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ANDREW WATSON TURNBULL (1874-1957) A pair of black-&-white etchings “Surrey Pines” & “Evening Light”, each signed & titled in pencil lower margin & with blind-stamp, 7” x 5”, in matching glazed frames (12½” x 14½” over-all).

Two Tri-ang Minic tinplate clockwork London Transport Double Deck Buses, earlier model red with cream border to upper windows and band above lower deck, Route 177 Mitcham with Bovril and Ovaltine Ads, number plate LBL 174, clockwork tested ok, needs an oil, VG, later model, all red with cream band above lower deck, Route 14 Kings Cross, with Putney on rear destination blind, Tri-ang Minic Cars and Frog and Penguin Models on sides, number plate LBL 174, clockwork tested well, G, some fading, scratch across one advert (2)

Modern oak three-fold draught screen with Venetian blind panels, 211cm high

George III-style mahogany sideboard, the rectangular top with carved and moulded edge above two drawers and two cupboard doors, arched kneehole, on square section tapering supports, spade feet, blind fretwork carving to pilasters, 131cm x 76cm 

George III mahogany chest on chest, the moulded cornice with blind fretwork carving above three short and six long drawers, on bracket feet, 123cm x 188cmCondition ReportWear to cornice, split near top, split underneath top left draw, damage to middle drawer base. Damage underneath lowest drawer. Split down one side. (See pictures).

BLUES/ JAZZ BLUES - LPs. A smashing collection of 40 blues/ jazz-blues LPs. Artists/ titles include Ramblin Thomas - Chicago Blues 1928 (BLP 12004), Blind Blake - 1926-30 (BLP 12003), Various - Murderer's Home And Blues In The Mississippi Night (VJD 515, includes booklet), Bessie Johnson - 1928-1929, Various - God Give Me Light 1927-1931, The Rural Blues - Sacred Tradition 1927-1930, Various - Whole World In His Hands 1927-1936, Arizona Dranes - 1926-1928, Sanctified Singing With Traditional Jazz Accompaniment, Louie Austin And Her Blues Serenaders, The KC Five, Blind Lemon Jefferson, Jazz Panorama Of The 20, Eubie Blake, Ethal Waters, Edith Wilson, Ida Cox, Ma Rainey, Blues Singers - Jazz Sounds Of The Twenties, Billie Holiday, Victoria Spivey. Condition is generally VG+ to Ex+.

A mid 17th Century oak credence table, probably Somerset, on bold column supports, with applied blind fretwork to arched spandrels and a central drawer, 92cm wide/Provenance: Simon Baldwick Antiques/see illustration CONDITION REPORT: We believe this table is basically period but with extensive restoration resuting in a lack of colour and patina, particulary to the interior. Drawer bottom replaxced. Some old worm holes. Undertier has been strengthened. Whole gate leg might be later.

ROCK/ ALT/ WAVE/ INDIE - LPs/ 12". A smashing collection of around 59 LPs/ 12". Artists/ titles include The Police - Zenyatta Mondatta (NR19, Audiophile pressing), Talking Heads inc Speaking In Tongues, More Songs About Buildings And Food, 77, Fear Of Music, Little Creatures. The B-52's - S/T (925 854-1), Lloyd Cole And The Commotions inc 1984-1989 (837 736-1), Rattlesnakes. XTC - White Music. Crowded House - Temple Of Low Men, The Icicle Works - Blind, Jah Wobble - The Edge Of Holger Czukay, The Blue Nile - A Walk Across The Rooftops, Survival Dance Report, Simple Minds - Real To Real Cacophony, Kevin Rowland - The Wanderer. Brian Setzer, Sharpe Numan, Elvis Costello, The Art Of Noise, Yello, The Cars, Stan Ridgeway, The Psychedelic Furs, The Style Council, Fischer Z. Condition is generally VG to Ex.

Tom Dodson Limited edition print 325/500 'In the vault' with blind stamp

Tom Dodson limited edition print 149/500 entitled 'Will they win the cup 'with blind stamp

Tom Dodson Limited edition print 149/500 with blind stamp

A Royal Worcester “Blind Earl”, pattern dinner and tea service.

A 1920's mahogany narrow display cabinet having blind fret Greek key decoration, and claw and ball feet, w57cm

A 19thc mahogany hanging corner cabinet with dentil cornice above a blind fretwork frieze, with two doors, shelves to interior (106cm x 72cm x 50cm)

Early C20th mahogany cased 8 day mantel timepiece with blind fretwork carving raised on brass cabriole legs, three other similar period timepieces (4)

18th / 19th century 8 Day Oak Longcase Clock, the square hood with blind fret carving housing a Brass Arched Dial with Silvered Makers Plaque for William Lee, Leicester, Silvered Chapter Ring with Roman and Arabic Numerals, Seconds Dial and Date Aperture, 228cms high

E. M. Grace (1841-1911), English first class cricketer.  Two autograph letters signed on Park House letterhead, 6 May 1896 and 9 May 1896, each addressed to Lord Edward Somerset, discussing forthcoming cricket matches and hoping Lord Edward will be able to play, 'I am pleased that you and J Rowe will play next Tuesday at Weston, Bath'; 'Am sorry you cannot play on Tuesday.  I shall expect J Rowe unless I hear to the contrary.  Will you let me know which matches to put you and him down for - I shall be pleased to play you both in all of them if you can manage it'.  Each letter is signed 'Edward Mills Grace'.  The letter of 6th May is complete with envelope, postmarked Thornbury, 6 May 1896.  Folded as sent, some splitting / wear at fold-lines, some pale spotting.  Together with an envelope (empty) addressed to Lord Edward Somerset, postmarked Lichfield, 21 October 1879, and an invitation to dine with HRH The Prince of Wales, 23 February 1885, on Hon. Corps of Gentlemen at Arms letterhead, complete with envelope (blind stamped for the same by Waterlow & Sons), addressed to Lord Edward Somerset, H.M. Body Guard, Badminton, postmarked London, 23 February 1885 (4)

Zeitgenössische Kunst - - Tony Cragg. (1949 Liverpool - lebt in Wuppertal). Adminestered landscape. 1994. Lithographie auf chamoisfarbenem BFK Rives (mit Wasserzeichen). 76 x 51 cm (80,5 x 60 cm). Signiert, datiert und nummeriert. - Satter Abzug und sauberes Blatt. Mit schönem Schöpfrand. Eines von 95 Exemplaren. - Gedruckt bei Stoop, St. Gallen (mit Blindstempel). Lithograph on buff BFK Rives (with watermark). Signed, dated and numbered. - Rich impression and clean sheet. With beautiful scooped edge. - One of 95 copies. - Print by Stoop, St. Gallen (with blind stemp).

ZERO - - Günther Uecker. (1930 Wendorf - lebt in Düsseldorf). Splitter. 1991. Farblithographie auf Bütten. 28,5 x 35,5 cm (30 x 42 cm). Signiert, datiert und nummeriert sowie mit dem Blindstempel der Erker Presse St. Gallen versehen. Eins von 200 Exemplaren. Colour lithograph on laid paper. Signed, dated and numbered as well as with the blind stamp of the Erker Presse St. Gallen. - One of 200 copies.

Amerikanische Moderne - Hard-Edge - - Kenneth Noland. (1924 Ashevill (USA) - 2010 Port Clyde (USA)). Marron. 1990. Farbaquatintaradierung auf chamoisfarbenem Guarro. 36,2 x 56 cm (40,2 x 59 cm). Monogrammiert und nummeriert sowie mit Künstler-Blindstempel. - Mit einer minimalen Anschmutzung im weißen Rand, diese unauffällig. Insgesamt im guten Zustand. Eines von 50 Exemplaren. - Hrsg. und gedruckt von Ediciones Polígrafa, Barcelona. - Farbkräftiger Abzug mit sichtbarem Plattenrand. Colour Aquatint and etching on buff guarro. Monogrammed and numbered and with the artist`s blind stamp. - With a minimal soiling in the white margin, this unobtrusive. At all in good condition. - One of 50 copies. - Published and printed by Ediciones Polígrafa, Barcelona. - Strong colour print with visible platemark.

Abstrakter Expressionismus - - Robert Motherwell. (1915 Aberdeen/Washington - 1991 Greenwich Village). Black open. 1985. Aquatintaradierung auf chamoisfarbenem Bütten. 19,3 x 24,3 cm (41 x 44 cm). Signiert und nummeriert sowie mit dem Blindstempel mit Copyright. Punktuell auf Unterlage montiert und unter Glas gerahmt. - Verso vereinzelt mit sehr schwachen Braunfleckchen. Die Radierung gratig und kontrastreich. Engberg, 358. - Eines von 29 Exemplaren. Aquatint on buff handmade paper. Signed and numbered and with the blind stamp with copyright. Spot mounted on backing and framed under glass. - With very faint brown spots on verso. The etching with good burrs and contrast. - One of 29 copies.

Claudio Parmiggiani. (1943 Luzzara - lebt in Turin). 10 opere grafiche. Offset und Collage auf festem Karton. 70 x 50 cm. Die Kartone je signiert und nummeriert. Im linken unteren Eck je mit blindgeprägtem Editions-Stempel. - In Originalbox aus weißem Kunststoff (angeschmutzt). Die Kartone entlang der Ränder gebräunt und teils etwas bestoßen. Eins von 125 Exemplaren. - Edition Artestudio Macerata. Offset and collage on strong cardboard. Each signed and numbered and with blind embossed edition stamp. - In original white plastic box (somewhat soiled). The cardboards browned along the margins and partly somewhat bumped. - One of 125 copies.

Guillermo Deisler (1940 Santiago de Chile - 1996 Halle)Set aus sechs Arbeiten. Mit fünf Graphiken u. einem Original. Verschiedene Techniken, u.a. Farbradierungen u. Tusche je auf Papier, teils Bütten. Blattmaße von 21 x 14,7 cm bis 51 x 36,5 cm. Zum Teil signiert, nummeriert, datiert u. mit Blindstempel. Einige punktuell auf Untergrund montiert. - Ein Exemplar mit kurzem horizontalen Einriss am Blattrand (Motiv nicht betroffen), partiell leicht angeschmutzt u. lichtspurig. Ein Exemplar Epreuve d'Artiste. Set of six works. With five graphics and one original. Various techniques, including color etchings and Ink each on paper, partly handmade paper. Partly signed, numbered, dated u. with blind stamp. Some mounted in spots on background. - One copy artist proof.

Early 20th century oak sideboard, the raised back with cornice over blind fret carved frieze, two geometric panels and bevelled mirror flanked by spiral turned supports, two cupboards and three drawers under, raised on spiral turned and block supports united by stretcher W152cm

Thomas 'Tom' Dudley (British 1857-1935): 'The Kings Manor York (School for the Blind)', watercolour signed, titled verso 30cm x 23cm

After Sir William Russell Flint (Scottish 1880-1969): 'Iberian Flounces' I and II', pair limited edition colour lithographs blind-stamped and numbered 626/850 and 629/850, 28cm x 20cm (2)

George Cunningham (Sheffield Artist), 'Barkers Pool', colour print, signed lower right, blind back stamp 37 x 51.5cm.

George Cunningham (Sheffield Artist), 'Two Free Houses', limited edition colour print of 250, signed lower right, blind back stamp, 35 x 47.5cm.

George Cunningham (Sheffield Artist), 'Church Street', limited edition colour print of 350, signed lower right, blind back stamp, 30 x 43cm.

George Cunningham (Sheffield Artist), 'Fitzalan Square' limited edition colour print of 350, signed lower right, blind back stamp, 30 x 41.5cm.

George Cunningham (Sheffield Artist) 'The Moor', limited edition colour print of 500, signed lower right, blind back stamp, 32 x 43.5cm.

George Cunningham (Sheffield Artist),'Rag 'N Tag, limited edition colour print of 500, signed lower right, blind back stamp, 29.5 x 41.5cm.

George Cunningham (Sheffield Artist), Workhouse Green', limited edition colour print of 250, signed lower right, blind back stamp, 30 x45cm

George Cunningham (Sheffield Artist), 'Early Doors' limited edition colour print of 250, signed lower right, blind back stamp 30 x 41cm.

George Cunningham (Sheffield Artist), 'London Road' limited edition colour print of 350, signed lower right, blind back stamp, 32 x 41cm.

A pair of reproduction dwarf open bookcases, each with blind fret decoration91w x 31d x 107h cm

Lanquet (Thomas) [Coopers Chronicle], printed in black letter, lacks all before c2 (ie 9 ff. of The Table) and all after B3 at end (ie 3 ff.), a few leaves with tears, including e1 right across, some water-staining and soiling, contemporary blind-stamped calf over wooden boards, lacking clasps, rebacked, extremities worn, both covers detached, [STC 15218], 4to, [Thomas Berthelettes], [1560].⁂ A history of the world from creation (dated to 3962 BC), albeit incomplete, but in a contemporary binding.

Bible, English.- [The Holy Bible], light spotting to endpapers, upper hinge cracked but firm, contemporary calf, handsome cathedral binding, covers blind-stamped, spine and covers gilt, extremities very lightly scuffed, g.e., 1827 § The Whole Book of Common Prayer, engraved pictorial title, 6 engraved plates, bookplate to front pastedown, some spotting and foxing, end papers and hinges renewed, contemporary morocco, gilt, extremities lightly scuffed, 1809; and 2 other later bibles in morocco, v.s. (4)

Trollope (Anthony) Framley Parsonage, first edition in book form, 3 vol., 3 wood engraved-frontispieces and 3 engraved plates by Dalziel after J. E. Millais, 16pp. of publisher's advertisements dated April 1861 at end of vol.3, some spotting and soiling, vol. 2 cracking at gutter p.208, vol. 1 hinges beginning to crack, original blind-stamped purple cloth, spines and extremities sunned, joints and spines worn, vol. 3 with large chip, corners a little scuffed, slight shelf-lean, [Sadleir 11], 8vo, Smith, Elder & Co., 1861.

NO RESERVE Koudelka (Josef).- Photography.- Beranová (Libuse) Diskutujeme o morálce dneska, first edition, 13 photographic plates by Koudelka, 3 double-page, original white blind-stamped cloth, a little stained and discoloured, some heavier marking to spine, Prague, Nakladatelstvi Politické Literatury, oblong 4to, 1965.⁂ First and only edition of this first work, a scarce photobook by the renowned Czech-French photographer Josef Koudelka (born 1938).

Nonesuch & Roxburghe Club.- Evelyn (John) Memoires for my Grand-son, one of 1250 copies, this inscribed 'Out of series for Hilda' by the publisher Francis Meynell, printed on Auverge using the OUP Fell types, original limp vellum, ruled in blind, yapp edges, marbled board slip-case, short splits to upper edge, a very good copy, The Nonesuch Press, 1926; and another, John Evelyn, Roxburghe Club, 1987, 16mo & large 8vo (2)⁂ Hilda Peppercorn was the publisher's first wife. This volume from his collection.

NO RESERVE Binding.- 17th century blind-stamped pig-skin binding removed from a book, clasps intact, one fastener missing, metal bosses from covers missing but small puncture holes remain, soiled, upper joint starting to tear, 4to (222 x 175mm.), n.p., n.d.

Frankish rulers.- Palazzi (Giovanni) Aquila inter lilia, sub qua Francorum cæsarum a Carolo Magno usque ad Conradum imperatorem occidentis X., first edition, half-title, title in red and black and with large engraved printer's device, engraved portrait frontispiece, 10 plates, and numerous illustrations in text, some numismatic or emblematic, some water-staining, mostly at end, occasional spotting or light staining, contemporary ornately blind-stamped vellum over wooden boards, rebacked in contemporary vellum in compartments of a different shade with later ink title and numbers, lacking clasps, corners little worn, lightly soiled, [Praz p.442], folio, Venice, Giovanni Giacomo Herz, 1671.⁂ Profusely illustrated first volume (complete in itself) of this series. Two further volumes on Saxon and Bavarian rulers were published in 1673-74.

Falconer Madan's copy.- Fables & Astronomy.- Hyginus (Gaius Julius) Mythographi Latini, 2 parts in 1, first edition, engraved portrait and astronomical illustrations, lacking engraved title, lightly foxed and browned, 19th century blind-stamped burgundy straight-grain morocco, gilt spine in compartments, rubbed, g.e., 8vo, Amsterdam, Someren, 1681.⁂ Provenance: Falconer Madan (1851-1935) Librarian of the Bodleian and bibliographer (2 small ink stamps).

NO RESERVE Syriac.- Bibles.- Castell (Edmund) Lexicon Syriacum, 2 parts in 1, errata f. at end, spotting or mostly light foxing, lightly browned, contemporary calf, sympathetically rebacked, spine with blind-stamped decoration and a burgundy leather label, corners little worn, cover scuffed, rubbed, small 4to, Göttingen, Dietrich, 1788.⁂ Castell was Sir Thomas Adams Professor of Arabic at the University of Cambridge (St.John's College, chosen by Castell because of its valuable library).

A 1.15m early 20th Century walnut side table with two short and one long drawer, set on cabriole legs - damage to blind fretwork decoration

A 79cm retro teak effect chest with flight of six drawers the top one blind, set on plinth base

Mid Century Shop Display Charity Box ( Please Help The Blind ) Rare Shop Table Top of Blind Boy Money Box for Charity. Height of Boy on Box 15 Inches. Please See Attached Image.

Helen Bradley We Met In The Park - A Limited Edition Copy of The Original Titled ' Eh Up Aunt Charlotte Has Gone Pink ' Edition of Only 850, Publisher Miss Carter Publications. Size of Image 12 x 20 Inches - 30.5 x 50.8 cms. Pencil signed by artist, with Fine Art Guild blind stamp. In good condition.

Sir William Russell Flint 1880 - 1969 Ltd Edition Colour Print - Pencil Signed In Margin by Artist, Titled - Conversation at St. Martin, With Blind Stamp, Published by Frost and Reed. Print Size 26.5 Inches Wide, 20 Inches High. Frame 36 Inches Wide - 30 Inches High. Excellent - No Fading or Issues - Please Confirm with Photo.

After Cecil Charles Windsor Aldin (1870-1935) - mother and child walking outside an inn with a coach and four approaching in the distance, signed artist proof, also bearing the fine art trade guild blind stamp, later partially coloured print originally published by Eyre & Spottiswoode Ltd, London, 15.25" x 16.25" ** The artist produced a great many illustrations for his book 'Old English Inns' which included the Star Inn, at Alfreston, Sussex but also included the inns at Liphook, Porlock Weir, The Angel, Woolhampton, The Bear Brereton and many other inns in the south of England

19th century figured mahogany chest of drawers with blind frieze drawer over 2 short and 3 long graduated drawers

AN EARLY 20TH CENTURY LIGHT OAK FOUR DOOR GLAZED BOOKCASE, 73" WIDE BEARING LABEL HENSHAWS WORKSHOPS FOR THE BLIND, OLD TRAFFORD MANCHESTER

Ollivant and Botsford, Manchester. A grandmother clock, the silvered dial with blackened Roman numerals and engraved borders, with a four pillar movement in a mahogany case with swan neck pediment, blind fret frieze and a figured arched door on splayed feet, 191cm high.

Modern pine single door blind paneled wardrobe, the door above a projecting base with fitted drawers and turned knob handles. (B.P. 21% + VAT)98 x 56 x 198cm approx.

Modern pine sideboard, the moulded top above two fitted drawers with two blind panel doors on a projecting base. (B.P. 21% + VAT) Dimensions - 92 x 49 x82 cm Approx. 

Small mahogany table top, two-door blind panel cabinet, the interior revealing four dividers with brass hinges. 30 x 17 x 31cm approx.(B.P. 21% + VAT)

Late Victorian pollard or burr oak sideboard base having low flute moulded back over centre cupboards with dog kennel below, flanked by two fluted drawers on blind panelled cupboards below. Overall 182cm wide approx.(B.P. 21% + VAT) Decent condition overall. The back lacks what would have been a high mirrored structure.

Modern pine narrow, single door, blind panelled cabinet with dummy drawers and shelves to the interior.(B.P. 21% + VAT)

Good quality modern oak sideboard, the moulded top above two drawers and two blind panelled doors with brass finish handles. (B.P. 21% + VAT) Dimensions - 98 x 42 x 78 cm Approx.