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Cruikshank; an early 19th Century hand coloured Print "The Regents Harmonica" (torn) and a black and white engraving; after Wilkie; "The Blind Fiddler".

A 19th Century mahogany Chippendale style Side Table with blind fret carving on chamfered squared supports

Early 20th century pine two door glazed kitchen cupboard with blind panelled doors on a platform base.

Early 20th century pine cross banded blind panelled pot cupboard. Together with mid 20th century oak bedside cupboard. (2)

20th century oak two door blind panelled sideboard on bulbous feet.

Early 20th century oak two stage stained glass dresser with three central fitted drawers, two blind panel cupboards on square legs.

Reproduction oak two stage dresser having three fitted drawers, three blind panel cupboards on square legs.

Georgian style mahogany low wardrobe or press with blind panel doors on bracket feet. Late 19th/early 20th century.

CHANCELLAR, JOHN. Communications, Limited Edition print, 310/450, signed in pencil, blind stamped, 57cm x 75cm

AFTER WILLIAM RUSSELL FLINT, semi-nude lady in a landscape, Limited Edition print, 168/850, blind stamped, 46cm x 63cm

STURGEON, E.R, artists before a church, signed print, blind stamped, 43cm x 58cm

*Laurence Stephen Lowry RA (1887-1996) 'MAN HOLDING CHILD' Limited edition colour print, signed in pencil, with blind stamp, published by Adam Collection Ltd. 71 x 46cm *Artist's Resale Right may apply to this lot.

*Laurence Stephen Lowry RA (1887-1996) 'MEETING POINT' Limited edition colour print, signed in pencil, with blind stamp, published by Adam Collection Ltd. 71 x 47cm *Artist's Resale Right may apply to this lot.

Chinese Chippendale style mahogany side table, projecting centre and ends, blind fretwork decoration, fitted with two drawers, square moulded legs, width 125cm.

PAINTED CHEST, 19th century Continental, fitted a blind secret drawer over four long drawers, turned handles, bracket feet, 126cm W x 60cm D x 116cm H. (with faults)

Three oak and pine ecclesiastic panels, tracery, blind carved and applied, largest 138 by 25cm. (3)

A Victorian rosewood and burr maple sewing table, the chequer board games top opening to reveal a fitted bucket interior, blind fretwork decoration, raised on a lappet and baluster turned column, above a circular base and pad feet, 47.5 by 37.5 by 72cm high.

AN EDWARDIAN MAHOGANY BIJOUTERIE TABLE with blind fretwork decoration on square tapering legs, 74.5cm across

A Chinese bronze small censor, Qing dynasty, finely cast with lion mask handles and with stylised birds, in a Greek key blind fret border, impressed stamp to underside with six character Xuande marks, 6cm high

After HELEN BRADLEY; a signed coloured print "To The Boat", bearing blind stamp lower left, 44 x 59.5cm, framed and glazed and a further signed coloured print after the same artist (2). CONDITION REPORT: Frame badly damaged of smaller print. Pictures good. Frames are modern gilt painted wood.

A VERY GOOD LATE 18TH CENTURY CHINESE REDWOOD ARTIST’S TABLE, with crossbanded top, unusual carved and pierced frieze, pierced and blind fret carved ends, 6ft 6in long x 3ft 7in wide.

A mahogany Pembroke table, oval inlaid top single drawer to frieze, blind drawer to verso, button handles, tapering square supports

A George III design mahogany serpentine bachelor's chest, moulded top above a slide and four long graduating cockbeaded drawers, brass laurel leaf handles, flanked by canted blind fret work angles, skirted base, bracket feet, 85cm high, 89cm wide, 19th century

A George III mahogany longcase clock with a 33cm brass and silvered dial signed with a plaque J.Kaye, Liverpool with subsidiary seconds ring against a leaf and lattice ground, outer date calendar, Roman and Arabic numerals, cast leafy spandrels, the arch painted with a dwelling in landscape, the case with a swan neck and leafy cresting, minor reductions, fluted columns above a blind fret work carved frieze, shaped long door in well figured wood, fluted quarter columns raised upon a panelled plinth base and ogee bracket feet, 226cms high with pendulum, two weights and a winding key, (illustrated) CONDITION REPORT: The centre above the swan neck and flower cresting has been cut, glazed door original, glazing to door original, chaptering bright, centre and spandrels good bright condition, some dentil moulding missing beneath the hood, right hand side approx. 14cms, small piece to the left approx 2cm, small piece on the angle on the left hand side 5cms, right hand side going back to the wall three small pieces, blind fret carving on the front frieze good, blind fret frieze left hand side section missing at the back approx. 8cms, some blind fret cover missing on the right hand side approx. 7 cms, good well figured door, well figured plinth, bracket foot on the right front missing, original back board, original seat board, just below the seat board there is a rectangular section cut away possibly infilled with later piece of wood.

Laurence Stephen Lowry RA (British, 1887-1976) - 'Man Looking out to Sea', an unsigned artists proof print, bears blind stamp to margin, published by Adam Collection Ltd, approx. 35x25cm, mounted and framed CONDITION REPORT: 1112: Stain to margin, otherwise ok

Laurence Stephen Lowry RA (British, 1887-1976) - 'Mrs Swindell's Picture', pencil signed artists proof print, with blind stamp to margin, approx. 40x30cm, mounted and framed (illustrated) CONDITION REPORT: No damage, good condition, framed.

Laurence Stephen Lowry RA (British, 1887-1976) - 'The Beach', a signed artists proof colour print published in 1973 by Venture Prints Ltd, bears blind stamp to the margin, approx. 26x50cm, mounted and framed. Also, 'Deal' (study for The Beach), signed artists proof monochrome print published by Venture Prints Ltd, 1973, bears blind stamp, approx. 17x25cm, mounted and framed (2) (illustrated)

Laurence Stephen Lowry RA (British, 1887-1976) - 'The Cart', pencil signed artists proof print, with blind stamp to margin, approx. 50x40cm, mounted and framed (illustrated)

Laurence Stephen Lowry RA (British, 1887-1976) - 'Sailing Boats', pencil signed artists proof print, with blind stamp to margin, published 1973 by Venture Prints Ltd, approx. 29x34cm, mounted and framed (illustrated)

Laurence Stephen Lowry RA (British, 1887-1976) - 'Group of Children', pencil signed artist proof print, bears blind stamp to the margin, approx 18x19cm, mounted and framed (illustrated)

Laurence Stephen Lowry RA (British, 1887-1976) - 'The Lonely House', pencil signed artists proof print, with blind stamp to margin, approx. 26x50cm, mounted and framed (illustrated)

Laurence Stephen Lowry RA (British,1887-1976) - 'The Noticeboard', pencil signed artist proof print, bears blind stamp to margin, approx 40x50cm, mounted and framed (illustrated) CONDITION REPORT: 1123: In good original condition, no damage, no repairs

Approx 140 Albums comprising Alice Cooper 'Easy Action' (STS 1061), Ten Years After 'Ssssh' (SML 1052), Doors 'L.A Woman' (K 42090), Family 'Entertainment' (Reprise 6340), Jimi Hendrix Experience 'Axis Bold As Love : Backtrack 11' (2407 011), 3 by Quintessence includes their self titled (ILPS 9143) Pink Rim Island Label, 'Indweller' (SF 8317) and 'Self' (SF 8273), 8 by Spirit includes 'Clear' (CBS 63729), 'Feedback' (EPC 64507) and 'Twelve Dreams of Dr.Sardonicus', 5 by Grateful Dead includes 'Workingman's Dead' (WB 1869) and 'From The Mars Hotel' (K 59302), Paul Kantner & Grace Slick 'SunFighter' (FTR-1002), Steppenwolf '7' (SPBA 6254) and 'Monster' (SSL 5021), Van Morrison 'Astral Weeks' (K 46024), Country Joe & The Fish 'Here We Are Again' (SVRL 19048), Captain Beefheart 'Unconditionally Guaranteed' (V 2015) and 'Strictly Personal' (SLS 50208), Quicksilver 'Just For Love' (EA-ST 498) and 'Shady Groove' (SKAO-391), 'Hot Tuna' (SF 8125), Crosby Stills Nash Young 'Deja Vu' Red/Maroon Atlantic Label (2401 001), Curtis Mayfield 'Roots' (2318 045), Curved Air 'Airconditioning' (WSX 3012), 'Quadrophenia' (2406 110), others by Metro, The Jess Roden Band, Frank Zappa, David Crosby, Tom Rush, New Riders of The Purple Sage, Roy Harper, John B Sebastian, Arthur Lee, Blind Faith, The Electric Flag, Rhinoceros, Cat Stevens, Thin Lizzy, Cream,Richie Havens, Garcia, Barclay James Harvest, H.P. Lovecraft, Jo Jo Gunne, Buffalo Springfield, The Velvet Underground, Jimi Hendrix, The Byrds, Gerry Rafferty, Santana, Queen, Joni Mitchell, Bruce Springsteen, Eagles, Melanie, Roxy Music, Yes, The Moody Blues, Bob Seger, David McWilliams, Jackson Browne, etc All in VG Condition.

A late 19th century continental oak tall cabinet, featuring a moulded cornice and blind fret frieze above two stained glass and leaded light panelled doors enclosing four shelves, flanked on either side by moulded architectural decoration, the base section with bow front protruding feature supported by an architectural bracket, above the two blind fret panelled cupboard doors, flanked by fluted columns, raised on plinth base, height approx 204x108cm wide (illustrated)

Alan Lowndes (Stockport, 1921-1978) - 'The memorial tree', pencil signed limited edition colour print of five hundred, bears blind stamp, approx 40x60cm, mounted and framed, and 'The ice-cream cart', a pencil signed limited edition colour print of five hundred, bears blind stamp, approx 23x61cm, framed (2)

Evelyn Gibbs ARE, British 1905-1991- "Palm at Les Mimosas"; black ink with coloured chalk, signed and dated 53 in pencil, bearing hand inscribed label on the reverse, 55x42cm, Provenance: with The Zwemmer Gallery, London, according to label attached to the reverse: together with one engraving and one further etching with aquatint printed in colours by the same hand entitled "Cliff Fantasy" and "Blind Man", ea. signed, one dated 1928 and one numbered 7/30 in pencil, 60x45cm and 12.7x5.5, (3), (may be subject to Droit de Suite) Provenance: from the St Gabriel's College Collection, London

[Marriage] Nevizzano, 1526 FIRST POCKET SIZE EDITION OF NEVIZZANO'S TREATISE ON MARRIAGENEVIZZANO, GIOVANNI. Clarissimi iurisconsulti D. Ioan. de Neuizanis ... Sylua nuptialis : in qua ex dictis Moder. per regulam et fallentias plurime questiones quotidie in practica occurrentes nondum p[er] quempia[m] redacte in materia matrimonij, dotium, filiationis, adulterij, originis, successionis, et monitorialium, vna cum remedijs ad sedandum factiones de Guelphis [et] Giebellinis, cu[m] perfecta doctrina qualiter debeat se iudex co[n]tinere in iudicando [et] exequendo iussa principu[m], vbi de autoritatibus doctorum [et] priuilegijs miserabilium personaru[m] : sumpte ex questio[n]e an sit vtile nubere copiosa et ordinata breuitate enucleantur : addito tractatu De modo arguendi p[er] ordinem alphabeti, necnon repertorio materiarum prestantium in vnum coacto.. Lugduni, Ioannem Moylin alias de Cambray, 1526.8vo (163 x 115 mm), fascinating late XVI century pigskin binding with blind-tooled decorations at boards, owners initial and date, concentric border rules with Greek style decorations and rhomboidal cartouche with floral motifs, ff. CCLXXXIX.Title-page in red and black, text on two columns, gothic type. Rare third edition (first in pocket size) of Nevizzano's very famous treatise on marriage.Giovanni Nevizzano studied law in Pavia, Padova and Torino where, before becoming teacher, he got his doctorate in 1511. Witty and brilliant, he put into the Sylva Nuptialis not only his ability to synthesize some original solutions for the marriage law of the time, but also a vein of misogyny, coming from Petrarchan hints, that brought him the hostility of some powerful Piedmont noblewomen, that led him to formal amends. Provenance: Several annotations and maniculae in a contemporary hand. Reference: OCLC 18939828. Baudrier, XII, 388-389. Very fine and crisp copy.

Thomas G Appleton (1854-1924) - 'Youth Diverting Age', signed, blind stamp seal, titled verso, mezzotint print, 19" x 15", framed

H Scott Bridgwater after Henry Raeburn - 'Sir Walter Scott', mezzotint print, inscription verso, 8" x 6.5", framed; together with H Scott Bridgwater after Thomas Lawrence - 'Mrs Siddons', signed, blind stamp seal, mezzotint print, 8.5" x 6.5", framed and a further mezzotint portrait by the same hand (3)

Edward Sharland (1884-1967) - 'The Gate of Honour, Cambridge', signed, blind stamp seal, colour etching, 12" x 8.5", framed; together with three further similar signed colour etchings of the interior Chapel studies (4)

Helen Bradley (1900-1979) - four signed prints with blind stamps (4)

ERICA GRICE Untitled linocut Signed in pencil Dated Spring 1967 and numbered 1/9 Blind stamp of the Corsham Academy lower left corner 44 x 44cm

Continental School, (early 20th century), fantasy view of a girl crossing a bridge into clouds, etching, indistinctly signed in pencil, blind stamped Berlin, 7cm by 9cm

A Swiss pen work and marquetry inlaid carved walnut side table, 19th century, the top with central ebony inlaid and pen work panel to an line of banding and further pen work border decoration, the base fitted a blind drawer, profusely carved with shell and trailing foliate branches, on swept legs, 79cm high x 95cm wide x 63cm deep Repair to carved leaf moulding to the area framing the shell centre of the drawer Fading and slight lifting on border inlay

A Regency mahogany side table, fitted blind frieze drawer on slender turned tapering legs and casters, 73cm high x 76cm wide x 53cm deep The condition is good

A George III Cuban mahogany bureau, fitted interior with blind fret carved decoration, enclosed by a fall, above four long graduated drawers, brass swan neck handles, on square bracket feet, circa 1770 108cm high x 98cm wide Three splits emerging on front, chips to veneer, mainly on top. Minor dents and scuffs all over as expected, condition is average.

A George III mahogany chest on chest with foliate carved blind fret cornice, gilt brass handles, on bracket feet

A mid 18th century style mahogany side table, having a moulded top above a blind fret-cut frieze, raised on moulded chamfered legs H.73cm W.138cm

A mahogany Chippendale revival side table with blind fret decoration

AN OAK LONGCASE CLOCK dial silvered chapter ring with subsidiary seconds dial and calendar aperture, signed in the arch Jamieson of Kilbride, case the hood flanked by spiral twist pilasters beneath a blind fret scroll carved cornice and a swan neck pediment, on ogee bracket feet, 86ins. (219cms.) high overall

A GEORGE III MAHOGANY SERPENTINE COMMODE probably by Chippendale, the well figured top with a moulded edge, fitted with four graduated long drawers flanked by blind fret carved outset corners, on wooden roller casters, 36 1/4ins. (92.5cms.) high x 41 1/2ins. (105.5cms.) wide x 24ins. (61cms.) deep Comparable chests are in the collections of The Duke of Devonshire at Chatsworth and The Earl of Pembroke at Wilton. Chests of similar construction are at Dumfries House, once unattributable but now linked to Chippendale. Christie's House Sale, July 2007. See page 5 of Lawrence's prelim page.

A PAIR OF GEORGE III STYLE CHINESE CHIPPENDALE MAHOGANY SIDE CHAIRS each back with a pagoda top and blind fret carved uprights, the stuffed-over seat on cluster column legs, the block feet carved with scales

AFTER PAUL HENRY'Evening on Killary Bay' colour print, pencil signed in the margin, FATG blind stamp, 34cm x 40cm and one further print titled, 'Cockacombe' verso (2)

A Georgian style mahogany desk, fitted with a frieze drawer to the front and reverse, each pedestal fitted with three graduated drawers to each side, with candle slide to the side, with blind fret carving raised on ogee bracket feet, 60ins x 36ins

A 19th century mahogany secretaire bookcase, with glazed upper section fitted with three adjustable shelves, the base with two dummy drawers revealing secretaire fitted with cupboards, drawers, and pigeon holes over a cupboard and blind cupboard doors revealing shelves, raised on bracket feet, width 43ins

A Georgian style mahogany desk, fitted with a frieze drawer to the front and reverse, each pedestal fitted with three graduated drawers to each side, with candle slide to the side, with blind fret carving raised on ogee bracket feet, 60ins x 36ins

Edwardian mahogany display cabinet, the upper part of two glazed doors enclosing a mirror back, on a display table base, decorated with blind fret and open work, width 75cm.. Condition report: see terms and conditions.

A George III mahogany secrétaire chest on chest, the broken pediment centred a pedestal with a later ribbed urn finial with pierced fretwork carving and a Greek key moulding, above a blind fretwork frieze and two short and three long graduated drawers, fitted with ribbon tied swag gilt brass handles, the secrétaire drawer fitted with pigeon holes and shaped drawers with barber`s pole stringing with a central mirrored cupboard door flanked by faux leather book secret pilaster compartments, with two further drawers and secret compartments, flanked by pierced fret carved canted angles, possibly later, and rusticated quoins, the base with three long graduated cedar lined drawers on ogee bracket feet, 224cm high, 123.2cm wide, 59.5cm deep. Provenance: The Baroness De Stempel, Heath House, Herefordshire. Sold by Christie`s, Fine English Furniture, Thursday 9th April 1992, lot 123, when purchased by the present vendor. The use of rustication, blind fretwork and ogee bracket feet point to a North Country origin. The design for the swagged handles feature in an article by N. Goodison, Metalwork Pattern Books, Furniture History, 1975, p.12, fig. 22.

A set of four George III mahogany dining chairs after a design by Thomas Chippendale, each with a leaf carved top rail above a pierced and drape carved vase shaped splat and a drop-in seat, the seat rails and legs with blind fret carved decoration with `H` stretchers. (4)

A WELSH OAK PRESS CUPBOARD the upper part with cavetto cornice and enclosed by a pair of ogee arch panelled doors, the lower part with an arrangement of drawers beneath blind drawers, the sides panelled, 177cm h; 52 x 126cm++The interior of the cupboard now with two recent fitted block board shelves but in substantially original condition, the drawer runners defective, the brass handles replaced