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A George III style mahogany carved side chair, in the 'Chippendale Chinoiserie' manner, early 20th Century, the crest rail in the form of a pagoda top, with a lattice pierced back splat, fitted with a drop in wool-work seat pad, raised on square sectioned leg with blind fretwork carved decoration, the legs united by a fretwork carved and pierced H stretcher, 98cm high, 53cm wide, 53cm deep 

Mahogany five draw apothecary/shop counter box (approx 50cm x 30cm x 13cm) with a mahogany postage sorting slope (36cm x 24cm x 24cm), label to back for the ‘Birmingham Royal Institution for the Blind’ with postage rates dated 9th October 1916. 

*Banksy (b.1974) 'Visit Historic Palestine' poster with 'The Walled Off Hotel' blind stamp image 56 x 39.5cm; with The Walled Off Hotel invoice *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. No obvious condition issues. Receipt attached to back of frame.

*Inkie (b.1970) 'In the disco' indigo art print, numbered 5/50 l.l. and signed l.r., with blind stamps sheet 59 x 42cm unframed, together with 'Storm Trooper' by the same artist indigo art print, numbered 33/75 l.l., signed l.r., with blind stamps sheet 59.5 x 42cm, unframed (2) *Artist's Resale Right may apply to this lot.Condition report: good order, no signs of damage or restoration.

*Graham Clarke (b.1941) 'Fireworks', from the History of Britain series hand-coloured etching with shaped top, signed 'Graham Clarke' and numbered 21/200 in pencil, with History of Britain blind stamp image 49 x 38cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame, appears to be in good condition.

HELEN BRADLEY (British 1900-1979) 'Our Picnic', signed print, numbered and blind stamped by Fine Arts Trade Guild, glazed and framed, 58.5cm H x 75cm W including frame. (Subject to ARR, please see Buyers Conditions)

Original vintage advertising poster from the iconic French series of best posters Les Maitres de L'Affiche, titled Lippincott's August, with an artwork of a beareded man in a white suit, cap, tennis racket, striped red shirt, and smoking a pipe, against an orange painted background. Printed in Chaix, France. Excellent condition, slight discolouration at margins, blind embossed stamp at bottom right corner. Country of issue: France, designer: Will Carqueville, size (cm): 40x29, year of printing: 1895

Original vintage music poster advertising the Faces third studio album A Nod Is As Good As a Wink... to a Blind Horse - Great artwork features puppets of the band performing on stage with a tartan horse in the background. A Nod's As Good As a Wink... to a Blind Horse is the third album by British rock group Faces, and their second album of 1971. Faces were an English rock band formed in 1969 by members of Small Faces after lead singer/guitarist Steve Marriott left that group to form Humble Pie. The remaining Small Faces—Ian McLagan (keyboards), Ronnie Lane (bass guitar, vocals), and Kenney Jones (drums and percussion)—were joined by Ronnie Wood (guitar) and Rod Stewart (lead vocals), both from the Jeff Beck Group, and the new line-up was renamed Faces. Faces and Small Faces were jointly inducted into the Rock and Roll Hall of Fame in 2012. Good condition, several crease marks, repaired tear. Country of issue: UK, designer: Unknown, size (cm): 59.5x84, year of printing: 1971

An early Victorian mahogany and flame mahogany serpentine front inverted breakfront four door sideboard, having three blind frieze drawers, width 170cm

A contemporary cherrywood demi-lune two-tier side table, having twin hinged blind frieze drawers, width 60cm

Pair of London Transport RT BUS DESTINATION BLINDS comprising a side/rear blind, coded S, from Sidcup (SP) garage dated 16.3.65 and a canopy blind, coded AA, from Bromley (TB) garage dated 30.9.71. Generally in very good, ex-use condition. [2]

Trio of London Country (London Transport-manufactured) DESTINATION BLINDS comprising an 'NN' ultimate for RT, RML, AN vehicles at Garston (GR) garage dated 31.?.76, a 'VV' rear numbers for RML vehicles at Windsor (WR) garage dated 22.11.75 and a 'PP' canopy blind for RML vehicles at Windsor (WR) garage dated 21.5.73. All are Aldenham-manufactured and complete blinds except for the last which has a section missing at the end. [3]

Aldershot & District Traction Company bus DESTINATION BLIND. A lengthy blind, complete and generally in very good, ex-use condition with a few well-used sections. [1]

Thames Valley Traction Company bus DESTINATION BLIND. A lengthy blind, complete and generally in very good, ex-use condition. [1]

Pair of London Transport TROLLEYBUS DESTINATION BLINDS from Hammersmith (HB) depôt, the first for the front & rear boxes, dated 24.9.57, (loss & damage at lower end, otherwise very good) and the other a side box blind dated 18.4.58 (a complete blind in very good, ex-use condition). Both are Aldenham-manufactured. [2]

London Transport BL-type bus DESTINATION BLIND (also fits RF) from Kingston (K) garage dated 17.7.78 and coded 'K' for the front box. A lengthy, complete blind, Aldenham-produced, with displays for all the shed's single-deck routes including yellow panels for anti-clockwise journeys on the 215. In excellent condition, barely used. [1]

1960s London Underground DESTINATION BLIND from an R-Stock car on the District Line. Dated 26.8.68, this is a complete blind, made at Aldenham Bus Works and in good to very good, ex-use condition. [1]

London Transport Routemaster DESTINATION BLIND from Dalston (D) garage dated 11.12.79 and coded 'N' for the ultimate box, front or rear. Includes displays for two very famous London bus routes - the 9 and 11. A complete blind, Aldenham-produced. In very good, lightly-used condition. [1]

Southdown Motor Services DESTINATION BLIND marked 'CD/63'. From the collection of Southdown enthusiast Robin Aldham. A lengthy blind that is complete and generally in very good, ex-use condition. [1]

Pair of London Transport RF coach/bus DESTINATION BLINDS comprising a Green Line blind from Staines (ST) garage dated 23.3.66 and coded 'M' plus a bus blind from St Albans (SA) garage dated 25.8.69 and coded 'L' (rear box). Both are complete blinds, Aldenham-produced, in generally good to very good condition - the former has been well used. [2]

Pair of London Transport/London Country RF coach/bus DESTINATION BLINDS comprising a Green Line blind from Reigate (RG) garage dated 6.4.72 and coded 'M' plus a bus blind from Dunton Green (DG) garage dated 6.9.69 and coded 'L' (rear box). Both are complete blinds, Aldenham-produced, in generally good to very good condition - the former has been well used. [2]

London Country (London Transport-manufactured) Routemaster DESTINATION BLIND from Staines (ST) garage dated 25.11.75 and coded 'LL' for the side and rear destination boxes of an RML. A complete blind, Aldenham-produced, and in very good ex-use condition. [1]

London Country (London Transport-manufactured) Routemaster DESTINATION BLIND from Leatherhead (LH) garage dated 18.9.75 and coded 'VV' for the ultimate boxes of an RMC. A complete blind, Aldenham-manufactured, and in very good, ex-use condition. [1]

London Transport Routemaster DESTINATION BLIND from Kingston (K) garage dated 3.11.83 and coded 'LL' for the side or rear box. Includes yellow displays for the 'Kingston Shoppers Express' routes K1 & K2. A complete blind, Aldenham-manufactured, in excellent, ex-use condition. [1]

London Transport DESTINATION BLIND for a DMS-class vehicle at New Cross (NX) garage dated 21.5.81 and coded 'NN' for the ultimate box. A complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

Pair of London Transport TROLLEYBUS DESTINATION BLINDS from Fulwell (FW) depôt, the first for the front & rear boxes, dated 4.11.59, (in very good, ex-use condition) and the other a matching number box blind dated Sept 8, 1950 (in good, ex-use condition, a little damp staining at the top end). Both are complete blinds, the first is Aldenham-manufactured, the second at Charlton Works. [2]

London Transport DESTINATION BLIND for a DMS-class vehicle at Sutton (A) garage dated 13.9.79 and coded 'NN' for the ultimate box. A complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

London Transport DESTINATION BLIND for an M-class Metrobus at Potters Bar (PB) garage. Coded 'NN' for the ultimate box and dated 31.3.82. A complete blind, Aldenham-manufactured, in very good, ex-use condition with some scribbles on the blank panels. [1]

London Transport DESTINATION BLIND for RM, DM & DMS vehicles at Croydon (TC) garage. Coded 'NN' for the ultimate box and dated 7.4.82. A lengthy, complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

London Country (London Transport-manufactured) RT, RML Routemaster, AN vehicles DESTINATION BLIND from Garston (GR) garage. Coded 'NN' for the ultimate box and dated 30.9.74. Includes blue displays for the 803 Express. A complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

London Underground Metropolitan Line A-Stock DESTINATION BOX. A complete, free-standing unit with fully-working winding mechanism and including fitted BLIND with all Metropolitan and East London Line destinations. In very good, ex-car condition. [1 + blind]

RT Bus DESTINATION BLIND from the City of East London, South Africa, said by vendor to be from the rear box of ex-London Transport RT 1947 which was exported to South Africa in 1964 and finally withdrawn for preservation in 1978. A linen blind, complete and in very good, ex-use condition. [1]

CHAGALL, Marc, NACH (1887-1985), "Schwebendes Paar und Engel", Reproduktion/Papier, u.re. Trockenstempel 'Marc Chagall', u.li. undeutlicher Trockenstempel 'Paris...', u.li. mit Bleistift num. 70/450, HxB: Darstellung ca. 57x43 cm (85x67 cm mit Rahmen). Im Passepartout hinter Glas gerahmt. Leichte Altersspuren. CHAGALL, Marc, NACH (1887-1985), "Floating Couple and Angels", reproduction / paper, blind stamp 'Marc Chagall', indistinct blindstamp 'Paris ...', with pencil num. 70/450, HxW: Image approx. 57x43 cm (85x67 cm with frame). Framed behind glass in a passepartout. Slight signs of age.

KOKOSCHKA, OSKAR (1886-1980), "Prügelszene: Dionysos und Xanthias", Kaltnadelradierung/Bütten (Wasserzeichen: Richard de Bas), u.re. mit Bleistift von Hand signiert, u.li. mit Bleistift num. LXVIII/LXX, u.re. Trockenstempel: . Ars Librorum, Edition de Beauclair, Frankfurt a.M., HxB: Platte ca. 26x20 cm, Blatt ca. 51x33 cm. Gebräunt, leicht gewellt, part. Flecken. PROVENIENZ: Ketterer Kunst 2013. KOKOSCHKA, OSKAR (1886-1980), "Beating scene: Dionysus and Xanthias", drypoint / laid paper (watermark: Richard de Bas), signed by hand in pencil, with pencil num. LXVIII / LXX, blind stamp:. Ars Librorum, Edition de Beauclair, Frankfurt a.M., HxW: plate approx. 26x20 cm, sheet approx. 51x33 cm. Browned, slightly wavy, part. stains. PROVENANCE: Ketterer Kunst 2013.

DALI, SALVADOR, ATTR. (1904-1989), "Der alte Faust - Vieux Faust", aus der Folge "Faust", Kaltnadelradierung mit Goldauflage/Papier, u.re. mit Trockenstempel und mit Bleistift signiert, u.li. mit Bleistift num. LXXI/C, HxB: Platte ca. 32x23,5 cm, Blatt ca. 37x29 cm. Gebräunt und Altersspuren. PROVENIENZ: Ketterer Kunst 2013, dort als eines von 100 Exemplaren außerhalb der im Werkverzeichnis genannten Auflagen, vgl. Michler/Löpsinger WVZ-Nr. 303. DALI, SALVADOR, ATTR. (1904-1989), "Der alte Faust - Vieux Faust", of the series "Faust", Drypoint etching with gold plating / paper, lower right with blind stamp and signed in pencil, lower left with pencil num. LXXI / C, HxW: plate approx. 32x23.5 cm, sheet approx. 37x29 cm. Browned and signs of age. PROVENANCE: Ketterer Kunst 2013, there as one of 100 copies outside the editions specified in the catalog raisonné Michler / Löpsinger VMS No. 303.

EISLER, GEORG (1928-1998), 2 Lithographien "Im Theater" und "Portrait", Lithographie/Bütten, je mit Bleistift von Hand signiert und num. 57/150, das Portrait mit Trockenstempel 'MH, original Handpresse', HxB: Blatt je ca. 23x16 cm. Leichte Altersspuren. in Mappe. EISLER, GEORG (1928-1998), 2 lithographs "In Theater" and "Portrait", lithograph / handmade paper, each signed by hand in pencil and numbered. 57/150, the portrait with blind stamp 'MH, original hand press', HxW: sheet each approx. 23x16 cm. Slight signs of age. in folder.

Cecil Aldin, "Ockwells Manor, Berkshire", artists coloured proof with publishers blind stamp, signed in pencil to lower left margin, 33 x 38cm

George Cunningham, 'Pinstone Street' (Sheffield), Ltd Edition Colour Print, of five hundred, 32 x 43.5cm, blind backstamp.

Two 19th Century coloured mezzotints, Cardinal Newman (1801-1890) and Cardinal Manning (1808-1892) with Fine Art Trade Guild blind stamp and two other 19th Century black and white engravings of Cranbrook and Carter

A pair of reproduction crossbanded burr walnut bedside tables, each fitted with a drawer and shelf stretcher, the legs decorated with blind fretwork

A pair of reproduction crossbanded burr walnut low tables, each decorated with blind fretwork, fitted with a drawer over a shelf stretcher, 66cm square by 50cm

A pair of reproduction crossbanded burr walnut low tables, each decorated with blind fretwork, fitted with a drawer over a shelf stretcher, 66cm square by 50cm (ensuite with previous lot)

A reproduction burr walnut coffee table, with blind fretwork, and three drawers opposed by dummies, 140cm by 82cm by 46cm high

After Sir William Russell Flint R.A. Flamenco Dancer Colour print Blind stamp and editioned 219850 Plate size 34 x 49cm

SNAFFLES, CHARLES JOHNSON PAYNE (1884-1967) That Far, Far-Away Echo Coloured print Signed in pencil Blind stamp 24.5 x 35.5cm

Y A William IV rosewood side table, circa 1835, in the manner of designs by J.C. Loudon, with single frieze drawer above scrolling end supports and conforming stretcher joining the platform bases, 76cm high, 74cm wide, 49cm deep A similar model of table with end supports is illustrated in the Pictorial Dictionary of British 19th Century Furniture Design, page 506, with illustrations taken from Loudon, dated 1833Condition Report: Marks, knocks, scratches and abrasions consistent with age and use,The handles possibly a later addition, though in keeping with the overall piece, probably designed as a blind drawer - there is a small cut out to the underside of the drawer to facilitate opening.Overall with a polished/glossy appearance overall With some old splits and cracks, overall solid and stable Condition Report Disclaimer

A walnut barograph, J.F. Hunt, Scarborough, early 20th century, the mechanism with eight segment aneroid chamber connected via a lacquered brass armature to an inked pointer for recording the change in barometric pressure on a rotating paper scale lined drum, the case with five panel bevel-glazed cover above ogee moulded base incorporating a blind frieze drawer containing some spare charts over simple feet, stamped to the base plate for the maker and serial numbered 2222, 22cm high, 37cm wide, 23cm deep Condition Report: Marks, knocks, scratches, abrasions, consistent with age and use, the case with marks and staining and would benefit from a clean and polish, The ink bottle is present; there is an ink stain to the base of the case, the metal base with old markings and pitting. There is a spare bottle of ink present. The present chart with marks and signs of use The glass with scratches and marks, some old chips to edges,The lid rests on the base, there is no way of securing (and never has been)This is sold as a decorative work of art only and Dreweatts make no comments or guarantees as to the mechanism working or give any indications of accuracy. We recommend having it looked over by a qualified restorer prior to useCondition Report Disclaimer

A Victorian mahogany library table, circa 1850, the rectangular top with canted angles above two blind frieze drawers, 75cm high, 123cm wide, 63cm deepProvenance: Private Collection from a Grade II listed Country House, Oxfordshire

A magic collection of around 200 mixed-genre CDs from the Rough Trade archive. Artists include Butthole Surfers, John Lennon, Sonic Youth, Savoy Brown, Mercury Rev, Miles Davis, The Troggs, Inspiral Carpets, The Divine Comedy, Blind Faith, Robert Pete Williams, Patto, Ultramarine, Charles Mingus, Mystery Jets, Lucinda Williams, Pink Floyd, Dinosaur Jr, Sneaker Pimps, Bert Jansch, Lightning Seeds, Terry Lee Brown Jr, Junior Wells, Coleman Hawkins, Marshall Crenshaw, Soft Machine, Robert Johnson, Buddy Guy, Tony Joe White, At The Drive In, Tom Tom Club, Kenny Dorham, Squarepusher. CDs appear to be in excellent condition.

40 x wicked Punk 7" (picture sleeve releases) from 1976 to 1979. Artists/titles include Spys - The Young Ones, P.V.C. 2 - Put You In The Picture, Kick - 'Special Maxi Single Rough 'N' Smooth', The Jam - The News Of The World, Random Hold - Etceteraville, Screen Idols - Blind Man, Nasty Pop - Love In The Raw, Skyhooks - Women In Uniform, Eddie & The Hot Rods - Live At The Marquee, The Smirks - OK UK, Sham 69 - Questions And Answers, Harry Toledo And The Rockets (SPY 001), The Softies - Suicide Pilot, Brakes - The Way I See It, The Monks, Bunk Dogger - With One Bound He Was Free, Angelic Upstarts - Never 'Ad Nothing, The Rezillos, Yellow Dog - Just One More Night, Shrink, 999 - Emergency, Slaughter & The Dogs, Split Enz, Nick Lowe and The Stranglers.

A Half Plate Mahogany and Brass Field Camera condition P, rear frame and supporting struts detached from based frame, focusing screen missing, with lens, Thornton-Pickard cloth blind shutter and a quantity of DDS plate holders

Important Announcement - the wooden tripod legs from lot 573 have now been added to this lotA Half Plate Mahogany and Brass Field Camera condition F, with focusing screen, a Beck Symmetrical lens, a cloth blind shutter, two DDS plate holders and an early French exposure calculator

'Designs for Cretonne'three watercolours, titled on card mount, each with 'ESK' blind stamp (for Examined South Kensington)74 x 52cm on card (3)From the collection of Deryck Healey.Condition report: Discoloured, edges worn and creased. One stained. Additional images uploaded.

Early 20th century mahogany hanging shelves, central circular mirror below shaped shelf and flanking pierced brackets with semi-circular open shelves, blind fret frieze below, 68cm high x 94cm wide

George III 8 day longcase clock by Mathew Norman, London with gilt and silvered arched dial with strike/silent in arch, subsidiary seconds and date aperture, striking on bell, in dome top mahogany case with blind fretwork decoration , pendulum and two brass weights present, 240 cm high

ANDY WARHOL 'Apple Macintosh', 1985, lithograph, numbered 75/100, with signature in the plate, Leo Castelli Gallery, edited by Georges Israel (blind embossed) on Arches paper, gallery stamped on reverse, 58cm x 38cm, 84cm x 63cm overall, framed and glazed.

ANDY WARHOL 'Dollar Sign, Yellow', 1982, lithograph, with signature in the plate, numbered 60/100, Leo Castelli Gallery, edited by Georges Israel, (blind embossed on Arches paper, gallery stamped on reverse, 84cm x 63cm overall, framed and glazed.

ANDY WARHOL 'Pepsi Cola', lithograph, numbered 39/100, with signature in the plate, Leo Castelli Gallery, edited by Georges Israel (blind embossed), on Arches paper, gallery stamped on reverse, 84cm x 63cm overall, framed and glazed.

ANDY WARHOL 'Cathedral', lithograph, numbered 52/100, with signature in the plate, Leo Castelli Gallery, edited by Georges Israel (blind embossed) on Arches paper, gallery stamped on reverse, 58cm x 38cm, framed and glazed, 84cm x 63cm overall.

A George III mahogany rectangular folding card table, on square legs, with blind fret carved decoration, together with a George III mahogany dining chair, of Chippendale designTable 92w x 46d x 75h cm