We found 44913 price guide item(s) matching your search

A late 17th century walnut and floral marquetry month-going longcase clock By Joseph Knibb the twin train movement with anchor escapement striking the hours on a bell, signed to the lower margin: 'Joseph Knibb Londini Fecit', the 11" brass dial with chevron engraved perimeter and cherub mask spandrels around a silvered Roman chapter ring enclosing a matted centre with date aperture, the hood with caddy top, blind fretwork friezes and spire finials above a long runk door with central armorial of a crown supported by griffins, on a stepped apron with bracket feet, the whole inlaid flower-filled jardinieres and perched birds within line inlaid and trailing vine borders 236cm high Note: Joseph Knibb was born in Oxfordshire and traded in clocks in Oxford with his brother John. The most renowned member of a renowned family he was classed as a clock, watch and turret clockmaker with Tompion and Quare and circa 1670 he moved to the 'Dyal, Serjeants Inn, Fleet St.'(later Suffolk St.) London. Knibb made many celebrated clocks including Prince Rupert's night lantern for Charles II, the turret clocks for Wadham College, and the State Entrance of Windsor Castle.

A George III mahogany serpentine chest the top of serpentine outline with moulded edge above a brushing slide and four long graduated and cockbeaded drawers with brass drop handles between blind fretwork carved canted angles, on bracket feet 102cm wide, 90cm high, 55cm deep

An early 19th century mahogany and inlaid work table the hinged top with faceted bow ends enclosing cotton and wool compartments, the front with two blind above two working drawers, the rear with four simulated drawer fronts, with turned carrying handles, on splayed square section legs 55cm wide, 77cm high, 30cm deep The Estate of the late Mrs J R F (Cookie) Matheson

"Mrs Robinson" colour proof after Gainsborough & a similar pair of proofs with blind stamps

A Mahogany Four Poster Bed, the moulded cornice with a blind fretwork frieze and with two carved and fluted columns and headboard with drapes

Early 20th Century mahogany display cabinet, the stepped cornice with blind fret decoration, fitted four shelves enclosed by a pair of astragal glazed doors flanked by conforming blind fret canted edges, standing on tapered spade supports, 115cm wide

George III mahogany chest on chest, the swan neck pediment with dentil and blind fret decoration, the upper section fitted two short and three long drawers flanked by fluted canted chamfers, the base fitted three long drawers and standing on ogee bracket feet, 116cm wide

George III mahogany chiffonier, the raised back fitted tiered open shelves, the base fitted two blind panel doors and standing on turned supports, 76cm wide

A 19TH CENTURY OAK LONGCASE CLOCK with painted arched dial in a plain case with carved blind fretwork and arched trunk door, 30 hour movement

CHARLIE JOHNSON PAYNE 'SNAFFLES' (British, 1884-1967), 'Pass Friend', signed in the pencil in the margin lower left, embossed with Snaffle bits blind stamp, 9 1/2" x 14 1/4"

A mid 19th Century "Dickens" double pedestal desk, fitted shelves and sloping writing surface with tooled blind top over eight drawers, on block base, 60" wide

A PAIR OF GOBLETS by Garrard & Co, London, the tapering bowl with gilded interior, bright cut banded rim, and chased blind cartouche, tapering stem and spreading foot, with beaded edging, London 1972, 13ozs 7dwts, in original box.

A FRUIT DISH of oval form with shaped scroll moulded rim, the sides pierced with foliate scrolling around blind shield cartouche, on pierced stylised shell feet, 8 1/2" wide, Sheffield 1918, 12ozs 16dwts.

A MATCHED SET OF THREE NAPKIN RINGS of circular form with blind oblong cartouche on engine turned ground, 1 3/8" wide, Birmingham 1943/4, and a similar napkin ring, 4ozs 5dwts (4).

A PAIR OF GOBLETS, the ovoid cups chased with blind shield cartouche within leaf banding, on knopped pedestal foot, 5 1/2" high, London 1930, 5ozs 16dwts.

A VICTORIAN MUG of baluster form with leaf capped double scroll handle, chased with foliate scrolls centred by a blind cartouche, on moulded foot, 4" high, Sheffield 1878, maker's mark J.R., 5ozs 6dwts.

A VICTORIAN TOILET MIRROR of oblong form, the bevelled plate within a pierced and embossed scrolling foliate frame interspersed with birds, putti, vases and masks, the base centred by a blind cartouche, on blue velvet strut support, London 1888, 16 1/2" high, 12 1/4" wide.

A late Victorian mahogany hanging corner display cabinet, having raised back section, blind cut decoration to the frieze and sides, enclosed by a single glazed bevelled panelled door, 60cm wide x 94cm high

A George III mahogany card table with rectangular top over a plain frieze, raised on chamfered square supports with blind geometric design, 91 cm wide.

A GEORGIAN STYLE DOUBLE GATELEG DROP LEAF OCCASIONAL TABLE with twin end drawers with gothic blind fretwork decoration and on eight spider legs, 48" wide (see illustration).

AN EARLY 20TH CENTURY CHIPPENDALE REVIVAL MAHOGANY DISPLAY CABINET, the blind fret frieze above a pair of astragal glazed doors, oval outline doors below, raised on carved cabriole ball and claw legs, 44 1/2 ins wide.

A 9CT GOLD CIGARETTE CASE of rounded oblong form with blind cartouche on an engine turned ground, 3 1/4" wide, 125g.

GEOFFREY WOOLSEY BIRKS, The Dog Shaw, reproduction in colours, limited edition 238/850, signed in pencil with with printed remarque and blind stamp, 9 1/4" x 18 1/4", stained frame.

GEOFFREY WOOLSEY BIRKS, "Snobby Kids", reproduction in colours, limited edition 279/375, signed in pencil with blind stamp and both pencil and printed remarque, 9 3/4" x 18 1/2", framed.

PHILIP GREENWOOD, Cloudlights, etching and aquatint, signed and inscribed in pencil, limited edition 115/150, with blind stamp, 17 1/2" x 15 1/2", aluminium frame.

A GRANDMOTHER CLOCK of William & Mary design, the eight day three train movement with anchor escapement striking on five gongs, square brass dial chased with foliage, silvered chapter ring with Roman numerals, in walnut veneer and ebonised case with stringing, moulded cornice and blind fret frieze on wrythen pilasters, panel door with lenticle, panel base and bracket feet, presentation plaque dated 1930, 69 3/4" high.

AN EARLY GEORGE III MAHOGANY FOLDING CARD TABLE, the moulded edged oblong top with green baize lining, on concertina action support, blind fret chinoiserie frieze, similar chamfered square section legs, 33 1/4" wide, stamped AH inside back rail.

19th Century Longcase Clock, with brass arched dial, inscribed"James Scholefield, London", silvered chapter ring, secondary seconds dial and date dials, cast and embossed spandrels, with automaton in the arch, eight-day movement striking on a gong, contained within a mahogany case, with arched hood above blind fretwork frieze, turned supports, arched door with fluted pilasters and on bracket feet, 210cms, (6'2½").

18th Century-style oak Cupboard, the rectangular top with moulded edge, above twin panelled doors with blind fretwork, Gothic arches and florets, cast iron hinges and lock, on carved supports, joined by an undertier, with chamfered edges, 96cms, (3'2").

18th Century oak Court Cupboard, with carved cornice above a blind fretwork frieze, decorated with scrolls, central carved double arch, flanked by doors, inlaid with stars, with baluster column supports, the base with gadrooned frieze, above twin panelled doors, with cast iron hinges, on carved supports, 155cms, (5'1").

Chippendale design mahogany Centre Table, with rectangular serpentine top with a gadrooned edge, above a blind fretwork and pierced apron and on cabriole legs with acanthus knees and claw and ball feet, 107cms, (42").

A George III mahogany bureau bookcase with a castellated cornice above the blind fret carved frieze, with a pair of fielded panelled doors below enclosing adjustable shelves, the rectangular fall-flap centred by an inlaid shell motif, opening to reveal a fitted interior of pigeon holes, short drawers and a cupboard, two short and three long graduated drawers below fitted brass loop handles, raised on ogee bracket feet, 42 1/2in. x 86in. high. See illustration

After Sir David Wilkie 13in. x 17in. (33 x 43cm) "The Blind Fiddler".

A George III mahogany Secretaire tallboy, the upper part with moulded and dentil cornice and with blind fret frieze, fitted two short and three long drawers with fluted cant corners, the base with Secretaire drawer opening to reveal central cupboard, pigeon-holes and six small drawers, two long drawers under, all with gilt brass swan neck handles with floral and leaf pattern back plates, on bracket feet, 39ins wide x 21ins deep x 78ins high

A George III mahogany bureau bookcase, the upper part with moulded and dentil cornice, fitted three selves enclosed by a pair of "Nineteen Pane" astragal glazed doors, with candle slides under, the slope enclosing pigeon-holes, nine small drawers and cupboard enclosed by a door with conforming "Nineteen Pane" blind fret moulding, two short and three long drawers under with later brass handles, on ogee bracket feet, 43ins wide x 24ins deep x 85ins high

A George III gentleman's mahogany wardrobe, the upper part with moulded and dentil cornice above blind fret frieze, fitted three sliding trays enclosed by a pair of figured fielded panelled doors, the base fitted two short and two long drawers, on bracket feet, 48ins wide x 22ins deep x 76ins high

An 18th Century Brass Lantern Clock. The bell held on curved bars surmounted by a finial and raised on corner posts. The fretted pediments engraved with dolphins & entwined foliage above a chapter ring encircling an engraved centre decorated with a rosette & foliage. Standing 15¾ ins (40 cms) high on a wall mounted bracket with blind fret carved frieze.

A Small Scandinavian Coffer on Wheels. The two plank edge-moulded top on iron strap hinges. The dovetailed front board having with two arched fielded panels centred by blind-fret carved ogee arches containing a triumphant cross & orb. The moulded base housing a single drawer flanked by carved geometric rosettes, and shielding the wheels. 23 ins (59 cms) in height. 32 ins (82 cms) wide, 17¾ ins (45 cms) deep.

A 30 Hour Oak Longcase Clock. The 9¾ inch (25 cm) square brass dial with a silvered chapter ring signed Abdell Richmond encircling a matted centre with single handle and a calendar aperture. The corners embellished with pierced brass spandrels. The hood having a moulded cornice above a blind-fret carved frieze and integral columns flanking the glazed door. The case having a long trunk door with shaped top. 75¾ ins (190 cms) in height.

A Georgian mahogany tallboy, the dentil moulded cornice with blind fret frieze over two short & three long graduated drawers with cockbeading, pierced brass plates to the loop handles, the base with brushing slide over three long graduated drawers, on shaped bracket feet, Height 73.5", Width 43", Depth 21"

A Black and White Print after Rudolf Blind, shoulder length of a young lady, in Gothic shaped frame with gilt decoration, 29cm x 23.5cm

An Edwardian Mahogany Pot Cupboard, with blind fretwork carving and brass handle to door, on slight tapering legs.

Gandolfi (Makers London) teak tailboard camera, with pneumatic roller blind shutter and F/2.9 F=8 lens

Fred G. Farrel (20th century) - view of Buckingham Palace, signed in pencil, blind stamps, black and white etching, 6.75" x 16.75"

A LADY'S LATE VICTORIAN MAHOGANY WRITING TABLE, having a low raised arched back with bracket shelf, incised leather surface above three blind-fretwork panelled drawers, swept apron and on cabriole legs with claw on ball feet, 84cms wide

Oak and burr wood eight day longcase clock, with five pillar movement, the 12" square brass dial signed Obed Cluer, London on the silvered chapter ring, the engraved matted centre with subsidiary seconds dial, calendar aperture and ringed winding holes, the case with yew wood long door and surmounted by a flat moulded cornice over a blind fretwork panel, 89" high

'Sandwich Gaol 1820', two pricked out watercolours, of children of either sex leading A blind parents, the inscription below, 25 x 20cm in gilt frames (2)

A large early Victorian silver Warwick cruet, Edward I, Edward II, James and William Barnard, London 1838-39. the frame of four eagle’s masks, acanthus and claw and ball feet, with central baluster handle and reeded shell, scroll handle, the base with similar chased border, the front with a foliate scroll and diaper work cartouche, engraved with a coat of arms, fitted with three octagonal lidded casters, each on a spreading octagonal foot, the covers and with pineapple finials, two pierced, one blind, the bodies chased with panels of shells, scrolls and flowers on a matted ground; two silver-mounted cut glass bottles, with silver neck mounts chased with scrolls and foliage and each with leaf-capped scroll handles and hinged domed covers, two casters engraved with a crest, the large caster and the bottle covers engraved with a crest and motto (6), 39cm high, 110oz/r, Heraldry: The arms are those of Darby with Grant in pretence for Francis Darby Esq. of Sunniside House, Coalbrookdale, Shropshire, and his wife Hannah, only daughter of John Grant. Francis Darby was the son of Abraham Darby who, with John Wilkinson, designed and constructed the Iron Bridge over the Severn at Coalbrookdale. Provenance: Christie’s London, 15th July 1998,, lot 152 Anon sale, Christie’s New York, 5th October 1979, lot 191. The arms are those of Darby with Grant in pretence for Francis Darby Esq. of Sunniside House, Coalbrookdale, Shropshire, and his wife Hannah, only daughter of John Grant. Francis Darby was the son of Abraham Darby who, with John Wilkinson, designed and constructed the Iron Bridge over the Severn at Coalbrookdale. . Provenance: Christie's London, 15th July 1998, lot 152. Anon sale; Christie's New York, 5th October 1979, lot 191

"The Bramham Moor Hounds at Weeton Whin" limited edition signed colour proof by Alfred Munnings with blind scene stamp published Frost & Reed 1929; John Smiths aluminium can collage and a set of Waterloo cigar cards.

Edwardian mahogany bureau, blind fret decoration (no back).

A modern Worcester single-handled Oval Dish, commemorating the Blind Earl; together with a modern Royal Worcester small Canister, decorated with a chinoiserie scene (2)

Nicholas Africano (American, b. 1948) Three works of art: Untitled, 1986; Mixed media print; Signed, dated and numbered A.C. 3/46; 40 1/4'' x 29 1/2''; Untitled (Opera Ballet); Screenprint in colors; Signed and numbered A.P., (blind stamped ''Commissioned by Merrill Lynch''); 28'' x 36 1/4'' (sheet); Untitled, 1986 ; Screenprint in colors; Signed, dated and numbered 3/60; 29 3/4'' x 40'' (sheet); Provenance: Private Collection, Los Angeles

CHIPPENDALE REVIVAL MAHOGANY GENTLEMAN'S PRESS, the moulded cornice above a band of Greek Key over a frieze carved with blind fretwork, above a pair of fielded panelled doors, over two short drawers, raised on ogee bracket feet. 2.02m by 1.40m by 0.55m

CHIPPENDALE REVIVAL MAHOGANY CENTRE TABLE, each side of the rectangular top with a breakfront, above a blind fretwork carved frieze, raised on leaf-carved cabriole legs joined by a scrolling galleried shelf stretcher. 0.73m by 0.84m by 0.47m

A George III Style Serpentine Front Mahogany Commode, having a brushing slide above four graduated long drawers flanked by blind fret carved corners, on bracket feet, 84 cm wide See illustration

A Late Victorian Mahogany Sideboard, with blind fret carved decoration, on square legs, 183 cm wide

A Stool, on blind fret carved legs, and a towel rail (2)

Walnut Florentine style picture easel, circa 1900, with blind fret carving. Ht 165cm.

Walnut longcased clock, early 18th century and later, square brass face, 28cm, with cherub spandrels and engraved cardinals, brass chapter ring with arabic and roman numerals, inscribed Daniel Quare Londoni Fecit, matt field with seconds dial, ringed and shuttered winding holes, date aperture engraved with coronets, twin-barrel five-pillar movement, anchor escapement, barel mounted countwheel striking the hour, lenticular pendulum bob (suspension spring longer than crutch) in a dome topped hood with blind fret leaf scrolls, integral columns, on cavetto shoulders, slender trunk with quartered herring banded door, on set-out plinth. Height 224cm. (Two weights, pendulum)

A quarter-plate mahogany field camera, with Achromat lens, iris diaphragm and roller-blind shutter, one double dark slide and tripod.