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Click here to subscribeA Holy Bible dated 1872, in contemporary blind stamped leather boards, illustrated with fine plates, maps and plans as called for, together with The New Family Bible, embellished with fifty beautiful engravings, N.D., 2 vols., contemporary calf and The Rev. Farrar's Life of Christ, N.D., with in text illustrations, half morocco, small folio and Henry's Bible from Genesis to Deuteronomy, half calf.
A George III Oak and Mahogany Crossbanded Lancashire Mule Chest, late 18th century, the moulded top above three dummy and four real drawers, all between quarter-column supports with blind fret carving, on bracket feet, 140cm by 55cm by 85cmCondition report: Good uniform colour. The top section with some general scratches (some deep). The brasses seem original. With key. There is some general strengthening work around the bracket feet with repair to the front-left foot.
A Late George III Mahogany Serpentine Shaped Chest on Chest, early 19th century, the moulded cornice above two short and three long graduated drawers, all between blind fret-carved canted corners, the base of three deep drawers, on bracket feet, 109cm by 54cm by 186cmCondition report: The front is cosmetically good. The end panels have some slight lifting of the veneers. There are signs of some old splits which have been filled and polished particularly to the left-hand side panel where there are further splits visible. There is some small repair around the cock beaded drawers mainly to the top largest drawer. The drawers are oak-lined with new runners.
A George III Mahogany and Blind Fret-Carved Foldover Card Table, 3rd quarter 18th century, of rectangular form with hinged leaf enclosing a modern green baize lined interior, on square chamfered legs, 91cm by 41cm by 72cmCondition report: The top has been re-polished/skimmed at some point. However, there are various scratches (some of which are deep). The top section is also smiling at each corner. With a modern green baize interior. Some old decay. The rear legs with some strengthening work and the front legs have been previously fitted with decorative brackets. Legs with general bruising/scuffs (see images).
A Victorian Mahogany Bookcase on Stand, 3rd quarter 19th century, the scrolled fret-carved pediment above a dentil and blind fret-carved frieze and two astragal glazed doors enclosing eight adjustable shelves, on a breakfront stand with long frieze drawer and scrolled and acanthus carved brackets, with claw feet and recessed castors, 144cm by 46cm by 264cmCondition report: Generally good cosmetic condition throughout. However, the scroll pediment has some faults/repairs (see image). There are some general repairs to the astragal glazing but this is done to a good standard. There are previous handle marks to the left-hand door, and this door is also misshapen (see images).
A George III Style Mahogany Library Armchair, recovered in blue pattern fabric with blind fret-carved frame, overstuffed seat and on square supports joined by pierced stretchers, 71cm by 65cm by 94cmCondition report: Upholstery with some soiling/staining. The framework is bruised and the cross stretcher is split/damaged. The legs are also scuffed (see images). Height of seat is 43cm. Width between arms is 61cm. Seat depth is 53cm. Height of back support is 53cm.
Frisiertisch, Sheraton,England wohl Ende 18. Jh. Mahagoni furn. m. Band- u. Fileteinlagen in Palisander u. Ahorn, Platte m. 2 Medaillons in Satinholz, Blumenmarketterie in versch. Edelhölzern. Platte mittig aufklappbar, Innenseite tablettförm., Inneneinteilung: Herausnehmbares Vitrinenfach, darunter weiteres herausnehmbares Fach. Leicht nach vorne geschweifte Front, oberster Schub blind, darunter herausziehbares Schreibfach m. grüner Filzbespannung. u. 2 kl. Schübe, auf 4 halbhohen konischen Beinen m. ornamentalen Intarsien in Ahorn. 3 Schlösser, keine Schlüssel. H 80, B 65,5, T 55 cm Alte Restaur., Furniererrg. u. Furnierfehlstellen, Schwundrisse, ausgeblichen, Gebrauchsspuren.
PrunkvaseStaatliche Porzellan Manufaktur, Meissen 1965. - Blumenbukett - Porzellan, weiß, z. T. glasiert. Kobaltblaue Ränder. Polychrom und Gold bemalt. Goldbronze. Goldrand. Unter der Glasur blaue Schwertermarke. 1. Wahl. Produktionsbedingt Fuß und Korpus blind verschraubt. H. 25 cm. - Zustand: Standring mit 5 Chips.
Nichola Wanostrocht, "Felix on the Bat; being a Scientific Inquiry into the use of The Cricket Bat; together with the History and Use of the Catapulta. Also the Laws of Cricket, as revised by the Marylebone Club", London, Baily Brothers, 1845, 40 pp plus addenda and advertisements, illus, gilt and blind embossed pictorial green cloth boards, 25 cm x 19 cm
After William Holman Hunt, 1827-1910, Isabella, or the Pot of Basil, with blindstamp for the Printsellers Association, signed in pencil by August Thomas Marie Blanchard 1819-1898 and also by the artist to the margin, in a limed oak frame, with a gilt slip73 x 66cmCondition report: Has a blind stamp to the margin. The plate mark is clear. Both pencil signatures are clear. The paper is slightly brown and does not sit quite flat. From the back it looks like there may have been damp at the top of the board. No visible rips or tears, but we have not removed it from the frame. Image 63 x 38cm. 74 x 49cm, Overall size with frame 120 x 90cm. Removed from a local house move in Sudbury, where it had been for many years.
Jamie Reid (British, born 1947)God Save The Queen, 1997No.235/350, screenprint in silver and blue, with original 'Artificial' blind stamp and official Polygram Sex Pistols license stamp to the verso, signed, numbered and dated by the artist to the lower edge, 74 x 99cm (29 x 39in)This lot is subject to the following lot symbols: †AR†VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Jamie Reid (British, b.1947)God Save The Queen, 1997No.323/350, screenprint in gold and blue, with original 'Artificial' blind stamp and official Polygram Sex Pistols license stamp to the verso, signed, numbered and dated in pencil by the artist to the lower edge, 74 x 99cm (29 x 39in)Footnotes:ProvenanceOffered directly by Ragged Kingdom.This lot is subject to the following lot symbols: †AR†VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
JAMIE REID (BRITISH, B.1947)God Save The Queen, 1997No.192/200, screenprint in black, with original 'Artificial' blind stamp and official Polygram Sex Pistols license stamp to the verso, signed, numbered and dated in pencil by the artist to the lower edge, 74 x 99cm (29 x 39in)Footnotes:ProvenanceOffered directly by Ragged Kingdom.This lot is subject to the following lot symbols: †AR†VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
JAMIE REID (BRITISH, B.1947)Fuck Forever, 1997No.168/200, screenprint in silver, with original 'Artificial' blind stamp and official Polygram Sex Pistols license stamp to the verso, signed, numbered and dated in pencil by the artist to the lower edge, 74 x 99cm (29 x 39in)Footnotes:ProvenanceOffered directly by Ragged Kingdom.This lot is subject to the following lot symbols: †AR†VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
CROUCH (Nathaniel): 'Historical Remarques, and Observations of the Ancient and Present State of London and Westminster...', London, printed for Nath. Crouch, 1681: 12mo, contemporary blind ruled sheep, spine chipped with loss and with old repair, final quire pulling and endpapers removed: woodcut illustrations and coats of arms, 5 (of 6) leaves of plates. (1)
RIVER THAMES: MAP: 'The Oarsman's and Angler's Map of the River Thames', London, published by James Reynolds & Sons, 1893: new edition: folding col. litho chart in 25 sections, 8pp text loosely inserted, within original brown publisher's cloth boards, blind stamped with gilt title to upper, rubbed and frayed, contents generally sound. (1)
BIBLE ENGRAVINGS: 'Figures des histoires de la Saincte Bible...', Paris, Chez Guillaume le Be, 1646: folio, numerous fine half-page woodcut illustrations, some early leaves with damage and repair, old blind ruled sheep covered boards, for sale with all faults and not subject to return: together with a large carton of misc. other books and some postal history. (Box)
Utagawa Kunisada II (1823-1880): An album of fifty-four oban woodblock prints in inks and colours on paper entitled "Tale of Genji", together with two end papers, each signed in the block Baichoro Kunisada ga, published in 1857 by Tsutaya Kichizo, bound within blind stamped card covers Condition Report: Some wear and scuffs to the covers but contents are in good conditionCondition Report Disclaimer
Blues, Folk, Country, Delta Blues and Country Blues - Collection of LPs, to include artists and compilations, titles include Blind Willie McTell, The Georgia Blues 1933, The Virtuoso Guitar of Scrapper Blackwell, Blind Willie Johnson, Lightening Hopkins, Big Billy Bronzy, Sidney Bechet, James Brown, Skip James, Rare Blues of The Twenties No. 2, Black Whites and Blues, Rare Blues 1927-1935, Down South (Louisiana - Mississippi - Alabama - Florida), Son House & J.D. Short, Blues From The Western States 1927 - 1949, Leroy Carr, Jukebox Jam, Marvin Gaye, Toots and The Maytals and Ray Charles. (23)
Two early 20th Century Royal Doulton Blue Children vases of varying form, the first of compressed rectangular form with a blind folded boy chasing girls round a tree, height 13.5cm, the second of footed form with two girls stroking a dog, height 13cm, both with printed marks, restored and S/D. (2)
An early to mid 20th Century oak display cabinet, the moulded cornice over a blind fretwork carved frieze and two astragal glazed doors enclosing three shelves, over two drawers on barley-twist supports united by barley-twist stretchers, raised on breganza style feet, 124 cm wide x 42 cm deep x 175 cm high
AFTER CECIL ALDIN "Old English Inns Series" - "The Middle House Mayfield", "Pomfrett Arms Towcester", "The Red Lion Banbury" and another, all signed in pencil with blind studio stamp, 46 cm x 40 cm, together with AFTER W DANBY SADLER "Monks with pike", black and white etching, signed in pencil, 51 cm x 35.5 cm
Europe. Hadol (Paul), Nouvelle Carte D' Europe Dressée pour 1870, circa 1870, engraved allegorical map with contemporary hand-colouring, descriptive French text below the image, old folds, several marginal closed tears crudely repaired on the verso, some tape staining to the recto but not affecting the image, 335 x 445 mm, together with Excelsior (publication). La Révolution Chinoise Aggrave le Péril Jaune, 3rd November 1911, black and white printed allegorical map of Europe being the frontispiece of the Excelsior Magazine, 510 x 340 mm, with a music sheet cover of 'The Great Globe. Quadrilles by Stephen Glover', a colour printed circular lithographic map of the Eastern hemisphere, some dust soiling, slight staining, old music publisher's blind stamp to the upper left corner, 345 x 240 mm, plus a pen and watercolour manuscript map on card of ancient Troy, 185 x 140 mmQty: (4)Footnote: The first described item is a satirical and political map of Europe showing the various countries personified in caricature and alludes to the tensions that finally erupted as the Franco-Prussian War in July 1870. This appears to be a variant edition of Hadol's map - possibly a plagiarisation - as there are some slight alterations to the title cartouche and it lacks Hadol's name. The ensuing conflict resulted in France being humiliated, creating a powerful and unified Germany which laid the foundations of both the World Wars in the 20th century. There are later examples of this map with German, English and Dutch text. The second item is an unusual variation on the 'Octopus map' which shows Russia as an aggressive cephalopod whose tentacles reach across Europe. In this case, the danger is shown to be China and Japan and the 'tentacles' are replaced with the overgrown fingernails of Fu Manchu who reaches from over the horizon to engulf Europe.
Lewis (Samuel). A Topographical Dictionary of England..., 5 volumes (including the atlas volume), together with A Topographical Dictionary of Wales..., 2 volumes, 1844, engraved folding map of England & Wales and 53 engraved maps (including 13 folding) all with contemporary outline colouring, lacking the folding map of London, some spotting throughout, publishers' blind-stamped gilt cloth, some wear to extremities, 4to, together with another uncoloured partially excised volume with 39 uncoloured engraved maps, lacking spine, 4to, with Dugdale (Thomas). Curiosities of Great Britain England & Wales Delineated..., volumes 1 - 4 & 8 (only) circa 1850, 37 engraved maps (only) by J. Archer, all with contemporary outline colouring, numerous uncoloured engraved topographical views, slight spotting, publisher's cloth gilt, worn and rubbed, 8vo, plus Shepherd (Thomas). London and its Environs in the Nineteenth Century..., Jones & Co. 1829, decorative title and 140 engravings (on 70 sheets) on India wove, slight spotting, publisher's half calf, heavily worn and frayed, lacking spine, upper board detached, 8vo, and Curmer (L. editor). Les Français Peints par Eux-Memes, Encyclopedie Morale..., 2 volumes, 1841, additional decorative title, numerous engraved costume plates with contemporary hand-colouring, contemporary half morocco gilt, upper boards detached, one volume with spine partially lacking, heavily worn and rubbed, 8vo, with three early 20th-century folding maps of Warwickshire and an early 20th-century photographic view book of OxfordQty: (20)Footnote: Sold as a collection of maps and prints, not subject to return.
Aldin (Cecil). The Connoisseurs - A Bowl of Punch, circa 1914, chromolithograph, slight damage to the lower right corner, slight creasing, 385 x 530 mm, framed and glazed in a contemporary stained oak frame with raised designs of wine glasses and clay pipes, title on a brass label, attached to the framed below the image, together with The Devon and Somerset over Badgeworthy, Alfred Bell & Co. 1925, colour photolithography, blind stamp to the lower left, signed by the artist in pencil to the lower left, large margins, 390 x 650 mm, framed and glazed, with The End of the Day with the Harefield Harriers, 1908, chromolithograph, 355 x 590 mm, manuscript title on the mount, framed and glazed, plus The Talbot at Ripley, circa 1920, photolithography, 340 x 600 mm, title on an ivorine plaque affixed to a stained period frame, and one other similarQty: (5)
Bible [English]. The Bible. Translated according to the Ebrew and Greeke, and conferred with the best translations in divers Languages..., Imprinted at London by the Deputies of Christopher Barker, 1589, woodcut decorative borders to general title and New Testament titles (general title with horizontal closed tear, fore-margin torn and old repair to verso), Apocrypha present, double-column black letter text, early manuscript entries & jotting to verso of final leaf of Apocrypha, also to New Testament title recto & verso, initial 55 leaves with burn mark to fore-margins (possibly ink burn?), bound with at rear Two right profitable and fruitful Concordances, or large and ample tables alphabeticall... collected by R.F.H., Imprinted at London by the Deputies of Christopher Barker, [1598], and bound with an incomplete Book of Psalms, 1591, few other occasional early annotations and markings throughout, margins frayed particularly at front and rear, dust-soiling and few marks, occasional damp stains, sewing weak, 16th century vellum manuscript strengthening offcuts bound-in at front and rear contemporary blind panelled and decorated calf over wooden boards, brass corner pieces (two lacking), central brass bosses, lacking clasps, old reback, worn, 4to (21.5 x 16cm)Qty: (1)Footnote: Herbert 200; Darlow & Moule 154; STC 2151. Geneva version. There are three editions of this year, which while closely agreeing are yet distinct. As a test passage we may take a sentence from Certaine questions and answers ..., *iii b, 2nd col.: Yea verily: that by sight, taste and fee- | ling, as well as by hearing, we might bee | instructed, assured, and brought to obedi- | ence (Herbert/ Darlow & Moule).
Bible [English]. The Bible, that is, the Holy Scriptures conteined in the Olde and Newe Testament, Translated according to the Ebrew and Greeke, and conferred with the best Translations in divers Languages..., Imprinted at London [i.e. Amsterdam]: by the Deputies of Christopher Barker, 1599 [i.e. circa 1599-1640], general title present with woodcut border (imprint dated 1599, trimmed to border edge and with some loss, marked and lined to verso), New Testament title within decorative woodcut border (short closed tear to upper left corner, old piece of paper adhered to verso obscuring inscription beneath), few woodcut illustrations and decorative initials, double-column roman type, bound with Apocrypha, colophon at end of Tables dated 1599, lower outer corner of 3B6 torn away, bound with an incomplete Book of Psalms at rear, some marginal fraying, dust-soiling, browning and some marks throughout volume, lacking free endpapers, near contemporary blind panelled sheep, boards detached, spine torn with some loss at head & foot, rubbed and worn, 4to (20.3 x 17 cm)Qty: (1)Footnote: Herbert 251; Darlow & Moule 190; STC 2176. Geneva version; with Thomson's NT, but with Junius' Revelation. With Esther i:1 '...seven and / twenty provinces'. Headline Ee3b corrected to 'Proverbes'. Many of the previous errors are corrected. This example also omitting line in Eccles. iv.9 as the previous 3 issues of the same version, Two are better [than one: for they have better] wages for their labour. These Bibles were printed probably in Amsterdam and Dort and adopted by Barker, for the use of English Puritans in the Low Countries. There are many editions bearing this date, which while agreeing closely are yet distinct. No doubt a certain number of copies were originally issued in a mixed state. The nominal date, 1599, is probably untrue in almost every case.
Bible [English]. The Holy Bible containing the Old Testament and the New..., Printed by Thomas Buck, and Roger Daniel, printers the Universitie of Cambridge, 1639, general and New Testament titles present, both with decorative typographic borders (general title torn with considerable loss and lined to verso, manuscript names & scribble to verso of New Testament title), Apocrypha present, double column black letter text, initial two leaves of preliminaries torn and partially repaired, B2 torn to lower outer corner with loss, final three leaves at rear of volume torn with loss, fraying to margins, soiling, damp stains and marks throughout volume, 19th century endpapers watermarked 1824 (front endpaper scored & marked), early 19th century blind decorated calf, upper board detached, lower joint cracked, extremities worn, 4to (22 x 16.5cm), together with: Cotton (Clement), A Complete Concordance to the Bible of the last translation. By helpe whereof any passage of holy Scripture may bee readily turned unto, the whole reviewed, corrected, and much enlarged..., [Amsterdam]: Printed [by the successors of Giles Thorp], Anno Dom. 1635, browning & scattered spotting throughout, some light damp staining, early ownership signatures to endpapers John Williams 1665, contemporary vellum, blind decorative foliate device to centre of each board between initials H T, three of four brass clasp attachments to boards, joints split (upper board attachment weakening), binding dirt soiled, lower outer corners worn, 4to, and with a defective and incomplete copy of volume 1 only (of 3) of Perkins (William), The Workes of that famous and worthie minister of Christ, in the Universitie of Cambridge, 1608Qty: (3)Footnote: Herbert 540; Darlow & Moule 418; STC 2338.
Cranmer (Thomas, Archbishop of Canterbury). An Aunswere by the Reverend Father in God Thomas Archbyshop of Canterbury, Primate of all England and Metropolitane, unto a craftie and sophisticall cavillation, devised by Stephen Gardiner Doctour of Law, late Byshop of Winchester agaynst the true and godly doctrine of the most holy Sacrament, of the body and bloud of our Saviour Jesu Christ. Wherein it was also, as occasion serveth, aunswered such places of the booke of Doct. Richard Smith, as may seeme anythyng worthy the aunsweryng..., Reuised, and corrected by the sayd archbyshop at Oxford before his martyrdom..., 2nd edition, London: printed by John Daye, 1580, title with early gift inscription to lower blank margin 'Liber Caroli Pratti ex dono amicissimi sui Johannis Nurse generosi 20 Juni 1610' and with ownership signature 'Ann Hill Mackey' to upper blank margin (small hole to title, detached & frayed to edges), black and roman letter type throughout, woodcut initials, head- and tail-pieces, without the two woodcut illustrations, upper half of final leaf (2P6) cut out with loss of John Daye's woodcut device, sewing weak at front with initial leaves detached, leaf F5 trimmed to fore-margin, lower blank margin of Q5 excised, single worm hole & short trail to inner blank margin at foot (& head) throughout much of text-block, occasional damp stains mostly at head & foot, few marks (including occasional ink smudges), some marginal fraying, without front free endpaper, contemporary calf, blind arabesque to centre of each board, spine largely lacking, leather torn to lower board, board attachment weak, worn, folio (28.5 x 19.8 cm)Qty: (1)Footnote: STC 5992. Stephen Gardiner (1483-1555) was the Bishop of Winchester, and Mary Tudor's chancellor during the persecution of the Protestants, who died before Cranmer was executed on 21st March 1556. Cranmer's Aunswere, part of a controversy between Cranmer and Gardiner on the sacrament of communion, was first published by Wolfe in 1551. A reply to "An explication and assertion of the true catholique fayth, touchyng the moost blessed sacrament of the aulter" by Stephen Gardiner and "A confutation of a certen booke, called a defence of the true, and catholike doctrine of the sacrament, &c. sette fourth of late in the name of Thomas Archebysshoppe of Canterburye" by Richard Smith. The text includes a reprint of Gardiner's work and portions of Cranmer's "A defence of the true and catholike doctrine of the sacrament of the body and bloud of our saviour Christ". The woodcuts on the two plates (not present in this copy) were from blocks used in Foxe's "Book of martyrs", and Cranmer's life is in part compiled from the same. The plates were sometimes bound folded. This edition (or parts of it, at least) were printed on the sheets of an earlier work printed by Daye, John Foxe's "Pandectae" (1572; ESTC S113167), a largely-blank commonplace-book ("The Latin headlines in rules appearing upside down at the foot of several versos in some copies (as in this copy) indicate unused sheets of [STC] 11239 were employed in the printing"--STC).
Elzevir Press. Eleven Elzevir Press titles, 1630-76, including: 1. Barclay (John), Io. Barclaii Argenis, Editio novissima cum clave..., Leiden: Elzevir, 1630, engraved title with faint early signatures, contemporary brown morocco, joints and extremities worn, 12mo, 2. Baerle (Caspar van), Poematum, editio nova, priore castigatior et altera parte auctior, Leiden: Ex officina Elzeviriana, 1631, engraved title with signature to upper margin, contemporary calf, upper board detached, lower joint cracked, lacking title label to spine, 12mo, 3. Campanella (Tommaso), Th. Campanella De monarchia Hispanica, Editio nouissima, Amsterdam: apud Ludouicum Elzeuirium, 1653, engraved title, contemporary calf, spine split, 24mo in 8s 4. Sleidanus (Johannes), I. Sleidani de quatuor summis imperiis libri tres, Postrema editione hac accurate recogniti, Leiden: Ex Officina Elzeviriana, 1655, engraved title, 19th century calf blind embossed 'cathedral style' binding, joints cracked and worn at head & foot of spine, 24mo in 8s, 5. Caesar (Julius), C. Iulii Cæsaris quæ extant, ex recensione Ios. Scaligeri, Amsterdam: ex officina Elzeviriana, 1675, engraved title, three folding engraved maps, few woodcut illustrations, contemporary mottled calf, morocco title label, joints slightly cracked, 12mo, 6. Vergil (Polydore), De inventoribus rerum libri VIII. et de prodigiis libri III. cum indicibus locupletissimis, Ammsterdam: apud Danielem Elzebirius, 1671, additional engraved title, letterpress title, contemporary mottled calf, lower joint split and upper board detached, 12mo, 7. Buchanan (George), Poemata quæ extant, editio postrema, Amsterdam: apud Danielem Elsevirium, 1676, engraved title, contemporary calf, joints cracked, 24mo in 8s, and two other copies of the same work, plus two other Elzevir titlesQty: (11)Footnote: Willems 325; 344; 1159; 763; 1505; 1464; and 1516.
Elzevir Press. Six Elzevir Press titles, 1629-77, comprising: 1. Tacitus, C. Corn. Tacitus ex I. Lipsii editione cum not. et Emend H. Grotii, 2 volumes in one, Leiden: Ex Officina Elzeviriana, 1640, engraved title & plate, folding table, continuous pagination, occasional early marginalia, contemporary vellum, blind embossed armorial to centre of each board, yapp fore-edges without ties, thick 12mo, 2. Clüver (Philipp), Introductionis in universam geographiam, tam veterem quàm novam, libri VI, Leiden: Ex officina Elzeviriana, 1629, engraved title with signature to upper blank margin, folding engraved plate and folding table, bound with Sleidanus (Johannes), De Quatuor summis imperiis libri tres, Postrema editione hac accurate recogniti, Leiden: Ex Officina Elzeviriana, 1631, engraved title, light toning throughout, 19th century boards, light wear to extremities, 24mo in 8s, 3. Emmius (Ubbo), Graecorum Respublicae ab Ubbone Emmio descriptae, 2 parts in one, Leiden: ex Officina Elzeviriana, 1632, engraved title, contemporary vellum, yapp fore-edges, 24mo in 8s, 4. Seneca (Lucius Annaeus), opera omnia, ex ult. J. Lipsii et J. F. Gronovii emendat. et M. Annæi Senecæ ... quæ extant, ex A. Schottii recens, 3 volumes, Leiden: Apud Elzevirios 1649, engraved title, two engraved illustrations, decorative initials, contemporary vellum, yapp fore-edges, later morocco title labels to spines, 12mo, 5. Duez (Nathanael), Le guidon de la langue Italienn: avec trois dialogues familiers, Italiens & Franc?ois, la comedie de la moresse, les compliments italiens, et une guirlande de proverbese, Reveu & corrigé par l'Autheur, Amsterdam: Daniel Elzevier, 1670, crossed-tthrough manusccript to title, contemporary vellum, 8vo, 6. Camden (William), Annales rerum Anglicarum et Hibernicarum regnante Elisabetha, Amsterdam: Dan. Elzevir, 1677, engraved title, lacking portrait frontispiece of Queen Elizabeth, toning and scattered spotting, contemporary vellum, 8voQty: (8)Footnote: Willems 415; 309 & 358; 364; 672; 1431; and 2155 respectively.
Parnel (James). A Collection of the several writings given forth from the spirit of the Lord, through that meek, patient and suffering servant of God ... who (though a young man) bore a faithful testimony for God, and dyed a prisoner under the hands of a persecuting generation, in Colchester Castle, in the year 1656, [London]: Published in the year 1675, few closed tears to title and front free endpaper, near-contemporary speckled calf, upper board detached, lower joint split, extremities rubbed, 4to, together with: Sermons, Farewel sermons preached by Mr. Calamy. Dr. Manton. Mr. Caryl. Mr. Case. Mr. Jenkin. Mr. Baxter ... together with, Mr. Calamies sermon at the fun. of Mr. Ash. His serm. Decemb. 28. at Aldermanbury. Dr. Hortons serm. at the fun. of Mr. Nalton. Mr. Lyes summary rehearsal at the conclusion of the last morning-exercise at All-hallows Lumber-street, revised and corrected, London: Printed in the year, 1663, some close-trimming to running titles, occasional light worming at head, 3P1 torn with slight loss, dust-soiling throughout volume and few marks, contemporary blind panelled sheep, upper joint split, worn at head & foot of spine, 4toQty: (2)
Napier (John). The Construction of the Wonderful Canon of Logarithms... translated from Latin into English with notes and a Catalogue of the various editions of Napier’s works, by William Rae Macdonald, F.F.A., 1st edition, Edinburgh: William Blackwood, 1889, publisher’s calf, heavily decorated in blind, edges untrimmed, remains of library number on base of spine, together with: Knott (Cargill Gilston), Napier Tercentenary Memorial Volume, 1st edition, 1915, coloured frontispiece and 15 plates, small embossed library stamp to lower outer corners of frontispiece and title and ink library stamp to title verso, a little spotting and dust-soiling, partly uncut, original cream cloth gilt, rubbed and slightly soiled, spine toned with ink classification number near foot of spine, both 4toQty: (2)Footnote: The first work contains an excellent catalogue of all the editions of Napier’s works and their translation into French, Dutch, Italian and German’ (DSB). This is now a very scarce work and a Gryphon reprint appeared in 1995. This copy has the bookplate of Hay Fleming Reference Library, St. Andrews, and a note on the free endpaper in ink reading ‘D.Hay Fleming. Bought at the sale of McRae McDonald’s Library, 27th. Jan. 1925, lot. 437’.
Pelletier (Bertram). Memoires et Observations de Chimie…, 2 volumes, 1st edition, Paris: Croullebois et al., 1798, engraved portrait frontispiece, 5 folding plates, faint blind-stamp of Queens University Belfast on titles, plates slightly oxidised, both volumes with armorial bookplate of Thomas Rodney Robinson (1792-1882, Irish astronomer and mathematical physicist), 19th-century half calf, rebacked, slightly rubbed and corners bruised, together with: Dumas (Jean Baptiste), Traité de chimie appliquée aux arts, 8 volumes, Paris, 1828-46, some spotting and occasional browning, modern antique-style gilt-decorated quarter calf over contemporary marbled boards with calf tips, gilt-titled leather labels to spines, a little edge wear, plus: Children (John George), An Essay on Chemical Analysis... , 1st edition, W. Phillips, 1819, 2 plates and 4 folding tables, errata leaf at rear, some heavy spotting, contemporary half calf, some wear, covers near detached, all 8vo, plus 4 other antiquarian chemistry interestQty: (15)
Dryden (John). Plutarch's Lives, in six volumes: translated from the Greek, 6 volumes, Dublin: printed J. Williams, 1769, black & white engraved frontispiece to volume 1, bookplates to all front endpapers, gutters cracked, some light marginal toning, contemporary uniform gilt decorated full calf, boards & spines slightly rubbed with minor loss to head & foot, 8vo, together with; Falconar (Magnus), A Synopsis of A Course of Lectures on Anatomy and Surgery, London: 1777, ex-library copy, bookplates to the front pastedown, later endpapers, loss to the margin of the title page with additional blind & ink stamps, some light marks & toning throughout, later plum half morocco, boards & spine rubbed, 8vo, plus Johnstone (James), Lodbrokar-Quida; or The Death-Song of Lodbroc; now first correctly printed from various manuscripts,..., printed for the author, 1782, later endpapers, title page heavily toned, water marked throughout to the spine margins, later endpapers, later green quarter morocco to marbled boards, spine faded, small 8vo, and other 18th & 19th-century literature, including A General History of Quadrupeds, by Thomas Bewick, 3rd edition, Newcastle Upon Tyne: printed by S. Hodgson, R. Beilby, & T. Bewick, 1792, 8vo, all in leather bindings, some French language, overall condition is generally good/very good, 8vo/4to Approximately 125 volumesQty: (5 shelves )
Watts (William). The seats of the nobility and gentry, in England and Scotland, being a collection of the most interesting and picturesque views ... with descriptions of each view, London: printed by Howlett & Brimmer, [c.1824], half-title, 84 engraved plates, some leaves of text bearing watermark dated 1824, scattered spotting throughout mostly to plates, all edges gilt, contemporary gilt & blind decorated straight-grain morocco, extremities rubbed and few scuffs, 4toQty: (1)Footnote: Originally published (Chelsea, 1779) with title: The seats of the nobility and gentry in a collection of the most interesting and picturesque views.
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