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Homer. Homeri quae exstant omnia Ilias, Odyssea, Batrachomyomachia, Hymni, Poëmatia aliquot, cum Latina versione , 2 parts in 1, parallel text in Greek and Latin, first title with large woodcut printer's device, woodcut head- and tail-pieces and decorative initials, final f. with colophon recto and woodcut printer's device verso, some spotting and staining, lightly browned, new front endpapers, ink inscription of Harold George Snell, 1887 to head of title, large engraved armorial bookplate of Martin Stapylton of Myton to verso of title, contemporary blind-stamped vellum over boards, covers with arabesque centre-pieces, spine in compartments and with red leather label, corners worn, soiled and rubbed, folio, Basel, Sebastian Henricpetri, 1606.

Hugo (Victor) Notre-Dame de Paris, first issue with these illustrations, half-title, fine engraved additional pictorial title, 54 engraved or wood-engraved plates and wood-engraved illustrations after E. de Beaumont, L. Boulanger, Daubigny, T. Johannot, Meissonnier and others, occasional light foxing, some staining to last few ff., contemporary blind-stamped calf, inlaid title and imprint paper centre-pieces, spine in compartments, rubbed, gilt gauffered edges, [Carteret, III, 300; Clouzot, 145], 4to, Paris, Perrotin & Garnier, 1844.⁂ 'Remarquable publication...qui peut être recherchée à juste titre comme le prototype du grand texte illustré par les artistes de son temps' (Carteret). Better known as The Hunchback of Notre-Dame in English.

E M Hester - five half length portraits, four of a woman with brown hair wearing a white dress and another wearing a red gown, two with an F T Dennis proof, London blind stamp, each signed and with notes in pencil

Sir Lawrence Alma-Tadema (1836-1912) - 'The Goldfish Pool' etching, signed in pencil and blind stamp to the margin, 7" x 15" (image size), in a glazed, gilt frame

AFTER WILLIAM RUSSELL FLINT "Los Cientos", colour print with blind stamp, signed in pencil lower right, approx 40 cm x 52 cm

A Victorian walnut cased table top polyphone, the top with marquetry inlaid panel and blind fretwork decorated frieze opening to reveal the movement No'd. 31069 (circa 1890), together with approximately 80 various discs. Size approx 32cm wide x 55cm wide CONDITION REPORTS The mechanism does appear to work though is dirty throughout so could probably benefit from a good clean/sympathetic restoration. The movement is a double comb, the discs are 39.5cm diameter. There is a winding key with the piece although whether it is the original is not known. The case whilst basically sound requires restoration in several areas where the veneers have lifted or been damaged. There is light surface scratching and discolouration throughout - see images for further details.

An Edwardian mahogany 2-section corner cabinet, in Chippendale style, with blind carved fretwork panels, and 2 lattice-glazed doors, on bracket feet, W75cm, H210cm

LONDON ORIGIN OF JAZZ 10" EPS. Wonderful selection of titles here, 5 from London's 'Origins' / 'Archive' series. Titles: Blind Lemon Jefferson - Penitentiary Blues (UK, AL 3546, Ex/VG+ with stickers and tape repair to lower scalloped flipback edge), Blind Lemon Jefferson - The Folk Blues Of (UK, AL 3508, Ex/VG+ with tape repair and sticker), Backwoods Blues (UK, AL 3535, Ex+/VG+ with foxing and tape repair/stickers), Tommy Ladner - Plays The Blues.. (UK, AL 3548, Ex/Ex with peeling laminate and stickers) , Ida Cox - Sings The Blues (UK, AL 3517, Ex/VG+ with foxing and stickers).

PHARAOH SANDERS - LPs. 3 essentials here in wonderful condition. Titles: Pharoah Sanders ?– Deaf Dumb Blind - Summun Bukmun Umyun (UK, Stereo, Probe, SPB 1019, Factory Sample sticker to label, Ex+/Ex+ with stickers to sleeve), Pharoah Sanders - Karma (US, Stereo, Impulse!, AS-9181, 1st, gatefold, Ex with light scuffs, Ex+ sleeve with EMI import sticker and catalogue stickers to front), Pharoah Sanders ?– Jewels Of Thought (French, Stereo, Impulse!, AS-9190, gatefold, Ex+/Ex+ with stickers to front of sleeve).

Helen Bradley 'Our Christmas Ducks'' Colour Print, limited edition of 850, 38.4 x 49cm, graphite signed, blind backstamp.

Helen Bradley 'Gathering Holly' Colour Print, limited edition of 850, 29 x 37.5cm, graphite signed, blind backstamp. Another 'Light So Gently into the Silent Night', 27 x 37cm, graphite signed, blind backstamp. (2)

Helen Bradley 'We Met in the Park' Colour Print, 30.5 x 50.5cm, graphite signed, blind backstamp.

Helen Bradley 'Ah Dear Emily' Colour Print, 30 x 24.5cm, another 'Oh Just Look' colour print, 30 x 24.5cm both graphite signed, blind backstamp (2)

Helen Bradley 'Four Seasons' Colour Prints, 22.5 x 30cm, each graphite signed, blind backstamp. (4)

Early XX Century Mahogany Glazed Corner Cupboard, with blind fret decoration, glazed astragal door, one internal shelf.

1920's Mahogany Circular topped Occasional Table, with blind fretwork carving and pierced 'X' stretcher, 75.5cm diameter.

CHEST ON CHEST, George III mahogany with blind fretwork decoration and two short above six long drawers on bracket feet, 113cm W x 195cm H x 55cm D. (with faults)

A late 19thc Chippendale design ledgeback sideboard with pierced gallery back, mounted with finials and relief carved shaped top, fitted two centre drawers, flanked by oval inset panel doors, with blind carved frieze, raised on square carved supports complete with 1897 bill of sale and original key (h. 107cm x l. 167cm x d. 61cm)

HENRY CHAWNER AN 18TH CENTURY SILVER SALVER with beaded border, chased decorated blind cartouche, London 1786, 20.5cm in diameter, weight; 375g

After J Dyckmans (19th Century), The Blind Beggar, oil on board, 29 x 22cm, unframed

Stuart Devlin, a Modenist silver and parcel gilt jug, London 1980, cylindrical form with angled sparrow beak, a central band of rusticated and blind reticulated lattice meshing forming the grip, 19cm high, 16.99ozt

A Japanese carved wood netsuke, Meiji, modelled as a seated blind beggar, signed Gyokuzan, 4.5cm high

Arthur Ransome, We Didn't Mean To Go To Sea, Jonathon Cape, 1937, First edition. 351 pp. 8vo., dark green cloth stamped in gilt and blind. .

A Lombardi for Fulgurex Swiss SBB C six-coupled electric shunting locomotive No 16331, built in 1986, No 34 of 75 on plate under chassis, painted in brown with considerable external detail and pantograph, sprung chassis and hinged coupling rod connected to blind axle, in original box (some chips, minor damage to pantograph and one step missing).

A 4' 5" French style painted wood kidney shaped dressing table with triple mirror, central blind drawer and four flanking short drawers - sold with a similar dressing stool

A 6' 6" 19th Century inlaid mahogany twin pedestal break front sideboard with ornate shell and acanthus scroll decorated raised back, three blind frieze drawers, the flanking cupboard doors with shell motifs enclosing shelves and drawers, set on oak leaf topped lion paw feet

A 35" 1930`s polished oak and mixed wood wardrobe with hanging space enclosed by a mirror panel door and with blind fretwork decoration, set on bracket feet

A 4' Victorian mahogany chiffonier with pierced scroll raised back, two blind frieze drawers, flanking capitals and pair of panelled cupboard doors under, set on plinth base

A Collection of Modern Enamel Collectable Badges to include The Variety Club badges, British Red Cross, Local Blind People, Red Nose Day, Variety Club, enamel bird badges, Rupert Bear, various tourist badges, football etc. Approx 80 plus

Russell Flint Limited Edition Print with Blind Stamp, Pencil Numbered 56/850, Label to Verso In Pencil Titled ' Girl from Orio ' By Russell Flint 1979. Framed and Glazed, Size 25 x 31 Inches.

L. S. Lowry Limited Edition Print ' The Park ' Pencil Number 356/850. Blind Stamp H.D. Limited Edition, Framed and Glazed. Measuring 27 by 33 inches.

David Shepherd OBE Pencil Signed Limited Edition Print No. 832/1500. Titled 'Lone Wanderers of the Artic' with blind stamp. Published by Solomon & Whitehead 1989. Mounted & Framed unglazed. Overall size 29'' x 39''. Please see images.

Thomas Baxter Period Print titled 'Lucerne'. No. 334, dated 1857, with the Baxter blind embossed stamp. Size 19'' x 24''.

MINIATURE FURNITURE. A GEORGE III STYLE MINIATURE BOW FRONTED MAHOGANY AND LINE INLAID COMMODE WITH BLIND DRAWER AND DOORS, 15CM H

Washington (John). Eskimaux and English Vocabulary, for the Use of the Arctic Expedition, Published by Order of the Lords Commissioners of the Admiralty, 1st edition, London: John Murray, 1850, 160 pp., occasional slight toning, first front endpaper excised, previous owner inscription, 1856 to front pastedown (erased), original cloth gilt, anchor design in blind to lower cover, a little rubbed and scuffed, oblong 8vo (Qty: 1)NOTESSabin 101906. Extremely rare, only two copies recorded at auction. The preface states 'The following Vocabulary is compiled for the use of the Arctic Expeditions fitted out at the expense of the British Government to carry relief to Sir John Franklin and his companions. It was begun specially with a view to the Behring Strait Expedition, as we learn from the accounts of Cook, Kotzebue, and Beechey, that much intercourse took place during these voyages with the natives of the north-western coast of North America. It may prove useful to the Expedition about to sail for Lancaster Sound. ' 'Translated into the Greenland dialect by Capt. Lewis Platon, under title "Greenland-Eskimo Vocabulary,", London, 1853' (Sabin).

Stanfield (Clarkson). Stanfield's Coast Scenery. A Series of Views in the British Channel, from Original Drawings taken Expressly for the Work, 1836, engraved frontispiece, additional engraved title and numerous plates, scattered spotting, all edges gilt, original morocco with blocked blind and gilt decoration, extremities a little rubbed, 8vo, together with: Roscoe (Thomas) , Wanderings and Excursions in North Wales, circa 1830, engraved frontispiece, additional engraved title and numerous plates, some dampstaining and scattered spotting, all edges gilt, original morocco with blocked blind and gilt decoration, extremities a little rubbed, large 8vo (Qty: 2)

Evelyn (John). Sylva, or a Discourse of Forest-Trees, and the Propagation of Timber in His Majesties Dominions ... To which is annexed Pomona; Or, an Appendix concerning Fruit Trees in relation to Cider ... Also Kalendarium Hortense ... Second Edition much inlarged and improved, London: for Jo. Martyn and Ja. Allestry, printers to the Royal Society, 1670, imprimatur leaf, engraved title vignette, 5 engraved vignettes in text (1 full-page), errata leaf, slightly browned, spotting to imprimatur leaf and title-page, a few spots and stains elsewhere, marginal repairs to a2, blind stamps of the Free Public Library, Wigan to [A]1 (title-page), Sylva signature C1, and Kalendarium signature 2E1, Kalendarium signatures 2B4 and 2C4 shaved at foot, earl ownership inscription ('Thomas Sandwith') to imprimatur, partly effaced early ownership inscription to upper outer corner of title-page, modern half calf, folio (28.7 x 17.8 cm) (Qty: 1)NOTESBritish Bee Books 39; Freeman 1152; Henrey 133; Keynes 41; Wing E3517. The first edition was published in 1664.

Borlase (William). Observations on the Antiquities and Monuments of the County of Cornwall, 1st edition , Oxford: Printed by W. Jackson, 1754, engraved map and 23 plates (one folding), engraved illustrated head & tail-pieces, list of subscribers, occasional light toning & spotting, later endpapers, contemporary mottled calf (pitted), old reback, joints slightly split, board edges worn & showing, folio, together with: Bray (Anna Eliza) , A Description of the part of Devonshire bordering the Tamar and the Tavy ... in a series of Letters to Robert Southey, 3 volumes, London: John Murray, 1836, wood engraved illustrations and one additional mounted engraved plate, occasional spotting, upper corners of titles cropped, ink and blind stamps to titles and few other ink stamps, bookplate, top edge gilt, later 19th century half morocco, gilt decorated spines, 8vo, Marshall (William) , The Rural Economy of the West of England: including Devonshire. and parts of Somersetshire, Dorsetshire, and Cornwall, 2 volumes, London, 1796, folding map provided in facsimile, some ink markings to margins, dampstaining, contemporary half calf, worn, 8vo (Qty: 6)NOTESTHE DAVID WILSON LIBRARY OF NATURAL HISTORY PART I

* Appleton (Thomas G. 1854 - 1924). Forget-me-Not & Sunless Days, M. Knoedler & Co. circa 1886, pair of mixed method engravings on India wove after George Henry Boughton, both proofs before title, both with blind-stamp and signed in pencil below the image by the artist and the engraver, each approximately 670 x 410 mm, uniformly framed and glazed (Qty: 2)

* Barlow (Thomas Oldham, 1824-1889). Effie Deans, after John Everett Millais, William Johans , 1879, mixed method uncoloured engraving after Sir John Everett Millais on India wove, blind stamp and title to lower right below image, 775 x 575 mm, framed and glazed (Qty: 1)

* After Frank Dicksee (1853-1928). Two Crowns, Frost & Reed, 1904, uncoloured photogravure on India wove, proof before title, blind stamp to lower left, signed by artist in pencil below image, 790 x 610 mm, framed and glazed (Qty: 1)

* Payne (Charles Johnson, 'Snaffles'). The Gunner, 'Good Hunting old Sportsman', circa 1916, colour lithograph finished by hand with body colour, two remarques of a bi-plane and a team of guns, snaffle bit blind-stamp, slight toning to backing paper, overall size 430 x 340 mm, framed and glazed (Qty: 1)

* Thorburn (Archibald, 1860-1935). Red Grouse, W. F. Embleton, 1927, colour photolithograph, blind-stamp to lower left, signed by the artist in pencil below image, 335 x 465 mm, mounted, framed and glazed, together with Feeding Mallard, W. F. Embleton, 1922, colour photolithograph, blind-stamp to lower left, signed by the artist in pencil below image, 320 x 410 mm, mounted, framed and glazed, with Winter Partridges, A. Baird-Carter, 1907, colour photolithograph, signed by artist in pencil to lower left below image, 400 x 530 mm, mounted, framed and glazed (Qty: 3)

Waring (John Burnley). Masterpieces of Industrial Art and Sculpture at the International Exhibition, 1862, 3 volumes, London: Day & Son, 1863, additional chromolithograph title to each, 301 chromolithograph plates, some offsetting to tissue guards, light toning, ink stamp to verso of letterpress titles, library blind stamp to plates, titles and some leaves of text, armorial bookplate of George Thomas Robinson to upper pastedowns, all edges gilt, contemporary burgundy morocco by Palmer & Howe of Manchester, with elaborate gilt decoration, rubbed and worn, joints of volume 1 splitting at head, folio (Qty: 3)

* Blues / R&B. Collection of 28 original 45rpm blues / R&B singles on Blue Horizon Records, most in original blue or red sleeves, including 12 promotional records such as Champion Jack Dupree (Ba' La Fouche / I Haven't Done No One No Harm), Cat Nos 57-3152 and 57-3140 respectively from 1969 & 1968, Duster Bennett & His House Band (Bright Lights, Big City) , Cat No 57-3154 from 1969, Bacon Fat (Nobody But You), Cat No S 57-3171 from 1970, Top Topham (Christmas Cracker), Cat No 57-3167 from 1969, Jellybread (Comment), Cat No 57-3169 from 1970, Earl Hooker (Boogie Don't Blot), Cat No 57-3166 from 1969, Buster Brown (Sugar Babe), Cat No 57-3147 from 1968, Chicken Shack (Sad Clown / When The Train Comes Back / Maudie), Cat Nos S 57-3176, 57-3146 and 57-3168 respectively, Arthur K. Adams (She Drives Me Out Of My Mind), Cat No 57-3136) from 1967, together with non-promotional records such as Christine Perfect of Fleetwood Mac fame (When You Say), B.B. King (The Woman I Love & Everyday I Have The Blues), Otis Spann with Fleetwood Mac (Walkin'), Garfield Love (Next Time You See Me), Juke Boy Bonner (Runnin' Shoes), Fleetwood Mac (Albatross & Black Magic Woman), Eddie Boyd with Peter Green's Fleetwood Mac (The Big Boat), Jellybread (Chairman Mao's Boogaloo), Chicken Shack (I'd Rather Go Blind & Worried About My Woman & Tears in the Wind) and Duster Bennett (It's A Man Down There & Raining In My Heart & I'm Gonna Wind Up Ending Up ...) (Qty: 28)

* Blues / Soul / Jazz. Collection of approximately 100 blues, soul and jazz LP's / vinyl records, including "The Blues Came Down From Memphis" (London HAS 8265), Big Joe Williams "Hand Me Down My Old Walking Stick" (Liberty LBL 83207E), "Back To The Country" (Bounty BY 6018), "Classic Delta Blues" (Milestone / CBS 63813) and others, "On The Road Again, an Anthology of Chicago Blues 1947-1954" (XTRA 1133), Kokomo Arnold (Saydisc Matchbox Blues Series SDR 163), Blind Willie McTell "Trying To Get Home" (Biograph BLP 12008), "Meat & Gravy from Cadillac Baby, Vol. 1, 2 & 3" (Red Lightnin RL0019, RL0020 & RL0021), "Great Harp Players, 1927-1930" (Matchbox Bluesmaster Series MSE 209), together with other recordings by artists such as Blind Blake, Sonny Boy Williamson, Robert Wilkins, Speckled Red, Robert Petway, Charley Patton, Blind Willie Johnson, Blind Boy Fuller, Peetie Wheatstraw, Jug Bands, Peg Leg Howell, Frank Stokes, Bo Weavil Jackson, Charley Lincoln, Lee Dorsey, Bumble Bee Slim, Bill Gaither, Clarence Williams Rhythm Kings, Snooky Pryor, James 'Stump' Johnson, Willie Mabon, Earl Hooker, Jody Williams, Johnny Ace, B.B. King, Billy Boy Arnold, Big Bill Broonzy, Lightnin' Hopkins, Brownie McGhee, Sonny Terry, Howlin' Wolf, Junior Parker, Billy Love, Muddy Waters, Memphis Slim, Josh White, Arthur 'Big Boy' Crudup, Tub Jug Washboard Bands, Count Basie & The Mills Brothers (The Board of Directors), Lee Wiley, Elmore James, Otis Redding, Casey Bill Weldon, Robert Johnson, Leothus 'Lee' Green, Will Ezell, Jimmy Yancey, Bukka White, Buddy Moss, Barbecue Bob, Lucille Bogan, Mary Johnson, Smiley Lewis, Fats Domino and many others (Qty: approx. 100)

* Blues / Soul. Collection of approximately 50 blues and soul LP's / vinyl records, including "Home Murderers", an anthology of Negro worksongs and country blues compiled by Alan Lomax (Pye / Nixa Jazz Today Series NJL 11 Black Label), "Negro Folklore from Texas State Prisons" (Elektra Records EKL-296), Little Johnny Taylor (Vocalion VA-F 8031), "Chance Vintage Blues / R&B Crops Vol. 1" featuring Johnny Shines / Big Boy Spires with Johnny Williams (P-Vine Special PLP-705, Japanese Import, purple Japanese wrapper included), The Sue Story, Vol. 2 (Sue Records ILP-933), Lightning Hopkins "Lightning's Blues" (French pressing, Time / Bel Air 435003), The Blues World of Little Walter (Roots of Jazz Series, Delmark DL-648), Cat Iron (XTRA 1087), The Big Soul of John Lee Hooker (Stateside SL 10053), John Lee Hooker "Driftin' Thru The Blues" (Ember EMB 3371), Freddy king "His Early Years" (Polydor 2343-047), "The Country Blues" recorded at informal sessions in the homes of Butch Cage and Mabel Lee Williams near Baton Rouge, Louisiana (Storyville SLP 129), Lightnin' Hopkins and John Lee Hooker "There's Good Rockin' Tonight!" (Storyville 616001), "Magic Touch", Magic Sam and Shakey Jake Live at Sylvio's 1968 (Black Magic 9003), Steve Cropper, Pop Staples & Albert King "Jammed Together" (Stax STX 3009), Lonnie Austin & Norman Woodlieff (Leader LEE 4045), Inez and Charlie Foxx "Mocking Bird" (United Artists UAL 29025), The Saga of Leadbelly (Melodisc MLP 12-107), Hank Ballard and The Midnighters "Greatest Juke Box Hits" (King 541), The Legendary Son House, Father of Folk Blues (CBS BPG 62604), together with other LP's featuring artists such as Barry Goldberg, The Reverend Gary Davis, The Reverend Robert Wilkins, Bo Diddley, Muddy Waters, Blind Willie McTell, Curley Weaver, Buddy Moss, Lowell Fulson, Homesick James, Frankie Lee Sims, Joseph Lee Williams, Eddie Taylor, Billy Boy, Snooky Prior, Chris Kenner, B.B. King, Sonny Boy Williamson, Fred McDowell, Sunnyland Slim, Big Willie Dixon, John Henry Barbee, Washboard Sam, Cocoa Taylor, Evans Spencer, Lonnie Johnson, Little Anthony & The Imperials, Jimmy Reed, Bobby Bland, Little Junior Parker, Albert King, Otis Rush and others (Qty: approx. 50)

* Blues. Collection of 16 Limited Edition "Roots Records" blues LP's by Saydisc Records, including "Nearer My God To Thee" (Roots RL-304), Tommy McClennan "Cross Cut Saw Blues" (Roots RL-305), The Great Harmonica Players Vol. 1 & 2 (Roots RL-320 & RL-321), Memphis Blues Vol. 1 (Roots RL-323), Blind Willie McTell (Roots RL-324), Alabama Country Blues (Roots RL-325), The East Coast States Vol. 2 (Roots RL-326), Texas Country Music Vol. 3 (Roots RL-327), Southern Sanctified Singers (Roots RL-328), Memphis Blues Vol. 2 (Roots RL-329), The Famous 1928 Tommy Johnson - Ishman Bracey Session (Roots RL-330), Kings of Memphis Town (Roots RL-333), Country Blues Obscurities Vol. 1 (Roots RL-334), Son House "The Legendary 1941-1942 Recordings in Chronological Sequence" (Roots RSE-1 by Saydisc Specialized Recording Ltd) and The Vocal Intensity of Son House (Roots SL-504), all labels pale blue except RSE-1 which has a white label with German text, a few LPs have inserts with detailed track and artist credits, some LPs have the Saydisc name on the rear and a few have Saydisc stickers on the front while others do not mention Saydisc at all so it is possible that they are pre-1969 and manufactured in Austria (Qty: 16)NOTESIn the 1950s, Austrian jazz enthusiast Johnny Parth launched two record labels, Jazz Perspective and Hot Club De Vienne. Their records were manufactured in very low quantities (sometimes as low as 20 or 30 copies) with hand-printed covers. By the mid-1960s Johnny and his wife Evelyn were undertaking a field trip to make recordings of Austrian folk music. On completion, the music was released in the US on Chris Strachwitz's legendary Arhoolie Records and on the 500 series of the newly formed Roots Records. Strachwitz suggested to the Parths that they should use the Roots label to re-issue limited edition vintage country blues recordings. With finance provided by Evelyn, they went ahead and produced the first country blues album, by Blind Lemon Jefferson. Johnny's ever-growing network of collectors provided the Austrian couple with a flow of rare, sometimes staggeringly rare, 78s which were lovingly transferred to ensure a flow of albums. Over the next few years, 41 albums appeared on the Roots 300 series of vinyl albums. As the 1960s blues boom took hold in the UK, many UK record shops supplied Roots LPs at premium import prices. In 1968, by agreement with Roots, Saydisc began to press and distribute Roots LPs in the UK, thus bringing the price down in comparison with Austrian imports. In 1970 the Roots label came to an end when Johnny and Evelyn divorced. In 1982 Parth began to reassemble his huge collection of 78s into chronological order and these recordings would later be the foundations for the new Document label.

* Blues. Collection of 45rpm blues singles by Slim Harpo, including "Shake Your Hips / Midnight Blues" (Excello 45-2278), "I'm Your Breadmaker, Baby / Loving You The Way I Do" (Excello 45-2282), "I Need Money / Little Queen Bee" (Excello 45-2246), "Te-Ni-Nee-Ni-Nu / Mailbox Blues" (Excello 2294) and "Tip On In / Part 2" (Excello 2285), all in plain sleeves, together with singles by Lowell Fulsom , "Blues Pain" (Kent K489) and "Tramp" (Kent K45x456), plus Wilbert Harrison "Kansas City / Listen, My Darling" (Top Rank 45-JAR 132), Lulu Reed & Freddy King "Let Your Love Watch Over Me / You Can't Hide" (Federal 45-12471), Brenda and The Tabulations "Dry Your Eyes / The Wash (London HL 10127), Little Milton "Blind Man / Blues In The Night" (Pye International 7N25289), Bobby Bland "I'm Too Far Gone / If You Could Read My Mind" (Vocalion V-P 9262), Clifton Chenier "Black Gal / Frog Legs" (Action ACT 4550), The King Pins "It Won't Be This Way Always / How Long Will It Last" (Federal 45-12484), The Ainsley Dunbar Retaliation "Watch'n Chain / Roamin and Ramblin" (Liberty LBF 15132), Sugar Pie DeSanto "There's Gonna Be Trouble / In The Basement" (Chess CRS 8034), Buddy Miles Express "Train / Part 2" (Mercury MF 1065), Jimmy Hughes "Neighbor, Neighbor / It's A Good Thing (Fame 1003), The Afro Blues Quintet Plus One "Let My People Go / Adro-Rock" (Mirt Records 236) and Etta James "Trust In Me / Anything To Say You're Mine" (Pye International 7N25080) (Qty: 20)

* Blues. Collection of 24 blues LP's / vinyl records, including "The Super Super Blues Band" with Howlin' Wolf, Muddy Waters & Bo Diddley (1968 UK mono 1st pressing, Chess Records CRL 4537, black label), "The Blues Keep Falling" with Luther Huff, Tony Hollins, Otis Hinton, Jimmy Deberry, Gabriel Brown, Junior Parker, Danny Boy Thomas and Lightning Slim (rare blues LP, no catalogue number or record label but probably by Sunflower Records, only 99 copies believed to have been made, sleeve marked "October 1968" and "Limited Pressing for Collectors Only", text on rear of sleeve signed off by "E.T.", plain white labels with artist names and tracks hand-written on the label by previous owner), Muddy Waters "The Blues Man, The Historic 1941-42 Library of Congress Recordings" (UK mono 1st pressing, Polydor Special 236574), Charley Patton "Founder of the Delta Blues" (Yazoo L-1020 gatefold double LP), Albert Collins "Love Can Be Found Anywhere, Even In A Guitar" (Liberty LBS 83238), L.C. 'Good Rockin' Robinson, Lafayette 'Thing' Thomas and Dave Alexander "Oakland Blues" (Liberty LBS 83234, World Pacific Series), Albert King "King, Does The King's Things" (Stax SXATS 1017), Buddy Guy "I Was Walking Through The Woods" (Chess Vintage Series CH409), "The Late-Fantastically Great James Elmore" (Ember EMB 3397), Brownie McGhee & Sonny Terry "Back Country Blues" (Realm RM165), "Black Diamond Express To Hell" (Matchbox Special Gospel Double LP, SDX 207/8), Leadbelly "Sings Folk Songs with Woodie Guthrie, Cisco Houston, Sonny Terry & Brownie McGhee" (Folkways FA 2488), "33 Minits of Blues and Soul" (Minit MLL 40002), Howlin' Wolf "Big City Blues" (Ember EMB 3370), "Black Nativity, Gospel on Broadway" (Fontana / Vee-Jay 688502 ZL), "The Blues at Newport 1964, Part 1" (Fontana TFL 6048), "Going Down South, Blues and Spirituals by Fred and Annie Mae McDowell" (Polydor Special 236570), "Victoria Spivey" (Xtra 1022), Sonny Terry "Harmonica Blues" (Topic 12T30), Blind Willie Johnson (Folkways FG 3585), Sonny Boy Williamson (2-LP Chess Blues Masters Series 2A CMB-206), Lowell Fulson (2-LP Chess Blues Masters Series 2A CMB-205), "Guitar Evangelists Vol. 1 (1927-1936)" (Truth Records TLP-1002, Limited Edition) and "The Blues, Vol. 4" (Chess CRL 4003, black label) (Qty: 24)

* Blues. Collection of blues LPs / vinyl records on the Yazoo record label, including Alabama Blues 1927-1931 (Yazoo L-1006, black label), St. Louis Town 1927-1932 (Yazoo L-1003, black label), Tex-Arkana-Louisiana Country 1927-1932 (Yazoo L-1004), Guitar Wizards 1926-1935 (Yazoo L-1016), Lonesome Road Blues, 15 Years in the Mississippi Delta 1926-1941 (Yazoo L-1038), Blind Willie McTell, The Early Years 1927-1933 (Yazoo L-1005), Blind Willie McTell 1927-1935 (Yazoo L-1037), Uptown Blues, A Decade of Guitar-Piano Duets 1927-1937 (Yazoo L-1042) together with 5 double LP's by Bessie Smith "The World's Greatest Blues Singer" (CBS 66258), "Any Woman's Blues" (CBS 66262), "Empty Bed Blues" (CBS 66273), "The Empress" (CBS 66264) and "Nobody's Blues But Mine" (CBS 67232) (Qty: 13)

* Jazz / Blues / R&B / Soul. Collection of approximately 60 jazz, blues, R&B and soul music EP's, all in original sleeves, including Mahalia Jackson "Consider Me / I'm Gonna Wait Until My Change Comes / Get Away, Jordan / I Have A Friend" (Top Rank JKR 8006), Jerry Roll Morton and His Red Hot Peppers "Sidewalk Blues / Jerry Roll Blues / The Pearls / Kansas City Stomp" (RCA RCX-168) and "Climax Rag / Don't You Leave Me Here / West End Blues / Ballin' The Jack" (RCA Victor RCX-208), Jimmy Smith "Walk On The Wild Side / The Preacher" (Verve VEP 5008), Coleman Hawkins "Accent On Tenor" (ARC 76), Sidney Bechet "Sister Kate / Rosa Rhumba / Ba Ba Rhumba / Fidgety Feet" (Melodisc EPM-7-114), Louis Armstrong (Odeon 60th Birthday Series) with Savoy Ballroom Five (Vol. 6, Odeon MOE 2256), with Carroll Dickerson's Orchestra (Vol. 8, Odeon MOE 2258) and with Luis Russell Orchestra (Vol. 9, Odeon MOE 2259), Nina Simone "Since My Love Has Gone / Lovin' Woman / I Loves You Porgy" (Bravo BR362), together with others by artists such as Erroll Gardner, Jimmy Witherspoon, Fletcher Henderson, Big Bill Broonzy, Josh White, Duke Ellington, Modern Jazz Quartet, Charlie Parker, Dizzy Gillespie, Jean-Pierre Ferland, Johnny Dodds and Jimmie Noone (New Orleans Clarinets), Peetie Wheatstraw, Dixie Hummingbirds, Blind Richard Yates, Clementine Smith, Nellie Potter, Memphis Slim, Eubie Blake, Earl Hines and His Orchestra, Shirley Bassey, Sonny Terry & Brownie McGhee, Clara Smith, Peggy Lee, Cab Calloway, Stan Kenton, Kansas Katie, Ida May Mack, Williamson's Beale Street Frolic, Mills Blue Rhythm Band, Washboard Sam, Glenn Miller, Woody Herman, Monty Sunshine, Ken Colyer's Jazzmen, The Mike Cotton Jazzmen, "Fats" Waller, Dutch Swing College Band, Dave Brubeck Quartet, Chris Barber and others (Qty: approx. 60)

* Jazz / R&B. Collection of 13 jazz EP's on the Jazz Collector Records label, including artists such as Blind Blake and Ramblin' Thomas (JEL 4), Blind Lemon Jefferson and Ed Bell (JEL 13), Mound City Blue Blowers with Red McKenzie and Eddie Lang (JEL 1), Walter Roland and Georgia Slim (JEL 2), Tampa Red and Georgia Tom (JEL 3), Tall Tom and Pinewood Tom (JEL 5), Louis Armstrong and the Red Onion Jazz Babies JEL 9), Ma Rainey and Ida Cox (JEL 12), Blind Lemon Jefferson and Buddy Boy Hawkins (JEL 8), 13Ory's Sunshine Orchestra (JEL 17), Clarence Williams and His Orchestra (JEL 18), Ma Rainey and Trixie Smith (JEL 22), Lovie Austin's Blues Serenaders and State Street Ramblers (JEL 23), all with original sleeves in good condition (Qty: 13)

* Rock / Pop. Collection of approximately 60 rock & pop music LP's / vinyl records, including John Fahey "Vol. 5, The Transfiguration of Blind Joe Death" (Riverboat RB-1), Hair (Polydor 583043), Stefan Grossman "The Gramercy Park Sheik" (Fontana STL 5485), Leslie West "Mountain" (Psych Rock Import, Windfall 4500), Ananta "Night and Daydream" (Promotional Copy, Touchstone BBT 112T), Steppenwolf "For Ladies Only" (Dunhill DSX 50110), John Kay (ex-Steppenwolf) "My Sportin' Life" (Dunhill DSX 50147), Bachman Turner Overdrive "Head On" (Mercury SRM-1-1067), Johnny Rivers "Slim Slo Slider" (Imperial LP 16001), Raymonde "Babelogue" (Chrysalis BFV 41615), Speedy Keen "Previous Convictions" (MCA Records MCA-331), Rick Danko (lead singer of The Band, debut album, Arista SPART 1037), The Jimi Hendrix Experience "Axis: Bold As Love" (Track Records 2407011), together with other recordings by artists such as Joan Baez, Elvis Presley, Paul McCartney, Albert Collins, Ronnie Hawkins, Robert Cray, Rita Coolidge, The Young Tradition, Ike & Tina Turner, John Lennon, The King's Singers, Manfred Mann, The Shadows, Al Ferrier and His Boppin' Billies, Ray Campi and His Rockabilly Rebels, The Beach Boys, Gordon Giltrap, Eddie Cochran, Family, Rocky Sharpe and The Replays, Golden Avatar, Julie London and others, plus some compilation albums (Qty: approx. 60)

Angelo ( Domenico). Angelo's Attitudes of Fencing, [London, 1783], engraved title (neatly strengthened to verso at fore-edge), 43 plates only (numbered 1-47, lacking plate numbered 23), some toning and slight creasing, modern blind decorated sheep, oblong 8vo (12.5 x 25 cm) (Qty: 1)NOTESThis volume comprises an engraved title and collection of plates with imprint dated August 1783 (i.e. bound without letterpress text). The same plates were issued in The School Of Fencing With A General Explanation Of The Principal Attitudes And Positions Peculiar To The Art. - By Mr. Angelo, London, 1787. Both volumes contained paired plate numbers 2 / 3, 11/12, and 13/14, each being assigned as one plate (refer to Thimm p.10).

Roland (George). A Treatise on the Theory and Practice of the Art of Fencing ... and Continued by Easy and Progressive Lessons, from the Simplest Position to the most Complicated Movements, 1st edition , Edinburgh: Archd. Constable & Co., 1823, half-title, 12 lithograph plates, occasional spotting and toning, bookplate of William E. Stuart and bookseller's label of Frank Murray of Derby to upper pastedown, contemporary calf, gilt decorated spine with black calf title label, blind embossed decoration & gilt ruled border to boards, extremities a little rubbed, 8vo, together with: Ibid. , An Introductory Course of Fencing, 2nd edition, Edinburgh: Published by the Author, [1830?], 5 lithograph plates, light toning and minor spotting, original cloth gilt, spine worn and deficient, extremities worn, slim 8vo (Qty: 2)NOTESThimm p.243; Pardoel 2217. The first edition of this treatise by George Roland (fl.1809-1862), fencing master at the Royal Academy of Edinburgh and son of Joseph Roland, fencing master at the Royal Military Academy of Woolwich. A reissue, printed from the same setting of type, was published in 1824.

Corbesier (Antoine J.). Theory of fencing, with the small-sword exercise, 1st edition, Washington: Government Printing Office, 1873, 23 lithograph plates, fore-edge margin of title with short closed tear and slightly torn to edge, some light scattered spotting, front free endpaper inscribed by the author 'complements of A. J. Corbesier N. Academy J.B. LaLande de Ferriere, New Orleans, L.A.', contemporary half straight-grain dark brown sheep, gilt embossed emblem of United States Navy Bureau of Ordnance, upper joint slightly cracked and extremities a little rubbed, slim 8vo, together with: Sabine (Lorenzo) , Notes on Duels and Duelling, Alphabetically Arranged, with a Preliminary Historical Essay, 3rd edition, Boston: Crosby, Nicols & Co., 1859, original brown cloth, blind blocked decoration, spine frayed at head & foot, 8vo (Qty: 2)NOTESThimm p.65 and p.250. Joseph LaLande De Ferriere (died 23 Nov 1875), was a Private in the Confederate Army during the American Civil War and served in Co. E, 4th Regiment, 2nd Brigade, 1st Division, Louisiana Militia. Lieutenant Antoine Joseph Corbesier (1837-1916) USMC was a Belgian national born in Brussels. He was appointed Sword Master of the U.S. Naval Academy at Annapolis, Maryland in 1865 and served in that position for 49 years. Lorenzo Sabine (1803-1877) was born in New Concord (now Lisbon), New Hampshire, and became a United States Representative from Massachusetts in 1833. From early childhood, Sabine, in his own words, was "revolution-mad". Today he is particularly known for his historical research and published works relating to the Loyalists of the American Revolution rather than for his efforts as a public servant.

Bible [English]. The Bible, that is, the Holy Scriptures conteined in the Olde and Newe Testament, Translated according to the Ebrew and Greeke, and conferred with the best Translations in divers Languages..., Imprinted at London [i.e. Amsterdam]: by the Deputies of Christopher Barker, 1599 [i.e. circa 1599-1640], letterpress general title with woodcut illustration and upper outer corner torn away & repaired (without initial general title with woodcut border), New Testament title within decorative woodcut border, few woodcut illustrations and decorative initials, double-column roman type, colophon at end of Tables dated 1599, bound without Apocrypha, early manuscript genealogical entries to letterpress general title, final leaf of Profits and verso of New Testament title relating to the Widonson family (also to upper pastedown), few closed tears and fraying to margins, D1 torn to inner upper margin, burn hole to R2 with text loss & burn mark to facing leaf R1, X1 torn to fore-edge margin with loss to marginal note, 3I4 torn to lower blank margin with slight loss to notes & catchword etc., 3P3 torn to lower outer corner with slight loss, without blank leaf 3Q8, small hole to final leaf 3R4, some soiling, occasional dampstains and marks (including few ink marks), without free endpapers, 19th century ownership label of John Wycliffe Wilson of Sheffield to upper pastedown, hinges repaired, contemporary blind panelled calf, rebacked and corners repaired (spine concave), 4to, contained in modern slipcase (Qty: 1)NOTESProvenance: From the Library of David Wilson (1926-2020). Herbert 248; Darlow & Moule 188; STC 2174. Geneva version; with Thomson's NT, but with Junius' Revelation. These Bibles with imprint dated 1599 were probably printed in Amsterdam and Dort and adopted by Barker, for the use of English Puritans in the Low Countries. There are many editions bearing this date, which while agreeing closely are yet distinct. No doubt a certain number of copies were originally issued in a mixed state. The nominal date, 1599, is probably untrue in almost every case. However, this version (Herbert 248) is probably the earliest of these editions, as it abounds more than any others in gross errors, and was perhaps printed in Amsterdam in about 1599. Typographical variations and errors in this volume include Esther i:1 '... seuen and twen - \ ty prouinces '; Song of Solomon v:3, defile for put; Isaiah xxx:32, beards for harps , Isaiah xxxvi:12, thing for dung ; Matt. xxiv:50, line repeated. This example also omitting line in Eccles. iv:9, Two are better [than one: for they have better] wages for their labour .

Camden (William). Remaines Concerning Britain ... 6th impression, with many rare Antiquities never before imprinted. By the Industry and Care of John Philipot Somerset Herald and W.D. Gent, London: Simon Waterson & Robert Clavell, 1657, engraved portrait frontispiece, cancel title, woodcut armorials to text, pages 409-411 are misnumbered 332, 334, 331 respectively, some browning and spotting, armorial bookplate of Thomas Steatfeild of Chart's Edge to upper pastedown, 19th century calf, blind decorated spine with black morocco title label, upper joint slightly cracked at foot, small 4to (Qty: 1)NOTESWing C374A. A reissue, with cancel title page, of the edition with Isabella Waterson named as publisher in imprint. The cancel title is in the same setting, except for the imprint, as that for Wing C374C.

[Glasse, Hannah]. The Art of Cookery, Made Plain and Easy; Which far exceeds any Thing of the Kind ever yet published ..., by a Lady, 5th edition with additions, London: printed and sold at Mrs. Ashburn's China-Shop ..., 1755, p.1 with ink manuscript authorial signature, title toned and slightly edge-chipped, occasional spotting, p.201 with long tear (previously repaired), lacking all before title, front pastedown with book ticket, contemporary calf, worn, front cover detached, lacking rear cover, 8vo, together with: Kettilby (Mary) , A Collection of above Three Hundred Receipts in Cookery, Physick, and Surgery; for the use of all good wives, tender mothers, and careful nurses, to which is added a Second Part, containing a great number of excellent receipts, for preserving and conserving of sweet-meats, &c., by Several Hands, 2 parts in one, 5th edition & 4th edition, London: printed for the Executrix of Mary Kettilby, 1734, title with early ink manuscript signiture, woodcut head- and tail-pieces and decorative initials, generally spotted, mid-19th century half sheep, rubbed with some wear to extremities, 8vo, Hunter (Alexander) , Culina Famulatrix Medicinae: or, Receipts in Modern Cookery; with a medical commentry, written by Ignotus, and revised by A. Hunter, 5th edition, considerably enlarged, York: printed by T. Wilson and R. Spence, 1807, engraved frontispiece, offset to title and spotted, with small dampstain to upper left corner, scarce spots or marks, armorial bookplate of Robert Washington Oates, near contemporary deep reddish-brown mottled calf gilt, extremities rubbed, front cover dampstained with some surface loss, covers and spine stamped and tooled in blind and gilt, 8vo, Nicholson (William) , The First Principles of Chemistry, 3rd edition revised, London: printed for G. G. and J. Robinson, 1796, folding engraved frontispiece (creased and dampstained), half-title, occasional pale dampstaining to upper margins, cover nearly detached at rear hinge, untrimmed in original vellum-backed boards, worn, rear cover with early ink manuscript title and author, thick 8vo, and 5 others including The Cricket Field: or, The History and the Science of Cricket, by [James Pycroft], 1st edition, 1851 (Qty: 9)NOTESFirst three items: Bitting pp.186-189 (for other editions), 258, 238; Cagle 699, 792, 772; Maclean pp.59, 79-82, N/A.