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NO RESERVE England & Wales.- Lewis & Co. (Samuel) A Map of England & Wales Divided into Counties, Parliamentary Dioceses, four large engraved maps with contemporary outline colouring, N.E., N.W., S.E., and S.W., each approximately 1070 x 890 mm (42 1/8 x 35 in), dissected and mounted on linen, some spotting and browning, light offsetting, folding with paper ends into contemporary straight-grained morocco covers, gilt and blind tooled, spines slightly faded, some splits, rubbing and scuffs, worn, 4to, 1840; together with Phillips' 'The Grand Southern Tour of England including the Principal part of the East, West & Inland Counties...', folding into slipcase, and Bowen's 'An Accurate Map of Northampton Shire Divided into its Hundreds', folding into slipcase, 4to, 18th and 19th century (3)

Railways.- Bradshaw (George) Map & Sections of the Railways of Great Britain, with inset map of London in the lower left corner, engraving with some hand-colouring, 1650 x 1040 mm (65 x 41 in), dissected and mounted on linen, some light offsetting, spotting and browning, folding with marbled endpapers, green silk edges, contemporary purple straight-grain morocco, gilt and blind tooled with title to upper cover, rebacked, rubbed, 4to, 1839; together with 'Plan & Section of the Oxford & Great Western Union Railway with a branch to Abingdon', seven sheets of plans and sections with outline hand-colouring, loose, held within contemporary straight-grain morocco case with metal clasp, gilt lettering to flap, with GWR ownership label inside front cover, rubbed and slightly worn, oblong 4to, 19th century (2) ⁂ Bradshaw's first railway map.

England & Wales.- Walker (John) Map of the Inland Navigation, Canals, and Rail Roads with the Situations of the various Mineral Productions throughout Great Britain, large detailed folding map with calligraphic title and dedication, compass rose and table of explanation, with inset map of Scotland in the upper right quadrant, engraving, an excellent crisp impression with with original hand-colouring, 1910 x 1570 mm ( 75 1/4 x 61 3/4 in), dissected and mounted on linen, some offsetting and light browning, edged with green linen, some edges a little rough, folding with marbled ends, ink stamp verso of 'Ministry of Transport and Civil Aviation Library', presented in contemporary book-style slipcase, gilt and blind tooled, scuffed and very worn, 4to, 1830.

Russia.- The Crimean War.- War Department (Topographical & Statistical Depót) Collection of seven confidential maps and plans relating to The Crimean War, including two large four-sheet folding maps 'Plan of the Communications from Sevastopol, Balaklava and Baidar to Simferopol' and 'A Plan of the Bay and Fortifications of Eupatoria', two folding double-page titled 'Plan of Otchakov' and a detailed plan 'Sevastopol', with other single sheet plans and maps, with 6pp. letterpress 'confidential' booklet on 'Kronstadt' by William Sadler, lithographs, some hand-colouring, the larger maps dissected and mounted on linen, one with blue-paper ends, all with War Department blind-stamps, all loose, unframed, [circa 1855]. ⁂ Rare. The present lot appears to consist of original plans of the British troops used in the cabinet at the outbreak of the Crimean War.

India.- Allen & Co. (William H.) Map of India, from the most recent Authorities, engraved map, by [?]J. Walker, with early hand-colouring, sheet 970 x 850 mm (38 1/8 x 33 1/2 in), dissected and mounted on linen, some spotting and browning, with minor offsetting, folding with buff end panel into contemporary gilt and blind tooled boards, some scuffs and splitting to spine, lightly worn, 8vo, 1844.

A Victorian pine church pew with blind tracery carved ends. 99' long

A Charles II marquetry cabinet, the hinged door inlaid with birds opening down to reveal a set of seven drawers, blind drawers to base, the inner inlaid to the inside depicting musical instruments, the drawers inlaid with buildings, the top and sides inlaid with chequerboarding, metal lock plate, approx 31.5cm wide x 26cm high x 19m deep, circa 1685

Laurence Stephen Lowry R.B.A. R.A. (British 1887-1976), The Fever Van, coloured print, signed in pen in the margin, with the Fine Art Trade Guild blind stamp, approx 45.5cm x 53.5cmArtist Resale Rights Apply 

Laurence Stephen Lowry R.B.A. R.A. (British 1887-1976), Ferry Boats, coloured print, signed in pencil in the margin, with the Fine Art Trade Guild blind stamp, published in 1973 by Venture Prints Ltd, approx 33.5cm x 42cmPurchased from Harrods in 1972 Artist Resale Rights Apply 

Laurence Stephen Lowry R.B.A. R.A. (British 1887-1976), Three Men and a Cat, coloured print, signed in pen in the margin, with the Fine Art Trade Guild blind stamp, approx 27cm x 17.5cmPurchased from Harrods in 1972Artist Resale Rights Apply 

After Laurence Stephen Lowry R.B.A. R.A. (British 1887-1976), The Auction, limited edition coloured print No.179/850, with Michael Stewart blind stamp in the margin, approx 45cm x 54.5cmArtist Resale Rights Apply 

Laurence Stephen Lowry R.B.A. R.A. (British 1887-1976), Two Brothers, coloured print, signed in pencil in the margin, with the Fine Art Trade Guild blind stamp, published in 1973 by Venture Prints Ltd, approx 63cm x 31.5cmPurchased from Harrods in 1972Artist Resale Rights Apply 

Laurence Stephen Lowry R.B.A. R.A. (British 1887-1976), Industrial Panorama, coloured print, signed in pen in the margin, with the Fine Art Trade Guild blind stamp, approx 63.5cm x 80cmArtist Resale Rights Apply 

A Victorian walnut Davenport, hinged sloping top with inset tooled and gilt leather writing surface, concave moulded superstructure enclosing provision for stationery and writing implements, four drawers to side, blind to verso, turned and spirally fluted supports applied with draught-turned roundels, fretwork and acanthus scroll brackets, bun feet, 83cm high, 53cm wide, 55cm deep, c.1860

A Regency mahogany pembroke table, possibly Scottish or Irish, rounded rectangular top with fall leaves, above a frieze drawer, blind to verso, outlined with ebony stringing, turned pillar, reeded serpentine-sabre legs, boldly carved lion paw feet, brass casters, 70.5cm high, 47.5cm opening to 90.5cm wide, 90.5cm deep, c.1820

A Gothic Revival polychrome painted oak table cabinet, carved throughout with blind tracery and flowering branches, detachable pyramidal dome above a door, 51cm high, 27.5cm square, elements 19th century

A Victorian walnut Davenport desk, hinged concave rectangular superstructure with three-quarter gallery enclosing stationery divisions, serpentine front writing slope with inset tooled and gilt writing surface enclosing a pair of blind drawers and three pigeonholes, the side with four drawers, blind to verso, ceramic casters, 85cm high, 56cm wide, 52cm deep, c.1860

A George III oak splay-fronted wall hanging corner cupboard, moulded cornice above a rectangular panel door enclosing shaped shelves, the base with spice drawer, flanked by blind conforming, 102cm high, 80cm wide, 44.5cm deep, c.1780

An 18th century oak blanket chest, hinged four panel top above a foliate blind fretwork frieze, re-lined interior, four panel front, stile feet, 67cm high, 128.5cm wide, 57.5cm deep

A Victorian mahogany Davenport desk, hinged sloping writing surface enclosing two small drawers, the left side with a slide and four blind drawers, the right with a hinged stationary drawer, above a slide and four graduated drawers, plinth base, 84cm high, 49.5cm wide, 49cm deep, c.1880

A George III mahogany bureau bookcase, outswept meandering dentil cornice above a blind fretwork capital and a pair of glazed doors enclosing three adjustable shelves, concealed blind fretwork drawer to apron, the base with a fall front enclosing a small barber-pole strung door, small drawers, pigeonholes and 'secret' compartments, above four long graduated cockbeaded drawers, swing handles, pierced bat wing escutcheons, bracket feet, 214.5cm high, 110cm wide, 60cm deep, c.1810

A set of four Chippendale Revival mahogany dining chairs, of broad proportions, each with a cupid's bow cresting rail above a shaped and pierced splat, stuffed-over upholstery, Chinese inspired 'blind fretwork' square forelegs, 94.5cm high, 59cm wide, the seat 41cm deep (4)

A George III mahogany bow front wall hanging corner cupboard, oversailing top above a pair of doors enclosing three shelves, the base with a small drawer flanked by blind conforming, 124.5cm high, 89.5cm wide, 49.5cm deep, c.1800

A George III oak chest on chest, outswept rectangular top with blind fretwork frieze above two short and three long graduated cockbeaded drawers, the base with three further long graduated cockbeaded drawers, swan neck handles, skirted base, bracket feet, 184.5cm high, 106cm wide, 53.5cm deep, c.1800

A George III mahogany Pembroke table, moulded oval top with fall leaves above a single frieze drawer, beaded ring handles, oval escutcheons pressed with a flowerhead boss, blind to verso, flanked by oval marquetry floral paterae, tapered square legs, outlined throughout with boxwood stringing, barrel casters, 71cm high, 57.5cm opening to 111.5cm wide, 85.5cm deep, c.1790

A Regency mahogany library table, rounded rectangular top with reeded edge above a frieze drawer to each short side, the long sides blind, turned handles, reed-banded column, sabre legs, brass capped casters, 72.5cm high, 109cm wide, 89.5cm deep, c.1820

A George IV Davenport desk, in the manner of Gillow of Lancaster, sloped sliding top with hinged writing surface, enclosing four small drawers, scribes drawer, slide and four further long drawers to side, blind to verso, bun feet, 85cm high, 50cm wide, 55cm deep, c.1825

A George III mahogany crossbanded oak splay fronted wall hanging corner cupboard, moulded cornice above a rectangular panel door inlaid with an oval shell patera, bat wing paterae to angles, enclosing shaped shelves, the base with small drawer flanked by a pair of blind, conforming, 120.5cm high, 77cm wide, 43cm deep, c.1800

A George III mahogany crossbanded oak Lancashire chest, hinged rectangular top with moulded edge above a row of three blind, one long and three short drawers, flanked by inset quarter-columns, brass swan neck handles, pierced brass batwing escutcheons, skirted base, bracket feet, 87.5cm high, 149.5cm wide, 54.5cm deep, c.1780

A Regency mahogany and brass marquetry rectangular library table, oversailing top above three frieze drawers, blind to verso, the locks stamped W Hampton, Turner's Patent, shaped end supports, sabre legs, brass lion paw casters, 73cm high, 129cm wide, 83cm deep, c.1820

A George III satinwood crossbanded mahogany Pembroke table, oval top with fall leaves above a single frieze drawer, blind to verso, brass ring handles, circular escutcheons, tapered square legs, outlined throughout with boxwood and ebony stringing, brass barrel casters, 71cm high, 50cm opening to 97cm wide, 77cm deep, c.1790

A George III mahogany longcase clock, 35cm arched brass and silvered dial inscribed Charles Edward Gillett, Manchester, Roman and Arabic numerals, subsidiary seconds and calendar dials, rolling moon phase to arch, twin winding holes, 8 day movement striking on a bell, the Gothick case with blind fretwork swan neck pediment and cluster-columns, lancet-arched door to waist, canted base with shallow bracket feet, 239cm high, c.1780

A William IV mahogany sofa table, rectangular top with fall leaves above a pair of frieze drawers, blind to verso, quadform scroll supports, splayed legs, brass casters, 69cm high, 94.5cm opening to 147.5cm wide, 66.5cm deep, c.1835

A George III oak and mahogany Lancashire chest, hinged rectangular top with moulded edge enclosing an open till and two small drawers, the front with two rows of three blind, three short and two larger drawers, flanked by imitation-inset reeded faux-pilasters, brass swan neck handles, skirted base, bracket feet, bears plaque for John Wood & Son Ltd, George Street, Altrincham, 112.5cm high, 185.5cm wide, 63cm deep, c.1780

A 19th century mahogany pedestal drum work table, circular top inlaid with a bat wing patera, above an arrangement of frieze drawers and blind conforming, turned pillar, cabriole legs, pointed pad feet, 80cm high, 28.5cm diameter

R. B. Kitaj (American, 1932-2007) 'Aviator', colour lithograph, numbered 8/100 and signed in pencil, blind stamped, 40.5cm by 40cm, unframed (a/f)

A pair of late 19th / early 20th century mahogany bookcases with blindfret frieze above two glazed panel doors enclosing three shelves on later short cabriole legs, 118cm together with a pair of similar bookcase cupboard bases by Hamptons, Pall Mall, London with carved gadrooned borders, two blind fret faced drawers with brass ring handles and two panelled cupboards, on bracket bases, 114cm

AN 18th C. MAHOGANY CHEST OF TWO SHORT AND THREE GRADED LONG DRAWERS BETWEEN GOTHIC BLIND FRET CORNERS AND ABOVE SHAPED BRACKET FEET. W 93 x D 48 x H 82cms.

A George III rectangular mahogany silver table with fretted gallery, blind fretted frieze and square pierced and chamfered supports, 34" wide x 23" deep

George Cunningham. Bank Holiday, limited edition colour print 22/250, signed, with blind stamp, 30cm x 42cm.

George Cunningham. Fitzlan Square, limited edition colour print 132/350, signed, with blind stamp, 30cm x 42cm.

George Cunningham. Attercliffe, limited edition colour print 479/500, signed, with blind stamp, 30cm x 60cm.

George Cunningham. Town Hall Square, limited edition colour print 209/250, signed, with blind stamp, 30cm x 42cm.

George Cunningham. The Moorhead, limited edition colour print 20/250, signed, with blind stamp, 30cm x 42cm.

A Royal Worcester part set, reproduction of the Blind Earl pattern, comprising pair of teacups and saucers, oval dessert dish, shaped circular plate, two smaller trinket trays, printed marks; a similar pair of reproduction The Duke of Gloucester Service shallow soup dishes, printed marks (8)

A collection of horse-related prints to include AFTER MICHAEL LYNE "The Grand National Canal Turn 1965", colour print, signed lower right, bears blind studio stamp, 54 cm x 66 cm, AFTER JULIET MCLEOD "Mill Reef ...", limited edition colour print No'd. 150/350, signed in pencil, 60 cm x 71 cm, together with "Brigadier Gerrard", limited edition colour print No'd. 64/150, signed in pencil lower left, AFTER GILBERT HOLLIDAY "The Old Double - Punches Town" and "The Downshire Wall - Punches Town", limited edition colour prints, both No'd. 320/850, 32 cm x 42 cm, AFTER ROSEMARIE CHAMBERS "Aintree - Red Rum ....3 x A Winner....", limited edition colour print No'd. 137/200, signed by artist lower right, DONALD MCCAIN "Tommy Stack and Brian Fletcher", together with "Aintree - Red Rum .... In a pensive mood", a pair and a further racing print

A modern mahogany chest on chest in the Georgian style, the moulded cornice above a blind fretwork frieze and five small drawers over three long drawers, the base with brushing slide over three long drawers flanked by carved canted pilasters, raised on carved ogee bracket feet, 98 cm wide x 49 cm deep x 180 cm high

A modern reproduction mahogany corner cabinet with blind fretwork carved frieze over two astragal glazed doors, raised on bracket feet, 70 cm wide x 184.5 cm high

LIMITED EDITION PRINT 276/500 OF SPRING DAFFODILS SIGNED IN PENCIL W.R. MAKINSON WITH A NORTHERN EDITIONS BLIND STAMP

HELEN BRADLEY (1900-1979); a limited edition colour print, 'On a Lovely Summer's Day', signed in pencil and with Fine Art Trade Guild blind stamp, published by Miss Carter Publications Manchester, limited edition of 850, 43 x 53cm, framed and glazed, together with four books of Helen Bradley's works, three of which are signed (5). (D)Additional InformationThe print with light browning/toning around the edge, the frame with minor scuffs.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

SIR WILLIAM RUSSEL FLINT; a sepia print, nude bathers cavorting in a river by a fallen tree, signed lower right and with Fine Art Trade Guild blind stamp lower left, 30 x 42cm, framed and glazed. (D)Additional InformationThe image is generally clean and bright. The frame with some scuffs.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

JOHN CARMICHAEL OF GREENOCK; an 18th century oak cased eight day longcase clock, the brass face set with silvered chapter ring bearing both Arabic and Roman numerals with two subsidiary dials, the mahogany case with blind fret and quarter column panels, raised on bracket feet, height 204cm, width 50cm.

An early 20th century mahogany bureau, the fall front enclosing single drawer and fitted interior above blind fret decoration and two drawers, raised on spade feet, width 75cm, depth 45cm, height 105cm.

WILLIAM MOORCROFT; a jardinière decorated in 'Pomegranate' pattern with a circling band of pomegranates against a mottled blue/green ground, impressed stamp and painted signature in green, height 17cm, (af),Additional InformationA large of the foot rim has been broken away and there is crazing throughout the base and to other areas of the body, there is a blind chip at the rim, a slight crack hairline crack at the rim, and with other glaze scratches, etc, the inside is grubby.

Two similar modern pine two-door blind panel wardrobes. (2)(B.P. 21% + VAT)

Postcards, a collection of 44 UK topographical and social history cards with RPs of Holborn Hill Millom 27th Jan 1940 (snow scene), Manston Gardens Crossgates, Blue Dell Lane Huyton, High St Doncaster, The Meadows Shoreham (Kent), Ramsden Square Barrow, Belton Peace Celebrations 4th Aug 1919. Also charabancs, pillow fight, industrial training homes for crippled and the blind, printed cards of orphanages and 'homes' (mainly gd)

Postcards, a fine Sussex collection of approx 160 cards with many street scenes and villages. RPs include Handcross village, Tourist boats at Houghton Bridge, Muntham House Barns Green, Brook Wisborough Green, Rottingdean, Pett Rectory, Hurst Rd Horsham, Southease nr Newhaven, Northiam, Crossroads Laughton, Square Glynde, School Hill Lewes, Devonshire Place Eastbourne, War Memorial Eastbourne, Offham, Queens Hall Cuckfield, Sedlescombe, Itchingfield Rectory, Cliff End Pett, Bolney etc. Also many good printed street scenes and villages, pubs at Forest Row (RP The Chequers), printed Half Moon Kirdford, Ship Inn Itchenor, Woodman Graffham, P.O 'The Stores' Dallington, Rail station exterior Bognor, Brighton Motor Bus, Brighton celebrities (Brandy Balls, Blind Harry, Shoesmith) etc (mainly gd)

ROYAL DOULTON "RONDELAY", PART DINNER SERVICE (as photographed) and four Royal Worcester 'Blind Earl' ramekins

George III mahogany chest on chest, the top with with dentil moulded cornice and blind fret frieze, two short over three long graduated drawers between fluted canted angles, the base with three long graduated drawers on bracket feet, 116cm wide x 60cm deep x 185cm high

Three Herend dessert plates including pair Blind Earl-type plates