We found 44918 price guide item(s) matching your search

PAIR 19TH CENTURY CHIPPENDALE STYLE MAHOGANY 'GAINSBOROUGH' LIBRARY ARMCHAIRS, later yellow upholstered camel backs, arms and stuffover seats, blind fret carved down swept arms and legs joined by pierced H-stretchers (2) Provenance: By repute, given to Ida Szczepanska by Howard Carter (1834-1939), celebrated Archaeologist and Egyptologist and discoverer of Tutankhamun's tomb in 1922 with whom he was friends. Thence by descent to the present owner being a Glamorgan gentleman. Ida Szczepanksa (see image) lived at The Old Plough in Hurstbourne Tarrant, in the vicinity of Highclere Castle, seat of 5th Lord Carnarvon, when she was friendly with Carter (see image of a relative of hers seated in one chair therein). The family recalls Aunt Dolly (Ida) receiving an Egyptian scarab from Carter, which was sadly stolen from the family many hears ago and never recovered. We surmise that this pair of library chairs would have been part of the furnishings in his flat in Collingham Gardens, Kensington, but no concrete evidence to support this has been established to date. Condition Report: Some damage to the blind fret to legs of both chairs, stretchers possibly later. COLLECTING ITEMS STRICTLY BY PRE-ARRANGED APPOINTMENT / SAFE DELIVERIES CAN BE ARRANGED (PLEASE ENQUIRE)The seat height is 41cm’sthe back height from the floor is 100cm’sThe seat width is 58cm’sThe width including the arms is 67cm’sThe upholstery looks later. There are some stains on the arms and on seats..There is some general wear, surface scratches and a few small chips /missing wood to the legs.Both chairs are structurally solid, both feel good.

Telescope (Tom, pseudonym). The Newtonian Philosophy, and Natural Philosophy in General, explained and illustrated by familiar objects, in a series of entertaining lectures, 4th edition, Thomas Tegg and Son ..., 1838, engraved folding frontispiece, engraved vignette title, numerous engraved illustrations in text, half-title, terminal advertisement leaf, some light spotting (mainly at front and rear), front free endpaper with contemporary ownership inscription dated 1838, stitching slightly showing (but firm), original blind-stamped green cloth, gilt lettering to front cover, faded spine with gilt title and telescope (rubbed), corners rubbed, spine frayed at foot and worn at head, small 8vo, together with: Sobersides (Soloman, pseudonym), Christmas Tales for the Amusement and Instruction of Young Ladies and Gentlemen in Winter Evenings, London: Printed by R. Marshall, at No. 4, in Aldermary Church Yard ..., [1780?], 36 hand-coloured woodcuts (of 38), including frontispiece (with minor loss to upper right corner), 18 stories, 2pp. publisher's advertisements at rear, lacking 8 leaves (pp.25-26, 35-36, 85-86, 99-106, 121-122), some spotting and toning throughout, [A6] with repaired tear, B1 with some loss at gutter (affecting a few words), K4 with a few words crossed-out (and associated strike-through), book ticket of Elizabeth Crosfield, contemporary green quarter morocco, worn, 12mo, plus: Dean & Munday (publishers), The Book of Trades; or, Familiar Descriptions of the Most Useful Trades, Manufactures, and Arts, practised in England, London, c.1830, 18 full-page wood-engraved illustrations (including frontispiece), occasional spotting, contemporary red quarter morocco, worn, 12mo, with 17 others related, including Small Books for the Comman Man, a Descriptive Bibliography, edited by John Meriton and Carlo Dumontet, 2010, and Juvenile Introduction to History, or Historical Beauties for Youth..., for Darton and Co., 1790Qty: (20)NOTESChristmas Tales: Osborne p.306. An extremely scarce copy of apparently the first edition of this popular collection of instructive stories. The Osborne copy (also defective) is the only other one we have found with the same early imprint 'R. Marshall'.

Clemens (Samuel L. "Mark Twain"). Tom Sawyer Abroad; Tom Sawyer, Detective and Other Stories, 1st edition, 1st issue, New York: Harper & Brothers, 1896, 1st issue without boxed advertisements to title verso, frontispiece and 46 plates (one detached with marginal chips), advertisement leaf at end, p.25 lower corner torn away, occasional light small marginal water stain, a little light spotting and a few finger marks, original red cloth, upper cover gilt-stamped with 'M T' monogram within a sheaf of corn, repeated in blind to lower cover, spine faded with small indentation and rubbed at ends, one or two small marks, 8voQty: (1)NOTESOne of the rarer titles by Clemens, only 1000 printed.

Dickens (Charles). Barnaby Rudge: A Tale of the Riots of 'Eighty, 1st separate edition, London: Chapman and Hall, 1841, illustrations by George Cattermole and H.K. Browne, a little minor spotting, original green blindstamped cloth, spine lettered in gilt, rebacked with original spine relaid, corners repaired, edes slightly rubbed with small indentation, 8voQty: (1)NOTESSmith I, 6B. Smith's secondary variant binding in green cloth with the chain decoration in blind to the covers. First separate one volume edition, bound from the weekly parts from Master Humphrey's Clock.

* Davis (Miles, 1926-1991). Don Quixote, circa 1985, colour screenprint, printed signature, red seal and signature in blind lower right, 59.5 x 44 cm (23.5 x 17.25 in) mount aperture, framed and glazedQty: (1)NOTESLimited edition 308/450.

Booker Prize. A collection of winners and short-listed, 1975-2017, including first edition winners Heat & Dust, by Ruth Jhabvala, 1975, Rites of Passage, by William Golding, 1980, Schindler's Ark, by Thomas Keneally, 1982, Oscar and Lucinda, by Peter Carey, 1988, The Remains of the Day, by Kazuo Ishiguro, 1989 (signed by the author), The Famished Road, by Ben Okri, 1991, Last Orders, by Graham Swift, 1996 (signed by the author), Amsterdam, by Ian McEwan, 1998, Disgrace, by J.M. Coetzee, 1999, The Blind Assassin, by Margaret Attwood, 2000, True History of the Kelly Gang, by Peter Carey, 2001, Vernon God Little, by DBC Pierre, 2003, The Line of Beauty, by Alan Hollinghurst, 2004, The Inheritance of Loss, by Kiran Desai, 2006, White Tiger, 2008, Bringing Up the Bodies, by Hilary Mantel, 2012, and The Narrow Road to the Deep North, by Richard Flanagan, 2013, one or two textblocks a little toned, light fading to a few spines, a couple of jackets price-clipped, 8vo, together with short-listers including John Banville, Anne Enright, Sarah Waters, Iris Murdoch, Julian Barnes, Howard Jacobson, Kazuo Ishiguro, Ian McEwan, Salman Rushdie, Rohinton Mistry, Thomas Keneally, Graham Swift, Murial Spark, A S Byatt, Kingslet Amis, Barry Unsworth, Zadie Smith et al, some later impressions or reprints, Canadian editions,etc, a couple signedQty: (93)

STURGEON; two signed limited edition coloured prints, both river landscapes, one with blind stamp lower left, the second numbered 263/850, each image approx 47 x 63cm, both framed and glazed.Additional InformationSome fading to the colours, some scuffs to the frames.

Terence.- [Publii Terentii Afri].- COMOEDIAE fine panelled sprinkled calf tooled in blind and gilt, 4to, Cambridge, J. Tonson, 1701.

Dostoevsky (Fyodor). THE BROTHERS KARAMAZOV, first edition in English, published by Heinemann (William) 1912, translated from the Russian by Constance Garnett, full red cloth with blind stamp to cover.

A George III mahogany chest-on-chest, circa 1770The upper-section having a dentil-moulded cornice and blind fretwork frieze, atop two short and three long graduated cockbeaded drawers, flanked by quarter-cut reeded pilasters, the lower-section with three long drawers, on bracket feet, 118.5cm wide x 53cm deep x 177.5cm high, (46 1/2in wide x 20 1/2in deep x 69 1/2in high)For further information on this lot please visit Bonhams.com

A George III-style mahogany trayOval, with gallery pierced at either end with a carry handle and decorated with blind fretwork of interlaced circles and lozenges, four small tapering square block feet, 66cm wide x 46cm deep x 7cm high, (25 1/2in wide x 18in deep x 2 1/2in high)For further information on this lot please visit Bonhams.com

A 'BATTERSEA TABLE'BY NAOMI TSAI, KAI WERTEL, DANIEL ZIELINSKI AND MAXIMILIAN ZIELINSKI, 2014 In walnut with a green leather inset writing surface above a blind frieze drawer divided into three, on bronze tapered legs80.5cm high, 180cm wide, 80cm deepCatalogue Note: Based on the world famous Battersea Power-station beside the Thames in London. Condition Report: Good overall condition. Some minor scratches, scuffs and wear to the veneers including the edges. Very minor areas of damage/restoration to the inner corners of the frieze opposing the open side desk. Very minor wear and scratches to the leather. Condition Report Disclaimer

A LOUIS PHILIPPE MAHOGANY SIDE CABINETCIRCA 1850With blind frieze drawer and a pair of cupboard doors enclosing a shelf92cm high, 99cm wide, 51cm deepCondition Report: Age split across the width of the top. Chips/losses to the front right corner of the top. Slight veneer blistering to one side of the frieze. Some veneer damage directly above the frieze drawer lock and to the right side of the drawer at the top corner. Age cracks to the right side of the cabinet. Minor warping to the right door. Some shrinkage cracks to the door mouldings and further shrinkage around the door panels with some separation at the edges, particularly to the right side. The front of the cabinet of a slightly more faded colour than the top. Overall old characteristic old marks and scratches. Condition Report Disclaimer

A PAIR OF WHITE PAINTED PEDESTAL BEDSIDE CABINETS20TH CENTURYIn the form of an Ionic column with blind frieze drawer and cupboard82cm high, 54cm wide, 49cm deepCondition Report: Both with minor marks, knocks, scratches and abrasions commensurate with age and use. One door with crack down the centre. One lockplate lacking. No keys present, both doors are open.  Condition Report Disclaimer

CHRIS LEVINE (BRITISH B. 1960)KATE MOSS, 2015Pigment print with hand applied Swarovski crystalsSigned in pencil with photographer's blind-stamp105 x 133cm (41¼ x 52¼ in.)Chris Levine (b. 1960) is a light artist who works across many fields including photography, music, fashion and installation producing a body of work that includes many collaborative projects with fashion houses such as Mario Testino, eco-system Eden project and icons such as Philip Treacy, Grace Jones and Her Majesty Queen Elizabeth II of whom he created one of the most iconic images of the twenty-first century. Condition Report: The print is unexamined out of its frame. The sheet is slightly buckled but this is to be expected as it is loosely laid onto it's mount. It is in excellent original condition. There are minor chips and abrasions to frame edges. Condition Report Disclaimer

A MAHOGANY, SATINWOOD AND TULIPWOOD BANDED AND INLAID FOLD OVER CARD TABLEIN GEORGE III STYLE, EARLY 20TH CENTURYThe folding top above a frieze incorporating a blind drawer and square section tapering legs terminating in spade feet76cm high, 61cm wide, 55cm deepCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Various old splits and chips. The top with various scratches, water marks, lifting to veneers and losses. Small section of replacement veneer to top when open. A section of timber to the back of the drawer/pull out legs has become detached but is present.   Condition Report Disclaimer

[Alexander, William]. The Costume of the Russian Empire, 1st edition, London: for W. Miller by S. Gosnell, 1803, all preliminary text leaves in English and French as called for by Abbey, 73 hand-coloured stipple-engraved plates by J. Dadley after J. G. Georgi, each with leaf of descriptive text in French and English, text watermarked 1796, plates watermarked 1802, 1804 and 1805, variable and generally mild spotting and soiling (stronger finger-soiling to English dedication leaf), light offsetting, repaired closed tears to English title page and plate 23 touching image, marginal nicks to plates 12 and 73 and description leaves for plates 9 and 14, endpapers renewed, all edges gilt, contemporary diced russia, rebacked and recornered, palmette roll in blind and laurel cornerpieces in gilt to sides, large 4to (35.2 x 26 cm)Qty: (1)NOTESAbbey Travel 244 (text and plates watermarked 1796), Lipperheide 1341.

Loudon (Jane). British Wild Flowers, 1st edition, London: William Smith, 1846, advertisement leaf in red & green before half-title, 60 hand-coloured lithograph plates (including plate 7 as frontispiece with few small ink smudges), occasional light toning and minor spotting, contemporary inscription to front free endpaper, edges untrimmed, original gilt & blind decorated green cloth, joints split, small area of wear to cloth on lower cover with board showing, 4toQty: (1)

Markham (Gervase). The Inrichment of the Weald of Kent: or, A Direction to the Husband-man, for the true Ordering, Manuring, & Inriching of all the Grounds within the Wealds of Kent, and Sussex; and may generally serve for all the Grounds in England of that nature..., London: printed by Eliz. Purslow, for John Harison, 1649, pp. [4], 24, general toning, margins browned mostly to first and last few leaves, modern blind panelled sheep, slim 4toQty: (1)NOTESWing M620; ESTC R619. Appears also in Markham's 'A way to get wealth' 1648[9].

Neighbour (Alfred). The Apiary; or, Bees, Bee-Hives, and Bee Culture, 1st edition, London: Kent & Co, George Neighbour & Sons, 1865, half-title, wood engraved illustrations, light spotting mostly to first & last leaves, original blind-stamped dark green cloth, title in gilt to spine and upper board, 8vo, together with: Shuckard (William Edward), British Bees: An Introduction to the Study of the Natural History and Economy of the Bees Indigenous to the British Isles, 1st edition, London: Lovell Reeve & Co., 1866, half-title, 16 hand-coloured lithograph plates, ownership inscription to front pastedown, endpapers stained, original cloth, gilt bee design blocked to upper board, spine faded, 8vo, Root (A. I.), The A B C of Bee Culture: A Cyclopaedia of Every Thing Pertaining to the Care of the Honey-Bee, 8th thousand edition, revised by E. R. Root, Medino, Ohio: The A. I. Root Company, 1903, monochrome plates & illustrations, front pastedown with bookplate of William Richards of the British Bee-keepers Association, hinges split, original cloth with gilt bee design blocked to upper board, large 8vo, Sturges (Arthur M.), Practical Beekeeping, 1st edition, London: Cassell & Company, Ltd., 1924, half-title, colour frontispiece and monochrome plates, illustrations to text, original cloth, 8vo, M Quinby (M. & Root, Lyman C.), Quinby's New Bee-Keeping: the Mysteries of Bee-Keeping Explained ... Forming a Complete Guide to Successful Bee-Culture, New York: Orange Judd Company, 1909, wood engraved illustrations, hinges split, original cloth with gilt & blind blocked decoration, 8vo, and other 20th century bee-keeping reference & related, including some pamphletsQty: (approx. 30)

Sowerby (James). English Botany; or, Coloured Figures of British Plants, with their essential characters, synonyms, and places of growth. By Sir James Edward Smith ... the figures by James Sowerby, volumes 1-7 (of 12), third edition, London: C.E. Sowerby, [1832], 1849-54, 1563 hand-coloured engraved plates (including two folding), occasional light spotting, contemporary dark green half calf by B. Hunt & Sons of Birmingham, gilt & blind decorated spines with morocco spine labels, lightly rubbed, 8vo, together with: Sowerby (John E.), The Ferns of Great Britain; Illustrated by John E. Sowerby ... The Descriptions, Synonyms, &c. by Charles Johnson, London: John E. Sowerby, 1855, bound with The Fern Allies: A Supplement to the Ferns of Great Britain, London: John E. Sowerby, 1856, 80 hand-coloured plates, contemporary dark green half calf (matching above set), gilt & blind decorated spines with calf title label, 8voQty: (8)

Shepherd (Thomas). Metropolitan Improvements; or London in the Nineteenth Century ... with Historical, Topographical, and Critical Illustrations by James Elmes, London: Jones & Co., 1829, engraved title, 162 engraved views on 81 plates (including frontispiece), full-page engraved plan of Regent's Park, initial leaves slightly frayed to margins & repaired, few short repaired closed tears to two leaves of dedication, toning, spotting & few marks mostly to margins, contemporary red half straight-grain morocco, elaborate gilt & blind decorated spine, extremities lightly rubbed, 4to, together with: Trotter (William Edward), Select Illustrated Topography of Thirty Miles Round London; comprising views of various places within this circuit, London: The Proprietor, [1839], engraved frontispiece, additional pictorial title, and 32 plates on India paper, bound without folding map, some dampstaining at gutter, light toning and occasional spotting, all edges gilt, original green cloth gilt in bright condition, with title to upper board 'Views in the Environs of London - Proofs', 4toQty: (2)

Thoresby (Ralph). Ducatus Leodiensis: Or, the Topography of the Ancient and Populous Town and Parish of Leedes, and Parts Adjacent in the West-Riding of the County of York, 2 parts in one, 1st edition, London: Maurice Atkins, 1715, engraved portrait frontispiece, folding engraved map with outline hand-colouring & light red paint smudge (early manuscript notes to verso), 11 engraved plates (7 folding, south view of St. John's Church Leeds cropped to caption at foot), numerous engraved armorials to text, small rust hole to 2H2, short closed tears to final leaf, two leaves of early manuscript notes at front of volume, later endpapers, contemporary blind panelled calf, rebacked, upper board detached, folioQty: (1)

[Egypt]. Description de l'Egypte, ou recueil des observations et des recherches qui ont étét faite en Egypte pendant expédition de l'armée française. Antiquités, tome troisième [-quatrième], i.e. 2 volumes only, 2nd edition, Paris: C. K. F. Panckoucke, 1822, printed title-page to each volume, 133 engraved plates (of 141: lacking plates, 3, 6, 7, 10, 13, 14, 29 and 42 in volume 4), many plates double-page, a few also folding, publisher's blind stamps to corners of plates, variable spotting, volume 3 plate 51 with repaired closed tears, volume 4 plates 9 and 31 with paper restoration to blank areas of plate-marks, contemporary red half morocco, green morocco labels gilt to front boards, large folio (67 x 51.5 cm)Qty: (2)NOTESAtabey 343 & Blackmer 476 refer. Two of five plate volumes of Antiquités from the second edition of the monumental encyclopaedia of Egypt, published while the first edition (1809-28) was still in progress. The second edition appears to have contained in total 11 plate volumes in large folio and 24 volumes of text in octavo.

* Payne (Charles Johnson, 'Snaffles'). The Gunner, "Good Hunting Old Sportsman", circa 1916, colour lithograph finished by hand, two uncoloured remarques, one of a bi-plane, the other of an officer leading a column of guns, snaffle bit blind stamp, overall size 430 x 330 mm, framed and glazedQty: (1)

* Thorburn (Archibald). Amongst the Heather, A. Baird Carter, 1911, large uncoloured gravure on India wove, large margins, signed in pencil by the artist to lower left, 450 x 575 mm, presented in a contemporary stained oak moulding with gilt slip, together with A Capital Point, The Fine Art Society, 1901, uncoloured gravure on India wove, signed by the artist in pencil to lower left, wide margins, some spotting and slight staining, 360 x 470 mm, framed and glazed, with Sunshine and Drifts on the High Tops - Ptarmigan, W. F. Embleton, 1928, colour photolithograph, blind stamp to lower left, signed by the artist in pencil to lower left, 330 x 480 mm, mounted, framed and glazed, plus Mark Over, The Fine Art Society, 1896, uncoloured gravure, signed in pencil by the artist to lower left, very slight marginal spotting, 170 x 270 mm, mounted, framed and glazedQty: (4)

* Zurich. Isenring (Johann Baptist). Die Eisenbahnbrücke über die Limat mit Ansicht von Zürich, 1855, fine aquatint with bright contemporary hand colouring, blind stamp below title, small area of repair to lower right corner but not affecting image, 395 x 500 mm, mounted, framed and glazedQty: (1)

Shaw (Henry, illustrator). Illuminated Ornaments selected from Manuscripts and Early Printed Books from the Sixth to the Seventeenth Centuries. With Descriptions by Sir Frederic Madden, 1st edition, large-paper issue, London: William Pickering, 1833, pp. [2] 18 [84] [2], additional vignette title-page and 59 plates, engraved or lithographic, hand-coloured and heightened with gold throughout, each plate with leaf of descriptive text (plates 28 and 34 each with 2 leaves), occasional light offsetting, all edges gilt, contemporary green half morocco (refurbished), imperial 4to (36.9 x 25.5 cm), and 2 others, not collated (Pugin, A Series of Ornamental Timber Gables, 2nd edition, 1854, ex library, blind-stamps to plates, and Knight & Rumley's Heraldic Illustrations, [1870], both 4to)Qty: (3)NOTESLowndes (1864) p. 2371 (Shaw). Shaw's work was also issued in standard quarto format, with the illumination in gold replaced by yellow watercolour.

Bible [English]. The Bible. Translated according to the Ebrew and Greeke..., Imprinted at London: Robert Barker, 1607, general and New Testament titles within woodcut borders, Apocrypha present, black-letter text in double-column, decorative woodcut initials, bound with at front The Booke of Common Prayer, with the Psalter or Psalmes of David..., Imprinted at London by Robert Barker, 1607, title printed in red & black within decorative woodcut border (ink specks and markings, creased), title and following three leaves slightly torn to margins and repaired, bound with at rear Two right profitable and fruitful Concordances..., Imprinted at London by Robert Barker, 1607, and also bound with The Whole Booke of Psalmes. Collected into English meter by Thomas Sternhold, John Hopkins, and others..., London: Imprinted for the Company of Stationers, 1607, woodcut illustration to title, final leaf torn at gutter with slight loss and repaired, modern free endpapers, contemporary calf over wooden boards, blind rollwork decoration, brass corner pieces and central boss to both boards, one brass clasp present, neatly rebacked with blind decoration to spine, 4toQty: (1)NOTESHerbert 291; Darlow & Moule 224; STC 2201. There are two varieties of this date, which differ throughout. This example is variant B, with printer's name Barker correct in general title; New Testament title not dated; colophon dated 1607; Gen. i. 2: forme.

d'Ewes (Simonds). A Compleat Journal of the Votes, Speeches and Debates, both of the House of Lords and House of Commons throughout the whole Reign of Queen Elizabeth, of Glorious Memory, 1st edition, 1693, engraved frontispiece, early ownership signature of Richard Hutchinson to front free endpaper and armorial bookplate of Richard Langley to upper pastedown, contemporary blind panelled calf, neatly rebacked, red morocco title label, board corners repaired, folio, together with: Boyer (Abel), The History of the Life & Reign of Queen Anne, London: Printed by J. Roberts, 1722, engraved portrait frontispiece & device to title, engraved plate, two folding plans and 3 full-page illustrations of coins, few head & tailpieces, worm holes to lower margins, contemporary mottled calf, rebacked with recent morocco title label, board edges and corners neatly repaired, folioQty: (2)

Strawberry Hill Press. A Parallel; in the Manner of Plutarch: between a most celebrated Man of Florence; and one, scarce ever heard of, in England. By the Reverend Mr. Spence, [Twickenham]: Strawberry-Hill, 1758, pp. 104, engraved vignette portrait to title-page, extra-illustrated with an engraved portrait frontispiece of Spence by J. Cook and an etched portrait of Antonio Magliabechi from the Gentleman's Magazine for 1815 (both offset), engraved bookplate of the 'Broxbourne Library' of Albert Ehrman (1890-1969) to front pastesown, another bookplate (motto 'spes tutissima coelus') to front free endpaper, gilt edges, early-20th-century brown sheep tooled in blind, front joint torn at foot, 8vo (18.8 x 11 cm), together with: ibid. Fugitive Pieces in Verse and Prose [by Horace Walpole], [Twickenham]: Strawberry-Hill, 1758, inserted leaf (headed 'Note') after p. 216 absent, engraved vignette to title-page, one word on p. 27 blacked out, contemporary calf gilt, front board detached, 8vo (17.7 x 10.9 cm), and 3 others, by John Cleland (Specimen of an Etimological Vocabulary, or, Essay by means of the Analitic Method, to Retrieve the Antient Celtic, 1st edition, 1758, ESTC T4131; The Way to Things by Words, and to Words by Things; being a Sketch of an Attempt at the Retrieval of the Antient Celtic ... To which is added, a Succinct Account of the Sanscort, or Learned Language of the Bramins, 1st edition, 1766, T4124; Additional Articles to the Specimen of an Etimological Vocabulary, 1st edition, 1769, half-title misbound after advertisement, ESTC T4130, all in modern quarter calf to style)Qty: (5)NOTESESTC T43634 (A Parallel) & T145434 (Fugitive Pieces).

Machiavelli (Niccolo). The Works of the Famous Nicolas Machiavel, Citizen and Secretary of Florence. Written originaIly [sic] in Italian, and from thence newly and faithfully translated into English, London: R. Clavel, C. Harper, J. Amery, J. Robinson, A. and J. Churchil, 1695, closed tear to title repaired and lined to verso, with right-hand of upper margin excised and early signature, one leaf of table frayed and dust-soiled to margins, contemporary blind panelled calf, boards detached with remnants of old repairs at spine edges, worn, small folioQty: (1)NOTESWing M131; ESTC R17207.

Bindings. A collection of 24 decorative bindings, 18th & 19th century, including: 1. Il Malmantile Racquistato di Lorenzo Lippi, Paris: Marcello Prault, 1768, engraved portrait frontispiece and engraved title, contemporary mottled calf, gilt decorated spine, morocco title label, some wear, 12mo, 2. The Poetical Works of Henry Wadsworth Longfellow, Halifax: Milner & Sowerby, 1864, engraved frontispiece, additional title and plates, all edges gilt, contemporary dark green morocco, elaborate gilt & blind decoration, extremities slightly rubbed, 8vo, 3. P. Terentii Afri Comœdiæ. [Edited by Charles O. Goodford], London: Charles Whittingham, 1854, all edges gilt, contemporary calf gilt, later morocco labels to spine, 4to, 4. Lord Macaulay's Essays and Lays of Ancient Rome, Popular edition, London: Longmans, Green & Co., 1891, contemporary marbled calf by Riviere, gilt decorated spine, morocco spine labels, joints cracked, 8vo, and other similar decorative bindings, including few odd volumesQty: (24)

Collingwood (Francis & Woollams, John). The Universal Cook, and City and Country Housekeeper. Containing all the Various Branches of Cookery, 3rd edition, London: J. Scatcherd, 1801, half-title with diagonal crease and slight skinning to two letters, engraved portrait frontispiece (ink stamp to verso), title with ink stamp & label to verso, 11 engraved plates (including 10 plates of bills of fare, one strengthened to verso), light toning and scattered spotting, contemporary marbled sheep, neatly rebacked preserving morocco title label, corners repaired, 8vo, together with: Somerville (Mrs.), Cookery and Domestic Economy, by Mrs. Somerville, (Practical Teacher of the Art), Respectfully Dedicated to the Ladies of Scotland, Glasgow: Printed and published for the authoress, by George Watson, 1862, wood engraved frontispiece and additional title with woodblock colour background (frontispiece with short repaired closed tear to gutter margin), 14 wood engraved plates, errata leaf present with inscription to verso, 8pp. advertisements at rear, browning and fraying to margins, finger-soiling and few marks, modern calf-backed marbled boards, morocco title label to spine, 8vo, Soyer (Alexis), The Gastronomic Regenerator: a simplified and entirely new system of cookery, with nearly two thousand practical receipts suited to the income of all classes, 2nd edition, London: Simpkin, Marshall & Co, 1846, engraved portrait frontispiece annotated to lower margin (margins a little browned and spotted), wood engraved plates and illustrations, near contemporary half calf, blind and gilt decoration to spine, black morocco title label, extremities slightly rubbed, 8vo, and other 19th century cookery books including, The New London Family Cook: or, Town and Country Housekeeper's Guide ..., by Duncan Macdonald, London: Albion Press, for John Cundee, [1812]; The London Art of Cookery, and Housekeeper's Complete Assistant..., by John Farley, Principal Cook at the London Tavern, 11th edition, London: Scatcherd & Letterman, 1807; Modern Cookery, for Private Families, reduced to a system of easy practice..., by Eliza Acton, newly revised & much enlarged edition, London: Longman, Brown, Green & Longmans, 1855; A Family Library, or, Five Thousand Receipts in the useful and Domestic Arts, constituting a Practice Operative Cyclopaedia, by Colin Mackenzie, and others, 15th edition, London: Whittaker & Co., circa 1840, and four othersQty: (11)

Marshall (Agnes). Mrs A.B. Marshall's Larger Cookery Book of Extra Recipes, 6th thou. edition, London: Marshall's School of Cookery, [1894], monochrome portrait frontispiece, numerous wood engraved illustrations, advertisements at rear, original green cloth, large 8vo, together with: Bishop (Frederick), The Wife's Own Book of Cookery, London: Ward and Lock, [1856], wood engraved illustrations, original cloth, blind & gilt blocked decoration to covers, 8vo, Sala (George Augustus), The Thorough Good Cook, London: Cassell & Co. Ltd., 1895, fraying and some wear to fore-edge margins of initial leaves, top edge gilt, original green cloth, torn at head of spine, 4to, and other cookery related etc., mostly 20th century publicationsQty: (6 shelves)

Mozley (Henry, publisher). The Modern Cookery, written upon the most approved and economical principles, and in which every receipt has stood the test of experience, by a Lady, 1st edition, Derby: Henry Mozley, 1818, wood engraved frontispiece and vignette to title-page, six wood engraved illustrations to text showing table settings, occasional spotting and few marks, original printed boards, spine worn with loss, 12mo in 6s (Cagle 877), together with: Hunter (Alexander), Culina Famulatrix Medicinae: or, Receipts in Modern Cookery; with a Medical Commentary, written by Ignotus, and revised by A. Hunter, 3rd edition, York: J. Mawman, 1805, engraved frontispiece (slightly cropped at fore-edge touching first letter of caption), contemporary signature to upper margin of title with offsetting from frontispiece, light toning, modern boards, 12mo in 6s, Ude (Louis Eustache), The French Cook, A system of Fashionable and Economical Cookery, adapted to the use of English Familes, 10th edition, corrected and enlarged, London: John Ebers & Co., 1829, advertisement leaf and half-title present, engraved portrait frontispiece, signature to upper blank margin of title, light dust-soiling, browning and spotting, edges untrimmed, modern half calf, 8vo, Redding (Cyrus), A History and Description of Modern Wines, London: Whittaker, Treacher, & Arnot, 1833, half-title, wood engraved vignette to title and chapter headings, light spotting, original green cloth, rebacked preserving original spine, 8vo, Gouffe (Jules), The Book of Preserves (Le Livre de Conserves) containing instructions for Preserving Meat, Fish, Vegetables, and Fruit and for the preparation of Terrines, Galantines, Liqueurs, Syrups, Petits-Fours, &c. ... Translated from the French by Alphonse Gouffe Head Pastrycook to Her Majesty the Queen, London: Sampson Low, Son, and Marston, 1871, half-title, engraved portrait frontispiece, engraved illustrations to text, occasional spotting, contemporary green quarter morocco, cloth sides, rebacked preserving original spine, board corners neatly repaired, 8vo, [Rundell, Maria Eliza Ketelby], The New Family Receipt-Book, containing eight hundred truly valuable receipts in various branches of Domestic Economy, new edition, augmented, corrected, and considerably improved, London: Printed by Squire and Warwick for J. Murray, 1811, contemporary half calf, blind decoration to spine with morocco title label, joints cracked and some wear to extremities, 12mo, and nine others relatedQty: (15)

Peckham (Ann). The Complete English Cook; or, Prudent Housewife. Being a Collection of the Most General, yet Least Expensive Receipts in Every Branch of Cookery and Good Housewifery..., 4th edition, to which is added, a Supplement, containing Forty-Nine Receipts, never before printed, Leeds: Printed for Thomas Wright, circa 1790, some browning and spotting, contemporary sheep, rebacked and corners repaired, 12mo (Maclean, p.112), together with: Kettilby (Mary), A Collection of above Three Hundred Receipts in Cookery, Physick and Surgery; For the use of all Good Wives, Tender Mothers and Careful Nurses, by Several Hands... To which is Added a Second Part, Containing a great Number of Excellent Receipts, for Preserving and Conserving of Sweet-Meats, etc., 2 parts in one, 3rd & 2nd editions, London: Mary Kettilby, and sold by Richard Wilkin, 1724, dampstaining at head throughout volume, contemporary blind panelled calf, neatly rebacked and corners repaired, 8vo (Bitting p.258; Oxford p.54), Briggs (Richard), The English Art of Cookery, according to the Present Practice; being a Complete Guide to all Housekeepers, on a Pan Entirely New, 1st edition, London: G.G. J. & J. Robinson, 1788, title torn at head with loss of first word of title, 11 bills of fare only (of 12, lacking bill of fare for December), some browning mostly to margins, light fraying, small ink stain at foot of initial leaves, modern roan, 8vo (Cagle 577; Axford p.134; Maclean p.15),Qty: (3)

Percy (Henry Algernon). The Regulations and Establishment of the Houshold of Henry Algernon Percy, The Fifth Earl of Northumberland, at his castles of Wresill and Lekinfield in Yorkshire. Begun Anno Domini M.D.XII., London: Printed 1770, half-title, faint early annotation at foot of title and marginalia & underscored line of text to page 68, verso of front free endpaper with gilt-blocked circular armorial bookplate label of Edward Vernon Utterson (1775-1856) and pencil note to facing leaf 'Francis Needham Welbeck Abbey, December, 1938', verso of rear free endpaper with pencil note 'Revd. S. Prince's sale July 1858, £a/a/- + 10 per cent c & f, CDG', silk moire endpaper with maroon morocco hinges (lower hinge worm damaged), gilt gauffered edges, near contemporary straight grain maroon morocco by Charles Lewis (1786-1836, signed to verso of front free endpaper), partly bevelled board edges with gilt panel line border, double raised bands with blind decoration, joints and extremities rubbed, 8voQty: (1)NOTESCharles Lewis (1786–1836) was a prominent English bookbinder. Born in London, Lewis was fourth son of Johann Ludwig, a political refugee from Hanover. In 1800, he was apprenticed to the leading bookbinder Henry Walther. On leaving Walther in 1807, Lewis worked as a journeyman in several other shops, finally setting up in business on his own account in Scotland Yard. He later moved to premises in Denmark Court, and on to Duke Street, St. James's. He was employed by William Beckford on the Fonthill Abbey library with C. Kalthoeber. Thomas Frognall Dibdin (Lord Spencer's librarian) was an admirer of his work, and recommended him to other bibliophiles. Lord Spencer (the owner of the Althorp library) had employed him from 1814 and Dibdin's Biblitheca Spenceriana mentions 235 works (some being in more than one volume) as having bindings by him. Lewis died of apoplexy on 8 January 1836. He was succeeded by his eldest son. The binder Francis Bedford had lived with Lewis for some time, carrying on Lewis's style. According to Dibdin Lewis combined the taste of Roger Payne with "a freedom of forwarding and squareness of finish very peculiar to himself". Francis Needham (1900-1971) was the librarian to the 6th Duke of Portland.

Worlidge (John). Vinetum Britannicum: or A Treatise of Cider, and other Wines and Drinks extracted from Fruits Growing in this Kingdom. With the Method of Propagating all sorts of Vinous Fruit-Trees. And a Description of the New-Invented Ingenio or Mill, for the more expeditious making of Cider. And also the right way of making Metheglin and Birch-Wine, The Second Impression, much Enlarged. To which is added, A Discourse teaching the best way of Improving Bees, London: Thomas Dring & Thomas Burrel, 1678, engraved frontispiece, one folding plate and full-page illustration, ownership inscription and signatures to front endpaper including 'Johis Palmer 1680', contemporary blind panelled calf, joints cracked, extremities rubbed and slight wear, 8voQty: (1)NOTESBitting p.504 (note); British Bee Books 54; Cagle 1070; Simon BG 1632.

Rackham (Arthur [illustrator]). The Rhinegold & The Valkyrie, by Richard Wagner, Heinemann, 2019, 33 tipped-in colour plates, bookplate to front pastedown, blind-stamp to top corner of the front endpaper, some light toning, publishers original gilt decorated brown cloth, boards & spine lightly rubbed to head & foot, 8vo, together with; Foster (Birket [illustrator]), Milton's L'Allegro and Il Penseroso, David Bogue, 1855, 30 black & white steel etching illustrations, some light toning & spotting, all edges gilt, contemporary gilt decorated green cloth bound by Hatton, boards & spine slightly rubbed, 8vo, and Bain (F. W.), An Incarnation of the Snow, James Parker and Co., 1908, A Mine of Faults, James Parker and Co., 1909, The Ashes of God, 1st edition, Methuen & Co., 1911, Bubbles of the Foam, Methuen, 1st edition, 1912, all with black & white frontispieces, some light spotting & toning, publishers uniform original boards, slightly marked & rubbed to head & foot, 8vo, plus other mid-19th & 20th century fiction & illustrated literature, including Three Letters on The Horse, Master and Donkey, by Blunt Spurs, 2nd edition, William Ridgway, 1883, mostly original cloth, some in dust jackets, G/VG, 8vo/4toQty: (3 shelves)

Burns (Robert). The Works of Robert Burns; with an account of his life,..., 4 volumes, 6th edition, printed for T. Cadell & W. Davies, 1809, black & white frontispiece to volume 1, some minor offsetting, ex-libris blind-stamps to the front endpaper, contemporary uniform gilt decorated half calf, boards & spines rubbed & hinges cracked, 8vo, together; Cunningham (Allan), The Complete Works of Robert Burns:.., George Virtue, 1842, numerous black & white engraved plates, ex-libris blind-stamp to the front endpaper, some spotting & minor toning throughout, gutter reinforced with tape, rebound retaining contemporary gilt decorated half calf boards & spine, rubbed with minor loss, 8vo, and Wilson (Professor & Robert Chambers), The Land of Burns, a series of landscapes and portraits,..., Blackie & Son, Glasgow, circa 1840, black & white illustrations, some toning & spitting throughout, period signature to the front endpaper, contemporary gilt decorated green half calf, boards & spine slightly rubbed & marked, 4to, plus other 19th & early 20th century Robert Burns literature & Scottish reference, some leather bindings, many original cloth, overall condition is generally good/very good, 8vo/4toQty: (3 shelves)

Foster (R. F.). W. B. Yeats, A Life, 2 volumes, 1st editions, Oxford University Press, 1997-2003, black & white illustrations, original cloth in dust jackets, spines lightly rubbed to head & foot, 8vo, together with; Bayley (John), Pushkin, A Comparative Commentary, 1st edition, Cambridge University Press, 1971, ex-libris blind stamp to the front endpaper, original cloth in dust jacket, covers lightly rubbed to head with a minor to the head of the front cover, 8vo, and Sisson (C. H.), The Avoidance of Literature, 1st edition, Carcanet, Manchester, 1978, original cloth in dust jacket, 8vo, plus other modern literary biographies & related, including Hope Against Hope, Hope Abandoned, 2 volumes, by Nadezhda Mandelstam, 1st English language editions, Harvill Press, 1971-74, mostly original cloth in dust jackets, G/VG, 8voQty: (6 shelves)

Belnos (Mrs S[ophia] C[harlotte]). The Sundhya or the Daily Prayers of the Brahmins. Illustrated in a Series of Original Drawings from Nature, demonstrating their Attitudes and Different Signs and Figures performed by them during the Ceremonies of their Morning Devotions, and likewise their Poojas. Together with a Descriptive Text annexed to each Plate, and the Prayers from the Sanscrit, translated into English, 1st edition, [London: Day & Son], 1851, hand-coloured lithographic vignette title-page, 24 hand-coloured lithographic plates, preface leaf and 21 leaves of descriptive text, title-page heavily spotted and with damp-stain to top margin (damp-stain continuing onto preface leaf), plate 1 soiled, trimmed and mounted, plates 13, 14 and 21 spotted, plate 21 heavily spotted, torn, reassembled and backed on linen, variable spotting and finger-soiling to other plates (light to moderate and largely restricted to margins), marginal repairs to versos of title-page, preface, text-leaves of plates 1, 2 and 22, modern half cloth, large folio (60.8 x 43.2 cm)Qty: (1)NOTESProvenance: 1) From the library of the Schlagintweit brothers, 19th-century German explorers of India and Central Asia (blind stamp 'Ex bibliotheca Schlagintweit' to foot of title-page) 2) Konrad, prince of Bavaria (1883-1963; bookplate to front pastedown, ink-stamp to rear free endpaper). Abbey Travel 477; Lipperheide (1965) Ld 37; not in Colas or Tooley. Rare. 'Relatively little is known about Mrs. Belnos. Her husband, Jean-Jacques Belnos, was a French miniaturist and lithographer, who had travelled to India in 1807, and established a practice in Calcutta as a painter of miniatures and portraits of the British, a business which his widow seems to have continued following his death' (De Silva, Colonial Self-Fashioning in British India, c.1785-1845, pp. 106-7). Abbey speculates that Mrs Belnos was Indian, but she was in fact almost certainly the daughter of William Moore, assistant surgeon in the Bengal army. This seems to be her second and last published work, following Twenty four Plates Illustrative of Hindoo and European Manners in Bengal, which appeared in 1832.

Lowth (George Thomas). Around the Kremlin; or, Pictures of Life in Moscow, 1st edition, London: Hurst and Blackett, 1868, half-title, wood-engraved frontispiece, title-page in red and black, 16 pp. advertisements, spotting to preliminaries, original purple cloth, sunned, 8vo, together with: Thomson (Fanny Mary). Memoranda of a Journey to Moscow in the Year 1856, 2nd edition, Liverpool: Geo. Smith, Watts & Co., 1859, half-title, lithographic frontispiece and title-page, inscribed 'To Miss Ellen Craven, with the author's love' on the half-title, original buff pictorial boards, recased retaining original paper spine-label, spotted and slightly dust-soiled, 8vo, Michie (Alexander). The Siberian Overland Route from Peking to Petersburg, through the Deserts and Steppes of Mongolia, Tartary, etc., 1st edition, London: John Murray, 1864, 11 wood-engraved plates including frontispiece, 2 folding maps, 2 pp. advertisements, original blind-stamped blue cloth, spine repaired and strengthened, 8vo, and 3 others on Russia, original cloth (not collated): Mackenzie Wallace, Russia, 6th edition, 1877 (bookplate of S. F. Widdrington; pencilled note 'From the library of Newton Hall'); Henry Lansdell, Through Siberia, 3rd edition, 1882 (bookplate of the Fermor-Hesketh library at Easton Neston); H. A. Munro-Butler-Johnstone, A Trip up the Volga to the Fair of Nijni-Novgorod, 1st edition, 1875Qty: (7)NOTESThomsons's work is the first published edition, the first edition having been issued for private circulation only; Library Hub traces three copies only.

Osborn (Sherard). Quedah; or, Stray Leaves from a Journal in Malayan Waters, 1st edition, London: Longman, Brown, Green, Longmans, & Roberts, 1857, half-title, 4 tinted lithographic plates, folding map (with short closed tear), front free endpaper abraded, original red cloth, spine neatly refurbished, 8vo, together with: Bishop (Isabella, née Bird). The Golden Chersonese and the way thither, 1st edition, London: John Murray, 1883, 10 wood-engraved plates including frontispiece, 2 maps on 1 folding sheet, 32 pp. advertisements, original green decorative cloth gilt, 8vo McNair (Frederick). Perak and the Malays: "Sarong" and "Kris.", 1st edition, London: Tinsley Brothers, 1878, half-title, 14 wood-engraved plates including frontispiece, 2 folding maps, 2 pp. advertisements, a few marginal nicks and tears to text-block, plates browned along edges, frontispiece with early gift inscription recto, title-page spotted, original red cloth, rebacked in red morocco gilt, 8vo, Rathborne (Ambrose). Camping and Tramping in Malaya. Fifteen Years' Pioneering in the Native States of the Malay Peninsula, 1st edition, London: Swan Sonnenschein & Co., Lim., 1898, halftone frontispiece, folding map, halftone illustrations in text, frontispiece creased in gutter, book-label ('Library of James Duncan') to front pastedown, front inner hinge superficially cracked, closed tear to front free endpaper, original blue pictorial cloth gilt, 8vo, Skeat (Walter William). Malay Magic, being an Introduction to the Folklore and Popular Religion of the Malay Peninsula, 1st edition, London: Macmillan and Co., Limited, 1900, 28 halftone photographic plates, 2 pp. advertisements, 'presentation copy' blind stamp to title-page, ownership inscription of British archaeologist John Linton Myres (1869-1954) to half-title, his bequest plate to New College, Oxford, to front pastedown, bookplate of New College, Oxford and cancelled library stamp to front pastedown and half-title respectively, original cloth, sunned, 8vo, and 4 others on MalayaQty: (9)NOTESAbbey Travel 526 (Osborn).

[Rothery, Charles William]. Notes on a Yacht Voyage to Hardanger Fjord and the Adjacent Estuaries. By a Yachting Dabbler, 1st edition, London: Longman, Brown, Green, and Longman, [1855], 26 plates (13 tinted lithographs of which 1 double-page, 3 coloured lithographs mounted on card, 8 wood-engravings, and 2 steel-engravings), folding map, faint offsetting, a little light spotting, original pink cloth, joints and inner hinges expertly consolidated, gilt vignette and titles to front cover, 8vo, together with: [Munro, J. K.]. The Mary Ira. Being the Narrative Journal of a Yachting Expedition from Auckland to the South Sea Islands, and a Pedestrian Tour in a New District of New Zealand Bush, 1st edition, London: T. Cautley Newby, 1867, 6 tinted lithographic plates, blind stamp of the Cruising Association Library to title-page, lower fore corner of text-block bumped in places, original cloth, joints neatly consolidated, spine sunned, CAL gilt stamp to front cover, 8vo, Lambert (Charles J.). The Voyage of the "Wanderer", 1st edition, London: Macmillan and Co., 1883, wood-engraved frontispiece, 25 colour plates, folding map, occasional spotting, original cloth, spine-ends nicked, tall 8vo, Ross (William A.). A Yacht Voyage to Norway, Denmark, and Sweden, 2nd edition, London: Henry Colburn, 1849, lithographic frontispiece, 8 + 24 pp. advertisements, original green pictorial cloth gilt, recased, 8vo, Hazen (Jacob A.). Five Years before the Mast, or Life in the Forecastle, aboard a Whaler and Man-of-War, 2nd edition, Philadelphia: Willis P. Hazard, 1848, 7 wood-engraved plates including frontispiece (full collation unknown), additional vignette title-page, occasional staining, original pink pictorial cloth gilt, recased, 8vo, and 9 others, yachting, voyages and naval memoirs, original cloth (not collated), including: Davis, Nimrod of the Sea, or the American Whaleman, 1st UK edition, 1874; Journal of Commodore Goodenough, during his Last Command on the Australian Station, 1st edition, 1876; and similarQty: (14)NOTESAbbey Travel 256 (Rothery); Ferguson 12963 (Munro); Sabin 31121 (Hazen). The three coloured lithographs in Rothery's work are described in Abbey as uncoloured.

A seaweed marquetry and walnut longcase clock, late 17th century and later, the square brass dial with a silvered chapter ring, subsidiary seconds dial and date aperture, enclosed by cherub spandrels, signed 'John Drew Johnson Court in Fleete Street Londini fecit', enclosing an eight-day movement striking on a bell, the hood with a blind fret cut panel above the glazed door, over a seaweed marquetry trunk door and plinth base, 213cm highCondition report: Movement and case not original to each other, seat board replaced, re-veneering to case, some splits and losses, one glass side panel to hood missing.  Dial 30 x 30cm.Please see additional imags. 

Pierrot auf Sockel, Anton Büschelberger für Ens, Wortmarke Ens, Blindmarke mit Entwerfermonogramm, Weißporzellan, partiell farbig gefasst, H. 38 cmPierrot on pedestal, Anton Büschelberger for Ens, word mark Ens, blind mark with designer's monogram, white porcelain, partially colored, h. 38 cm

Tänzerin, A.W. Goebel für Ens, Blindmarke (Entwerfer), polychrom bemalt, H. 33 cmDancer, A.W. Goebel for Ens, blind mark (designer), polychrome painted, h. 33 cm

ANDY WARHOL ?Debbie Harry / Blondie?, 1980, lithograph, hand numbered limited edition no. 28/100 by Leo Castelli Gallery, Edited by Georges Israel (blind-embossed) on Arches paper, gallery stamped on reverse, 58cm x 38cm, custom mount 80cm x 60cm, framed and glazed, 84cm x 63cm overall.

ANDY WARHOL ?Muhammad Ali', from 'Athletes Series', 1977, lithograph, hand numbered limited edition no. 98/100 by Leo Castelli Gallery, Edited by Georges Israel (blind-embossed) on Arches paper, gallery stamped on reverse, 58cm x 38cm, custom mount 80cm x 60cm, framed and glazed, 84cm x 63cm overall.

ANDY WARHOL ?Sea Turtle', 1983, from Endangered Species portfolio, lithograph, hand numbered limited edition no. 65/100 by Leo Castelli Gallery, Edited by Georges Israel (blind-embossed) on Arches paper, gallery stamped on reverse, 58cm x 38cm, framed and glazed, 84cm x 63cm overall.

ANDY WARHOL ?Pine Barrens Tree Frog (Red)?, from Endangered Species portfolio, 1983, lithograph, hand numbered limited edition no. 81/100 by Leo Castelli Gallery, Edited by Georges Israel (blind-embossed) on Arches paper, gallery stamped on reverse, 58cm x 38cm, custom mount 80cm x 60cm, framed and glazed, 84cm x 63cm overall.

A pair of Edwardian, "Chinese-Chippendale" revival, mahogany bergere  armchairs with double split cane panels. With blind fret and pierced decoration.Raised of squared supports. 

A George III mahogany corner cabinet, with blind fret carved frieze, astragal glazed door enclosed shaped shelves, 104cm high x 62cm wide x 31cm deep

Vinyl - Rolling Stones No.2 (Decca LK 4661) Red Decca unboxed label, Blind Man text. Sleeve & Vinyl VG

Vinyl - Blind Faith Self Titled (Polydor 583059) Distributed by Polydor and Island to inner gatefold, 'Martin' written on label to both sides. Sleeve VG- with considerable buffering but spine in tact. 'Chas' written to top right front. Vinyl VG

Vinyl - Caravan 6 LP's to include For Girls Who Grow Plump (Deram SDL R12), And The New Symphonia (SML R 1110), Cunning Stunts (SKL R 5210), Blind Dog At St Dunstans (BTM 1007), The Album (KVL 9003) and Better By Far (SPARTY 1008). Sleeves & Vinyl VG+ overall

A Cecil ALDIN print of a town scene with figures and horses, signed lower left in pencil, with Art Union blind stamp, 19" x 16"

Group of 5 Prattware pot lids - "Lobster Sauce", "Blind Mans Buff", "Vue De La Ville de Strasbourg", "The Chin Chew River" and "Harbour in Hong Kong"