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An antique joined oak Bible box, the front panel with period blind carving and steel lock, w.68cm, d.41cm, h.23cm

A late 17th century oak Bible box, having a sloping fall and fitted interior, the front panel with blind fern leaf carving and dated 1681, appears to be of the period but with some repairs and additions, w.80cm, d.50cm, h.26cm

A late 17th century joined oak Wainscot chair, the panelled back with naturalistic blind carving above a panel seat, raised on turned and square cut supports, w.51cm, h.110cm

A French faience plate painted with a flower spray, a Minton botanical plate, a Staffordshire porcelain plate, a blind earl pattern plate, a Victorian pattern tea service, Japanese porcelain figure, burr cigar box and a quantity of decorative ceramics

Dickens, Charles....Works, published by Chapman & Hall, red cloth with black blind stamped decoration, gilt titles (23 volumes) and various other hardback books of the early and mid-twentieth century (2 boxes)

Mahogany side table in the chinoiserie style having slightly raised edge to the top, blind fret carved frieze with pierced fretwork X-stretcher, on triple cluster column supports

L S Lowry (1887-1976) - Station approach, Fine Art Trade Guild lithograph with blind stamp lower left, signed in pencil to the margin, 40.5 x 51cm

A 19th Century Continental oak cassonne, the plank top above a Gothic style blind fretwork carved panel raised on a plinth base

Helen Bradley (1900-1979) - Set of four signed artist’s proof coloured prints - The Four Seasons, 1977-1979, 22.5cm x 30cm, with margins and blind stamps Very slightly yellowed - ** General condition consistent with age

Helen Bradley (1900-1979) - Signed limited edition print - Hollinwood Market, published by Miss Carter Publications in a limited edition of 850, signed in pencil and with blind stamp, 46.5cm x 69.5cm ** General condition consistent with age

Beryl Cook (1926-2008) - Signed limited edition print - Hen Night, published by Alexander Gallery, signed in pencil, with Fine Art Guild blind stamp, 46.8cm x 38cm, unframed Unframed - ** General condition consistent with age

Beryl Cook (1926-2008) - Signed limited edition print - Joggers On The Hoe, un-numbered but with blind stamp, published by The Alexander Gallery, signed in pencil, 43.5cm x 36cm ** General condition consistent with age

Chippendale style mahogany dressing stool, the square supports with blind fret decoration Please see images - telephone department for further information 01934 830111

Early 20th Century mahogany display cabinet fitted four shelves enclosed by a pair of glazed doors, each having decorative tracery and flanked by blind fret panels, standing on carved cabriole supports, 107cm wide Please see images - telephone department for further information 01934 830111

Early 20th Century mahogany framed three fold screen, each panel partially glazed with decorative tracery and blind fret panels and upholstered in floral patterned brocade, each panel 183cm x 51cm One piece of glass is missing - Please see images - telephone department for further information 01934 830111

A George III oak tallboy, with moulded cornice above the blind foliate carved fretwork frieze and with two short above three long drawers with brass drop handles with circular backplates, flanked by fluted quarter column corners, the base fitted with three drawers flanked by canted angles and raised on bracket feet. Width 45 ins.

A George III mahogany chest of drawers, the rectangular top with applied moulded edge and canted angles above two short and three long graduated drawers with replacement brass knob handles and backplates, flanked by canted blind fretwork angles and raised on bracket feet. Width 32 ins (see illustration).

An Edwardian inlaid mahogany display cabinet, with breakfront moulded blind dentil cornice above a boxwood strung frieze and with centre drawer beneath glazed and partially panelled, flanked by bowed corners with low shelf and raised on tapered legs of square section terminating in spade feet. Width 48 ins.

A pair of George III mahogany Chippendale period side chairs, circa 1770, the backs with interlaced Gothic decoration to the splat under a shaped top rail on Chinese Chippendale blind fret decorated front legs joined by rhomboid H-stretcher, 60cm wide, 95cm high, 52cm deep (2) Provenance: From The Edward V. Phillips Collection

A matched set of eight mahogany Chippendale style dining chairs including two carvers, each with a vase shaped pierced back splat over a Chinese design blind fret front seat rail and matching decoration to the front facing square chamfered front legs, united by plain H stretchers (2 + 6)

An early 18th Century oak panelled coffer, the lid with original wire hinges, the frieze carved with blind fretwork above a moulded panel front, on stile supports, height approx 72cm, width approx 150cm.

An early 18th Century oak longcase clock with thirty hour movement striking on a bell, the gilt brass dial and silvered chapter ring with Roman numerals and inscribed `John Wickersham, East Greensted`, cornered by putti and scroll pierced spandrels, the hood with moulded pediment above a blind fretwork frieze, glazed door and columns, the trunk with rectangular door, on a bracket plinth base, height approx 200cm, with a pendulum and weight.

Very fine Victorian blotter in full red crushed morocco with elaborate tooling in gilt, green and blind. Silk doublures, superb illuminated calligraphic presentation inset to rear, a presentation to Robert Blezard, Pool Park from the people of Ruthin in North Wales. Signed W. Green, dated 1876

David Bryce: Miniature Coronation Bible. c1900 - 1910, bound in full blind tooled leather to Jacobean style. Complete with original magnifying glass to pocket at rear. 45x35x20mm. Very good copy.

A late 19th/early 20th century mahogany bookcase cabinet, with an open fret carved cornice, with a blind fret frieze, above a glazed bookcase, flanked by stop fluted pilasters, above a single drawer and a cupboard base, raised on bracket feet, 205 cm high x 72 cm wide x 41 cm deep.

A CARVED MAHOGANY AND BERGERE ARMCHAIR, early 20th century, with upholstered seat and squab cushions in pale green, cream and pink tapestry, arched scroll carved back, scrolled double caned arms, blind fret seat rail, on squat cabriole front legs and lion paw feet, 34" x 31" x 32"

Joseph Bishop Pratt, British 1854-1910- "The Hayfield, -A Breezy Day", "The Skirts of the Forest", "Rhyl Sands", "Going to the Mill" and "Going to the Plough", after David Cox, publ 1901 by Thomas Agnew & Sons, 39 Old Bond Street, London, Mancester & Liverpool; mezzotints, each signed in pencil, each with Printsellers Association blind stamp, 15.7x25.6cm, (unframed), (5) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Giorgio de Chirico, Italian 1888-1978- "Il Guanto Rosso", 1975 (Brandani 202); lithograph printed in colours, signed and numbered 22/99, with publisher`s blind stamp, 63.5x45.5cm, (may be subject to Droit de Suite) Provenance: with Bugno Samueli, Venice, according to label attached to the reverse of the frame

Laurence Stephen Lowry R.A. (1887-1976) - 'Deal', a monochrome print of Deal Harbour, Kent, signed and dated 24/9/12, with Fine Art Trade Guild blind stamp, framed,17.5x25cm

Laurence Stephen Lowry R.A. (1887-1976) - 'Britain at Play', limited edition reproduction print in colours, signed in pencil, with Fine Art Trade Guild blind stamp, in contemporary pine frame, 47x60cm

Laurence Stephen Lowry R.A. (1887-1976) - 'Ferry Boats', limited edition reproduction print in colours, signed in pencil, published in 1972 by Venture Prints, with Fine Art Trade Guild blind stamp, in contemporary wooden frame, 35x43cm

Pratt Fenton 'Blind Fidler' oval footed dish with twin handles, 34.5 cm wide (including handles) Condition Report Crazed to the underside

A 19th century Chippendale mahogany carver chair, with lattice back and drop-in seat, frieze and front legs with blind-fret detail

Georgian Oak Chest on Chest of two short above six long drawers with blind fret canted quarters and on shaped bracket feet

After Franz Marc (German 1880-1916), RECUMBENT DEER Coloured print, with blind stamp 37 x 44.5cm

*Laurence Stephen Lowry (1887-1976), INDUSTRIAL SCENE Reproduction printed in colours, signed in pencil, with Fine Art Trade Guild blind stamp, published 1974 by Venture Prints 34.5 x 24cm *Artist's Resale Right may apply to this lot. CONDITION REPORT: Provenance- Local Hertfordshire Family Framed and glazed No problems viewed.

*Laurence Stephen Lowry RA (1880-1976), 'CRIME LAKE' Reproduction printed in colours, signed in pencil, with Fine Art Trade Guild blind stamp 61 x 47cm *Artist's Resale Right may apply to this lot. CONDITION REPORT: Provenance- Local Hertfordshire Family Framed and glazed. No problems viewed.

*Dame Elisabeth Frink RA (1930-1993), EAGLE OWL Lithograph, signed and numbered 237/250 in pencil, published by Leslie Waddington Prints, printed at Curwen Studio, with blind stamp 77.5 x 57cm *Artist's Resale Right may apply to this lot.

MATTHEW HARRISON, (LATE 19th CENTURY), BLIND WHISTLER, watercolour, signed and inscribed in pencil lower right, 26cm by 17cm

A second quarter 20th Century oak bow-fronted sideboard, with a blind fretwork frieze over two central drawers flanked by a cupboard at either side above a turned stretcher frame, width 152cm x height 114cm.

A Victorian blind stamp with floral gilding and a marble and brass desk stand with inkwells.

Rowland Landmaid (1897-1956): a pair of etchings of London depicting The Thames and St Paul's, and the Tower of London, blind stamped Academy FRODA, signed in pencil lower right, 30 by 22cm.

MacGregor Laird, & R.A.K. Oldfield. NARRATIVE OF AN EXPEDITION INTO THE INTERIOR OF AFRICA BY THE RIVER NIGER In The Steam Vessels Quorra And Alburkah, In 1832, 1833, And 1834. 8vo 2 volumes. Rebound black full leather blind tooled front & rear, raised bands to spine with 6 panels with gilt on green leather title labels. Nicely executed, edges left rough-cut, marbled eps. 5 illustrations plus map. Volume 2 top corners bumped. ff are tanned & spotted, the plates quite heavily. overall a sound and attractive set. In 1831 Laird formed a company for the commercial development of the Niger regions, the lower course of the Niger having been made known that year by Richard and John Lander. In 1832, the company sent two small ships to the Niger, the Alburkah, a paddle-wheel steamer of fifty-five tons designed by Laird, the first iron vessel to make an ocean voyage, and the Quorra. Laird went with the expedition led by Richard Lander and forty-eight Europeans, all but nine of whom died from fever, Lander, from wounds. Laird went up the Niger to the confluence of the Benue which he was the first white man to ascend. He did not go far up the river but formed an accurate idea as to its source. VG London Richard Bentley 1837 Click here to view further details and images and to bid

Major Hook WITH SWORD AND STATUTE on the Cape of Good Hope Frontier 224 x 143 x 30 mm Detailed journal of the history of the frontier wars in South Africa from the 1840s to the Boer War and political developments up to 1907. Major Hook was closely associated with these events as an administrator and soldier. The frontispiece shows Fred Crewe rescuing Major Hook`s son Godfrey in Matabeleland. The original of this picture was presented to the Durban Art Gallery by Cecil Rhodes. The book is full of personal descriptions of dramatic historical events and makes very good reading. A scarce book, not often on sale. 32 b&w photographs and sketches, plus a photograph of Sir Walter Currie not included in the table of illustrations. 17 prelim pp and pp 1-434. Red cloth-covered boards, gilt titles on front and spine. Blind stamped frame design on front and back cover. Top corners slightly bumped. Top and bottom edges of spine have small de-laminating tears. Spine sunned. Some foxing throughout, and on tissue guard of frontispiece and title page. Brown stains on prelim pp. Foxing pp 430-434. Back and front endpapers have thin cracks. No DJ. Apart from the defects noted, the book is in Very Good condition. On the ffe the author has written a gift inscription to the famous South African politician, Senator F S Malan. Malan has written his own name and address on the front endpaper. This book is the revised edition, published simultaneously by Juta (this red cloth)in Cape Town and Greaves, Pass and Co (green cloth) in London in 1907. Dated on last page facing p 434 by Greaves, Pass 1907. Cape Town Juta 1907 Click here to view further details and images and to bid

McLEOD L Travels in Eastern Africa, with a Narrative of a Residence in Mozambique, 2 vols 195 x 140 mm The author spent some time in South African and then went on to Mozambique where he was the British Consul for a period. Much of the book is on the produce and commerce of the region and the effects of continued slavery. The author experienced the conspiracies between slavers and government officials personally and was at one stage attacked. 341+347 pp, with frontis and vignette in each volume plus folding map. In original blind-stamped covers, hinges cracked externally, but holding; new endpapers have been fitted and the seal of the Munger Africana Library has been impressed on the titlepages Very good London Hurst & Blackett 1860 Click here to view further details and images and to bid

AN EDWARD VII MAHOGANY LONGCASE CLOCK, the eight-day three train movement striking on nine chime bars, with silvered and gilt filigree arch top dial, Arabic numerals, secondary seconds, strike/silent and chime selector dials, the glazed hood flanked by quadrant pillars and with fret pierced sound holes to the sides, below a blind carved and scrolling pediment centred by an urn vase, the astragal glazed trunk door flanked by quadrant pillars, blind-carved and moulded box base, 229cm high. See illustration

AFTER HENRI TOULOUSE LAUTREC (French 1864-1901), Yvette Guilbert A Menilmontant De Bruant, Lithograph from Yvette Guilbert; Série Anglaise, 1898, Impression in sanguine with full margins, from the second edition, published by the Leicester Galleries, London, in 1930, signed with the monogram stamp and with the blind stamp of the publisher, 29.5cm x 24cm, together with two short letters written by Yvette Guilbert, one possibly to Maurice Donnay, French dramatist, and addressed from Boulevard Bethier, bearing stamp to reverse and postmarked (19) 08, paper size 17cm x 12cm; the other from Hotel Cecil, The Strand, London, paper size 25.5cm x 20cm. See illustration

ARR AFTER MONTAGUE DAWSON (British 1895-1973), 'The Battle of Trafalgar', colour reproduction, published in 1972 by Ventura Prints, blind stamp and signed in pencil to the margin, 77cm x 93cm

A GEORGE II STYLE OVERMANTEL MIRROR, three shaped bevelled plates in a giltwood frame, heavily blind-carved with a rope-twist inner border bounded by foliage, scrolls and strapwork, early 20th century, 153cm wide x 67cm high. See illustration

A LOUIS XVI STYLE CARVED AND GILT PLASTER PIER TABLE AND GLASS, the broken semi- circular marble top with moulded border, the frieze blind carved with laurel panels flanking a central paterae and on a chamfered monopodia support carved with a husk swag, hoof terminal, the tall bevelled rectangular mirror within a ribbon-wrapped border, surmounted by a relief-ornamented panel of musical instruments, flowers and foliage, beneath a bead and dart cornice circa 1930s, 48cm wide x 101cm high. See illustration

A PAIR OF GEORGE II STYLE CARVED GILTWOOD WALL MIRRORS, each of lobed and arched rectangular outline, with pierced palmette cresting above a suspended laurel wreath, the sides and base rail foliate blind carved on a pounced ground, 158cm high x 55cm wide. See illustration

AN ANTIQUE THREE COLOUR GOLD GARNET AND TURQUOISE SET FLOWER BASKET FOB SEAL, BLIND HARDSTONE MATRIX C1850

A GEORGE IV MAHOGANY SOFA TABLE FITTED WITH DRAWERS AND OPPOSING BLIND DRAWERS ON PLAIN TRESTLES AND DOWN SWEPT LEGS WITH BRASS CAPPED CASTORS

A cushion commemorating the 1937 coronation, a flower painted cover, two small painted cushions A/F, three small panels of Chinese embroidery, 20th century, and a cream blind

An early 20thC mahogany jewel cabinet, on slender cabriole legs and blind fret decoration, 77cm wide, 45cm deep, 78cm high.

A 19thC oak fitted boxed and hinged cover, with rope borders, the cover with blind fret oval medallion, internally fitted with two velvet lined lidded compartments and other fittings, 31cm x 24cm.

An unusual French cast brass giant carriage clock Unsigned, circa 1900 The circular eight-day gong striking movement with platform lever escapement and numbered 459 to backplate, the circular cream enamel Arabic numeral dial with pierced gilt rosette to centre within egg-and-dart cast hinged bevel-glazed bezel, the case with substantial ribbon tied foliate cast carrying handle to the foliate scroll blind fret decorated top panel above conforming pierced decoration incorporating vacant cartouche around dial and to sides, the rear matching the front but with circular pierced brass door, on mounded base incorporating generous squab feet, 28cm (11ins) high including handle.

A George III mahogany eight-day longcase clock Timothy Richardson, Darlington, late 18th century The four pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial to the fine symmetrical foliate scroll engraved centre within applied Roman numeral chapter ring with sweep calendar to inner track and Arabic five minutes to outer track, with pierced steel hands and unusual rococo scroll cast spandrels to angles beneath arch with circular boss signed Tim`y Richardson, DARLINGTON within bead cast bezel and flanked by conforming mounts, in a case with dentil cornice to the open break-arch pediment above wavy-edge outline glazed dial aperture flanked by slender fluted columns to hood, the trunk with blind fret arcaded infill above break-arch flame figured door flanked by conforming fluted quarter columns with turned caps and bases, on crossbanded plinth base with squat ogee bracket feet, 229cm (90ins) high. A T. Richardson is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Darlington circa 1783.

A fine George III mahogany quarter-chiming eight-day longcase clock Thomas Gardner, London, circa 1760 The six pillar movement with anchor escapement, chiming the quarters on a nest of eight-graduated bells and striking the hour on a further larger bell, the 12 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and arched nameplate engraved Thomas Gardner, London to the matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes, with pierced blued steel hands and figural cast spandrels emblematic of the four seasons to angles beneath arch with subsidiary STRIKE/SILENT selection dial flanked by dolphin cast mounts, in a pagoda pedimented case with Gothic arch pierced fret to superstructure, break-arch cavetto cornice and foliate scroll blind fret frieze above generous brass stop-fluted columns flanking dial and break-arch side windows to hood, the trunk with cavetto throat above geometric `block top` figured trunk door flanked by conforming brass inset quarter columns, on raised shaped panel fronted plinth base with double skirt incorporating bracket feet with shaped apron between, 250cm (98.5ins) high. Thomas Gardner is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working at the Minories, London, from circa 1740 until his death in 1770.

An impressive George III green chinoiserie japanned quarter-chiming table clock Thomas Eastland, London, mid 18th century The substantial six pillar triple fusee movement with verge escapement, chiming the quarters on a graduated nest of eight-bells and striking the hour on a further larger bell, the symmetrical foliate scroll and strapwork engraved backplate signed Tho:s Eastland, London to centre, the 7.5 inch brass break-arch dial with calendar and false-bob aperture signed Tho Eastland London to the matted centre within applied Roman numeral chapter ring with Arabic five minutes and unusual fine foliate cast and pierced gilt spandrels to angles beneath arch with subsidiary Strike/Silent selection dial flanked by conforming mounts, the elaborate case with gilt pineapple finial to the bell-top upstand decorated in raised polychrome and gilt with oriental figures conversing above gilt blind fret infill and four further finials to the break-arch cornice, the front with figural panels within trellis borders to door surround flanked by finely cast and chased bare-breasted female terms with fabric drapery and scroll terminals issuing inverted floral sprays to the canted angles, the sides with brass handles over concave-topped rectangular windows, the rear matching the front, on floral panel centred gilt trellis decorated concave moulded skirt base incorporating shaped apron and bracket feet, 58.5cm (23ins) high excluding top finial; 63.5cm (25ins) high overall. Thomas Eastland is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London 1744-51.