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After Sir William Russell FlintBallerinasFrost and Reed printsigned in pencil and with blind stamp45 x 63 cm

An early 19th century oak longcase clock, with gilded finials over blind fret carved frieze, the shell painted dial, with date aperture and Jn Debnam Newport inscription, 30 hour movement, 11 inch dial, 212 cm high

EARLY GEORGE III 'CHINESE CHIPPENDALE' SIDE TABLE 18TH CENTURY the rectangular top above a blind fret carved frieze, raised on blind fret chamfered legs with pierced fret brackets(92cm wide, 75cm high, 47cm deep)

EARLY GEORGE III MAHOGANY OCTAGONAL BIRDCAGE TRIPOD TABLE 18TH CENTURY the hinged top with a moulded edge on a birdcage mechanism, raised on a slender blind fret carved column and carved cabriole legs ending in slipper feet(46cm wide, 73cm high)

PAIR OF GEORGE III STYLE MAHOGANY ARMCHAIRS 19TH CENTURY the square backs with re-entrant corners with pierced and carved lattice backs above drop-in seat pads flanked by conforming fretwork enclosed arms, raised on blind fret carved square legs joined by stretchers(63cm wide, 97cm high, 46cm deep)

GEORGE III STYLE MAHOGANY SERPENTINE COMMODE EARLY 20TH CENTURY the serpentine top with a moulded edge over two short and two long drawers flanked by blind fret carved canted corners, raised on shaped bracket feet(118cm wide, 87cm high, 68cm deep)

GEORGE III SERPENTINE CHEST OF DRAWERS MID 18TH CENTURY AND LATER the serpentine top above a long drawer fitted with a baize writing surface, hinged mirror, and compartments, above two further long drawers flanked by blind fret carved angles, raised on a later blind fret carved base and pierced block feet(96cm wide, 83cm high, 54cm deep)

A 19th century mahogany Chippendale style corner cabinet with pierced and blind fret decoration, enclosed by glazed door

A George III period mahogany Chest on Chest, the Greek key moulded cornice above a blind fret frieze over three long and two short drawers, flanked with fluted canted pilasters on a base with three long drawers on ogee bracket feet, 74cms x 47cms (188cms x 120cms). (1)

Herbert Thomas Dicksee RE (1862-1942)'A Place in the Sun'etching, dated 1924, published by Frost & Reed, with blind stampplate 36.5 x 57cm, unframed;together with a mezzotint engraving after Fred Morgan, 'Babes in the Wood', unframed (2)Condition report: A place in the sun - some time staining and discolouration to the paper, some water staining on the mount.Babes in the Wood - full sheet, laid down onto card. some time staining.

De Profundis T-Shirts, three T Shirts for this Death Metal band comprising Kingdom of the Blind (XL) The Blinding Light of Faith (L) and Decade 2007-2017 cut off sleeves (XL) all in good condition

Bernard McMullen Limited Edition Print 63/2003 Signed in Pencil with Double Blind Stamp 'The Blues New Home' - 51cm h x 72cm w (Unframed)

Bernard McMullen Limited Edition Print 2004/1000 Signed in Pencil with Double Blind Stamp 'Sporting Nations' - 51cm h x 72cm w (Unframed)

FRAMED ENGRAVED PRINT BLIND FIDDLER 69X51CM

Red silk blind with gold coloured thread border, approx. 182cm wide and a matching curtainCondition ReportCream Blind dimensions: 124cm x 105cm Red Blind Dimensions: 165 x 127cm Curtains Dimensions: 170cm wide at top, height 190cm. Curtain Condition: Some dirty marks/staining.

HERMÈS VINTAGE Brieftasche "BÉARN". Akt. NP.: 2.180,-€. Feines Leder in Bordeaux mit goldfarbener Hardware. Laschenverschluss mit klassischem "H". Ein Reißverschluss-Münzfach, vier Schein-/ und fünf Kartenfächer. Schöner Erhalt, leichte Alters-/ und Gebrauchsspuren vorhanden. Blind Stamp vorhanden, nur schwer lesbar. 17,5x9cm. | HERMÈS VINTAGE wallet "BÉARN".Retail price 2.180€. Fine leather in bordeaux with gold-tone hardware. Tab closure with classic "H". One zippered coin compartment, four bill/ and five card slots. Nice condition, light signs of age/ and wear present. Blind stamp present, difficult to read. 17,5x9cm.

Small mahogany chest, pull out slide, three long drawers with blind fret, on bracket feet, 57 x 75 x 43cm

Signed Cecil Aldin Print with blind stamp

An upholstered bedhead in purple, yellow and green decorated with roses (90cm x 138cm), together with two matching curtains with serrated edging and plaited tie backs (180cm hem x 84cm drop) and a matching material covered curtain pole, together with a single turquoise and terracotta striped curtain with floral motifs (some sun bleaching to one side) (260cm x 248cm), a valance for a stool in cerise and cream stripes with floral motifs (34cm x 101cm; frill height 49cm) and a large, lined floral blind with fringed edge

A pair of lined blue and red striped curtains (approx. 125cm hem x 194cm drop), together with floral blind with ruched edge (approx. 247cm hem x 107cm drop) and a pair of cream linen-type curtains (approx. 114cm hem x 220cm drop)

A pair of silk blinds decorated with dragonflies (147cm wide x 132cm drop), together with another blind decorated with Classical-style urns (138cm wide x 134cm drop)

Six gold slub silk curtains with black/white Regency stripe, each measuring 110 cm wide (approx. due to curve x 228 cm drop (6)One blind showing signs of perishing to one side of bottom area

A Continental gilt white metal belt, twelve panels, each with blind fret cast motifs of birds and foliage, linked by chain loops, 62cm long, 6.94ozt

Beryl Cook, 1925-2008, beach scene, coloured print, signed in pencil by the artist, together with another of a family shopping, signed in pencil by the artist (2)Print sizes 54 x 40cm and 50 x 40cmCondition report: Overall condition looks to be ok and they are both in what appears to be original frames, which are in ok condition. The print of the family shopping has a gallery blind stamp and both are clearly signed in pencil. They were removed from a local estate. Largest frame 76 x 60cm. Not a pair.

After Lucy Elizabeth Kemp-Welch (1869-1958): An Artist's Proof, monochrome mezzotint, of three English Civil War cavaliers on horseback speaking to two children standing in a field, Artist's Proof blind stamp lower right and signed in pencil below lower left, 36cm x 66cm

A carriage compartment sliding door complete with sliding window blind, and glass panel, ex BR(M).

The Deeside Tramway was a gravity and horse-worked, 2 ft 6 in narrow gauge industrial railway connecting the slate workings on the Dee valley with the main road at Glyndyfrdwy and later the GWR's Ruabon-Dolgellau railway. It was one of the last tramways to use wooden rails covered in iron sheaths, together with, A NER wooden signal blade, white with a black V, metal fixing strap, 29 x 120 cm, together with the axle, stops, lamp bracket, blind and remains of the post. Provence; ex Goxhill on the Hull- Hornsea line (the wooden blade is a modern replacement).

An antique early 19th Century Scottish Georgian English oak cased 8 day longcase grandfather clock by James Hendrie of Falkirk having a scrolled arched pediment top with blind pierced detailing and columns to the glazed door hood. Brass silvered dial having Roman numeral chapter ring with faceted hands. Measures 214cm, dial 12 inches.

An antique late 19th Century mahogany display cabinet bijouterie vitrine in the manner of Chippendale having a twin door, two shelf red velour lined glass cabinet door over a lift up glass cabinet base. Profuelsey decorated with blind fretwork. Raised on arrow legs united by a lower gallery edge tier. Measures approx; 161cm x 66cm x 46cm.

An antique 19th Century Dutch walnut and satin wood console hall side occasional table having a serpentine chamfered edge top with satin marquetry inlaid decoration atop. Blind fronted drawer below with further inlaid decoration raised on two thick cabriole supports. Measures approx. 79cm x 76cm x 41cm.  

An antique 19th Century Victorian mahogany bust stand / jardiniere plant planter stand having an inset and raised square top with carved detailing and blind fretwork pierced panels throughout. The top raised on four large reeded columns over a lower uniting  tier. Measures approx; 104cm tall. 33cm x 33cm displaying area.

Heartfield, John - - AIZ. Jg. VII (1928), Hefte 41-51, Jg. VIII (1929), Hefte 1-52, Jg. IX (1930), Hefte 1-52 in 3 Bänden. Mit zahlreichen photographischen Abbildungen, darunter 15 (meist blattgroße) Photomontagen von John Heartfield. Berlin, Neuer Deutscher Verlag, 1928-30. 44 x 30,5 cm bzw. 37,5 x 27,5 cm. Original-Heftung (1 Band mit geplatzten Gelenken, etwas berieben und angestaubt).Die 10 Hefte des 7. Jahrgangs sind am Ende des 2 Halbjahresbands von Jg. 8 gebunden. Der erste Halbjahresband von Jg. 8 im größeren Format. - Mit den Photomontagen von Heartfield: Das Parlament; Wer Bürgerblätter liest wird blind und taub; Zwangslieferantin von Menschenhandel, Vandervelde oder Die vollkommene Schamlosigkeit; Macdonald-Sozialismus; Sonnenfinsternis am "befreiten" Rhein; Spielereien eines pazifistisachen Engels; 6 Millionen Naziwähler: Futter für ein großes Maul etc. - Papierbedingt gebräunt, teils mit Mittelfalte, vereinzelt mit Randläsuren.

Held, Franz (das ist: Franz Herzfeld). Eine Afrikareise durch's Marsfeld (Pariser Ausstellung 1889). Berlin, Rosenbaum und Hart, 1890. 3 Bl., 353 S. 18,5 x 12,5 cm. Blind- und goldgeprägte Original-Leinwand mit Rücken- und Deckeltitel. Seltene erste Ausgabe, die wir über KVK nur in zwei deutschen Bibliotheken nachweisen können. - Killy V, 196. - Der anarchistische Dichter, Dramatiker und Prosaautor Franz Held (1862-1908; eigentlich Franz Herzfeld) war der Vater von Wieland Herzfelde und des später unter dem Namen John Heartfield berühmt gewordenen Graphikers und Photomontagekünstlers Helmut Herzfeld.

Zauberei - - Leischner, Carl Ferdinand. Die Zauberkunst aller Zeiten und Nationen, namentlich des ägyptischen Alterthums und des neunzehnten Jahrhunderts. Enthaltend die enthüllten Geheimnisse der ägyptischen Wahrsager, der Orakel, der Bauchrednerei, der Telegraphie, der Cartomancie in 280 ausgewählt schönen, belustigenden und belehrenden Kunststücken aus der Physik, Chemie, Optik, Mechanik, Mathematik, Arithmetik und Experimentirkunst nach Philadelphia, Bosco, Petorelli, Comte und Anderen. Fünfte Auflage. Mit lithographischem Frontispiz und 4 gefalteten lithographischen Tafeln. Ilmenau, Voigt 1840. XXIV, 297 S., 1 Bl. 14,5 x 9 cm. Pappband der Zeit (berieben, Ecken und Kanten etwas bestoßen). Graesse, BMP 116 - Clark-Blind 46. - Etwas gebräunt, Name auf Titel, eine Tafel mit Einriss.

Karibik - Jamaika - - The Handbook of Jamaica for 1883: Comprising historical, statistical and general information concerning the island. Published by A.C. Sinclair and Laurence R. Fyfe. London und Jamaika, Stanford und Government Printing Establishment, 1883. 6 Bl., 492 S. 22 x 14 cm. Roter Original-Leinenband mit blind- und goldgeprägtem Deckel sowie goldgeprägtem Rückentitel (etwas berieben, bestoßen, etwas fleckig, Rücken mit kleineren Fehlstellen).Seltenes Handbuch zur damaligen britischen Kronkolonie. - Mit Verzeichnissen und Beschreibungen verschiedener Behörden und anderer Einrichtungen, Beiträgen zu Gebräuchen, der Geschichte, Flora, Fauna etc. - Augustus Constantine Sinclair (ca. 1834-1891), Leiter des Government Printing Office in Jamaica wird die Idee zur Jamaica International Exhibition von 1891 zugeschrieben, er starb jedoch am Eröffnungstag. - Stellenweise leicht fleckig.

A pair of Satsuma miniature trumpet-shaped vasesBy Seikozan, Meiji era (1868-1912), late 19th/early 20th centuryFinely decorated in enamels and gilt, both vases with complementary scenes enclosed within two wide-rimmed, waisted rectangular panels, one vase depicting a mass gathering of spectators watching a Noh play and the interior of an emperor's court, the second vase with crowds of townspeople at a temple grounds and a court ceremony attended by scholars and high-ranking courtiers seated in front of a bamboo blind, both vases decorated with a procession of karako (Chinese boys) above the feet; both vases signed with a gilt seal Seikozan. Both vases: 9cm (3½in) high. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Suzuki Harunobu (1725-1770)Edo period (1615-1868), circa late 1760sTwo chuban yoko-e shunga prints from the series Furyu Enshoku Mane'emon (Elegant Erotic Mane'emon): the first, no.4, depicting a pregnant woman seizing her unrepentant husband by his loincloth, pulling him away from his mistress in the middle of the night, the miniature man Mane'emon hiding under the young girl's garments, unsigned, 21cm x 27.5cm (8½in x 10 7/8in); the second, no.8, a man and woman frolicking after a bath at a hot-spring resort, enjoying the shamisen music played by a blind ballad singer in the adjoining room, the naked Mane'emon emerging from the bath on the right, unsigned, 21cm x 27.5cm (8½in x 10 7/8in). (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Attributed to Suzuki Harunobu (1725-1770)Edo period (1615-1868), circa late 1760sTwo chuban yoko-e shunga prints, the first depicting a couple enjoying love making, a goldfish bowl lying behind a sudare (bamboo blind) on the veranda whilst a wind-bell chimes against the cool summer breeze, unsigned, 20.8cm x 28.1cm (8¼in x 11in); the second depicting an unkempt, aroused oarsman spying on a couple making love in a yakatabune (pleasure boat), unsigned, 20.6cm x 28cm (8 1/8in x 11in). (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Suzuki Harunobu (1725-1770)Edo period (1615-1868), circa late 1760sTwo chuban yoko-e shunga prints from the series Furyu Enshoku Mane'emon (Elegant Erotic Mane'emon): the first, no.2, depicting a calligraphy teacher taking advantage of his young female pupil, the miniature man Mane'emon watching them through an opening of the pierced leg of a writing table, unsigned, 21cm x 27.2cm (8¼in x 10 11/16in) ; the second, no.8, a man and woman frolicking after bathing at a hot-spring resort, enjoying the shamisen music played by a bald blind singer in the adjoining room, the naked Mane'emon emerging from the bath on the right, unsigned, 18.7cm x 28.1cm (7 3/8in x 11 1/16in). (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Attributed to Suzuki Harunobu (1725-1770)Edo period (1615-1868), circa late 1760s Two chuban yoko-e shunga prints: the first depicting a couple making love on a bench at the entrance of a shop, a young girl exiting the shop momentarily disturbs them, unsigned, the collector's seal of Hayashi Tadamasa on recto, 20cm x 26.6cm (7 7/8in x 10 7/16in); the second depicting a couple making love on a bench, their faces partially concealed beneath the sudare (bamboo blind) suspended above the veranda overlooking a river, unsigned, 18.5cm x 24.4cm (7 5/16in x 9 5/16). (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Attributed to Suzuki Harunobu (1725-1770)Edo period (1615-1868), circa late 1760sA chuban yoko-e shunga print, depicting a couple enjoying love making, a goldfish bowl lying behind a sudare (bamboo blind) on the veranda whilst a wind-bell chimes against the cool summer breeze; unsigned. 21.5cm x 28.2cm (8½in x 11 1/8in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Kitagawa Utamaro (1753-1806)Edo period (1615-1868), circa 1802A set of 12 oban yoko-e shunga prints from the album Ehon Komachi biki (Picture Book: Pulling Komachi) consisting of: (1) Courtesan and a youth; (2) Shinzo (an apprentice courtesan) and her lover; (3) Courtesan and her secret lover; (4) Maid meeting her lover during an outing from a samurai household; (5) Wakashu (young man) and a young girl in front of a brushwood-fence; (6) Geisha and her lover beside a free-standing screen; (7) Lovers in summer beside a landscape screen; (8) Married woman with her young lover beside a low plum-blossom screen; (9) woman combing her hair in front of a mirror stand and her lover behind; (10) Lovers in summer on a sleeping mat; (11) Lovers in summer with a fan and reed blind; (12) Geisha and her lover with dishes and sake kettle; all unsigned. Each approx., 25.5cm x 37cm (10in x 14 9/16in). (12).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Kawase Hasui (1883-1957)Showa era (1926-1989), dated 1935An oban yoko-e print, titled along the left margin Koshigaya no yuki (Snow in Koshigaya), depicting a docked wooden boat during a snowstorm, the marshes opposite almost entirely blanketed by snow, a tiny isolated hut shown at the edge of the promontory on the Motoarakawa River in Saitama Prefecture, the large snowflakes printed with karazuri (blind embossing), dated Showa junen nigatsu saku (Work of February, Showa 10 [1935]), published by Watanabe Shozaburo, with a Hanmoto Tokyo Ginza Watanabe mokuhan gaho seal along the lower right margin; signed Hasui with Kawase seal. 26.5cm x 39.2cm (10 3/8in x 15 3/8in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

L.S. Lowry R.A. (British 1887-1976) "The Reference Library", signed in pencil in the margin, with the Fine Art Trade Guild blind stamp, from the edition of 850, limited edition print.image size 24cm x 35cm (9.5in x 13.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The original frame has some minor knocks and losses commensurate with age.

L.S. Lowry R.A. (British 1887-1976) "Great Ancoats Street", signed and numbered 46/850 in pencil in the margin, with publisher's blind stamp, limited edition print from an original pencil drawing.image size 26.5cm x 36.5cm (10.5in x 14.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition with strong colours and no obvious faults to report. The print is unframed but mounted.

L.S. Lowry R.A. (British 1887-1976) "Industrial Scene", signed in pencil in the margin, from the edition of 850, published in 1974 by Venture Prints Ltd., Bristol, with the Fine Art Trade Guild blind stamp, limited edition colour print.image size 34.5cm x 24.5cm (13.5in x 9.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition with strong colours and no obvious faults to report. The print is framed and glazed. The original frame has some minor scuffs and knocks commensurate with age.

Signed in pencil in the margin, with the Fine Art Trade Guild blind stamp, from the edition of 850, limited edition colour print.image size 41cm x 57cm (16.25in x 22.5in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition with strong colours and no obvious faults to report.  Often prone to fading it is very unusual to find this print with such strong colours but it has been stored away in a draw since it was purchased. The print is unframed and loose but between two mountboards, originally attached by tape at the top edge.

L.S. Lowry R.A. (British 1887-1976) "The Beach, Deal", signed in pencil in the margin, with the Fine Art Trade Guild blind stamp, published in 1973 by Venture Prints Ltd, limited edition colour print.image size 26cm x 50.5cm (10.25in x 20in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition with no obvious faults to report. The print has slipped slightly within the frame. The print is framed and glazed. The original frame has some minor knocks and losses commensurate with age.

L.S. Lowry R.A. (British 1887-1976) "Huddersfield", signed in pencil in the margin, with the Fine Art Trade Guild blind stamp, from the edition of 850, published by Henry Donn in 1973, limited edition colour print.image size 45cm x 57cm (17.75in x 22.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in good, original condition with strong colours and no obvious faults to report. There is some very light time staining and browning around the edges of the print near the mount board. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

West & SonPhotograph of ThistlePhotographers blind stamp38x30cmAnd a photograph of Coila signed G L H Blair 35x28cmEach yatch gaff rigged

A reproduction George III Chippendale style tea table, the hinged swivel top over four blind fret legs, width 96cm.

A vintage micrometer by Zuess Precision, complete with booklet. Together with Rabone Chesterman tape measure, a tin of mixed small hand tools and a boxed blind rivet gun.

[BIBLE, in German]. Biblia das ist: Die gantze Heilige Schrifte, durch Martin Luther verteutscht...Basel: Caspar Mangoldts, 1665.Folio (400 x 244). Engraved title, 3 engraved double-page maps (of 6, with chipping and marginal losses); woodcut head-pieces and initials. (Some overall browning or soiling, engraved title with chipping.) Contemporary blind-tooled pigskin over bevelled wooden boards, metal bosses and clasps (lacking 2 bosses and catches, a few repairs).Includes the Old Testament, New Testament, and Apocrypha. With the rare double-hemisphere world (though torn and with some losses).For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

[BIBLE, in English].The Holy Bible, Containing the Old Testament and the New: Newly Translated out of the Original Tongues"¦ London: Charles Bill, 1709. -- [Bound after:] The Book of Common Prayer"¦ London: Charles Bill, 1709. -- [Bound with:] The Whole Book of Psalms"¦ London: Thomas Hodgkin, for the Company of Stationers, 1710.3 works bound in one, folio (356 x 255 mm). Woodcut device on title-page, woodcut initials. (Title-page and two leaves with old marginal repairs.) Contemporary blind-panelled calf (rubbed, rebacked). Provenance: Timothy Bunting (ownership inscription dated 1768 and with genealogy of the Bunting family).Bible: Darlow & Moule 904; ESTC T89278. Common Prayer: ESTC T81430. Psalms: ESTC T91722.Property from the Collection of LSC Communications, Inc.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

[BINDINGS]. [THE EASTON PRESS]. A group of 40 works from the Easton Press "Great Art and Artists Series," including:Claude Monet, 1982. -- Picasso, 1983. -- Van Gogh, 1983. -- Bonnard, 1984. -- Salvador Dali, 1984. Leonardo Da Vinci, 1984. -- Goya, 1985. -- Margritte, 1985. -- And 34 others. Together, 40 works in 40 volumes, all in original leather bindings, edges gilt, condition fine. Provenance: Embrow W. Morgan, Jr. (stamps; blind-stamps). Complete list available on request.Property from the Collection of Jack BelcherFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

[BINDINGS]. A group of 4 works, comprising:DE JOINVILLE, Jean. Memoirs of John Lord de Joinville"¦. N.p.: Printed at the Hafod Press by James Henderson, 1807. 2 vols. 18th-century blind-stamped calf gilt. Provenance: William Lloyd Aston, 1806 (bookplates). -- [BIBLE, in English]. The Holy Bible... Oxford or London, 1815. 3 vols. 19th-century red leather gilt (some toning, lower board separated vol.III, a few hinges starting). Provenance: William Banoco (signature). -- CARMAN, Bliss. Poems. New York and London, 1904. LIMITED EDITION, number 327 of 500 copies SIGNED BY CARMAN. [Laid-in:] 4pp. Typed Document "Christmas Eve. A Choral" INSCRIBED BY CARMAN to Louis V. Ledoux and ALS ("Bliss Carman") to Ledoux, 1914. -- BROOKE, Rupert et al. New Numbers. Vol. I, No. 4. December 1914. Ryton, Dymock, Gloucester: n.p., 1914. Original printed wrappers; quarter morocco slipcase. -- Together, 4 works in 8 volumes, various 4to or 8vo sizes, bindings as noted, condition generally good.Property from Historic Sengen House, Cornwall-on-Hudson, New YorkFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

[BINDINGS]. A group of 3 works, comprising:CAVENDISH, William. Handbook of Chatsworth and Hardwick. London: Privately printed, [1844]. 19th-century brown morocco gilt with black morocco strapwork stamp-signed by Zaehnsdorf (front board detached, lower joint starting, rubbed). -- COLERIDGE, Samuel Taylor. Rime of the Ancient Mariner. New York: George H. Doran Co., [1910]. Numerous illustrations by Willy Pogany. Brown leather with vignette in gilt and blind with white morocco onlay to upper board, top edge gilt (separations to joints, rubbed). Provenance: Fred Herendeen (bookplate). -- FITZGERALD, Edward, translator. Rubaiyat of Omar Khayyam. London: George G. Harrap & Co. Ltd., 1930. Numerous illustrations by Willy Pogany. Modern tree calf gilt stamp-signed by Riviere and Son (separations at joints). -- Together, 3 works in 3 volumes, 4to.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

DARWIN, Charles (1809-82). On the Origin of Species by means of natural selection. New York: D. Appleton, 1860.8vo. Half-title; one folding letterpress table. (Some spotting.) Original blue blind-stamped cloth, spine gilt-lettered (some light wear, minor losses to spine ends, hinges starting). Provenance: Seguin (two signatures, January 27, 1860).FIRST AMERICAN EDITION, FIRST ISSUE with two quotations facing title-page. Darwin's work 'marked a turning point, not only in the history of science, but in the history of ideas in general, for there is no field of human intellectual endeavor that has not been influenced by the thought and fact of evolution' (DSB III, p.571). Freeman 377.Property from Historic Sengen House, Cornwall-on-Hudson, New YorkFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

[FURNITURE & DECORATIVE ARTS]. TATLOCK, R. R. and Roger FRY, R. L. HOBSON, and Percy MACQUOID.A Record of the Collections in the Lady Lever Art Gallery Port Sunlight, Cheshire Formed by the First Viscount Leverhulme. London: B.T. Batsford, 1928.3 volumes, 4to. Numerous plates, some tipped in and some in color. Original publisher's blue cloth stamped in gilt, top edge gilt; original printed dust jacket (some soiling and toning, spines slightly darkened, light chipping and tears to extremities). Provenance: M. Phifer Williamson (blind stamps to dust jackets).FIRST EDITION, LIMITED ISSUE, one of 350 unnumbered copies. A catalogue of English paintings, English furniture, and Chinese porcelain and Wedgwood pottery in the Lady Lever Art Gallery collections.Property from a Private Collection, Chicago, IllinoisFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

[MINIATURE BOOKS]. [BIBLE, in Latin]. Biblia Sacra. Cologne: Sumpt. Haered. Bern. Gualteri et Sociorum, 1639.6 volumes, 48mo (95 x 50 mm). Engraved title-pages. Contemporary calf blind-tooled in gilt, edges gilt (some very light wear to spines); black morocco gilt-tooled slipcases, interior lined with decorative patterned paper. Provenance: Marshall Field & Company (bookseller's label).New revised standard version. Darlow & Moule 6215.Property from a Private Collection, Chicago, IllinoisFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com