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George III oak dresser with raised plate rack of three open shelves, the base fitted three real and three dummy drawers flanked by pair of blind panel doors fitted brass knobs, standing on bracket feet, 144cm wide

George III oak low dresser having a moulded edge fitted two short and three box drawers flanked by a pair of blind panel doors, standing on bracket feet, 164cm wide

Louis XV style ormolu mounted mahogany bowfront display cabinet with white marble top, the interior fitted three shelves enclosed by partially glazed and blind panel door with bird and foliate decoration flanked by glazed side panels, the whole standing on four tapered supports with ormolu paw feet, 143cm wide x 183cm high

Victorian mahogany sideboard having a raised mirror panel back with arch shaped finial and side scrolls, the frieze fitted three drawers, the knobs with paterae decoration, the base enclosed by four blind panel doors, 200cm wide

A late 18th Century mahogany longcase clock by John Wyke of Liverpool, the thirteen arched brass dial showing phases of the moon to the arch, with subsidiary seconds dial and date aperture, the wide chapter ring with Roman and Arabic numerals to the eight day two train movement striking on a bell, contained in case with moulded scroll pediment and inset with three gilt decorated glass frieze panels, turned and fluted columns to hood, blind fret frieze above shaped and figured trunk door, flanked by fluted quarter columns, plinth base with raised astragal centre panel and blind fret ornament to the cant corners, on ogee bracket feet, 93ins high (dial now painted in copper finish paint, with repairs, the case with restoration and repolished). Note: John Wyke of Liverpool recorded working 1766-1781, and later in partnership as Wyke & Green at Liverpool 1781-1805

A mahogany framed "Gainsborough" pattern armchair of early George III design, the square back, seat and arm pads upholstered in old gold brocade, the incurved front arm supports with leaf capping, on square front legs with blind fret carving and pieced brackets, and plain H-pattern stretchers

A George III mahogany tallboy, the upper part with moulded and dentil cornice, fitted two short and three long drawers, with blind fret ornament to the cant corners, the base fitted three long drawers, on bracket feet, 43ins wide x 69.5ins high

A George II style mahogany side table, late 19th Century, the moulded edge top over a geometric blind fret-work three drawer frieze, upon tapering turned supports terminating in claw and bull feet, 72x115cm.

A Chinese Chippendale style mahogany display cabinet on stand, the top with adjustable shelves, the blind fret carved stand with two drawersh.217cm., w.115cm., d.47cm.W

JOHN SKEAPING, LIMITED EDITION ARTIST'S PROOF WITH BLIND STAMP, (76/500), Greyhounds racing, 14" x 17"

REGINALD GREEN, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION PROOF ETCHING WITH BLIND STAMP, 'Bruges quai vert', 12" x 9"and two further small framed BLACK AND WHITE ETCHINGS, (3)

A ST. IVES 'VENETIAN BLIND' LAMP BASE inspired by Constantine Brancussi, bronze smooth glaze, monogram for Alison Brigden, painted mark, circa late 1970s (See lot 139 for image)

A 17th century oak duodarn, with moulded and blind carved scroll decorated cornice with a frieze below carved with 'W1636D' to the frieze in low relief, above a centre panel, flanked at each side by a cupboard, door carved in low relief with a lozenge and foliate scroll design, three moulded drawers and two panelled cupboard doors beneath, 141cm (55 1/2in) wide, 175cm (69in) high

A George III mahogany longcase clock case, with swans neck pediment, blind fret carving and fluted quarter pilasters, 8ft 5ins

A Victorian gesso overmantel, with blind fret decoration, 5ft x 4ft

A VICTORIAN FIGURED WALNUT CHIFFONIER, now with mahogany superstructure, the front having a pair of blind doors enclosing adjustable shelves and flanked by corbels, raised on a plinth. Width 51". Height 39".

AN EARLY 19TH CENTURY OAK HANGING CORNER CUPBOARD with moulded cornice above a four panelled blind door enclosing shaped shelves, the angles canted. Width 32". Height 37".

Ladies' mahogany writing desk, two drawers with two drawer gallery above incorporating mirror and blind fretwork, red leather top, cabriole legs.

YEATS, W.B. 'The Wanderings of Oisin and Other Poems', Kegan Paul, 1889, 1st. edn. 8vo. Blue cl. glt. lettering to upr.bd. & spine. Blind stmp.pub.mark to lwr.bd.Corners bumped. (see lot 81 for illustration)

GASKELL,E.C. 'The Life of Charlotte Bronte' Smith Elder, 1857. 2 vols Frontis port. Blind stmp cl bumped. Rebacked, orig.cl laid down to spine. 2

A Gothic Revival mahogany longcase clock by John Hall & Co., Manchester, early 20th century, the circular dial with a second subsidiary dial, within a Gothic tracery and foliate carved case with blind fret trefoil motifs and a glazed door, on a plinth base, the massive three train movement with dead beat escapement and maintaining power, chiming on eight tubular bells and striking on a further tubular bell, the pendulum with lenticular bob and graduated rating nut, dial engraved 'John Hall & Co., 56 King Street, Manchester', 230cm. high

Bergere lounge suite, 3 pieces the rectangular back and scroll arms covered with single caning over a blind fretwork frieze on squat turned and fluted supports

Georgian mahogany bureau bookcase, the swan neck pediment with moulded detail ending in carved floral rossettes above dentil cornice and blind fretwork frieze over two astragal glazed doors on a base section with fall front opening to reveal selection of pigeon holes and drawers over two short and three long graduated drawers raised on bracket feet, 38in (96.5cm) wide

A CHAMBERLAINS WORCESTER PART DESSERT SERVICE, comprising a pair of tall scallop edged comports decorated with the "Blind Earl" pattern in sepia against a green ground, impressed mark, 2.5" high, six large plates and one smaller ensuite (9).

STAINER: A Violin of traditional form, with paper label to interior Jacobus Stainer, and with similar blind stamp to the reverse, in fitted carrying case

A Regency oak full height corner cupboard, circa 1820, the ogive cornice above an inset panel cupboard door with blind fretwork decoration enclosing three shaped shelves over a further inset panel cupboard door, enclosing a single shelf between canted angles with later brass 'H' hinges and on canted plinth, old restorations, 36'' wide, 23'' deep, 81'' high

A GEORGE III CHIPPENDALE MAHOGANY URN TABLE with galleried square top, gadrooned frieze and slide on square legs with blind fretwork decoration and cross stretcher, 12" wide and 24" high.

A late 19th century mahogany serving table, the rectangular top with outset corners and a moulded edge above a blind fret frieze and legs, with pierced and carved brackets on block feet, 83cm high, 61cm deep, 159cm wide

An Edwardian rosewood and marquetry desk, the raised back with a spindle gallery and a blind fret panel flanked by raised sections with gilt metal galleries, concave hinged tops and false drawer fronts, the top with a leather inset, above five drawers with brass handles on square tapering legs with brass terminals and casters, 97cm high, 57cm deep, 107cm wide

A Liverpool Delft tile by Sadler, printed in iron-red with 'The Blind and the Lame' c.1770-80, 12.5cm.

An etching on paper, by William S Coleman, depicting a maiden playing a pipe, framed signed in the print WSC, pencil signature and blind stamp, 29 x 18cm.

William Lee-Hankey, R.W.S. 'THE SHEPHERDESS' Etching, signed in pencil and inscribed 'Trial Proof', with artist's blind stamp 31 x 27cm

A large Victorian oak refectory table, with a moulded top, tapering octagonal legs, on blind quatrefoil block feet, united with ring turned stretchers, 2.76m x 0.96m

An early 19th Century mahogany linen press, with later blind fret carved decoration, the two panelled doors enclosing four slides over two short and two long drawers, 127cm

A George III oak bowfront hanging corner cupboard, in Chippendale style, the dentil moulded cornice above a pair of cupboard doors with central blind fret carved band, flanked by a pair of fluted pilasters, enclosing three fitted shelves, 68cm wide, 97cm high

A pair of fine Chippendale style cabinets, each with architectural pediment and two 13-pane lattice glazed doors, each base with a pair of drawers and square section legs joined by an open shelf, the whole of each decorated with piercing and chinoiserie blind fret carving. Width 29 1/2ins. Maximum height 70ins.

A George V Napkin Ring embossed 'three blind mice', Birmingham 1923

Robert Austin, R.A., P.R.E., P.R.W.S., 1895-1973, chorister with flower arrangement, signed, inscribed and dated in pencil 2nd state 3 proofs 19 Oct 1946, engraving, unframed, plate 22.5x15cm.; 9x6in. (6) To be sold together with In Santa Serva, Blind Beggar of Tivoli, Woodcarriers and Crucifix, Madonna with Halo and Women in Church, 5 other prints by the same hand, all unframed.

* Himmler (Heinrich). Signed officer's commission for Hugo Johannes Blaschke, dated Berlin 20 April 1937, promoting Blaschke to the position of ObersturmbannfŸhrer, signed in ink below, with circular blind stamp and ink stamp, single folded sheet, creased where previously folded, contained in orig. printed NSDAP envelope. (1)

Napier (Lieut.-Gen. Sir W.). The Life and Opinions of General Sir Charles James Napier, 4 vols., 1st ed., 1857, b&w frontis to each vol., 4pp pubs. cat. at rear of 4th vol., orig. blind-stamped cloth gilt, a little rubbed and spines dulled, first vol. a little frayed to head of spine, 8vo.. (4)

Bradshaw's Railway Almanack, Directory, Shareholders' Guide and Manual for 1848 & 1849, together two vols., fldg. b&w engr. map to each, trade ads. to front and rear, slight soiling to titles, map to second vol. loose, both orig. blind-stamped cloth gilt, first vol. rubbed and minor fraying to extremities, minor staining and darkening to spine, second vol. with backstrip largely deficient and joints cracked, both 8vo. (2)

Coward, T. A., The Birds of the British Isles and their Eggs, London, Frederick Warne & Co, 1921, 8vo (155 x 115mm.), three volumes, half titles, 3 colour frontispieces, double-sided plates, many colour, original brown cloth gilt, front covers blind stamped in gilt, bookplate, Third Edition With a number of other works including R. Lydekker 'Sportsman's British Bird Book' (London, 1908), a two volumse set of 'Proceedings XIII International Ornithological Congress Ithaca 17-24 June 1962' (Louisiana, 1963), and The Ariel Press published 'Gould's Tropical Birds' (London, 1964)

St John, Charles, A Tour in Sutherland with Extracts from the Field-Books of A Sportsman and Naturalist, London, John Murray, 1849, 8vo (200 x 120mm.), two volumes, 2 frontispiece plates, 8 plates, some spotting, later ownership signature in pencil on front free endpapers of both volumes, original green cloth, front covers blind stamped in gilt, spines lettered in gilt, modern protective wrappers, First Edition

Greene, W. T., Birds I Have Kept In Years Gone By, London, L. Upcott Gill, 1885, 8vo (185 x 120mm.), half title, 16 hand-coloured plates, later ownership signature in pencil on verso of front free endpaper, original green cloth, front cover blind stamped in gilt, spine lettered in gilt, t.e.g., booksellers label With five other works, H. Warde Fowler's 'Tales of the Birds' (London, 1891), Charles Dixon's 'The Story of the Birds' (London, 1900), a four volume set of 'The Foreigner A Practical Guide to the Keeping, Breeding and Showing of all kinds of Foreign Bords and Budgerigars' (Keston, Kent, 1934-1937), Stanley Morris 'Bird-Song' (London, 1925), and Charles Dixon's 'Our Favourite Song Birds Their Habits, Music, and Characteristics' (London, 1897)

Milne, A. A. & Ernest H. Shepard (illustrator), The House at Pooh Corner, London, Methuen & Co, 1928, 8vo (190 x 125mm.), half title, frontispiece, illustrations, many full-page, illustrated endpapers, contemporary ownership inscription on front free endpaper, original pink cloth gilt, t.e.g., front cover blind stamped, spine faded, First Edition With six other various edition A. A. Milne works including 'Winnie the Pooh' (London, 1926)

Hudson, W. H., British Birds, London, Longmans, Green, and Co, 1895, 8vo (200 x 140mm.), half title, colour frontispiece, illustrations, and colour plates, original green cloth, blind stamped in gilt on front cover, spine lettered in gilt, t.e.g., Extremities rubbed Fallodon, Viscount Grey, & Eric Fitch Daglish (illustrator), Fly Fishing, London, & Toronto, J. M. Dent & Sons, 1930, 8vo (220 x 140mm.), half title, frontispiece, title vignette, illustrations, and plates, original green cloth, blind stamped in gilt on front cover, spine lettered in gilt, extremities rubbed With a number of other works including Terry Thomas 'Casting A Textbook of Fishing Casts' (London, 1960), Eric Taverner's 'The Making of A Trout Stream' (London, [1953]), and C. F. Walker's 'Angler's Odyssey' (London, 1958)

Procter, Richard Wright, Memorials of Manchester Streets, Manchester, Thomas Sutcliffe, 1874, large 8vo (255 x 185mm.), half title, frontispiece, title vignette, plates, and illustrations, some spotting, original calf, front cover blind stamped in gilt, spine lettered in gilt, corners bumped With a number of other works including Mortimer Menoes 'The Thames' (London, 1906), Richard Bagot & Ella du Cane (illustrator) 'The Italian Lakes' (London, 1905), Charles Dana Gobson's 'Sketches in Egypt' (London, & New York, 1899), and a limited (No. 6 of 50) signed copy of John Tillotson's 'Lancashire's Old Halls being a random dissertation on some half-timbered halls in South Lancashire' (n.d., n.d.)

Strong, Arthur, S., The Masterpieces in The Duke of Devonshire's Collection of Pictures, London, Munich & New York, by the Chiswick Press for Franz Hanfstaengl, 1901, folio (430 x 345mm.), title printed in red and black, engraved initial, photogravure frontispiece of the 8th Duke of Devonshire and 60 plates including a colour duplicate plate of Reynolds's Lady Elizabeth Foster, contemporary half black morocco, front cover blind stamped with Devonshire coat of arms, front cover detached, bookplate of Mary Hunter on verso of front cover, t.e.g., No. 52 of 75 (60 for sale) limited edition copies printed on Japanese Vellum.

Cooke, George Alexander, Topographical and Statistical Description of the county of Buckingham, London, for C. Cooke by Brimmer and Co, ca. 1800, 8vo (137 x 78mm.), engraved folding frontispiece map of the county of Buckingham, [bound with]: Cooke, George Alexander, Topographical and Statistical Description of the county of Cambridge, London, for C. Cooke by Brimmer and Co, ca. 1800, 8vo, engraved folding frontispiece map of the county of Cambridge, [bound with]: Cooke, George Alexander, Topographical and Statistical Description of the county of Bedford, London, for C. Cooke by Brimmer and Co, ca. 1800, 8vo, engraved folding frontispiece map of the county of Bedford, maps blind stamped on versos with Durham Mechanics Institute, new endpapers, later half calf, black morocco lettering piece

Mason, William, The English Garden: A Poem, London, by Charles Whittingham, for M. Jones (and others), 1803, 8vo (158 x 90mm.), four parts in one, engraved portrait frontispiece plate of the author, title and front free endpaper blind stamped with R. Hughes Jones crest, inscribed by the author, contemporary calf gilt, black morocco lettering piece No author until the late 1760's had attempted to express his views on the National style in verse. However, Mason set himself this task in 1767. Like George Mason, he was concerned with the rules of design, and, also like him, he noted their absence in Pope's 'Epistle' to Burlington, whilst deferring to that poems general precepts. Hence Masons' poem was a complement to the Epistle in many ways: specific not general

Balch, Elizabeth, Glimpses of Old English Homes, London, Macmillan and Co, 1890, 4to (235 x 170mm.), half title, illustrated title, ca. 50 illustrations, many full-page, head-pieces, original blue cloth gilt, front cover blind stamped in gilt with image of a country house entrance

List of Paintings and Busts, in Drapers' Hall, belonging to the Drapers' Company, London, Edward Couchman, 1853, 8vo (185 x 120mm.), half title, coat of arms vignette, contemporary annotations on blank leaves, contemporary red morocco gilt, front cover blind stamped in gilt with coat of arms, g.e.

Gleanings respecting Battel and its Abbey, Battel, F. W. Ticehurst, sold by Longman and Co (and others), [1841], 8vo (170 x 110mm.), tinted lithographed frontispiece, and 2 plates, ownership signatures on title, spotting and browning, contemporary green cloth, front cover blind stamped in gilt with image of Rectory, g.e.

Bury, Adrian, Henry Rushbury, and John Buckland Wright (illustrator), Syon House, London, The Dropmore Press, 1955, 4to (300 x 240mm), half title, title printed in red and black, 10 etched plates, decorative endpapers, original black morocco, coat of arms blind stamped in gilt on front cover, t.e.g.

Lady Newton, The House of Lyme from its Foundation to the end of the Eighteenth Century, London, William Heinemann, 1917, 8vo (235 x 150mm.), half title, printers vignette on title, photographic frontispiece, plates and two folding maps at rear, contemporary cloth, front cover blind stamped in gilt with coat-of-arms, spine lettered in gilt, contemporary presentation inscription on front free endpaper Fowler, Sir James K., A History of Beaulieu Abbey, A.D. 1204-1539, London, The Car Illustrated, 1911, 8vo (215 x 135mm.), half title, photographic plates and maps, many folding, contemporary calf gilt Davies, Randall, The Greatest House at Chelsey, London, New York & Toronto, John Lane The Bodley Head, 1914, 8vo (215 x 130mm.), half title, title printed in red and black, photographic frontispiece and 18 plates, some text leaves with red ink underlings, contemporary cloth, spine and front cover lettered in gilt, t.e.g. Together with four other works including, 'View Album of Deeside from Banchory to Braemar' (Aberdeen, n.d.), and 'Country Heritage. The Stately homes of the North West Counties and North Wales' (Liverpool, 1951)

Kane (Elisha Kent), Arctic Explorations: The Second Grinnell Expedition in Search of Sir John Franklin 1853, '54, '55, Philadelphia & London, 1856, 8vo (225 x 140mm.), two volumes, 2 additional illustrated titles, portrait frontispiece, 18 engraved plates, 2 folding maps, illustrations, occasional marginal browning, original blind stamped cloth, spines lettered in gilt, head and tail of spines frayed

Wells, H. G. & Clifford Webb (illustrator), The Country of the Blind 1939, London, The Golden Cockerel Press, 1939, large 16mo (250 x 175mm.), frontispiece plate, title vignette, full-page illustrations, original morocco backed spine by S & S of London, spine lettered in gilt, t.e.g., No. 194 of 280 Limited Edition copies on Batchelor's hand-made paper

An George III revival mahogany writing table, the moulded top inset tooled leather, fitted two drawers with later loop handles, on square chamfered legs with 'C' scroll brackets and blind fret panels, c. 1920, 45 x 29.5in (114.5 x 75cm).

An early 19th century mahogany washstand, reeded top with bowl cut out and arched single shelf back, above two cockbeaded blind drawers, the triple ring turned tapering supports joined by a platform understretcher, 107cm wide

An early 19th century mahogany sofa table, crossbanded top with matched curl veneers, above two real and two blind ebonised banded drawers with brass ring handles, tapered end supports joined by a stretcher, on four outsplayed legs, brass square sockets and casters, 72cm x 145cm