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An Edwardian mahogany student's bureau bookcase, the top with a pierced surmount above a pair of glazed doors, the fall flap and single drawer with blind fretwork decoration above two shelves to base (faults).

A late 19thC mahogany display cabinet with blind fret work decoration and astragals in the Chippendale manner, a two door cabinet on stand with square taper legs, 43" wide.

A green painted hanging corner display cabinet, the blind fretwork cornice over astragal glazed door, enclosing single shaped shelves, 44 cm wide.

A 19th Century and later standing pine corner display cabinet/cupboard, the astral glazed doors enclosing a pair of shaped shelves, over a pair of blind doors, raised on shaped bracket feet, 207 cm high.

After SYDNEY E WILSON - Portrait of a Young Lady, coloured mezzotint pub. Vicars Bros, London 1913, blind stamp to margin and signed in pencil by the artist, and another similar, a pair, in decorative gilt frames with ribbon tie finials, 33cms x 27cms (2)

A MAHOGANY LONGCASE CLOCK, Jas ROUGH, Kircaldy, the 33.5cms broken arch painted dial signed in the centre as above, with Roman numerals, subsidiary seconds and calendar dials, spandrels representing the Continents, the arch with the seated figure of Britannia, the four pillar movement with anchor escapement, rack striking on a bell, the case with moulded pediment, blind fret carved frieze, fluted pillars, long trunk door flanked by fluted pilasters and panelled plinths, 200cms high (with pendulum, weights and key)

AN OAK LONGCASE CLOCK, Jno SPILLER, Wellington, the 30.5cms (12") square painted dial signed as above, with Roman numerals, Arabic five minute intervals, seconds dial and calendar aperture, and with foliage and flowerhead spandrels, the four pillar movement with anchor escapement, mounted upon a false dial plate, striking on a bell, the case with stepped pediment, blind fret carved frieze, long trunk door and plain plinth, 195cms high (with pendulum, weights and crank winding key)

A WILLIAM AND MARY WALNUT LONGCASE CLOCK, the dial signed "John Drew Londini", the silver chapter ring with Roman numerals, with subsidiary seconds dial and date aperture, with an eight-day five pillar movement striking on a bell, the flat topped hood with a moulded border above a panel of blind fretwork, the dial flanked by ebonised spiral turned columns, the trunk door with a glass lenticel and geometric stringing, on a conforming base with small bun feet, 79" high.

A GEORGE III STYLE MAHOGANY TIP-TOP OCCASIONAL TABLE, the circular top with a blind fret carved border, on a vase-turned column and three downswept cabriole legs with leaf-carved knees and pad feet, 24" wide.

Frank Algernon Stewart signed print in glazed frame - Craven Hounds cub hunting Hollered away from Arlington, with FATG blind stamp, signed in pencil, 20cm x 29cm

George III mahogany chest on stand with dental cornice, three short and three long graduated drawers with original gilt brass swan neck handles flanked by canted blind fretwork corners on later stand on cabriole legs and claw and ball feet, 120cm

A 1920's solid dark oak bookcase, enclosed by a pair of doors with blind fret detail, on bulbous front supports, 3ft.

A George III eight day longcase clock, signed Williams and Nicholas, Birmingham, square brass dial with subsidiary seconds and date aperture, in oak case with blind fret decoration to pediment, front door with inlaid arch, 6ft. 8in.

An 18th Century & Later Giltwood Console Table. The replacement rectangular marble top measuring 38 ins x 19½ ins above a decorative frieze of blind-fret carved waves centred by a shell motif, resting on an imposing carved gilt-wood eagle with outswept wings perched on a swirling cloud painted black above a square plinth base, 33½ ins (85 cms) in height.

A Fine Mahogany Secrétaire Bookcase Attributed to Gillows Circa 1840. The upper glazed section with a scrolled & pierced pediment surmounted by a carved vase finial above dentil moulding & a blind-fret carved frieze over two astrigal glass doors enclosing shelves sliding into side grooves. The base section having a secrétaire drawer opening to reveal a leather insert, pigeon holes & drawers above two wide centre drawers flanked by small side drawers over a long base drawer on swept bracket feet. The flame figured drawer fronts edged in cock-beading and fitted with original locks & gilded ring handles. 101 ins (256 cms) in height, 42 ins (107 cms) in width, 20 ins (51 cms) ins maximum depth.

A George IV Mahogany Server Circa 1825, Attributed to Gillows, of fabulous quality & fine timbers. The moulded solid mahogany one-piece top surmounted by an entablature carved with a marriage crest flanked by a blind fret- carving. The fret-carving repeated along the frieze and centred by a small panel enriched with a cluster of swagged flowers & foliage. Standing on wonderful, imposing cabriole legs with foliate crested C-scrolls adorning the inner hips, acanthus lappets to the outer hips leading down to voluted scroll feet raised on square plinth terminals. 54 ins (137 cms) wide, 27 ins (69 cms) deep and 46 ins (117 cms) in height.

An early 20th century mahogany breakfronted display cabinet, the sunken centre section with blind fretwork carved frieze over two acanthus carved astragal glazed doors over a acanthus and line drape carved frieze and two cupboard doors with wave carved bases, flanked by two taller side cabinets with carved pediments over astragral glazed doors enclosing glass shelving over two further small cupboard doors, raised on shell and acanthus carved bases to cabriole legs and claw and ball feet, 186 cm wide x 197 cm high

An Edwardian mahogany blind fret decorated sideboard having brass rail above rectangular top and three inline drawers with cupboard to each pedestal on bracket feet, 175cm wide.

Edwards & Roberts, an Edwardian mahogany chiffonier bookcase, having urn finials and fret work gallery over rectangular plate, within simulated bamboo stiles, base fitted with two blind fret carved drawers and honeycomb barred glazed doors above an under tier, on turned feet, 92cm wide.

After Jean-Honoré Fragonard BLIND MAN'S BUFF panel, 40 x 32cm, unframed After the picture of 1755-56 in the Toledo Museum of Art. ++A late 19th c copy, on cradle panel, the varnish in need of cleaning

A Welsh George III oak longcase clock, the brass dial with silvered centre and chapter ring signed Danl Williams BUILTH, with subsidiary seconds dial, date aperture, engravings above both winding apertures, rococo spandrels and eight day movement, the case with cavetto cornice to the flat topped hood, the trunk with blind fret carved foliage and ogee arched door, 206cm h Daniel Williams (1776-1853), Clockmaker of Builth Wells, Breconshire. ++The movement recently overhauled and cleaned, the upper part of the hood and base of the trunk altered/repaired

A Northern European gothic revival oak cupboard, the front carved with blind tracery and three shields of arms, the doors with elaborate pierced iron hinges and lockplate above a full width drawer with five foliate motifs and crocketed apron, on massive moulded stiles, the sides with linenfold or other carved panels, 111cm h; 123 x 54cm, c1880. ++One or two faint old ring and other stains on the top but in otherwise excellent original condition

A George IV mahogany sofa table, the frieze with a central drawer and opposing blind drawer, the hollow sided pillar on concave platform and four splayed legs with brass paw castors, 75cm h; 131 x 70cm. ++The top repolished; iron strap repairs to the underside of the platform, this and the legs repolished

Sir William Russell Flint, R.A. (1880-1969), Mademoiselle Sophie, Collotype, Published 1993, Signed in the plate, blind stamp, 564/850 in pencil, 43cm x 61cm, Mounted, unframed

Lyall, Robert. Travels in Russia, the Krimea, the Caucasus, and Georgia, two volumes, for Cadell, London 1825. Full crimson calf, octavo; and Ross, Sir John. Narrative of a Second Voyage in Search of a North-West Passage, and of a Residence in the Arctic Regions during the years 1829, 1830, 1831, 1832, 1833, Hodgson, London no date. Original blind-stamped brown cloth, engraved plate illustrations, octavo, (3).

A George III mahogany sofa table, circa 1810, with D-shaped leaves and broad crossbanded border, two drawers and two blind frieze drawers above flat end supports joined by a turned stretcher, the reeded splayed legs with brass paw socket castors, 71cm high, 87cm wide (closed), 73cm deep (faults)

An Edwardian mahogany rectangular display table in Chippendale revival style, circa 1910, with glazed hinged lid and sides, the square blind fretwork legs with pierced brackets and galleried incurved undertier, 75cm high, 76cm wide, 45cm deep

A William and Mary style eight day walnut veneered longcase clock, the 10 inch square brass and silver dial with chapter ring of Roman and Arabic numerals, centred subsidiary seconds dial and date aperture, the brass back plate engraved 'Henry Jones in the temple', the eight day movement striking on a single bell, the hood with blind fret frieze over three quarter spiral turned front corner hood pilasters above a quarter veneered rectangular long trunk door on a box base and four compressed bun feet, 192cm high

Fleming (Ian). Goldfinger, 1959, Cape, first edition, black cloth with gilt spine lettering and gilt eyes on blind-stamped skull to upper board, dust wrapper

Fleming (Ian). Thunderball, 1961, Cape, first edition, dark brown cloth with gilt spine lettering and blind-stamped skeletal hand to upper board, dust wrapper; id., You Only Live Twice, 1964, first edition, black cloth with silver spine lettering and gilt Japanese lettering to upper board, dust wrapper (2)

Backhouse (James). Select Family Memoirs, 1831, York, 'not published', a.e.g., blind-stamped morocco (wear to edges), John C. Backhouse's copy; A Short Account of John Backhouse, of Beech Wood, Darlington, 1847, York, limp cloth (2)

An early 19th century mahogany longcase clock, the pagoda top hood centred with a blind fretwork panel and three acorn finials above reeded columns, the circular 16 inch enamel dial signed "Reynolds Spalding" with seconds dial and Roman numerals, with 8 day four pillar movement, the trunk with reeded quarter pilasters, raised on a rectangular plinth and short bracket feet, door loose, some damage to plinth veneer, 240cm high

John May London, an 18th century and later walnut longcase clock, the hood with gilt wood figure finials adorning the caddy top, with blind fret panels and glazed side panels, the 12 inch break arch brass dial with engraved calendar aperture and seconds dial to the matted centre and signed "John May London" to the lower chapter ring, with mask spandrels and moon dial to the arch, with 8 day five pillar movement chiming on a nest of 6 bells, the broken arch trunk door with oval lenticle over a canted rectangular plinth, (case probably Dutch, alterations to movement) 242cm high

A pair of 18th century Worcester 'Blind Earl' pattern green painted sweetmeat dishes, 1765-70. each of circular scalloped form with a branch form handle terminating in moulded flower buds, the well with moulded leaf decoration and painted in green with pears, plums, flowers and leaves (2). 16cm wide . Note: this design of dish originated at the Chelsea porcelain factory and was produced by Worcester from the 1750s. In the 19th century the pattern was named after the Earl of Coventry who lost his sight in a riding accident. He ordered a service in this pattern so that he could feel the raised decoration.

A George III mahogany linen press. key pattern, blind fretwork and cavetto moulded cornice with inlaid quatrefoils, two panelled doors with boxwood stringing and cross banding, two short and two long drawers below with lacquered brass bail handles, bracket feet (lacking slides). 126cm wide, 194cm high

A Sheraton period mahogany, satinwood and tulipwood crossbanded Pembroke table. the oval top with bowed frieze drawer with ring handles and opposing blind drawer, on square tapering gaitered legs ending in brass scoket castors, the whole inlaid with box and ebony lines. 93cm wide (flaps up), 73cm high, 76cm deep

A George III mahogany chest-on-chest. the broken arched triangular pediment carved with rocaille, open trelliswork and blind fretwork around a dentil frieze, above two short and six long graduated drawers, with rocaille cast handles, divided by a central brushing slide and flanked by blind fret carved canted upper angles, on a gadrooned apron with distinctive relief carved inscrolling ogee bracket feet. 120cm wide, 211cm high, 59cm deep

A George II mahogany linen press. the broken triangular pediment with egg and dart, rocaille and key fret mouldings flanking a central pine cone finial above a blind fret carved frieze, the two rosette carved panel doors enclosing hanging space, the lower section with leaf carved edge and two simulated short drawers above two long caddy moulded drawers with brass drop handles, on carved apron and scroll carved bracket feet. 132cm wide, 230cm high, 64cm deep

A set of three George III mahogany bell carved dining chairs. In the manner of Alexander Peter. the reeded yolk- shaped top rails decorated with husks and a rocaille cartouche enclosing a bell motif, the entrelac splats above floral gros point needlework drop in seats with caddy moulded and blind 'guilloche fret' carved rails, on chamfered square section legs united by pierced H-stretchers (3)

A GEORGE III MAHOGANY TALLBOY in two parts, fitted two short and six long graduating drawers with blind fret work, canted corners and cornice and on bracket feet, 45" wide.

Laurence Stephen Lowry, R.A. (1887-1976) 'THE LEVEL CROSSING (BURTON ON TRENT)' Limited edition reproduction, signed in pencil, published by Henry Donn 1973, from an edition of 850, with Fine Art Trade Guild blind stamp, image 41.5 x 57cm

Laurence Stephen Lowry, R.A. (1887-1976) 'FERRY BOATS' Limited edition reproduction, signed in pencil, published by Venture Prints Ltd 1972, from an edition of 500, with Fine Art Trade Guild blind stamp, image 30.5 x 40.5cm

Laurence Stephen Lowry, R.A. (1887-1976) LANDSCAPE WITH FARM BUILDINGS Limited edition reproduction, signed in pencil, published by Venture Prints Ltd 1974, from an edition of 850, with Fine Art Trade Guild blind stamp, image 50 x 40cm

Laurence Stephen Lowry, R.A. (1887-1976) 'TWO BROTHERS' Limited edition reproduction, signed in pencil, published by The Adam Collection Ltd 1972, from an edition of 850, with Fine Art Trade Guild blind stamp, image 61 x 30.5cm

Laurence Stephen Lowry, R.A. (1887-1976) INDUSTRIAL SCENE Limited edition reproduction, signed in pencil, published by Venture Prints Ltd 1974, from an edition of 850, with Fine Art Guild blind stamp, image 34.5 x 24.5cm

A mahogany elbow chair, in the Chinese Chippendale style, with fret cut arms on chamfered square blind fret cut front legs

A French gilt brass carriage clock, with a platform cylinder escapement and an opaque dial inscribed '_etfink & Co, London, Made in Paris,' with a champleve enamel face, the case with blind fret friezes, 6.25in (16cm) h; winding key

Daniel Quare, London. A Queen Anne month going marquetry longcase clock, with five ringed pillars and striking on a bell, with a 12 inch square brass dial and silvered chapter ring inscribed 'Dan Quare London', the matt centre with subsidiary seconds dial and date aperture having blued steel hands, with cast crown and cherub pierced spandrels, the walnut veneered case with floral marquetry panels with an ebonised ground, the hood with a tiered caddy top and blind fret friezes with corner pilasters, the rectangular trunk door with a replaced glass lenticle, the sides banded and inlaid stringing, the base panel to a moulded edge plinth, 93.5in (237cm) h; pendulum, two weights. Daniel Quare was born in Somerset in 1647 and became a Free Brother in the Clockmakers' Company in 1671 and a Master in 1708. He was a strict Quaker and refused to accept the prestigious position of clockmaker to King George I on account of not wishing to take the oath of allegiance. He was, however, received at the palace and allowed to enter by the back stairs. He died at Croydon in 1724.

Five Chinese export ivory fans, early 19th Century, each finely carved and pierced, two with Chinese figures in landscape; one with carved spines in French, 'Si vous aimez ce que J'aime', one with an initialled shield, another with a blind shield, two with loss mounted in a single gilt frame, 37 x 182cm

Josef Herman (1911-2000)-Colour lithograph, "First Star" depicting a figure riding a donkey with a companion, signed and numbered 56 of 100 in pencil, image 35cm x 42cm, Curwen CP blind stamp, unframed.

* Albert Irvin (b1922)-Screenprint "Ranelagh" mixed colour palette, pencil signed and dated 93, edition 125/225, CC blind stamp, 47cm x 64cm, unframed.

* Banksy-Screenprint, "Soup Can", unsigned, numbered in pencil 110/250, "Pictures On Walls" blind stamp, 49cm x 34cm, framed.

* Banksy-Screenprint, "Grannies", "Pictures On Walls" blind stamp, numbered 15/500, image 48cm x 68cm, framed.

An oak cutlery box with single blind fretwork decorated drawer and standing on paw feet, 24" wide.

19th Century mahogany secretaire bookcase having a moulded cornice and fitted four adjustable shelves enclosed by pair of glazed panelled doors having reeded arched tracery, the lower section with secretaire drawer having fitted interior with ivory knobs, the cupboard fitted three sliding trays enclosed by a pair of blind panel doors on plinth base, 127cm wide x 234cm high

Victorian mahogany bookcase, the upper section fitted four adjustable shelves enclosed by a pair of glazed doors, the base fitted two blind panel doors and standing on a plinth base, 134cm wide

Victorian mahogany tray top bedside cupboard enclosed by a blind panel door with turned handles, standing on four ring turned tapered supports

Victorian inlaid figured walnut serpentine front credenza with ormolu beading, the centre enclosed by a blind panel door flanked by glazed panel doors, 151cm wide

George III mahogany longcase clock, the hood having a swan neck pediment with blind fret decoration and with reeded columns, trunk with long door and standing on bracket feet, arch shaped engraved brass dial with Roman numerals, subsidiary seconds dial and calendar aperture, signed Robert Alexander, Leith, eight day striking movement, 216cm high

First period Worcester porcelain 'Blind Earl' pattern dish typically having moulded rosebuds and leaves and decorated in polychrome with insects, 19cm diameter