Worcester Scalloped Edged Bowl Decorated in Relief with the Blind Earl Pattern Which Originated C.1770, 31cm Diameter

CIRCA 1830 ANGLESEY OAK & PINE DRESSER having a three shelf upper rack with wide backboards and talwrn style decoration to the front frieze, the panel sided base section with an arrangement of three opening and three blind drawers with twin lower cupboard doors, all having brass knobs and diamond shaped bone escutcheons, on corner bracket stile feet, 206cms H overall 155cms W, 48cms D

AN EDWARDIAN MAHOGANY THREE PIECE BEDROOM SUITE, with blind fretwork detail, comprising a single mirror door wardrobe, width 116cm x depth 47cm x height 186cm, a dressing chest with a single mirror, and a tall boy with two drawers (condition:-surface scratches)

MACKENZIE THORPE, 'IN THE SUMMER TIME' MACKENZIE THORPE (1956-), 'IN THE SUMMER TIME', A/P Limited Edition 47/85, bears Washington Green blind stamp, signed in pencil, framed. 35cm by 42cmThe print is in excellent condition. The frame in good order and ready to hang

Victorian rosewood mirrored corner shelves, decorated with blind and pierced fretwork, 84cm by 28cm by 35cm

A 19th century mahogany serpentine fronted four-height chest of drawers, with blind fret canted corners and raised on bracket supports, 92cm by 57cm by 87cmTwo splits to the top, other general marks and fading, second drawer down with heavy losses to the beading, some losses also to the lowest drawer, both sides with vertical splits, original back boards and handles, some repairs to the feet, drawers run freely, some shrinkage to drawer base boards, key lacking, other general and some polish bloom

A George III mahogany and crossbanded straight front chest of drawers, circa 1770, the moulded top above two short and three long graduated oak-lined drawers, all between blind fret carved and canted stiles, on bracket feet117cm by 55cm by 81cm

After David Wilkie RA (1785-1841)''The Blind Fiddler'' Gilt framed engraving, 38.5cm by 50cm