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A 17th Century Continental oak coffer:, of small size, with a plain hinged moulded top, the front with a blind fret carved scroll frieze and twin arcaded panels with gouged and blind fret ornament, having flowerhead lunette and guilloche decorated tapering pilasters and with iron carrying handles to the sides, on trestle front supports., 89cm (2ft 11in) wide.

A coach destination blind 'London, Ramsgate' etc; together with tickets CONDITION REPORT: Width: 91.5 cm

Donald Dakeyne A corner of old delph 562/85 limited edition signed with blind stamp & coa

A rare 'Old Bill' tin money box in support of the War-blinded men of St. Dunstan's, 1920sIn 1914 St. Dunstan’s Hostel for Blind Soldiers and Sailors was founded by Sir Arthur Pearson. A year later it moved to a property in Regent’s Park. The idea was to provide a hostel where ex-servicemen would go after they had received hospital treatment to ‘learn to be blind’. The legacy of the war meant that in 1921 men were still waiting to be accommodated, with 57 men awaiting admission. By 1929 there were still two thousand men in their care. The intake included 103 colonial ex-servicemen who were trained during their time at St Dunstan’s.

Edwardian Chippendale style mahogany cabinet, pierced swan neck pediment, two astragal glazed doors above serpentine moulded top, two drawers with blind fret work facias, on square tapering supports with spade feet, W78cm, H185, D42cm

"Lister Perimeter" by Hamblin of London, an Ophthalmic field of vision instrument for detecting blind spots, complete with original height adjustable stand, H144cm

AN ASPREY 18CT GOLD MOUNTED CROCODILE CIGAR CASE, London 1913, with blind square for crest, closed 13cm x 8cm

AFTER PETER SCOTT Mallards in Flight, colour print signed with FATG blind stamp, published 1940 by Arthur Ackermann & Son, mounted in glazed frame, 39cm x 55cm

AFTER DONALD GRANT A colour print of a bull elephant titled "The Charge" published by 'Venture Prints Ltd' in 1974 61cm x 91cm image size, signed with blind stamps in decorative double mount and slender wood effect frame

ORIGINAL GLASGOW CORPORATION LINEN TRAM DESTINATION BLIND - SPRINGBURNcirca 1950s from Coronation Class trams, frame size 28.7cm x 71.8cm

ORIGINAL GLASGOW CORPORATION LINEN TRAM DESTINATION BLIND - GLASGOW CROSScirca 1950s from Coronation Class trams, frame size 28.7cm x 71.9cm

ORIGINAL GLASGOW CORPORATION LINEN TRAM DESTINATION BLIND - CROOKSTONcirca 1940s from the older Standard cars, frame size 26.2cm x 97.2cm

Football Manchester United 12x8 mounted signature piece includes 9 signatures from Manchester United current squad includes Luke Shaw, Phil Jones. Daley Blind and Ashley Young. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Football Daley Blind 12x8 overall mounted signed colour photo pictured in action for Manchester United. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

ORIGINAL GLASGOW CORPORATION LINEN TRAM DESTINATION BLIND - BURNSIDEcirca 1950s from Coronation Class trams, frame size 28.7cm x 71.9cm

ORIGINAL GLASGOW CORPORATION LINEN TRAM DESTINATION BLIND - MILNGAVIEcirca 1940s from the older Standard cars, frame size 26.2cm x 97.1cm

ORIGINAL GLASGOW CORPORATION LINEN TRAM DESTINATION BLIND - HYNDLANDcirca 1940s from the older Standard cars, frame size 26.2cm x 97.1cm

A GEORGE III MAHOGANY CHEST ON CHEST of Chippendale design, the upper section with a moulded and dentilled cornice over a blind fretwork entablature and an arrangement of three short and three long graduated drawers flanked by canted blind fretwork angles, the base with three long graduated drawers, the top and base with brass carrying handles, on shaped bracket feet, 104.5cm wide x 185cm high

A GEORGE III MAHOGANY BREAKFRONT SIDEBOARD, the top with barber's pole line decoration over three drawers, with parcel gilded and blind fret decorated panels, the drawers with gilded Gothic drop handles, the legs with similar carved decoration on block feet. 5ft 6ins long x 3ft 0ins high x 1ft 7ins deep.

Thomas Stothard. Blind Miltan dictating 'Paradise Lost' to the daughters, on panel, 15“x12“, inscribed

RIVERS & SON, CORNHILL LONDON A GEORGE III MAHOGANY QUARTER CHIMING LONGCASE CLOCK the arched moulded hood with blind fret above a glazed arched door flanked by reeded brass capped corinthian columns, the trunk with matching quarter columns enclosing a moulded framed bridge top door above a box base with applied moulded panel. The 12" arched brass dial with painted circular Roman centre and subsidiary seconds, the arch having subsidiary dials for regulation and Strike/Silent with centre cartouche reading 'Rivers & Son, Cornhill, London. Successer's to Daniel De Sir Leu, WATCHMAKER To her MAJESTY'. The three train weight driven eight day movement striking the hours on a bell and the quarters on a nest of eight bells 223cm high - comes with brass cased weights, pendulum, winding key and original pagoda top, now removed

A CHIPPENDALE STYLE MAHOGANY THREE SEATER SETTEE with serpentine shaped front rail and arched back with swept arms; standing on blind fretted carved tapering legs with spade feet 205cm wide 92cm high.

ROBERT HIGGS LONDON A GEORGE II EBONISED LONGCASE CLOCK the break-arch hood with blind fretwork frieze above a glazed door flanked by brass capped columns on a slender trunk with moulded door and box base The 12" arched brass dial with mask head spandrels and silvered engraved Roman chapter ring surrounding a matted centre with subsidiary seconds dial and calendar aperture with name boss in the arch fronting a five pillar eight day weight driven movement striking the hours on a bell 226cm high

GEORGE CLARKE LONDON A GEORGE II WALNUT MUSICAL LONGCASE CLOCK the arched hood having a blind fret above an arched glazed door flanked by two turned brass capped columns above a long trunk door with D-moulded edge on a box base. The 12" arched brass dial with silvered Roman chapter ring surrounding a matted centre with subsidiary seconds dial and calendar aperture, the arch with penny moon dial, Strike/Silent and tune selector for 'A March in Scipio, Thor's Trumpet, The Lads of Dunce, and The White Joak' - the triple weighted six pillar movement striking the hours on a bell and playing a selection of four tunes on thirteen bells and twenty six hammers every three hours 240cm high - comes with brass bob pendulum, three brass cased weights and winding key

A GEORGE III LANCASHIRE ELM AND MAHOGANY CROSS-BANDED MINIATURE CHEST OF DRAWERS with moulded edge and blind-fret top above six small and two long graduated drawers flanked by reeded quarter columns; standing on ogee bracket feet 46cm wide 19cm deep 40cm high.

JOSEPH LUM LONDONAN 18TH CENTURY OAK 8 DAY LONGCASE CLOCK with 12” square brass and silvered dial, rococo spandrels and Roman chapter ring with outer Arabic minute markings, plain centre with date aperture and seconds ring fronting an 8 day five pillar movement with anchor escapement and bell strike. The caddy top hood with blind fretwork frieze and brass finials, moulded door pillars and long rectangular trunk door on a plinth base 233cm high

AN 18TH CENTURY INLAID FIGURED MAHOGANY GRANDFATHER CLOCK CASE with pagoda top hood, blind fretwork side panels and stop brass reeded side columns enclosing a 12" movement aperture above a rectangular trunk door and panelled stepped trunk base 220cm high

THREE REGENCY STYLE TOILE PATTERN AUSTRIAN BLINDS AND A MATCHING ROLLER BLIND

A pair of Gothic Chippendale Revival mahogany wall brackets, each with pierced cresting above an arched mirror and galleried bow fronted plateau, pierced and carved with tracery and blind fretwork, flanked by cluster-columns, 60cm high, 34.5cm wide, c.1900

A George III mahogany Lancashire chest, shallow three-quarter gallery and hinged top above five blind and two pairs of cockbeaded drawers, flanked by square cluster-columns, inlaid with oval shell paterae and outlined with geometric banding, ogee bracket feet, 116cm high, 174cm wide, c.1800

A George IV mahogany Pembroke work table, the rounded rectangular top with fall leaves, cockbeaded frieze drawer, blind to verso, basket undertier, turned legs, brass casters, 73.5cm high, 51cm wide, c.1825

A George III mahogany Pembroke table, slightly oversailing batwing-shaped frieze above a cockbeaded drawer, the leaves conforming, blind drawer to verso, tapering square legs, Gothic square feet, brass ring-and-boss handles in the Adam taste, brass casters, 71cm high, 95cm wide, c.1775

A pair of late 19th century gilt metal mounted ebonised domed rectangular connoisseurs display cabinets on stands, rectangular doors enclosing felt-lined shelves, each projecting base carved in the Chippendale Revival taste with blind fretwork, spade feet, 181.5cm high, 82cm wide, c.1890

An early 18th century Italian painted chest, hinged top above two blind drawers applied with geometric mouldings, later decoupage decorated, bun feet, 61.5cm high, 118.5cm wide, c.1700

A George III mahogany chest on chest, circa 1770, with blind fretwork frieze above two short and three long drawers flanked by canted angles, the base with a brushing slide and three further long drawers, 188cm high, 113cm wide, 56cm deep

A George III/IV mahogany rounded rectangular dropleaf work table, slightly oversailing top above one double and one single cockbeaded drawer, blind to verso, turned legs and H-stretcher, 74cm high, 44.5cm wide, c.1820

A George IV mahogany bow-fronted wall hanging corner cupboard, stepped cornice above a deep frieze and a pair of doors applied with arched panels, drawer to frieze flanked by a pair of blind conforming, crossbanded throughout, 121.5cm high, 89.5cm wide, c.1825

A COLLECTION OF COATS OF ARMS Borne by the Nobility and Gentry of Gloucester. 4to 1792. With 62 plates. Bound with FALCONER, Miscellaneous Tracts and Collections Relating to Natural History. Cambridge 1793. Half calf. With Index to Burke's landed Gentry, c.1849, blind-stamped cloth gilt (2)

HUMPHRIES, Henry Noel, The Parables of our Lord, 1847. Black blind-stamped morocco over heavy bevelled boards. Chromo pages throughout

ANDY WARHOL (AMERICAN 1928 - 1987) COLOURED LITHGRAPHIC PRINT ON ARCHES PAPER 'Four self potrait colour variations' Signed in the plate, numbered 56/100 in pencil, stamped verso 'Leo Castelli' and 'Art Gallery N.Y.', also blind stamped 'Georges Israel, Editeur' 22 1/2" x 15" (57 x 38cm), (unframed)

ANDY WARHOL (AMERICAN 1928 - 1987) COLOURED LITHGRAPHIC PRINT ON ARCHES PAPER 'Nine colour variation portraits of Mao Zedong' Signed in the plate, numbered 80/100 in pencil, stamped verso 'Leo Castelli' and 'Art Gallery N.Y.', also blind stamped 'Georges Israel, Editeur' 22 1/2" x 15" (57 x 38cm), (unframed)

ANDY WARHOL (AMERICAN 1928 - 1987) LITHGRAPHIC PRINT ON ARCHES PAPER 'Black and white negative self portrait' Signed in the plate, numbered 18/100 in pencil, stamped verso 'Leo Castelli' and 'Art Gallery N.Y.', also blind stamped 'Georges Israel, Editeur' 22 1/2" x 15" (57 x 38cm), (unframed)

GEORGIAN LINE INLAID MAHOGANY BOW FRONTED AND GLAZED CORNER CUPBOARD, the moulded cornice above a blind fret carved frieze and pair of glazed cupboard doors, enclosing four shelves and pair of spice drawers to the interior, and flanked by boxwood line inlaid side panels, 43 ¾" (111.1cm) high, 34" (86.3cm) wide

Beryl Cook (1926-2008), "The Stripper", coloured print, signed in pencil in the margins and with blind stamp, published by Alexander Gallery Publications Limited, 49 cm x 60.5 cm

A Marion 3¼ x 4¼in Reflex Camera, with black leather-covered body, Ross (Mill Hill) Tessar Patent f/4.5 6in lens, Mackenzie-Wishart Daylight Slide and eight film holders and spare lens board, in fitted leather case, G, shutter blind perished, lens elements G, slight haze

Lancaster Mahogany and Brass Plate Cameras, whole-plate The Royal Instantograph, with Lancaster brass lens, a.f., two dds, tripod, roller blind shutters (2), F, with Ross Goerz Patent f/8 7in Double Anastigmat brass lens and Negretti and Zambra Rapid Rectilinear brass lens, G, and quarter-plate The 1893 Instantograph, P, incomplete, with Fallowfield Rapid Doublet brass lens, G

Late Victorian Georgian style pink veined marble-top side table, the pair of frieze drawers with blind fretwork carving, raised on cabriole legs with castors, width 107cm Re: Enquiry - Toys, Dolls, Models, Antiques & Interiors (4th and 5th December)Thanks for your enquiry, the height of the table is 87.5 cm tall

SIDEBOARD, Regency, mahogany with central drawer and blind apron drawer, flanked by two deep drawers on turned reeded supports, 91cm H x 159cm x 70cm.

A George III style rectangular mahogany silver table, with extensive open and blind fret decoration on canted square supports, 86cm wide x 71cm high.

Millington-Drake (Teddy 1935 - 1994), Framed & glazed Charcoal and Watercolour picture, titled "Gateway to Akbar's Tomb at Sikandra" with blind Gallery stamp and signed by the Artist, 48cms x 68cms

After Russell Flint, a limited edition print, with blind stamp, together with a Leonard Squirrell print, a Perugini print and a study of Venice, watercolour, signed Cristin, 14 x 23cm (4)

A large 19th century rosewood and gold upholstered prie dieu, with blind fret carved decoration

CONTINENTAL WALL CLOCK, late 19th century, possibly Czech, the brass dial with 9 3/4" chapter ring with arabic numerals, on a brass, four pillar movement, the case with scale carved and glleried top, square glazed door flanked by swagged columns, the base with blind fret work and floral carving, with pendulum and key, height 94cm

An Edwardian mahogany display cabinet with blind fret carved frieze and astragal glazed doors

CARDIFF - BRISTOL CITY 49 Special Cardiff City souvenir programme v Bristol City, 2/5/49, James Howell Challenge Cup game to raise funds for Blind Babies. Fold, pencil changes. Generally good

Static (British, b.1983). 'Lovely Jubilee, yellow, screenprint in colours. Signed and numbered 7/50 in ink to margin, with artists blind stamp. 47 x 36cm. .

Laurence Stephen Lowry RBA RA (British, 1887-1976), 'Viaduct Street Passage' limited edition coloured print, numbered 58/850 in pencil to lower left with blind stamp lower left, bears signature by another hand in coloured part of print, mounted, picture size: 34cm x 24cm, mount size: 52cm x 42cm, published by The Cavendish Collection 1979. 'AVE YER DONE' (Family Fracas), special edition coloured print, unsigned, unnumbered, mounted, picture size: 23cm x 15.5cm, mount size: 38cm x 28cm, published by Mere Publications Limited and printed for them in 1978 by Hamlet fine Arts, Old Trafford, Manchester. 'Coronation Street', special edition coloured print, unsigned, unnumbered, mounted, picture size: 34.5cm x 45cm, mount size: 53.5cm x 61.5cm, published by Mere Publications Limited and printed for them in 1978 by Hamlet Fine Arts, Old Trafford, Manchester (3).

Ronnie Wood (British, b.1947). 'Flatbed'. Limited edition print, signed, titled, numbered 253/290, and inscribed 'Love to David and Miriam' in pencil to margin. With artists blind stamp. Sheet size: 74 x 91cm. Framed and glazed, size in frame: 83 x 100cm. .

Static (British, b.1983). 'Lovely Jubilee, Grey, screenprint in colours. Signed and numbered 7/50 in ink to margin, with artists blind stamp. 47 x 36cm. .

Static (British, b.1983). 'Lovely Jubilee, Orange, screenprint in colours. Signed and numbered 14/25 in ink to margin, with artists blind stamp. 47 x 36cm. Glass broken. .