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A child's joined oak Wainscott chair, in the 17th century style, probably Victorian but recently restored, having blind carved panelled back, seat w.55cm

A Victorian mahogany wall cabinet, having a blind carved frieze over twin glazed doors, enclosing velvet lined interior and three plate glass shelves over three base drawers, the lower section fitted with two short and three long graduated drawers with cast brass handles, w.94cm, d.35cm, h.193cm

An elegant Mahogany 'X' framed open armed Armchair having carved and blind fretworked decoration, the arms terminating in ferocious lion mask, the front cross-over having a carved cherub mask, the finials to the back in the form of vicious beasts heads, the suspended seat being in deep red velvet, 23'' wide x 34'' high x 20'' deep.

Gering, Andreas -- "Das Sturmlied"Radierung und Aquatinta in Dunkelblau auf Japan. 1917.25 x 18 cm (34,7 x 27,4 cm).Signiert "A. Gering", datiert und betitelt.Prachtvoller Druck mit Plattenton und blind mitdruckender Facette, mit Rand. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Orlik, Emil -- Frau, sich die Haare waschendRadierung in Rotbraun auf Velin. 1911.23,7 x 18 cm (33 x 25,1 cm).Signiert "emil Orlik" und datiert.Glöckner 1992, 146.Hervorragender Druck mit zarttonigem Plattenton und blind mitdruckender Facette, mit Rand. – Beigegeben: Vier weitere (drei signierte) druckgraphische Arbeiten von Emil Orlik, die Radierungen "Weiblicher Akt", 1913 (Glöckner 1992, 154) und "Liegender weiblicher Akt mit erhobenen Armen" (nicht bei Glöckner) sowie die Lithographien "Liegender weiblicher Akt mit verschränkten Armen", aus: "Erinnerungen an Hiddensee", 1919 (Glöckner 1980, 173a) und "Stehender weiblicher Rückenakt" (nicht bei Glöckner). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Kollwitz, Käthe -- Stehende Mutter, ihr Büblein fütterndStrichätzung und Aquatinta auf graugrünlichem Kupferdruckpapier. 1928.20 x 15 cm (38,2 x 29,3 cm).Signiert "Kollwitz", zudem vom Drucker Otto Felsing signiert.Knesebeck 242 III c (von IV b).Aus der Auflage bei von der Becke in den 1930er Jahren. Prachtvoller, äußerst gratiger Druck mit zartem Plattenton und blind mitdruckender Facette, mit breitem Rand. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

An Edwardian mahogany square top occasional table with blind fretwork.

After Phil May, a limited edition artist's proof print, 9/20, action studies Von Brauchitch and the GP Mercedes victory at Reims, signed in pencil to the margin, with blind back stamp, mounted.

Bancroft, Hubert Howe, The Book Of The Fair An Historical And Descriptive Presentation Of The World's Science, Art and Industry, as Viewed through the Columbian Exposition at Chicago in 1893, Fin de Siecle Edition Limited to Nine Hundred and Fifty Copies, this copy is Number 121, Sections 0ne - Ten, with Presented to Farleigh Dickinson University Library by Charles L. Ragot label to endpaper and blind stamp to the title page. (10)

18TH CENTURY OAK CROSSBANDED 30-HOUR LONGCASE CLOCK, Humphrey Morgan, 10inch signed brass Roman and Arabic dial with silvered chapter ring, pierced brass spandrels, matt centre, square hood with cavetto cornice and blind fret frieze, four turned pillars, shaped crossbanded door, square base, 204cms high Condition: back board base damaged, top of boards with metal bracket repairs,pendulum arm broken,

HERBERT DICKSEE R.E. (1862-1942) an original artist proof etching - 'Ready', A Wire Haired Fox Terrier, signed with initials and dated 1928 in the print, signed in pencil, various blind stamps, labels verso for Charles Nicholls & Son, Manchester, and with full title details, 36 x 56cms Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: paper slightly browning in the margin adjacent to mount.

Valerie Thornton, 1931-1991, Lavenham, signed print, and numbered in pencil 17/250, with gallery blind stamp, together with a map of Paris, print (2)Lavenham 35 x 47cm

David Gentleman, b1930, The Seven Sisters, signed limited edition print, numbered 12/350 in pencil, with gallery blind stamp, 39 x 50cm, together with another of Ickworth, signed in pencil and numbered 69/350 (2)

John Cyril Harrison, (1898-1985), Partridges in flight over a cornfield, coloured print, signed in pencil to the margin, 41 x 53cm, together with Roland Green, (1890-1972), Canadian Geese in flight, coloured print, signed in pencil to the margin and with gallery blind stamp, 38 x 55cm. (2)

ROWLAND HILDER (1905-1993): A framed and glazed limited edition print, "The Mill at Harlow, Essex". Pencil signed and No. 87/150, blind stamped. Image size 43cm x 60cm

An 18th Century flame mahogany longcase clock with blind fretwork detail to hood. 12" square brass dial with Roman/Arabic silvered chapter rings and pierced steel hands with calendar wheel, signed Benjamin Anns, Highworth. 8 day movement with rack and snail striking a bell, of four pillar construction with recoil anchor escapement. With keys, pendulum and weights, 216cm high, case a/f in places

A mid-Victorian lady's drawing-room friendship album, the property of and compiled by/& for Jenny Townsend [? of Attleborough House] from 2nd September 1862, gilt-illuminated and hand-scrivened vellum title-page: Album, within a Gothic architectural frame, eclectically illustrated and inscribed with a herbarium page with a pressed and dried marine botanical specimen, two b/w photographs of Attleborough From breakfast room and View from Hall door onto the garden with seated figures, photographic prints of European topography, well-executed watercolours and pencil drawings of still lives of flowers, portraits, topography, and typical genre subjects, a few earlier engravings, original verse, prose, and sentiments in ink MS, corresponding selections from literature, some sincere wishes of Townsend relations and friends, some stiff card leaves elaborately embossed as frames and enclosing tipped-in original art work (some in miniature) and parlour games & related ephemera, the majority of leaves colour paper, etc., contemporary blue roan gilt (rubbed), all-edges gilt, foliate endpapers, 4to, (1); another, probably the same owner as the last, partially-filled, including 3 herbarium leaves of dried and preserved botanical specimens, etc., finely bound in green morocco, each cover embossed with a scrolling foliate frame and enclosing gilt-blocked anthemions, within gilt dogtooth and fillet borders, gilt-lettered spine, all-edges gilt, foliate, endpapers, 4to, (1); another similar, Lilly Borton, 1853, with tipped-in printed and cut-card Christmas and greetings cards, contemporary leather, elaborately tolled in blind and gilt, 4to, (1), [3]

Bindings - Scotland, Theology, Bonar (The Rev. Andrew, editor), Letters of Samuel Rutherford, With Biographical Sketches of His Correspondents, With Sketch of His Life, first and only edition, two-volume set, Edinburgh: William P. Kennedy, 1863, uniformly bound in contemporary Gothic Revival black morocco, the bevelled boards panelled in blind with a double-fillet border, the angles enclosing quatrefoils gilt, the spines gilt-lettered and tooled within raised bands, all-edges gilt, marbled endpapers, 8vo, [2]

Germany, Saxony, History and Antiquities - Abel (Caspar), Teutsche und Sächsische Alterthümer [...], two-volume set bound as one, Braunschweig [Brunswick]: L. Schröders, 1729-1730, pp: [2] (blank), frontispiece panorama, [xiv], 512; allegorical map frontispiece, [xiv], 736, [2] (blank), foliate initials, Baroque woodcut still life ornamental footers, rebacked and relayed spine over contemporary calf boards, red-specked edges, 8vo, [1]Provenance: 1) Johannes Holtmann, 19th century blue ownership stamp to first title-page; 2) Liverpool Free Public Library, blind-blocked lower-cover and their bookplate to recto pastedown.

KJV, The Holy Bible [...], London: Printed by George E. Eyre and William Spottiswoode, [n.d., c. 1850], Queen Victoria's royal arms on title-pages, separate New Testament title-page, black-ruled throughout, printed in parallel columns, two pages with 4 maps of the Holy Land printed in colours, contemporary black roan, blind-ruled, gilt-lettered spine, all edges gilt, 4to, (1); The Book of Common Prayer [...] Together with the Psalter or Psalms of David [...], London: G.E. Eyre and W. Spottiswoode, [n.d., c. 1860], black-ruled and printed in parallel columns, contemporary gilt-metal mounted brown roan by Barritt & Co., stamped, 32mo, (1), [2]

Miscellaneous - [Walker (Albert)], "The Road:" Leaves from the Sketch-Book of a Commercial Traveller, by "The Whistling Commercial", third edition, London: Smart & Allen, [1877], contemporary cloth, 8vo, (1); Guy's Pocket Cyclopædia [...], eighth edition, London: Printed for Baldwin, Cradock, and Joy, 1817, contemporary quarter-calf, 8vo, (1); Cookery, Soyer (Alexis), The Modern Housewife [...], Comprising Nearly One Thousand Receipts [...], New-York: D. Appleton & Company, 1851, rebacked blind-stamped calf, 8vo, (1); Sutcliffe (G. Lister, editor), The Modern Carpenter Joiner and Cabinet-Maker: A Complete Guide to Current Practice, Volumes I-VI & VIII only, London: Gresham, 1902 onwards, full-page plates and in-text illustrations, contemporary cloth, crown folios, (7); another copy of volume II, (1); freemasonry, travel, theology, (3), [14]

Miscellaneous - Lord Chesterfield's Letters, four-volume set, seventh edition, London: J. Dodlsey, 1776, rebacked, relayed contemporary calf boards, 19th century ink MS ownership inscriptions, 8vo, (4); Teignmouth (Lord), Memoirs of the Life, Writings and Correspondence of Sir William Jones, sixth edition, London: J. Hatchard, 1815, portrait frontispiece, rebacked contemporary calf gilt, later 19th century ownership inscription, 8vo, (1); Magee (William, D.D.), Discourses and Dissertations on the Scriptural Doctrines of Atonement & Sacrifice [...], two-volume set, third edition, London: T. Cadell and W. Davies, 1812, contemporary polished calf, blind and gilt, marbled edges and endpapers, 8vo, (2); Paley (William), The Principles of Moral and Political Philosophy, two-volume set, sixth and fifth editions respectively, London: J. Davis, 1788, contemporary calf, blind and gilt, marbled edges and endpapers, 8vo, (2); Buckingham and Chandos (The Duke of), Memoirs of the Court and Cabinets of George the Third, two-volume set, London: 1853, contemporary straight-grained morocco gilt (rubbed, worn), marbled edges and endpapers, crested bookplates of Archdeacon Richard Lane Freer to each pastedown, along with his 1863 bequest label and the country house book label of E.R. Dowdeswell and the library at Pull Court, Worcestershire, later ex-lib stamps, 8vo, (2); [Ovid], Publii Ovidii Nasonis Metamorphoseon [...], [London]: J. Knapton [...], 1737, title printed in red and black, contemporary calf, 8vo, (1); Walker's Key to Classical Pronunciation [...], ninth edition, London: 1830, contemporary calf, 8vo, (1); Tooke (Andrew), The Pantheon [...], London: 1806, 20th century calf over marbled boards, 8vo, (1); The Loeb Classical Library, various Greek works with parallel English text, (8); Parker's ABC of Gothic Architecture, third edition, Oxford: 1882, full-page engravings, contemporary cloth, square 8vo, (1); belles-lettres, classics, theology, history; etc., [27]

Miscellaneous - Travel, Addison (Joseph), Remarks on Several Parts of Italy, &c., In the Years 1701, 1702, 1703., London: J. and R. Tonson, 1767, illustrated with in-text illustrations of ancient coins, contemporary speckled calf, gilt spine, later 19th century crest bookplate: A.E. Morgan, small 8vo, (1); The Continental Tourist [...], Illustrated with [...] Engravings on Steel, of the Most Interesting European Scenery, first edition, London: Black and Armstrong, [n.d., 1850], contemporary cloth (spine chipped), 8vo, (1); Italy, from the Alps to Mount Etna [...], With One Hundred and Sixty-four Illustrations, London: William Glaisher, 1903, pictorial cloth as issued, 4to, (1); Natural History, Darwin (Charles), On the Structure and Distribution of Coral Reefs [...], with Portrait, Maps, Plates, and Numerous Illustrations, Londno: Ward, Lock & Co., [n.d., c. 1900], blue cloth gilt, 8vo, (1); Cowper (William), Poems, two-volume set, Chiswick: Printed by C. and C. Whittingham, 1824, contemporary blind and gilt-tooled tan calf, marbled edges and endpapers, contemporary pink bookseller's ticket: H. Sotheran, Bookseller, York, 12mo, (2), [6]

Travel and Languages- Wallace (Alfred Russel), A Narrative of Travels on the Amazon and Rio Negro, with an Account of the Native Tribes [...], first edition, London: Ward, Lock and Co., 1889, b/w plates, contemporary Mineria Library series cloth, 8vo, (1); Forbes (Duncan), A Smaller Hindustani and English Dictioary: Printed Entirely in the Roman Character [...], London: Crosby Lockwood and Son, [n.d., 187?], contemporary cloth, blind-lettered upper-cover, red-speckled edges, square 8vo, (1); Arnold (Sir Edwin), India Revisited, first edition, thus, London: Trübner & Co., illustrated, green cloth, 8vo, (1); Provincial Ayrshire Imprint, Jeanie Gilchrist, Pioneer Missionary to the Women of Central Africa, first and only edition, Kilmarnock: John Richie, [n.d., 1927], green cloth, 8vo, (1); Dyer's Rome, second edition, London: 1883, cloth, 8vo, (1); Jónsson's Primer of Modern Icelandic, first edition, Oxford: 1927, blue cloth, 8vo, (1); Biblioteca Elemental Para La Instruccion de la Juventud Española, Paris: Didot, 1846, contemporary Spanish calf, 12mo, (1); etc., [10]

A 19th century Gothic Revival oak wall mounted country house post box, shaped cresting, moulded cornice above a rectangular door with letter aperture and carved blind tracery panel, 105cm high, 31cm wide, c.1880

Early 20th Century mahogany Chippendale Revival serpentine chest of drawers, the four graduated long drawers with cast handles between blind fretwork to canted corners, 91cm x 51cm x 81cm highCondition report: Good clean condition. Top is serpentine sided but side panels are straight. Clocks, Watches, Musical boxes and other mechanical itemsWhilst we endeavour to mention losses or alterations where obvious, we do not guarantee the movement or accuracy of any mechanical items in the sale and our assessment is purely cosmetic.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

George III-style mahogany kneehole desk, circa 1900, with blind-tooled skiver over two short drawers, recessed cupboard and two banks of three graduated drawers between canted corners on bracket feet, 105cm x 61cm x 77cm highCondition report: Plugged holes where previously had knob handles. Repolished some years ago. Otherwise sound. Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

A longcase clock, the 28 cm square brass dial signed Fabn Robin Londini Fecit to the silvered chapter ring having Roman numerals, the matt centre with subsidiary seconds dial and with gilt brass spandrels, fitted an eight day five pillar movement striking on a bell, in a case veneered in walnut and with floral marquetry decoration, the hood with a blind fret frieze panel above a glazed door flanked by barley twist columns, the base on a plinth, 204 cm highMovement does not appear to have run in some time, the wire is tangled, looks to have previously been restored, with a later plinth base possibly, some splits as usual, from a client with whom we have been selling his clock collection for over many years, lovely proportions, with two brass cased weights and a winding key, and a pendulum, the trunk door with a slight bow

NO RESERVE South Asia.- Landon (Percival) Nepal, 2 vol., first edition, colour frontispieces, 13 plates, illustrations, 5 maps (4 folding), 3 large folding tables, cracked hinges, ex-library with bookplates and blind-stamps, original cloth, rubbed and worn, chipping and loss to spine extremities, shelf-mark in gilt to spine foot, 8vo, 1928.

NO RESERVE World.- A Series of Maps, Modern and Ancient ... under the supervision of the Society for the Diffusion of Useful Knowledge, 61 hand-coloured engraved maps, some duplicates, many with tissue repairs, contents leaf with large loss (tissue repairs), original paper wrappers to several parts, many laid down on tissue or linen, loss to edges, disbound, Charles Knight, 1845-47; The Stars in Six Maps, 6 hand-coloured maps, tissue repairs, loss to title foot affecting imprint, [Charles Knight], n.d., ex-library with labels to map verso, occasional blind-stamps, occasional pencil and ink annotations to covers, housed in a modern drop-back box, small label to spine, slight bumping to corners, folio; sold as a series of maps, not subject to return

World.- Howitt (William) The History of Discovery in Australia, Tasmania, and New Zealand, 2 vol., second edition, title trimmed at top corner, short tear to title (vol. 2 only), 3 folding maps, ex-library with bookplates and ink-stamps, occasional faint spotting, original cloth, labels to upper covers, rubbed, small loss to spine head (vol. 1), bumping to corners and extremities, 1865 § Beckford (Peter) Familiar Letters from Italy, to a Friend in England, 2 vol., first edition, half-titles, ex-library with blind-stamps, abrasion marks to front free endpapers where labels removed, spotting, later morocco-backed boards, blind-stamps to upper covers, slight bumping to corners, Salisbury, 1805; and 11 others travel, including 4 19th century Hakluyt Society titles, 8vo (15)

Africa.- Burton (Sir Richard Francis) Zanzibar; City, Island and Coast, 2 vol., first edition, half-titles, wood engraved frontispieces and 9 plates, large folding map, short tear with neat repair, 4 route maps, frontispieces, titles and final leaves all laid down, one or two neat marginal pencil notes, occasional faint blind-stamps, occasional faint spotting, near contemporary half-morocco, rebacked with original spine laid down, [Penzer pp.88-89], 8vo, 1872.

Africa.- Laird (Macgregor) & R.A.K. Oldfield, Narrative of an Expedition into the Interior of Africa, by the River Niger, 2 vol., first edition, 6 aquatint plates, 1 map, ex-Royal Service Institution Library with occasional blind-stamps, modern half-morocco, 8vo, 1837.

Africa.- Reade (Winwood) The African Sketch-Book, 2 vol., first edition, frontispieces, plates, maps, spotting, original decorative cloth, gilt, slight bumping to corners and extremities, 1873 § Pearce (Major F.B.) Zanzibar: the Island Metropolis of Eastern Africa, first American edition, frontispiece, plates, illustrations, folding map (short marginal tear), ex-library with bookplate, occasional ink marks and blind-stamps, cracked hinges, original cloth, paper shelf label to spine foot, a little rubbed, slight bumping to corners and extremities, 'Simpson College Library' stamped on edges, 1920; and others similar, 8vo (8)

Africa.- Reading (Joseph H.) The Ogowe Band: A Narrative of African Travel, first edition, presentation copy from the author dated November 1890, frontispiece, plates and illustrations, maps, small blind-stamp to title, original decorative cloth, gilt, very slight bumping to corners, 8vo, Philadelphia, 1890.⁂ Provenance: blind-stamp of Munger Africana Library to title.

NO RESERVE Canada.- Macfie (Matthew) Vancouver Island and British Columbia, first edition, half-title, woodcut frontispiece, 2 folding maps, illustrations, ex-library with bookplate and occasional blind-stamps, occasional faint spotting, later morocco-backed boards, blind-stamp to upper cover, shelf-mark to spine foot, a little rubbed, 8vo, 1865.

Europe.- Freshfield (Douglas W.) The Exploration of the Caucasus, 2 vol., frontispieces (1 folding), illustrations, 4 folding maps, ex-library with bookplates and occasional ink-stamps, abrasion mark to front free endpaper where label removed, occasional spotting, original cloth, blind-stamp to upper covers, slight bumping to corners and extremities, 8vo, 1902.

Greece.- Pashley (Robert) Travels in Crete, 2 vol., first edition, half-titles, lithograph frontispieces and 10 plates, one linen-backed folding facsimile, one linen-backed folding map, illustrations, occasional marginal damp-staining, scattered spotting, ex-library with ink- and blind-stamps, later morocco-backed boards, blind-stamp to upper covers, shelf-mark to spine foot, slight bumping to corners and extremities, 8vo, Cambridge, 1837.

An early 18th century walnut cased 8 day longcase clock the 12" brass dial signed Benj. Martin Manchester on the silvered chapter ring, having Roman and outer Arabic numerals, dual minutes tracks, subsidiary seconds dial and calendar aperture, brass pierced mask cast spandrels, two train four pillar movement with anchor escapement striking on a bell, the crossbanded case with moulded top hood above a blind fret frieze and a glazed door flanked by a pair of plain engaged columns, the trunk with hinged door with circular glazed lenticle, on a box base on plinthheight 199 cm., width 49.5 cm., depth 28 cm.Condition: Pendulum and weights present. Slight bowing to sides. minors losses to moulding a cross banding notably to box base and corner of hood. Movement untested and no guarantee can be offered as to the full working order.

Laurence Stephen Lowry, RBA, RA, (British, 1887 - 1976)'The Family', print, signed in blue pen lower right, with impressed blind stamp Fine Art Trade Guild CLE, framed in moulded black and faux-wood frameframed 54 x 36.7cm approximatelyCondition: Overall in good condition, print sits flat and there are no apparent marks to the image surface, the mount shows slight markings and surface dirt, no losses to the frame, old tape to the reverse which is beginning to lift.

Sir William Russell Flint (Scottish, 1880-1969)'A Question of Attribution', coloured print published by Frost & Reed, signed in pencil lower right and with impressed blind stamp Fine Art Trade Guild HHH, framed and glazedimage approx. 56 x 45cm, overall 76.5 x 64.5cmCondition: The print is in overall good condition, some slight fading and discolouration to the edges, lying flat to the mount, mount and frame in good condition showing some marks and scratches.

An Hermes Garden Party canvas and chocolate leather totewith detachable chocolate brown canvas strap in separate dust bag, with blind stamp to the interior, and outer original Hermes bagwidth approximately 31cmCondition: With some scuffing to the four edges showing signs of wear. The canvas on one side of the bag in good clean condition. The other side with a few minor stains. A few stains to the sides too.From a Private Collection

An Hermes Chocolate Veau Swift leather Garden Party bag2005/6 with matching silk twilly in fitted case, clochette, blind stamp to the silk lined interior, push button to centre and sides, with Hermes outer dust bag, original receipt and care label in Hermes fitted boxwidth approximately 30cm Condition: Silk twilly in very good original condition with no obvious condition, card case also in good condition. The bag closes well and both sides of the bag are in good clean condition, although the corners at the bottom have scuff marks with evidence of use. Interior very good and clean apart from small scuff measuring approx. 1cm in length. The bag largely in good/very good condition.From a Private Collection

Russell Flint - a coastal road with figures limited edition print 44/600 with a blind back stamp 49cm x 61cm, framed and glazed Location: RWB

A carved oak cupboard on stand, in 17th century style, possibly incorporating antique panels, with central drawer and a pair of blind frieze drawers, 140cm high, 83cm wide, 43cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and use,Old splits and cracks, chips and losses, signs of old woodworm and other old losses and damagesElements of this cabinet do appear to have significant age, the drawers appear to have been re-lined, and other timber appears later than the panel elementsPlease see additional images for visual reference to condition and views of all anglesCondition Report Disclaimer

A Louis Philippe fruitwood side table, circa 1840, with white marble top above a single blind frieze drawer, cabriole legs, and platform base, 89cm high, 114cm wide, 50cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and use,There are old splits and cracks, and some chips and losses including to veneers, the base especially with old horizontal splitThe marble with the usual knicks and chips, also some deeper scratches/gouges and also chips and losses. Stains marks and discolouration tooSigns of old woodworm, bowing to some elementsOverall this would benefit from a clean and a repolish Please refer to the additional images for visual reference to conditionCondition Report Disclaimer

A George III mahogany serving table, circa 1790, with blind frieze drawer to the central tablet, 85cm high, 153cm wide, 53cm deep

A Louis Philippe walnut and ebonised commode, circa 1840, with blind frieze drawer above three further long drawers, 96cm high, 101cm wide, 62cm deep

A Regency mahogany Pembroke table, rounded rectangular top with fall leaves above a frieze drawer, blind to verso, sabre legs, brass capped casters, 71.5cm high, 48.5cm opening to 102cm, 76cm deep

A Chippendale style chest, rectangular top with moulded edge above two short and three long graduated drawers, swan neck handles, outlined with blind fretwork borders, pad feet, 106cm high, 107.5cm wide, 49cm deep

White metal model of an Alsatian mounted on wooden plinth base with plaques inscribed "Presented To The Kirkcaldy Meat Traders Association By The Guide Dogs For The Blind Association As A Token Of Their Gratitude", £Guide Dog Raith 1959" and "Guide Dog Rover 1960", 16cm wide, 16.5cm tall Condition Report:Dog is dirty and the plaque is tarnished. The plinth base has some paint losses, mainly to the corner edges.

A black perfume bottle, with a blind fret white metal decoration of lilies and entwined leaves with an orb stopper, 8cm high, an early 19thC brandy cork stopper, a smoking accompaniment in the Oriental manner formed as a bridge before building, with hinged lid, with musical action, table lighter and a Oriental cigarette dispenser with articulated stork top, on a lacquered rectangular base. (a quantity)

[Moll (Herman)]. Atlas Geogrophus or a Compleat System of Geography... vols. 2 and 3 only, engraved maps, collates as complete as per binder's instructions, significant foxing on some quires, folding engraved maps, a few strengthened on verso with paper repairs, contemporary blind-stamped calf, lacking top board vol 3, 4to, J. Nutt, 1711-12.

A GEORGE IV INLAID MAHOGANY LONGCASE CLOCK, the hood with swan neck pediment and arched glazed panel door enclosing a brass dial, surmounted with a semi-elliptical painted panel inscribed 'Success to the Irish Volunteers', the dial inscribed 'Hugh Gelston, Newry', the case decorated with blind fretwork and reeded pilasters and raised on bracket feet. 231cm high

A GEORGE III MAHOGANY TALL BOY CHEST, of upright rectangular form, the moulded cornice above a band of blind fretwork above eight long graduated drawers, with brass handles and bracket feet 169cm high, 48.5cm deep, 97cm wide

A GEORGIAN STYLE MAHOGANY RECTANGULAR BLANKET CHEST, with gadroon rim and blind fret frieze above twin panel doors with brass hinges and locking plate, on a base fitted twin drawers on a carved apron and cabriole legs with claw and ball feet. 118 x 51 x 117cm high

LIMITED EDITION PRINT 677/950 TITLED 'MR FRISK' BY CLAIRE EVA BURTON SIGNED AND BLIND STAMPED 61CM X 49CM F/G

PRINT TITLED 'PARTHIA, BY PERSIAN GULF-LIGHTNING' BY MADELINE SELFE SIGNED AND BLIND STAMPED 66CM X 56CM F/G

PRINT TITLED 'THEY ARE OFF' BY MICHAEL LYNE SIGNED AND BLIND STAMPED 94CM X 66CM F/G

LIMITED EDITION PRINT 124/800 TITLED 'FOREST FLOWER' BY CLAIRE EVA BURTON SIGNED AND BLIND STAMPED 43CM X 40CM F/G